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Anna Karenina - Chapter 166

Leo Tolstoy

Anna Karenina

Chapter 166

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Summary

Chapter 166

Anna Karenina by Leo Tolstoy

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Stepan Arkadyevitch outlines their hunting plan: drive to Gvozdyov (fifteen miles), shoot grouse and snipe in the marshes, spend the night, then tackle the bigger moors tomorrow. Though Levin knows small marshes nearby, he dismisses them as too cramped for three shooters—a white lie, since he could hunt them anytime. When they reach a small marsh, Oblonsky's sportsman's eye spots promising reeds. Veslovsky begs to try it, and Levin consents. The dogs rush in, but the marsh yields only peewits. Veslovsky kills one and crows about his shot. As they drive off, disaster strikes: Veslovsky's gun accidentally discharges, nearly hitting Levin. The shot flies harmlessly into the ground, but Levin gets knocked in the head by the gun stock. Though dangerous, Veslovsky seems so naively distressed and then laughs so infectiously that no one can stay angry. At the second marsh, Veslovsky again insists on stopping. Levin stays with the carriage as host. Veslovsky shoots a grouse, then offers to watch the horses so Levin can hunt. Levin's "sportsman's envy" flares. He takes Laska into the marsh. Just as Laska points at game and Levin prepares to shoot, he hears splashing and Veslovsky shouting. Looking back, Levin discovers Veslovsky drove the carriage into the marsh and got the horses stuck in mud. "Damn the fellow!" Levin mutters. He's vexed at missing his shot, at the stuck horses, and at Oblonsky and Veslovsky offering no help with the harnessing. Working silently in the heat, Levin sees Veslovsky tugging so hard he breaks the mud-guard. Remembering yesterday's coldness, Levin softens and acts genial. After lunch, Veslovsky insists on driving to "atone for his sins." Despite Levin's worry about exhausting the horses, Veslovsky's cheerful singing and high spirits prove infectious. They reach Gvozdyov marsh in good humor.

Coming Up in Chapter 167

Levin's physical exhaustion finally catches up with him, but instead of bringing the peace he sought, it leads to an unexpected encounter that will challenge his assumptions about faith and meaning. A conversation with an unlikely source begins to shift his perspective.

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An excerpt from the original text.(complete · 1400 words)

W

“ell, now what’s our plan of campaign? Tell us all about it,” said
Stepan Arkadyevitch.

“Our plan is this. Now we’re driving to Gvozdyov. In Gvozdyov there’s a
grouse marsh on this side, and beyond Gvozdyov come some magnificent
snipe marshes where there are grouse too. It’s hot now, and we’ll get
there—it’s fifteen miles or so—towards evening and have some evening
shooting; we’ll spend the night there and go on tomorrow to the bigger
moors.”

“And is there nothing on the way?”

“Yes; but we’ll reserve ourselves; besides it’s hot. There are two nice
little places, but I doubt there being anything to shoot.”

Levin would himself have liked to go into these little places, but they
were near home; he could shoot them over any time, and they were only
little places—there would hardly be room for three to shoot. And so,
with some insincerity, he said that he doubted there being anything to
shoot. When they reached a little marsh Levin would have driven by, but
Stepan Arkadyevitch, with the experienced eye of a sportsman, at once
detected reeds visible from the road.

“Shan’t we try that?” he said, pointing to the little marsh.

“Levin, do, please! how delightful!” Vassenka Veslovsky began begging,
and Levin could but consent.

Before they had time to stop, the dogs had flown one before the other
into the marsh.

“Krak! Laska!...”

The dogs came back.

“There won’t be room for three. I’ll stay here,” said Levin, hoping
they would find nothing but peewits, who had been startled by the dogs,
and turning over in their flight, were plaintively wailing over the
marsh.

“No! Come along, Levin, let’s go together!” Veslovsky called.

“Really, there’s not room. Laska, back, Laska! You won’t want another
dog, will you?”

