Summary
Dante witnesses one of Hell's most disturbing spectacles in the circle of thieves. A defiant sinner raises his fists to God in mockery, only to have serpents wrap around his throat and arms, silencing him forever. But this is just the beginning. Three more thieves appear, and Dante watches in horror as they undergo grotesque transformations with serpents. One man and a six-footed serpent melt together like burning wax, becoming a single, unrecognizable creature. Another thief and a small viper exchange forms entirely - the man becomes the snake, and the snake becomes the man, their identities completely swapped in a slow, agonizing metamorphosis. The transformations are so bizarre that Dante claims even the great poets Ovid and Lucan never described anything so strange. What makes this punishment so fitting is that thieves steal identities and possessions from others, so here they lose their own identities entirely. They become literally unrecognizable, just as they made their victims' lives unrecognizable through theft. The constant shape-shifting means they can never settle into any fixed form - they're forever unstable, just like the trust they destroyed in life. Dante is so overwhelmed by these impossible sights that he questions his own eyes, but his guide Virgil confirms what he's seeing. The chapter ends with Dante recognizing one thief who managed to avoid transformation, while reflecting on how these strange events have left him confused and amazed.
Coming Up in Chapter 26
Dante turns his attention to Florence, his beloved but corrupt hometown, and delivers a scathing critique of the city's moral decay. He's about to encounter more Florentine citizens suffering in Hell, forcing him to confront how his own city has contributed to the spiritual crisis he's witnessing.
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An excerpt from the original text.(complete · 1093 words)
When he had spoke, the sinner rais’d his hands Pointed in mockery, and cried: “Take them, God! I level them at thee!” From that day forth The serpents were my friends; for round his neck One of then rolling twisted, as it said, “Be silent, tongue!” Another to his arms Upgliding, tied them, riveting itself So close, it took from them the power to move. Pistoia! Ah Pistoia! why dost doubt To turn thee into ashes, cumb’ring earth No longer, since in evil act so far Thou hast outdone thy seed? I did not mark, Through all the gloomy circles of the’ abyss, Spirit, that swell’d so proudly ’gainst his God, Not him, who headlong fell from Thebes. He fled, Nor utter’d more; and after him there came A centaur full of fury, shouting, “Where Where is the caitiff?” On Maremma’s marsh Swarm not the serpent tribe, as on his haunch They swarm’d, to where the human face begins. Behind his head upon the shoulders lay, With open wings, a dragon breathing fire On whomsoe’er he met. To me my guide: “Cacus is this, who underneath the rock Of Aventine spread oft a lake of blood. He, from his brethren parted, here must tread A different journey, for his fraudful theft Of the great herd, that near him stall’d; whence found His felon deeds their end, beneath the mace Of stout Alcides, that perchance laid on A hundred blows, and not the tenth was felt.” While yet he spake, the centaur sped away: And under us three spirits came, of whom Nor I nor he was ware, till they exclaim’d; “Say who are ye?” We then brake off discourse, Intent on these alone. I knew them not; But, as it chanceth oft, befell, that one Had need to name another. “Where,” said he, “Doth Cianfa lurk?” I, for a sign my guide Should stand attentive, plac’d against my lips The finger lifted. If, O reader! now Thou be not apt to credit what I tell, No marvel; for myself do scarce allow The witness of mine eyes. But as I looked Toward them, lo! a serpent with six feet Springs forth on one, and fastens full upon him: His midmost grasp’d the belly, a forefoot Seiz’d on each arm (while deep in either cheek He flesh’d his fangs); the hinder on the thighs Were spread, ’twixt which the tail inserted curl’d Upon the reins behind. Ivy ne’er clasp’d A dodder’d oak, as round the other’s limbs The hideous monster intertwin’d his own. Then, as they both had been of burning wax, Each melted into other, mingling hues, That which was either now was seen no more. Thus up the shrinking paper, ere it burns, A brown tint glides, not turning yet to black, And the clean white expires. The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello! See! Thou art nor double now, Nor only one.” The two heads now became One, and two figures blended in one form Appear’d, where both were lost. Of the four lengths Two arms were made: the belly and the chest The thighs and legs into such members chang’d, As never eye hath seen. Of former shape All trace was vanish’d. Two yet neither seem’d That image miscreate, and so pass’d on With tardy steps. As underneath the scourge Of the fierce dog-star, that lays bare the fields, Shifting from brake to brake, the lizard seems A flash of lightning, if he thwart the road, So toward th’ entrails of the other two Approaching seem’d, an adder all on fire, As the dark pepper-grain, livid and swart. In that part, whence our life is nourish’d first, One he transpierc’d; then down before him fell Stretch’d out. The pierced spirit look’d on him But spake not; yea stood motionless and yawn’d, As if by sleep or fev’rous fit assail’d. He ey’d the serpent, and the serpent him. One from the wound, the other from the mouth Breath’d a thick smoke, whose vap’ry columns join’d. Lucan in mute attention now may hear, Nor thy disastrous fate, Sabellus! tell, Nor shine, Nasidius! Ovid now be mute. What if in warbling fiction he record Cadmus and Arethusa, to a snake Him chang’d, and her into a fountain clear, I envy not; for never face to face Two