An excerpt from the original text.(complete · 1407 words)
CENE I. Elsinore. A platform before the Castle.
Enter Francisco and Barnardo, two sentinels.
BARNARDO.
Who’s there?
FRANCISCO.
Nay, answer me. Stand and unfold yourself.
BARNARDO.
Long live the King!
FRANCISCO.
Barnardo?
BARNARDO.
He.
FRANCISCO.
You come most carefully upon your hour.
BARNARDO.
’Tis now struck twelve. Get thee to bed, Francisco.
FRANCISCO.
For this relief much thanks. ’Tis bitter cold,
And I am sick at heart.
BARNARDO.
Have you had quiet guard?
FRANCISCO.
Not a mouse stirring.
BARNARDO.
Well, good night.
If you do meet Horatio and Marcellus,
The rivals of my watch, bid them make haste.
Enter Horatio and Marcellus.
FRANCISCO.
I think I hear them. Stand, ho! Who is there?
HORATIO.
Friends to this ground.
MARCELLUS.
And liegemen to the Dane.
FRANCISCO.
Give you good night.
MARCELLUS.
O, farewell, honest soldier, who hath reliev’d you?
FRANCISCO.
Barnardo has my place. Give you good-night.
[Exit.]
MARCELLUS.
Holla, Barnardo!
BARNARDO.
Say, what, is Horatio there?
HORATIO.
A piece of him.
BARNARDO.
Welcome, Horatio. Welcome, good Marcellus.
MARCELLUS.
What, has this thing appear’d again tonight?
BARNARDO.
I have seen nothing.
MARCELLUS.
Horatio says ’tis but our fantasy,
And will not let belief take hold of him
Touching this dreaded sight, twice seen of us.
Therefore I have entreated him along
With us to watch the minutes of this night,
That if again this apparition come
He may approve our eyes and speak to it.
HORATIO.
Tush, tush, ’twill not appear.
BARNARDO.
Sit down awhile,
And let us once again assail your ears,
That are so fortified against our story,
What we two nights have seen.
HORATIO.
Well, sit we down,
And let us hear Barnardo speak of this.
BARNARDO.
Last night of all,
When yond same star that’s westward from the pole,
Had made his course t’illume that part of heaven
Where now it burns, Marcellus and myself,
The bell then beating one—
MARCELLUS.
Peace, break thee off. Look where it comes again.
Enter Ghost.
BARNARDO.
In the same figure, like the King that’s dead.
MARCELLUS.
Thou art a scholar; speak to it, Horatio.
BARNARDO.
Looks it not like the King? Mark it, Horatio.
HORATIO.
Most like. It harrows me with fear and wonder.
BARNARDO
It would be spoke to.
MARCELLUS.
Question it, Horatio.
HORATIO.
What art thou that usurp’st this time of night,
Together with that fair and warlike form
In which the majesty of buried Denmark
Did sometimes march? By heaven I charge thee speak.
MARCELLUS.
It is offended.
BARNARDO.
See, it stalks away.
HORATIO.
Stay! speak, speak! I charge thee speak!
[Exit Ghost.]
MARCELLUS.
’Tis gone, and will not answer.
BARNARDO.
How now, Horatio! You tremble and look pale.
Is not this something more than fantasy?
What think you on’t?
HORATIO.
Before my God, I might not this believe
Without the sensible and true avouch
Of mine own eyes.
MARCELLUS.
Is it not like the King?
HORATIO.
As thou art to thyself:
Such was the very armour he had on
When he th’ambitious Norway combated;
So frown’d he once, when in an angry parle
He smote the sledded Polacks on the ice.
’Tis strange.
MARCELLUS.
Thus twice before, and jump at this dead hour,
With martial stalk hath he gone by our watch.
HORATIO.
In what particular thought to work I know not;
But in the gross and scope of my opinion,
This bodes some strange eruption to our state.
MARCELLUS.
Good now, sit down, and tell me, he that knows,
Why this same strict and most observant watch
So nightly toils the subject of the land,
And why such daily cast of brazen cannon
And foreign mart for implements of war;
Why such impress of shipwrights, whose sore task
Does not divide the Sunday from the week.
What might be toward, that this sweaty haste
Doth make the night joint-labourer with the day:
Who is’t that can inform me?
HORATIO.
