Summary
Prince Myshkin visits Rogojin's home, where a haunting painting of Christ's crucifixion dominates the scene. The artwork sparks a conversation about faith that reveals both men's spiritual struggles. Myshkin shares four encounters that shaped his understanding of Russian faith: an intellectual atheist who seemed to miss the point entirely, a peasant who murdered his friend while praying for forgiveness, a drunken soldier who sold his cross for drink money, and a young mother whose simple words about God's joy captured the essence of Christianity. These stories illustrate how faith operates beyond logic or morality. The chapter culminates in a powerful ritual as the two men exchange crosses - Myshkin's simple tin cross for Rogojin's gold one - symbolically becoming brothers. Rogojin then takes Myshkin to meet his senile mother, who blesses the prince without understanding why. The visit ends with Rogojin's cryptic surrender: he gives up his claim to Nastasya, declaring 'She's yours. I surrender her.' This moment reveals the deep psychological warfare beneath their friendship, as Rogojin simultaneously embraces and rejects Myshkin. The chapter explores how genuine spiritual connection can exist alongside jealousy, how rituals create meaning even when participants don't fully understand them, and how people often act against their own interests when driven by forces beyond their control.
Coming Up in Chapter 21
With Rogojin's mysterious surrender hanging in the air, Myshkin must now navigate the complex social world of St. Petersburg society, where his simple nature will be tested against the sophisticated games of the Russian elite.
Share it with friends
An excerpt from the original text.(~500 words)
They passed through the same rooms which the prince had traversed on his arrival. In the largest there were pictures on the walls, portraits and landscapes of little interest. Over the door, however, there was one of strange and rather striking shape; it was six or seven feet in length, and not more than a foot in height. It represented the Saviour just taken from the cross. The prince glanced at it, but took no further notice. He moved on hastily, as though anxious to get out of the house. But Rogojin suddenly stopped underneath the picture. “My father picked up all these pictures very cheap at auctions, and so on,” he said; “they are all rubbish, except the one over the door, and that is valuable. A man offered five hundred roubles for it last week.” “Yes—that’s a copy of a Holbein,” said the prince, looking at it again, “and a good copy, too, so far as I am able to judge. I saw the picture abroad, and could not forget it—what’s the matter?” Rogojin had dropped the subject of the picture and walked on. Of course his strange frame of mind was sufficient to account for his conduct; but, still, it seemed queer to the prince that he should so abruptly drop a conversation commenced by himself. Rogojin did not take any notice of his question. “Lef Nicolaievitch,” said Rogojin, after a pause, during which the two walked along a little further, “I have long wished to ask you, do you believe in God?” “How strangely you speak, and how odd you look!” said the other, involuntarily. “I like looking at that picture,” muttered Rogojin, not noticing, apparently, that the prince had not answered his question. “That picture! That picture!” cried Muishkin, struck by a sudden idea. “Why, a man’s faith might be ruined by looking at that picture!” “So it is!” said Rogojin, unexpectedly. They had now reached the front door. The prince stopped. “How?” he said. “What do you mean? I was half joking, and you took me up quite seriously! Why do you ask me whether I believe in God?” “Oh, no particular reason. I meant to ask you before—many people are unbelievers nowadays, especially Russians, I have been told. You ought to know—you’ve lived abroad.” Rogojin laughed bitterly as he said these words, and opening the door, held it for the prince to pass out. Muishkin looked surprised, but went out. The other followed him as far as the landing of the outer stairs, and shut the door behind him. They both now stood facing one another, as though oblivious of where they were, or what they had to do next. “Well, good-bye!” said the prince, holding out his hand. “Good-bye,” said Rogojin, pressing it hard, but quite mechanically. The prince made one step forward, and then turned round. “As to faith,” he said, smiling, and evidently unwilling to leave Rogojin in this state—“as to faith, I had four curious conversations in two days,...