natures thus transmuted did he sing, Wherein both shapes were ready to assume The other’s substance. They in mutual guise So answer’d, that the serpent split his train Divided to a fork, and the pierc’d spirit Drew close his steps together, legs and thighs Compacted, that no sign of juncture soon Was visible: the tail disparted took The figure which the spirit lost, its skin Soft’ning, his indurated to a rind. The shoulders next I mark’d, that ent’ring join’d The monster’s arm-pits, whose two shorter feet So lengthen’d, as the other’s dwindling shrunk. The feet behind then twisting up became That part that man conceals, which in the wretch Was cleft in twain. While both the shadowy smoke With a new colour veils, and generates Th’ excrescent pile on one, peeling it off From th’ other body, lo! upon his feet One upright rose, and prone the other fell. Not yet their glaring and malignant lamps Were shifted, though each feature chang’d beneath. Of him who stood erect, the mounting face Retreated towards the temples, and what there Superfluous matter came, shot out in ears From the smooth cheeks, the rest, not backward dragg’d, Of its excess did shape the nose; and swell’d Into due size protuberant the lips. He, on the earth who lay, meanwhile extends His sharpen’d visage, and draws down the ears Into the head, as doth the slug his horns. His tongue continuous before and apt For utt’rance, severs; and the other’s fork Closing unites. That done the smoke was laid. The soul, transform’d into the brute, glides off, Hissing along the vale, and after him The other talking sputters; but soon turn’d His new-grown shoulders on him, and in few Thus to another spake: “Along this path Crawling, as I have done, speed Buoso now!” So saw I fluctuate in successive change Th’ unsteady ballast of the seventh hold: And here if aught my tongue have swerv’d, events So strange may be its warrant. O’er mine eyes Confusion hung, and on my thoughts amaze. Yet ’scap’d they not so covertly, but well I mark’d Sciancato: he alone it was Of the three first that came, who chang’d not: thou, The other’s fate, Gaville, still dost rue.
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Intelligence Amplifier™ Analysis
The Road of Identity Theft - When We Lose Who We Are
When we consistently take what isn't ours, we gradually lose our authentic identity and become unrecognizable even to ourselves.
Why This Matters
Connect literature to life
This chapter teaches how to spot the gradual loss of authentic self that comes from repeated dishonest actions.
Practice This Today
This week, notice when you justify taking something that isn't yours - time, credit, supplies, or trust - and ask yourself what story you're telling to make it okay.
Now let's explore the literary elements.
Terms to Know
Metamorphosis
A complete transformation from one form into another, often used in mythology and literature. In this chapter, thieves literally change shapes with serpents, losing their human forms entirely. The word comes from Greek meaning 'change of form.'
Modern Usage:
We use this when talking about major life changes - like someone's 'transformation' after addiction recovery or a career change that completely changes who they are.
Blasphemy
Speaking disrespectfully about God or sacred things, often with gestures of contempt. The thief in this chapter makes obscene gestures at God before being punished. In Dante's time, this was considered one of the worst possible sins.
Modern Usage:
Today we see this in people who mock others' religious beliefs or use sacred symbols disrespectfully, though the consequences are social rather than supernatural.
Centaur
A mythological creature that's half human, half horse. Cacus appears as a centaur covered in serpents and breathing fire. These creatures often represent the conflict between civilized and savage nature.
Modern Usage:
We use 'centaur' to describe someone caught between two worlds or roles - like calling someone a 'soccer mom by day, party animal by night.'
Poetic Justice
When punishment fits the crime perfectly. Thieves who stole others' identities and possessions now lose their own identities completely through constant shape-changing. The punishment mirrors exactly what they did to others.
Modern Usage:
We see this when karma seems to work perfectly - like a cheating spouse getting cheated on, or a scammer getting scammed.
Identity Theft
Taking someone's identity or possessions for your own use. In Dante's Hell, literal thieves face the ultimate identity crisis - they can't maintain any stable form. Their punishment reflects how they made others feel violated and displaced.
Modern Usage:
Today identity theft usually means stealing credit card numbers or social security information, but the violation feels the same - someone taking what makes you 'you.'
Pistoia
A real Italian city known in Dante's time for political violence and corruption. Dante suggests it should be burned to ashes because it's even worse than the sinners in Hell. He's making a political statement about his contemporary world.
Modern Usage:
We do this when we say a corrupt place should be 'cleaned house' or 'burned to the ground and started over' - like talking about Washington D.C. or Wall Street.
Characters in This Chapter
Vanni Fucci
Defiant sinner
A thief who blasphemes against God by making obscene gestures, then gets serpents wrapped around his throat and arms as punishment. He represents unrepentant rebellion against divine authority even in the face of eternal punishment.
Modern Equivalent:
The person who keeps mouthing off to the judge even while being sentenced
Cacus
Monstrous guardian
A centaur covered in serpents who breathes fire and pursues the fleeing thieves. He was a mythological thief who stole cattle from Hercules and was killed for it. Now he guards other thieves in Hell.
