Summary
Levin throws himself into farm work with desperate intensity, trying to escape his emotional turmoil after Kitty's rejection. He works alongside his peasants in the fields, finding temporary peace in physical labor and the rhythm of mowing hay. The harder he works, the more his mind quiets, and for brief moments he forgets his heartbreak. But even as sweat pours down his face and his muscles ache, thoughts of Kitty keep breaking through. This chapter shows how people often use work as both punishment and medicine when life falls apart. Levin discovers what many working people know instinctively: sometimes the body can heal what the mind cannot process. The physical exhaustion becomes a kind of meditation, allowing him to exist in the present moment rather than replaying painful memories. Tolstoy captures something universal here about how we cope with rejection and disappointment. Work becomes Levin's way of staying connected to something real and meaningful when his personal life feels shattered. The peasants accept him naturally in this shared labor, offering him a sense of belonging he cannot find in Moscow's drawing rooms. Yet the chapter also hints at the limitations of this escape - you can outrun your thoughts temporarily, but you cannot outrun yourself forever. This moment represents Levin's first step toward understanding that healing requires more than just distraction, and that his path forward might look different from what society expects of a gentleman.
Coming Up in Chapter 39
As Levin continues his work in the fields, an unexpected encounter will challenge his assumptions about class and human connection. Meanwhile, the consequences of recent events begin to ripple through other characters' lives in ways no one anticipated.
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An excerpt from the original text.(~500 words)
The highest Petersburg society is essentially one: in it everyone knows everyone else, everyone even visits everyone else. But this great set has its subdivisions. Anna Arkadyevna Karenina had friends and close ties in three different circles of this highest society. One circle was her husband’s government official set, consisting of his colleagues and subordinates, brought together in the most various and capricious manner, and belonging to different social strata. Anna found it difficult now to recall the feeling of almost awe-stricken reverence which she had at first entertained for these persons. Now she knew all of them as people know one another in a country town; she knew their habits and weaknesses, and where the shoe pinched each one of them. She knew their relations with one another and with the head authorities, knew who was for whom, and how each one maintained his position, and where they agreed and disagreed. But the circle of political, masculine interests had never interested her, in spite of countess Lidia Ivanovna’s influence, and she avoided it. Another little set with which Anna was in close relations was the one by means of which Alexey Alexandrovitch had made his career. The center of this circle was the Countess Lidia Ivanovna. It was a set made up of elderly, ugly, benevolent, and godly women, and clever, learned, and ambitious men. One of the clever people belonging to the set had called it “the conscience of Petersburg society.” Alexey Alexandrovitch had the highest esteem for this circle, and Anna with her special gift for getting on with everyone, had in the early days of her life in Petersburg made friends in this circle also. Now, since her return from Moscow, she had come to feel this set insufferable. It seemed to her that both she and all of them were insincere, and she felt so bored and ill at ease in that world that she went to see the Countess Lidia Ivanovna as little as possible. The third circle with which Anna had ties was preeminently the fashionable world—the world of balls, of dinners, of sumptuous dresses, the world that hung on to the court with one hand, so as to avoid sinking to the level of the demi-monde. For the demi-monde the members of that fashionable world believed that they despised, though their tastes were not merely similar, but in fact identical. Her connection with this circle was kept up through Princess Betsy Tverskaya, her cousin’s wife, who had an income of a hundred and twenty thousand roubles, and who had taken a great fancy to Anna ever since she first came out, showed her much attention, and drew her into her set, making fun of Countess Lidia Ivanovna’s coterie. “When I’m old and ugly I’ll be the same,” Betsy used to say; “but for a pretty young woman like you it’s early days for that house of charity.” Anna had at first avoided as far as she could Princess Tverskaya’s world, because it...
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Intelligence Amplifier™ Analysis
The Road of Productive Escape
Using demanding physical work as both emotional anesthesia and a pathway back to self-worth when life becomes unbearable.
Why This Matters
Connect literature to life
This chapter teaches how to distinguish between work that heals and work that merely postpones pain.
Practice This Today
This week, notice when you use activity to avoid difficult emotions—ask yourself if this work serves your healing or just delays the inevitable conversation with yourself.
Now let's explore the literary elements.
Terms to Know
Peasant Labor
In 19th century Russia, peasants were agricultural workers who lived on and worked the land, often under harsh conditions. They formed the backbone of the rural economy and had their own rhythms and traditions around seasonal work like hay mowing.
Modern Usage:
Today we see this in migrant farm workers, landscaping crews, or any group that does hard physical labor together and develops their own work culture.
Gentleman Farmer
A wealthy landowner who chose to work his own land rather than just supervise others. This was unusual for Russian aristocrats, who typically left physical labor to peasants while they focused on social and intellectual pursuits.
Modern Usage:
Like a wealthy executive who chooses to work on the factory floor or a rich person who does their own home repairs instead of hiring help.
Scythe Work
Cutting hay with a long-handled blade that required skill, rhythm, and endurance. It was communal work where experienced mowers set the pace and newcomers had to prove themselves through physical capability.
Modern Usage:
Any skilled manual labor where you have to earn respect through competence - like construction work, kitchen prep, or assembly line jobs.
Work as Escape
The psychological phenomenon where people throw themselves into physical labor to avoid dealing with emotional pain. The body's exhaustion can temporarily quiet mental anguish and provide a sense of purpose.