Master this chapter. Complete your experience
Purchase the complete book to access all chapters and support classic literature
As an Amazon Associate, we earn a small commission from qualifying purchases at no additional cost to you.
Available in paperback, hardcover, and e-book formats
Intelligence Amplifier™ Analysis
The Road of Sacred Exchange
Ritual exchanges that create meaningful bonds between competitors by acknowledging shared humanity beyond personal interests.
Why This Matters
Connect literature to life
This chapter teaches how meaningful ritual exchanges can transform competitive relationships into something deeper and more sustainable.
Practice This Today
This week, notice when you're in conflict with someone and try sharing something meaningful—recognition of their skills, acknowledgment of shared challenges, or a simple gesture that honors your common humanity.
Now let's explore the literary elements.
Terms to Know
Icon painting
Religious artwork in Russian Orthodox tradition, meant to be windows to the divine rather than mere decoration. The Holbein painting of Christ's crucifixion serves this purpose in Rogojin's house, creating an atmosphere of spiritual weight and judgment.
Modern Usage:
Like how certain photos or artwork in our homes carry emotional weight and set the tone for important conversations.
Cross exchange ritual
A Russian Orthodox tradition where men exchange crosses to become spiritual brothers, creating a bond deeper than friendship. It's both a religious ceremony and a psychological commitment that can't easily be undone.
Modern Usage:
Similar to blood brotherhood ceremonies or friendship bracelets, but with the weight of religious obligation behind it.
Peasant faith
Simple, direct religious belief without intellectual analysis, often seen as more authentic than educated theology. Dostoevsky contrasts this with the sterile debates of intellectuals who argue about God's existence.
Modern Usage:
Like how some people find more meaning in personal spiritual experiences than in formal religious education or debates.
Spiritual paradox
The contradictory nature of religious experience, where someone can pray while committing murder or sell their cross while maintaining faith. Shows how human nature resists simple moral categories.
Modern Usage:
Like how people can genuinely love their family while treating them terribly, or claim values they don't live by.
Maternal blessing
The power of a mother's approval or prayer, especially from elderly women seen as closer to God. Rogojin's senile mother blesses Myshkin without understanding why, but the ritual still carries weight.
Modern Usage:
Like how a grandmother's approval can feel more meaningful than other people's opinions, even when she doesn't fully understand the situation.
Psychological surrender
Giving up something you want not out of generosity but because the internal conflict has become unbearable. Rogojin surrenders Nastasya while simultaneously resenting it.
Modern Usage:
Like finally letting someone else have the promotion you wanted because fighting for it was destroying you inside.
Characters in This Chapter
Prince Myshkin
Spiritual seeker
Shares four stories about different types of faith he's witnessed, from intellectual atheism to simple peasant belief. His openness to Rogojin's ritual shows his genuine desire for human connection despite the danger.
Modern Equivalent:
The friend who sees the good in everyone and tries to understand different perspectives
Rogojin
Tormented host
Initiates the cross exchange ceremony and surrenders his claim to Nastasya, but his actions feel more like psychological warfare than genuine friendship. He's trying to bind Myshkin to him while pushing him away.
Modern Equivalent:
The ex who stays friends but makes everything complicated and intense
Rogojin's mother
Blessing figure
An elderly, senile woman who blesses Myshkin without understanding who he is or why. Her blessing carries weight precisely because it's innocent of the complex dynamics between the men.
Modern Equivalent:
The grandmother who gives advice that somehow hits home even though she doesn't know the full story
The atheist intellectual
Cautionary example
Appears in Myshkin's story as someone who argues against God's existence but misses the point entirely about what faith actually means to people. Represents sterile intellectualism.
Modern Equivalent:
The person who explains why your feelings are illogical instead of trying to understand them
The murderous peasant
Spiritual paradox
From Myshkin's story - a man who prays for forgiveness while murdering his friend for a watch. Embodies the contradiction between faith and action that troubles Myshkin.