Modern Equivalent:
The corrupt cop who ended up in prison with the criminals he used to arrest
Agnello
Transforming thief
One of the Florentine thieves who undergoes a horrifying merger with a six-footed serpent. They melt together like wax, becoming one unrecognizable creature. He loses his individual identity completely.
Modern Equivalent:
The person whose identity gets so mixed up with their toxic partner that nobody recognizes who they used to be
Buoso
Shape-shifting victim
A thief who completely exchanges forms with a small serpent - he becomes the snake while the snake becomes human. The transformation is slow and agonizing, showing how theft destroys stable identity.
Modern Equivalent:
The identity thief who gets their own identity stolen and finds themselves completely powerless
Virgil
Wise guide
Dante's mentor who explains who Cacus is and confirms the reality of the impossible transformations Dante is witnessing. He provides historical context and reassurance when Dante questions what he's seeing.
Modern Equivalent:
The experienced mentor who helps you understand the crazy workplace politics you're witnessing
Key Quotes & Analysis
"Take them, God! I level them at thee!"
Context: The thief makes obscene gestures toward heaven in defiance
This shows ultimate rebellion - even in Hell, facing eternal punishment, some people still refuse to accept responsibility. It demonstrates how pride and anger can persist even when they're clearly self-destructive.
In Today's Words:
Screw you, God! Here's what I think of you!
"Pistoia! Ah Pistoia! why dost doubt to turn thee into ashes?"
Context: Dante condemns his contemporary city for being worse than Hell itself
Dante uses his journey through Hell to criticize real-world corruption. He's saying some places on Earth are so morally bankrupt they're worse than the underworld itself.
In Today's Words:
That city is so corrupt it should just burn itself down and start over!
"The serpents were my friends; for round his neck one of them rolling twisted"
Context: Describing how serpents punish the blasphemous thief
The irony is bitter - the very creatures that represent evil become agents of divine justice. The punishment is immediate and fitting, silencing the voice that spoke against God.
In Today's Words:
The snakes became his worst nightmare, wrapping around his throat to shut him up
"I did not mark, through all the gloomy circles of the abyss, spirit that swelled so proudly against his God"
Context: Dante reflects on how defiant this particular sinner is
Even among all the sinners Dante has seen, this one stands out for his arrogance. It shows how some people's pride is so extreme it becomes their defining characteristic, even in damnation.
In Today's Words:
In all the terrible people I've seen down here, nobody was this arrogant toward God
Thematic Threads
Identity
In This Chapter
Thieves literally lose their physical forms and become unrecognizable through constant transformation
Development
Evolved from earlier circles where sinners maintained recognizable forms but suffered specific punishments
In Your Life:
You might notice this when you realize you don't recognize the person you've become after years of small compromises
Class
In This Chapter
Theft represents the ultimate violation of social order and property boundaries that maintain class structure
Development
Builds on earlier themes of social disruption, now showing complete breakdown of social identity
In Your Life:
You see this when people from any background lose their social standing through dishonest behavior
Personal Growth
In This Chapter
The impossibility of growth when one's identity is constantly shifting and unstable
Development
Contrasts sharply with earlier circles where sinners could at least maintain consistent identity
In Your Life:
You experience this when dishonesty makes it impossible to build genuine skills or relationships
Human Relationships
In This Chapter
Relationships become impossible when people are literally unrecognizable and constantly changing
Development
Shows the ultimate breakdown of the social bonds that have been deteriorating throughout Hell
In Your Life:
You might see this when deception makes your relationships feel unstable and untrustworthy
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What happens to the thieves in this circle of Hell, and why can't they maintain a stable form?
analysis • surface - 2
Why is constant transformation the perfect punishment for thieves - what's the connection between stealing and losing your identity?
analysis • medium - 3
Where do you see this pattern today - people who take what isn't theirs gradually becoming unrecognizable to themselves or others?
application • medium - 4
If you noticed yourself starting to lose your authentic identity through small compromises, what specific steps would you take to rebuild it?
application • deep - 5
What does this chapter suggest about the relationship between our actions and our sense of self - can we really separate who we are from what we do?
reflection • deep
Critical Thinking Exercise
Identity Erosion Tracker
Think of someone you know who gradually became unrecognizable - not physically, but in their character or behavior. Map out the small compromises or 'takings' that led to their transformation. Then honestly examine your own life: identify one area where you might be taking something that isn't yours (credit, time, emotional energy, etc.) and trace how it's affecting your sense of authentic self.
Consider:
- •Small compromises compound over time - look for patterns, not just single events
- •Consider emotional and social 'theft' as seriously as material theft
- •Notice how justifications and rationalizations change your internal narrative
Journaling Prompt
Write about a time when you caught yourself becoming someone you didn't recognize. What were you taking that wasn't yours, and how did you find your way back to your authentic self?
Coming Up Next...
Chapter 26: Ulysses Speaks: The Fatal Quest for Knowledge
As the story unfolds, you'll explore noble ambitions can lead to destruction when unchecked by wisdom, while uncovering the difference between curiosity that serves others and selfish pursuit of glory. These lessons connect the classic to contemporary challenges we all face.