That can I;
At least, the whisper goes so. Our last King,
Whose image even but now appear’d to us,
Was, as you know, by Fortinbras of Norway,
Thereto prick’d on by a most emulate pride,
Dar’d to the combat; in which our valiant Hamlet,
For so this side of our known world esteem’d him,
Did slay this Fortinbras; who by a seal’d compact,
Well ratified by law and heraldry,
Did forfeit, with his life, all those his lands
Which he stood seiz’d of, to the conqueror;
Against the which, a moiety competent
Was gaged by our King; which had return’d
To the inheritance of Fortinbras,
Had he been vanquisher; as by the same cov’nant
And carriage of the article design’d,
His fell to Hamlet. Now, sir, young Fortinbras,
Of unimproved mettle, hot and full,
Hath in the skirts of Norway, here and there,
Shark’d up a list of lawless resolutes,
For food and diet, to some enterprise
That hath a stomach in’t; which is no other,
As it doth well appear unto our state,
But to recover of us by strong hand
And terms compulsatory, those foresaid lands
So by his father lost. And this, I take it,
Is the main motive of our preparations,
The source of this our watch, and the chief head
Of this post-haste and rummage in the land.
BARNARDO.
I think it be no other but e’en so:
Well may it sort that this portentous figure
Comes armed through our watch so like the King
That was and is the question of these wars.
HORATIO.
A mote it is to trouble the mind’s eye.
In the most high and palmy state of Rome,
A little ere the mightiest Julius fell,
The graves stood tenantless and the sheeted dead
Did squeak and gibber in the Roman streets;
As stars with trains of fire and dews of blood,
Disasters in the sun; and the moist star,
Upon whose influence Neptune’s empire stands,
Was sick almost to doomsday with eclipse.
And even the like precurse of fierce events,
As harbingers preceding still the fates
And prologue to the omen coming on,
Have heaven and earth together demonstrated
Unto our climatures and countrymen.
Re-enter Ghost.
But, soft, behold! Lo, where it comes again!
I’ll cross it, though it blast me. Stay, illusion!
If thou hast any sound, or use of voice,
Speak to me.
If there be any good thing to be done,
That may to thee do ease, and grace to me,
Speak to me.
If thou art privy to thy country’s fate,
Which, happily, foreknowing may avoid,
O speak!
Or if thou hast uphoarded in thy life
Extorted treasure in the womb of earth,
For which, they say, you spirits oft walk in death,
Speak of it. Stay, and speak!
[The cock crows.]
Stop it, Marcellus!
MARCELLUS.
Shall I strike at it with my partisan?
HORATIO.
Do, if it will not stand.
BARNARDO.
’Tis here!
HORATIO.
’Tis here!
[Exit Ghost.]
MARCELLUS.
’Tis gone!
We do it wrong, being so majestical,
To offer it the show of violence,
For it is as the air, invulnerable,
And our vain blows malicious mockery.
BARNARDO.
It was about to speak, when the cock crew.
HORATIO.
And then it started, like a guilty thing
Upon a fearful summons. I have heard
The cock, that is the trumpet to the morn,
Doth with his lofty and shrill-sounding throat
Awake the god of day; and at his warning,
Whether in sea or fire, in earth or air,
Th’extravagant and erring spirit hies
To his confine. And of the truth herein
This present object made probation.
MARCELLUS.
It faded on the crowing of the cock.
Some say that ever ’gainst that season comes
Wherein our Saviour’s birth is celebrated,
The bird of dawning singeth all night long;
And then, they say, no spirit dare stir abroad,
The nights are wholesome, then no planets strike,
No fairy takes, nor witch hath power to charm;
So hallow’d and so gracious is the time.
HORATIO.
So have I heard, and do in part believe it.
But look, the morn in russet mantle clad,
Walks o’er the dew of yon high eastward hill.
Break we our watch up, and by my advice,
Let us impart what we have seen tonight
Unto young Hamlet; for upon my life,
This spirit, dumb to us, will speak to him.
Do you consent we shall acquaint him with it,
As needful in our loves, fitting our duty?
MARCELLUS.
Let’s do’t, I pray, and I this morning know
Where we shall find him most conveniently.
[Exeunt.]
Master this chapter. Complete your experience
Purchase the complete book to access all chapters and support classic literature
As an Amazon Associate, we earn a small commission from qualifying purchases at no additional cost to you.