Levin remained with the wagonette, and looked enviously at the
sportsmen. They walked right across the marsh. Except little birds and
peewits, of which Vassenka killed one, there was nothing in the marsh.

“Come, you see now that it was not that I grudged the marsh,” said
Levin, “only it’s wasting time.”

“Oh, no, it was jolly all the same. Did you see us?” said Vassenka
Veslovsky, clambering awkwardly into the wagonette with his gun and his
peewit in his hands. “How splendidly I shot this bird! Didn’t I? Well,
shall we soon be getting to the real place?”

The horses started off suddenly, Levin knocked his head against the
stock of someone’s gun, and there was the report of a shot. The gun did
actually go off first, but that was how it seemed to Levin. It appeared
that Vassenka Veslovsky had pulled only one trigger, and had left the
other hammer still cocked. The charge flew into the ground without
doing harm to anyone. Stepan Arkadyevitch shook his head and laughed
reprovingly at Veslovsky. But Levin had not the heart to reprove him.
In the first place, any reproach would have seemed to be called forth
by the danger he had incurred and the bump that had come up on Levin’s
forehead. And besides, Veslovsky was at first so naïvely distressed,
and then laughed so good-humoredly and infectiously at their general
dismay, that one could not but laugh with him.

When they reached the second marsh, which was fairly large, and would
inevitably take some time to shoot over, Levin tried to persuade them
to pass it by. But Veslovsky again overpersuaded him. Again, as the
marsh was narrow, Levin, like a good host, remained with the carriage.

Krak made straight for some clumps of sedge. Vassenka Veslovsky was the
first to run after the dog. Before Stepan Arkadyevitch had time to come
up, a grouse flew out. Veslovsky missed it and it flew into an unmown
meadow. This grouse was left for Veslovsky to follow up. Krak found it
again and pointed, and Veslovsky shot it and went back to the carriage.
“Now you go and I’ll stay with the horses,” he said.

Levin had begun to feel the pangs of a sportsman’s envy. He handed the
reins to Veslovsky and walked into the marsh.

Laska, who had been plaintively whining and fretting against the
injustice of her treatment, flew straight ahead to a hopeful place that
Levin knew well, and that Krak had not yet come upon.

“Why don’t you stop her?” shouted Stepan Arkadyevitch.

“She won’t scare them,” answered Levin, sympathizing with his bitch’s
pleasure and hurrying after her.

As she came nearer and nearer to the familiar breeding places there was
more and more earnestness in Laska’s exploration. A little marsh bird
did not divert her attention for more than an instant. She made one
circuit round the clump of reeds, was beginning a second, and suddenly
quivered with excitement and became motionless.

“Come, come, Stiva!” shouted Levin, feeling his heart beginning to beat
more violently; and all of a sudden, as though some sort of shutter had
been drawn back from his straining ears, all sounds, confused but loud,
began to beat on his hearing, losing all sense of distance. He heard
the steps of Stepan Arkadyevitch, mistaking them for the tramp of the
horses in the distance; he heard the brittle sound of the twigs on
which he had trodden, taking this sound for the flying of a grouse. He
heard too, not far behind him, a splashing in the water, which he could
not explain to himself.

Picking his steps, he moved up to the dog.

“Fetch it!”

Not a grouse but a snipe flew up from beside the dog. Levin had lifted
his gun, but at the very instant when he was taking aim, the sound of
splashing grew louder, came closer, and was joined with the sound of
Veslovsky’s voice, shouting something with strange loudness. Levin saw
he had his gun pointed behind the snipe, but still he fired.

When he had made sure he had missed, Levin looked round and saw the
horses and the wagonette not on the road but in the marsh.

Veslovsky, eager to see the shooting, had driven into the marsh, and
got the horses stuck in the mud.

“Damn the fellow!” Levin said to himself, as he went back to the
carriage that had sunk in the mire. “What did you drive in for?” he
said to him dryly, and calling the coachman, he began pulling the
horses out.

