An excerpt from the original text.(complete · 1582 words)
CENE I. A room in the Castle.
Enter King, Queen, Polonius, Ophelia, Rosencrantz and Guildenstern.
KING.
And can you by no drift of circumstance
Get from him why he puts on this confusion,
Grating so harshly all his days of quiet
With turbulent and dangerous lunacy?
ROSENCRANTZ.
He does confess he feels himself distracted,
But from what cause he will by no means speak.
GUILDENSTERN.
Nor do we find him forward to be sounded,
But with a crafty madness keeps aloof
When we would bring him on to some confession
Of his true state.
QUEEN.
Did he receive you well?
ROSENCRANTZ.
Most like a gentleman.
GUILDENSTERN.
But with much forcing of his disposition.
ROSENCRANTZ.
Niggard of question, but of our demands,
Most free in his reply.
QUEEN.
Did you assay him to any pastime?
ROSENCRANTZ.
Madam, it so fell out that certain players
We o’er-raught on the way. Of these we told him,
And there did seem in him a kind of joy
To hear of it. They are about the court,
And, as I think, they have already order
This night to play before him.
POLONIUS.
’Tis most true;
And he beseech’d me to entreat your Majesties
To hear and see the matter.
KING.
With all my heart; and it doth much content me
To hear him so inclin’d.
Good gentlemen, give him a further edge,
And drive his purpose on to these delights.
ROSENCRANTZ.
We shall, my lord.
[Exeunt Rosencrantz and Guildenstern.]
KING.
Sweet Gertrude, leave us too,
For we have closely sent for Hamlet hither,
That he, as ’twere by accident, may here
Affront Ophelia.
Her father and myself, lawful espials,
Will so bestow ourselves that, seeing unseen,
We may of their encounter frankly judge,
And gather by him, as he is behav’d,
If’t be th’affliction of his love or no
That thus he suffers for.
QUEEN.
I shall obey you.
And for your part, Ophelia, I do wish
That your good beauties be the happy cause
Of Hamlet’s wildness: so shall I hope your virtues
Will bring him to his wonted way again,
To both your honours.
OPHELIA.
Madam, I wish it may.
[Exit Queen.]
POLONIUS.
Ophelia, walk you here.—Gracious, so please you,
We will bestow ourselves.—[To Ophelia.] Read on this book,
That show of such an exercise may colour
Your loneliness.—We are oft to blame in this,
’Tis too much prov’d, that with devotion’s visage
And pious action we do sugar o’er
The devil himself.
KING.
[Aside.] O ’tis too true!
How smart a lash that speech doth give my conscience!
The harlot’s cheek, beautied with plastering art,
Is not more ugly to the thing that helps it
Than is my deed to my most painted word.
O heavy burden!
POLONIUS.
I hear him coming. Let’s withdraw, my lord.
[Exeunt King and Polonius.]
Enter Hamlet.
HAMLET.
To be, or not to be, that is the question:
Whether ’tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die—to sleep,
No more; and by a sleep to say we end
The heart-ache, and the thousand natural shocks
That flesh is heir to: ’tis a consummation
Devoutly to be wish’d. To die, to sleep.
To sleep, perchance to dream—ay, there’s the rub,
For in that sleep of death what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause. There’s the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
The oppressor’s wrong, the proud man’s contumely,
The pangs of dispriz’d love, the law’s delay,
The insolence of office, and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would these fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover’d country, from whose bourn
No traveller returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o’er with the pale cast of thought,
And enterprises of great pith and moment,
With this regard their currents turn awry
And lose the name of action. Soft you now,
The fair Ophelia! Nymph, in thy orisons
Be all my sins remember’d.
OPHELIA.
Good my lord,
How does your honour for this many a day?
HAMLET.
I humbly thank you; well, well, well.
OPHELIA.
My lord, I have remembrances of yours
That I have longed long to re-deliver.
I pray you, now receive them.
HAMLET.
No, not I.
I never gave you aught.
OPHELIA.
My honour’d lord, you know right well you did,
And with them words of so sweet breath compos’d
As made the things more rich; their perfume lost,
Take these again; for to the noble mind
Rich gifts wax poor when givers prove unkind.
There, my lord.
HAMLET.
Ha, ha! Are you honest?
OPHELIA.
My lord?
HAMLET.
Are you fair?
OPHELIA.
What means your lordship?
HAMLET.
That if you be honest and fair, your honesty should admit no discourse
to your beauty.
OPHELIA.