Modern Equivalent:
Someone who goes to church every Sunday but treats people terribly the rest of the week
Key Quotes & Analysis
"She's yours. I surrender her."
Context: After the cross exchange ceremony, Rogojin gives up his claim to Nastasya
This isn't generosity but psychological manipulation. Rogojin makes Myshkin responsible for Nastasya while positioning himself as the noble one who stepped aside. It's a trap disguised as a gift.
In Today's Words:
Fine, you can have her, but don't blame me for what happens next.
"God's joy in man is like a mother's joy in her own child."
Context: From Myshkin's story about different types of faith he's encountered
This simple statement captures what all the intellectual debates miss - that faith is about relationship and love, not theology. It represents the authentic spiritual connection Myshkin seeks.
In Today's Words:
God loves us the way a mom loves her kid - completely and without conditions.
"Let us be brothers!"
Context: During the cross exchange ceremony
The ritual creates a bond that both men need but that will ultimately destroy them. Rogojin seeks connection while ensuring conflict, making them brothers in suffering rather than joy.
In Today's Words:
We're in this together now, for better or worse.
Thematic Threads
Faith
In This Chapter
Myshkin's four stories reveal faith as lived experience rather than intellectual belief, culminating in the cross exchange ritual
Development
Evolved from earlier abstract discussions to concrete examples of how faith operates in daily life
In Your Life:
You might see this when someone's actions reveal deeper beliefs than their words suggest
Brotherhood
In This Chapter
Two rivals become symbolic brothers through cross exchange despite competing for the same woman
Development
Introduced here as a new dynamic that complicates their established rivalry
In Your Life:
You might experience this when workplace competition transforms into mutual respect through shared challenges
Ritual
In This Chapter
The cross exchange creates meaning and connection that transcends rational understanding
Development
Introduced here as a powerful force that shapes relationships beyond logic
In Your Life:
You might notice how ceremonies and traditions create bonds even when you don't fully understand why
Surrender
In This Chapter
Rogojin gives up his claim to Nastasya, choosing spiritual connection over personal victory
Development
Represents a shift from earlier chapters where characters fought to control outcomes
In Your Life:
You might face moments when letting go of what you want creates something more valuable than winning
Class
In This Chapter
Myshkin's stories span from intellectuals to peasants, showing how authentic faith crosses social boundaries
Development
Continues exploring how genuine human experience transcends social categories
In Your Life:
You might discover that wisdom and authenticity appear in unexpected places regardless of education or status
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Why does Rogojin give up his claim to Nastasya after going through the cross exchange ritual with Myshkin?
analysis • surface - 2
How does the ritual of exchanging crosses change the relationship between two men who are competing for the same woman?
analysis • medium - 3
Where have you seen people create bonds with their competitors or rivals through shared experiences or rituals?
application • medium - 4
When you're in conflict with someone, how could you create a moment of sacred exchange that acknowledges your shared humanity?
application • deep - 5
What does this chapter reveal about how rituals can create meaning and connection even when people don't fully understand why they're participating?
reflection • deep
Critical Thinking Exercise
Design Your Own Sacred Exchange
Think of someone you're currently in competition or conflict with - a coworker, family member, or neighbor. Design a simple ritual or exchange that could acknowledge your shared humanity while not eliminating the underlying tension. This could be sharing information, offering recognition, or creating a moment of mutual respect around something you both value.
Consider:
- •The exchange should cost you something small but meaningful
- •Focus on what you share in common rather than what divides you
- •The ritual doesn't need to solve the conflict, just reframe it
Journaling Prompt
Write about a time when someone you were competing against surprised you by showing respect or creating connection. How did that change your relationship, even if you remained rivals?
Coming Up Next...
Chapter 21: The Stalker in the Shadows
As the story unfolds, you'll explore anxiety and paranoia can create self-fulfilling prophecies, while uncovering avoiding confrontation often makes situations worse. These lessons connect the classic to contemporary challenges we all face.