Modern Usage:
People today do this by working extra shifts after breakups, deep-cleaning their house when stressed, or hitting the gym obsessively during tough times.
Class Boundaries
The social divisions between aristocrats and peasants that normally prevented them from working side by side. These boundaries were reinforced by education, dress, speech, and expectations about what kind of work each class should do.
Modern Usage:
Like how management rarely works alongside hourly employees, or how office workers and maintenance staff often exist in separate worlds even in the same building.
Physical Meditation
The mental state that comes from repetitive physical work where the mind quiets and focuses only on the immediate task. The body's rhythm can create a trance-like peace that temporarily stops anxious thoughts.
Modern Usage:
What runners call 'runner's high,' or the calm people find in gardening, woodworking, or any repetitive physical activity that quiets mental chatter.
Characters in This Chapter
Levin
Protagonist in crisis
Throws himself into manual farm work to escape the pain of Kitty's rejection. His desperate physical labor reveals both his emotional vulnerability and his desire to connect with something real and meaningful outside aristocratic society.
Modern Equivalent:
The heartbroken person who works double shifts to avoid going home to an empty apartment
The peasant mowers
Unwitting healers
Accept Levin into their work rhythm without judgment, offering him a sense of belonging and purpose he cannot find in his usual social circle. Their natural acceptance provides him temporary relief from his emotional turmoil.
Modern Equivalent:
The work crew that takes in the boss's kid when they're going through a rough patch
Kitty
Absent catalyst
Though not physically present, her rejection drives all of Levin's actions in this chapter. Her memory keeps breaking through his attempts to lose himself in work, showing how deeply her refusal has wounded him.
Modern Equivalent:
The ex whose ghost haunts every attempt to move forward
Key Quotes & Analysis
"The longer Levin mowed, the oftener he felt the moments of unconsciousness in which it seemed not his hands that swung the scythe, but the scythe mowing of itself."
Context: As Levin loses himself in the rhythm of mowing hay
This captures the meditative state that comes from repetitive physical work. Tolstoy shows how the body can take over when the mind needs rest, creating a temporary escape from emotional pain through pure physical presence.
In Today's Words:
He got so into the work that his body just took over and he stopped thinking about everything else
"He felt a pleasant coolness, and wiped the streaming sweat from his face and looked about him."
Context: During a brief rest from mowing
The physical sensations of hard work - sweat, coolness, exhaustion - ground Levin in his body and the present moment. This simple description shows how physical labor can provide relief from mental anguish through pure sensation.
In Today's Words:
The hard work felt good and helped him stop overthinking everything
"The old man went on mowing and did not answer, but Levin felt that he was watching him."
Context: As the experienced peasant observes Levin's work
Shows the unspoken evaluation happening as Levin tries to prove himself through physical capability. The peasant's silent judgment represents a different kind of social test - one based on competence rather than birth or wealth.
In Today's Words:
The veteran worker was sizing him up to see if he could actually do the job
Thematic Threads
Class
In This Chapter
Levin finds acceptance among peasants that he cannot find in aristocratic society
Development
Evolving from earlier scenes of social awkwardness at parties
In Your Life:
You might feel more authentic with coworkers than with your extended family or old friends
Identity
In This Chapter
Levin discovers who he is through what he does, not what he owns
Development
Building from his earlier struggles with social expectations
In Your Life:
Your sense of self might be stronger at work than in your personal relationships
Personal Growth
In This Chapter
Physical labor becomes a form of emotional processing and self-discovery
Development
First major step in Levin's journey toward self-understanding
In Your Life:
You might work through problems better with your hands than by talking about them
Human Relationships
In This Chapter
Shared work creates bonds that social conventions cannot
Development
Contrasts with the artificial relationships in Moscow society
In Your Life:
Your deepest friendships might form through working together, not just socializing
Social Expectations
In This Chapter
Levin rejects gentlemanly idleness for peasant labor
Development
Continuing his rebellion against aristocratic norms
In Your Life:
You might find peace by ignoring what others expect and doing what feels right to you
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What specific type of work does Levin choose when he's hurting, and how does his body respond to it?
analysis • surface - 2
Why does physical labor temporarily quiet Levin's painful thoughts about Kitty when sitting still couldn't?
analysis • medium - 3
Think about people you know who throw themselves into work when life gets hard. What kinds of work do they choose, and does it actually help them?
application • medium - 4
When you're dealing with emotional pain, how do you decide between facing it directly versus using productive distraction? What are the risks of each approach?
application • deep - 5
What does Levin's experience reveal about the relationship between our bodies and our emotional healing?
reflection • deep
Critical Thinking Exercise
Map Your Productive Escape Patterns
Think of three times in your life when you dealt with emotional pain by throwing yourself into work or physical activity. For each situation, write down what type of work you chose, how long you used it as escape, and what you learned about yourself through that process.
Consider:
- •Notice whether you tend to choose solitary work or work that connects you with others
- •Consider how your choice of escape work reflects your values and skills
- •Reflect on whether the work actually moved you toward healing or just delayed it
Journaling Prompt
Write about a time when productive escape helped you survive a difficult period. What did that experience teach you about your own resilience and coping strategies?
Coming Up Next...
Chapter 39
Moving forward, we'll examine key events and character development in this chapter, and understand thematic elements and literary techniques. These insights bridge the gap between classic literature and modern experience.