Could beauty, my lord, have better commerce than with honesty?
HAMLET.
Ay, truly; for the power of beauty will sooner transform honesty from
what it is to a bawd than the force of honesty can translate beauty
into his likeness. This was sometime a paradox, but now the time gives
it proof. I did love you once.
OPHELIA.
Indeed, my lord, you made me believe so.
HAMLET.
You should not have believed me; for virtue cannot so inoculate our old
stock but we shall relish of it. I loved you not.
OPHELIA.
I was the more deceived.
HAMLET.
Get thee to a nunnery. Why wouldst thou be a breeder of sinners? I am
myself indifferent honest; but yet I could accuse me of such things
that it were better my mother had not borne me. I am very proud,
revengeful, ambitious, with more offences at my beck than I have
thoughts to put them in, imagination to give them shape, or time to act
them in. What should such fellows as I do crawling between earth and
heaven? We are arrant knaves all, believe none of us. Go thy ways to a
nunnery. Where’s your father?
OPHELIA.
At home, my lord.
HAMLET.
Let the doors be shut upon him, that he may play the fool nowhere but
in’s own house. Farewell.
OPHELIA.
O help him, you sweet heavens!
HAMLET.
If thou dost marry, I’ll give thee this plague for thy dowry. Be thou
as chaste as ice, as pure as snow, thou shalt not escape calumny. Get
thee to a nunnery, go: farewell. Or if thou wilt needs marry, marry a
fool; for wise men know well enough what monsters you make of them. To
a nunnery, go; and quickly too. Farewell.
OPHELIA.
O heavenly powers, restore him!
HAMLET.
I have heard of your paintings too, well enough. God hath given you one
face, and you make yourselves another. You jig, you amble, and you
lisp, and nickname God’s creatures, and make your wantonness your
ignorance. Go to, I’ll no more on’t, it hath made me mad. I say, we
will have no more marriages. Those that are married already, all but
one, shall live; the rest shall keep as they are. To a nunnery, go.
[Exit.]
OPHELIA.
O, what a noble mind is here o’erthrown!
The courtier’s, soldier’s, scholar’s, eye, tongue, sword,
Th’expectancy and rose of the fair state,
The glass of fashion and the mould of form,
Th’observ’d of all observers, quite, quite down!
And I, of ladies most deject and wretched,
That suck’d the honey of his music vows,
Now see that noble and most sovereign reason,
Like sweet bells jangled out of tune and harsh,
That unmatch’d form and feature of blown youth
Blasted with ecstasy. O woe is me,
T’have seen what I have seen, see what I see.
Enter King and Polonius.
KING.
Love? His affections do not that way tend,
Nor what he spake, though it lack’d form a little,
Was not like madness. There’s something in his soul
O’er which his melancholy sits on brood,
And I do doubt the hatch and the disclose
Will be some danger, which for to prevent,
I have in quick determination
Thus set it down: he shall with speed to England
For the demand of our neglected tribute:
Haply the seas and countries different,
With variable objects, shall expel
This something settled matter in his heart,
Whereon his brains still beating puts him thus
From fashion of himself. What think you on’t?
POLONIUS.
It shall do well. But yet do I believe
The origin and commencement of his grief
Sprung from neglected love. How now, Ophelia?
You need not tell us what Lord Hamlet said,
We heard it all. My lord, do as you please,
But if you hold it fit, after the play,
Let his queen mother all alone entreat him
To show his grief, let her be round with him,
And I’ll be plac’d, so please you, in the ear
Of all their conference. If she find him not,
To England send him; or confine him where
Your wisdom best shall think.
KING.
It shall be so.
Madness in great ones must not unwatch’d go.
[Exeunt.]
Master this chapter. Complete your experience
Purchase the complete book to access all chapters and support classic literature
As an Amazon Associate, we earn a small commission from qualifying purchases at no additional cost to you.
Available in paperback, hardcover, and e-book formats
Let's Analyse the Pattern
The Surveillance Spiral - When Being Watched Makes You Dangerous
When constant monitoring and manipulation create the very dangerous behavior they were meant to prevent.
Why This Matters
Connect literature to life
This chapter teaches how to recognize when people position others as bait while they watch your reaction from the shadows.
Practice This Today
This week, notice when conversations feel like tests - when someone brings up a sensitive topic while others are conveniently nearby, or when friends ask leading questions they've never cared about before.
Now let's explore the literary elements.