Levin was vexed both at being hindered from shooting and at his horses
getting stuck in the mud, and still more at the fact that neither
Stepan Arkadyevitch nor Veslovsky helped him and the coachman to
unharness the horses and get them out, since neither of them had the
slightest notion of harnessing. Without vouchsafing a syllable in reply
to Vassenka’s protestations that it had been quite dry there, Levin
worked in silence with the coachman at extricating the horses. But
then, as he got warm at the work and saw how assiduously Veslovsky was
tugging at the wagonette by one of the mud-guards, so that he broke it
indeed, Levin blamed himself for having under the influence of
yesterday’s feelings been too cold to Veslovsky, and tried to be
particularly genial so as to smooth over his chilliness. When
everything had been put right, and the carriage had been brought back
to the road, Levin had the lunch served.

“Bon appétit—bonne conscience! Ce poulet va tomber jusqu’au fond de
mes bottes
,” Vassenka, who had recovered his spirits, quoted the
French saying as he finished his second chicken. “Well, now our
troubles are over, now everything’s going to go well. Only, to atone
for my sins, I’m bound to sit on the box. That’s so? eh? No, no! I’ll
be your Automedon. You shall see how I’ll get you along,” he answered,
not letting go the rein, when Levin begged him to let the coachman
drive. “No, I must atone for my sins, and I’m very comfortable on the
box.” And he drove.

Levin was a little afraid he would exhaust the horses, especially the
chestnut, whom he did not know how to hold in; but unconsciously he
fell under the influence of his gaiety and listened to the songs he
sang all the way on the box, or the descriptions and representations he
gave of driving in the English fashion, four-in-hand; and it was in the
very best of spirits that after lunch they drove to the Gvozdyov marsh.

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Let's Analyse the Pattern

Pattern: The Exhaustion Trap

The Exhaustion Trap - When Work Becomes Escape

Levin reveals a pattern we all know: when life feels overwhelming, we throw ourselves into work, hoping physical exhaustion will quiet mental anguish. This is the Exhaustion Trap - the belief that if we just stay busy enough, we can outrun our problems. The mechanism is seductive but flawed. Work provides temporary relief because it forces focus on immediate, concrete tasks. Your brain can't spiral into existential questions when it's calculating crop yields or managing schedules. Physical exhaustion feels like accomplishment, creating the illusion of progress. But the trap lies in substitution - we're replacing emotional processing with physical activity, not actually solving anything. This pattern dominates modern life. The nurse who picks up extra shifts after a divorce, staying at the hospital sixteen hours to avoid going home to an empty house. The factory worker who volunteers for every overtime opportunity after losing a parent, because moving boxes feels easier than sitting with grief. The retail manager who reorganizes inventory obsessively during a family crisis, finding comfort in tasks with clear beginnings and ends. The office worker who becomes a workaholic after a breakup, staying late not because the job demands it, but because Excel spreadsheets don't ask uncomfortable questions about your life choices. Recognizing this trap means understanding that work-as-escape has diminishing returns. Create boundaries: set specific times for processing emotions, even if it's just ten minutes before bed. Find people who can sit with your questions without trying to fix them immediately. Use work strategically - yes, it can provide temporary stability during crisis, but schedule regular check-ins with yourself. Ask: 'Am I working toward something, or just working away from something?' When you can distinguish between productive work and escapist busyness, you gain control over both your schedule and your healing. That's amplified intelligence.

Using work and busyness as emotional avoidance, believing physical exhaustion will solve mental anguish.

Why This Matters

Connect literature to life

Skill: Distinguishing Productive Work from Emotional Avoidance

This chapter teaches how to recognize when we're using work to escape feelings rather than accomplish goals.

Practice This Today

This week, notice when you volunteer for extra shifts or stay late—ask yourself: 'Am I working toward something specific, or just working away from something uncomfortable?'

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Now let's explore the literary elements.