Available in paperback, hardcover, and e-book formats
Let's Analyse the Pattern
The human tendency to resist uncomfortable truths until overwhelming evidence forces acceptance, often when it's too late to act effectively.
Why This Matters
Connect literature to life
This chapter teaches how to recognize when multiple trusted sources are trying to alert you to the same problem.
Practice This Today
This week, notice when more than one person mentions the same concern about your situation - instead of defending, ask yourself what evidence you might be overlooking.
Now let's explore the literary elements.
Key Quotes & Analysis
"Who's there?"
Context: The very first line, as guards change shifts in the dark
This opening question establishes the theme of uncertainty and hidden identities that runs through the entire play. Nobody knows who to trust or what's real.
In Today's Words:
Who is that? What's going on?
"'Tis bitter cold, And I am sick at heart."
Context: The guard going off duty describes how he feels
The physical cold mirrors the emotional atmosphere - something is deeply wrong in Denmark. This guard feels it even before seeing anything supernatural.
In Today's Words:
It's freezing out here, and I've got a bad feeling about everything.
"Horatio says 'tis but our fantasy, And will not let belief take hold of him"
Context: Explaining why they brought the skeptical scholar to witness the ghost
Shows the conflict between rational thinking and supernatural reality. Even smart people resist believing things that challenge their worldview.
In Today's Words:
Horatio thinks we're just imagining things and refuses to believe us.
"But in the gross and scope of my opinion, This bodes some strange eruption to our state."
Context: After seeing the ghost, Horatio predicts it means trouble for Denmark
Once convinced, Horatio immediately grasps that supernatural events signal political disaster. The personal and political are connected.
In Today's Words:
I think this is a sign that something terrible is about to happen to our country.
Thematic Threads
Denial
In This Chapter
Horatio's initial skepticism about the ghost despite witness testimony
Development
Introduced here
In Your Life:
You might recognize this when you dismiss warning signs about relationships, health, or work situations that others can see clearly.
Class Dynamics
In This Chapter
Common guards see the truth first, while the educated scholar resists it
Development
Introduced here
In Your Life:
You might notice how people with less formal education sometimes have clearer insight into practical realities than those with credentials.
Loyalty
In This Chapter
Horatio agrees to tell Hamlet about his father's ghost despite his fear
Development
Introduced here
In Your Life:
You might face moments when loyalty to someone requires delivering uncomfortable news they need to hear.
Power
In This Chapter
Political tensions and military preparations create the backdrop for supernatural events
Development
Introduced here
In Your Life:
You might see how larger power struggles at work or in your community create an atmosphere where strange things happen.
Truth
In This Chapter
The ghost represents hidden truth that demands to be acknowledged
Development
Introduced here
In Your Life:
You might encounter situations where suppressed information keeps trying to surface despite efforts to keep it buried.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What finally convinced Horatio that the ghost was real, and why was he so resistant to believing it at first?
analysis • surface - 2
Why do you think the ghost appeared to the guards but wouldn't speak to them? What does this suggest about who has the power to get answers?
analysis • medium - 3
Think about a time when you dismissed something important that others were trying to tell you. What finally made you listen?
reflection • medium - 4
When someone in your life is in denial about a serious problem, how do you help them see the truth without pushing them away?
application • deep - 5
What does Horatio's transformation from skeptic to believer teach us about the cost of ignoring uncomfortable evidence?
reflection • deep
Critical Thinking Exercise
Map Your Denial Patterns
Think of three areas in your life where you might be avoiding uncomfortable truths - relationships, health, work, finances, family. For each area, write down what evidence you've been dismissing and what it would take for you to finally face reality. Then identify one small step you could take today to investigate rather than avoid.
Consider:
- •Notice whether you're waiting for 'overwhelming proof' before acting on concerning patterns
- •Consider who in your life consistently points out things you don't want to hear
- •Ask yourself what you're afraid will happen if you face the truth
Journaling Prompt
Write about a time when you waited too long to face an uncomfortable truth. What would you do differently now, knowing what denial cost you?
Coming Up Next...
Chapter 3: The Court's Performance and Hamlet's Pain
The scene shifts from the cold castle walls to the warm throne room, where we'll meet the new king Claudius and see how Denmark's royal court operates. We'll also get our first glimpse of Prince Hamlet himself.