Key Quotes & Analysis
"To be or not to be, that is the question"
Context: Hamlet contemplates whether to continue living or end his suffering through suicide
This opens the most famous speech in English literature, where Hamlet weighs the pain of existence against the fear of death. It captures the universal human struggle with suffering and the unknown.
In Today's Words:
Should I keep going or just end it all - that's what I need to figure out
"The whips and scorns of time, th' oppressor's wrong, the proud man's contumely"
Context: Hamlet lists all the injustices and sufferings that make life unbearable
He catalogs life's cruelties - abuse of power, arrogance of the wealthy, delayed justice. It's a timeless list of why someone might want to escape existence.
In Today's Words:
All the ways life beats you down - corrupt bosses, rich jerks looking down on you, justice that never comes
"Get thee to a nunnery"
Context: Hamlet cruelly tells Ophelia to become a nun after realizing he's being spied on
This brutal rejection serves multiple purposes - protecting Ophelia from his dangerous world, punishing those who spy on him, and expressing his disgust with corruption. His pain becomes a weapon.
In Today's Words:
Get away from me and stay away from men completely
"And thus the native hue of resolution is sicklied o'er with the pale cast of thought"
Context: Hamlet explains how overthinking prevents action and keeps people trapped
He identifies the paralysis that comes from thinking too much about consequences. Fear of the unknown keeps us stuck in situations we hate rather than taking decisive action.
In Today's Words:
When you think too hard about doing something, you talk yourself out of it and stay stuck
Thematic Threads
Betrayal
In This Chapter
Hamlet's friends become spies, Ophelia becomes bait, and even his love becomes a performance staged for hidden watchers
Development
Escalated from suspicion about his father's death to active manipulation by those closest to him
In Your Life:
You might recognize this when coworkers start asking oddly specific questions or family members suddenly show unusual interest in your activities
Isolation
In This Chapter
Hamlet realizes he has no genuine relationships left - everyone is either watching him or being used to watch him
Development
Progressed from self-imposed distance to complete paranoid isolation where he can't trust anyone's motives
In Your Life:
This shows up when you find yourself second-guessing every conversation and wondering who's reporting back to whom
Mental Breakdown
In This Chapter
Hamlet's famous soliloquy reveals suicidal thoughts, while his cruelty to Ophelia shows how pain makes us hurt others
Development
Evolved from grief and confusion to active psychological crisis and lashing out
In Your Life:
You might see this pattern when stress makes you snap at people who don't deserve it, especially those trying to help
Power Dynamics
In This Chapter
The king and Polonius orchestrate elaborate schemes using Ophelia as a pawn, showing how authority manipulates the powerless
Development
Intensified from initial political maneuvering to active psychological warfare against Hamlet
In Your Life:
This appears when bosses or authority figures use your relationships or personal information as leverage against you
Moral Corruption
In This Chapter
Even the king admits his guilt is eating him alive, while good people like Ophelia are forced to participate in deception
Development
Deepened from individual corruption to a system that forces everyone to compromise their integrity
In Your Life:
You experience this when workplace or family pressures make you participate in things that go against your values
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What specific actions do the king and Polonius take to spy on Hamlet, and how does Hamlet figure out he's being watched?
analysis • surface - 2
Why does Hamlet's realization that he's being monitored cause him to turn cruel toward Ophelia, even though she's not the one making the decisions?
analysis • medium - 3
Where have you seen this pattern of surveillance creating the very problems it was meant to prevent - at work, school, or in relationships?
application • medium - 4
If you realized someone was using a friend or family member to spy on you, how would you handle it without destroying your relationship with that person?
application • deep - 5
What does this chapter reveal about how feeling constantly watched changes people's behavior and relationships?
reflection • deep
Critical Thinking Exercise
Map Your Surveillance Network
Think about a situation where you felt monitored or watched - at work, home, or school. Draw a simple diagram showing who was watching whom, what information was being gathered, and how it affected everyone's behavior. Then identify one person in that network who might have been caught in the middle, like Ophelia.
Consider:
- •How did being watched change your natural behavior?
- •Who in the situation had the least power but took the most damage?
- •What would have happened if someone had addressed the surveillance directly instead of working around it?
Journaling Prompt
Write about a time when you were asked to gather information about someone else. How did it feel to be in that position, and what did you learn about the costs of surveillance on relationships?
Coming Up Next...
Chapter 10: The Play's the Thing
The players arrive at court, and Hamlet sees his chance to test whether the ghost was telling the truth about his father's murder. He'll stage a play that mirrors the crime and watch his uncle's reaction.