Key Quotes & Analysis

"He worked now with a fury, as though something depended on the speed with which he swung his scythe."

— Narrator

Context: Describing Levin's desperate attempt to lose himself in physical labor

Shows how people use extreme busyness to avoid confronting painful emotions. The word 'fury' reveals this isn't healthy productivity but desperate avoidance. Levin thinks if he works hard enough, he can outrun his existential dread.

In Today's Words:

He threw himself into work like his life depended on it, trying to stay too busy to think.

"But in spite of this, or perhaps because of it, the work did not progress as he wished."

— Narrator

Context: Despite Levin's frantic efforts, his desperate energy doesn't improve his effectiveness

Reveals the futility of using external activity to solve internal problems. When we're emotionally scattered, even our best efforts often backfire. True productivity requires inner peace, not just physical effort.

In Today's Words:

The harder he pushed himself, the worse everything seemed to go - classic burnout behavior.

"Why do I struggle? Why do I bustle about? Why do they all struggle and bustle?"

— Levin

Context: His internal monologue while watching the peasants work

The core existential question that work can't answer. Levin sees the apparent meaninglessness of all human activity when viewed without faith or purpose. This is the question that drives people to therapy, religion, or philosophy.

In Today's Words:

What's the point of any of this? Why are we all running around like hamsters on a wheel?

Thematic Threads

Class

In This Chapter

Levin envies the peasants' apparent certainty and simple acceptance of their roles in life

Development

Evolving from earlier themes about aristocratic guilt to questioning whether education and privilege create more suffering

In Your Life:

You might feel envious of people who seem content with 'simpler' lives when you're overthinking your choices

Identity

In This Chapter

Levin's work, once a source of satisfaction and meaning, now feels hollow and pointless

Development

Deepening his crisis - external activities that once defined him no longer provide internal stability

In Your Life:

When depression or grief hits, even activities you normally love can feel meaningless

Personal Growth

In This Chapter

Physical exhaustion cannot silence the questioning voice in Levin's head about life's meaning

Development

His spiritual crisis intensifies as external solutions prove inadequate

In Your Life:

You realize that staying busy doesn't actually solve the deeper questions you're avoiding

Social Expectations

In This Chapter

The contrast between educated anxiety and peasant contentment reveals the burden of overthinking

Development

Expanding the theme to show how social position affects one's relationship with doubt and certainty

In Your Life:

Sometimes you wish you could just accept things without analyzing everything to death

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What specific actions does Levin take to try to escape his emotional pain, and why does he think physical work will help?

    analysis • surface
  2. 2

    Why does Levin's usual coping strategy of throwing himself into work fail him this time?

    analysis • medium
  3. 3

    Where do you see people today using busyness or work to avoid dealing with difficult emotions or life questions?

    application • medium
  4. 4

    How would you help someone recognize when they're using work as emotional escape rather than genuine productivity?

    application • deep
  5. 5

    What does Levin's envy of the peasants' apparent contentment reveal about the relationship between education, awareness, and happiness?

    reflection • deep

Critical Thinking Exercise

10 minutes

Map Your Escape Routes

Think about the last time you felt overwhelmed or emotionally stuck. List three activities you used to stay busy or distracted. For each activity, write whether it actually helped solve your problem or just postponed dealing with it. Then identify one small step you could have taken to address the real issue instead.

Consider:

  • •Notice the difference between productive action and busy distraction
  • •Consider whether your go-to activities create genuine progress or just temporary relief
  • •Think about what makes certain activities feel 'safe' when emotions are difficult

Journaling Prompt

Write about a time when staying busy actually prevented you from solving a problem that needed your attention. What would you do differently now?

Coming Up Next...

Chapter 167

Levin's physical exhaustion finally catches up with him, but instead of bringing the peace he sought, it leads to an unexpected encounter that will challenge his assumptions about faith and meaning. A conversation with an unlikely source begins to shift his perspective.

Continue to Chapter 167
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