An excerpt from the original text.(complete · 1232 words)
hile this was taking place in Petersburg the French had already passed
Smolénsk and were drawing nearer and nearer to Moscow. Napoleon’s
historian Thiers, like other of his historians, trying to justify his
hero says that he was drawn to the walls of Moscow against his will. He
is as right as other historians who look for the explanation of historic
events in the will of one man; he is as right as the Russian historians
who maintain that Napoleon was drawn to Moscow by the skill of the
Russian commanders. Here besides the law of retrospection, which regards
all the past as a preparation for events that subsequently occur,
the law of reciprocity comes in, confusing the whole matter. A good
chessplayer having lost a game is sincerely convinced that his loss
resulted from a mistake he made and looks for that mistake in the
opening, but forgets that at each stage of the game there were similar
mistakes and that none of his moves were perfect. He only notices the
mistake to which he pays attention, because his opponent took advantage
of it. How much more complex than this is the game of war, which
occurs under certain limits of time, and where it is not one will that
manipulates lifeless objects, but everything results from innumerable
conflicts of various wills!
After Smolénsk Napoleon sought a battle beyond Dorogobúzh at Vyázma, and
then at Tsárevo-Zaymíshche, but it happened that owing to a conjunction
of innumerable circumstances the Russians could not give battle till
they reached Borodinó, seventy miles from Moscow. From Vyázma Napoleon
ordered a direct advance on Moscow.
Moscou, la capitale asiatique de ce grand empire, la ville sacrée des
peuples d’Alexandre, Moscou avec ses innombrables églises en forme de
pagodes chinoises, * this Moscow gave Napoleon’s imagination no rest.
On the march from Vyázma to Tsárevo-Zaymíshche he rode his light bay
bobtailed ambler accompanied by his Guards, his bodyguard, his pages,
and aides-de-camp. Berthier, his chief of staff, dropped behind to
question a Russian prisoner captured by the cavalry. Followed by
Lelorgne d’Ideville, an interpreter, he overtook Napoleon at a gallop
and reined in his horse with an amused expression.
* “Moscow, the Asiatic capital of this great empire, the
sacred city of Alexander’s people, Moscow with its
innumerable churches shaped like Chinese pagodas.”
“Well?” asked Napoleon.
“One of Plátov’s Cossacks says that Plátov’s corps is joining up with
the main army and that Kutúzov has been appointed commander in chief. He
is a very shrewd and garrulous fellow.”
Napoleon smiled and told them to give the Cossack a horse and bring the
man to him. He wished to talk to him himself. Several adjutants galloped
off, and an hour later, Lavrúshka, the serf Denísov had handed over
to Rostóv, rode up to Napoleon in an orderly’s jacket and on a French
cavalry saddle, with a merry, and tipsy face. Napoleon told him to ride
by his side and began questioning him.
“You are a Cossack?”
“Yes, a Cossack, your Honor.”
“The Cossack, not knowing in what company he was, for Napoleon’s plain
appearance had nothing about it that would reveal to an Oriental mind
the presence of a monarch, talked with extreme familiarity of the
incidents of the war,” says Thiers, narrating this episode. In
reality Lavrúshka, having got drunk the day before and left his master
dinnerless, had been whipped and sent to the village in quest of
chickens, where he engaged in looting till the French took him prisoner.
Lavrúshka was one of those coarse, bare-faced lackeys who have seen all
sorts of things, consider it necessary to do everything in a mean and
cunning way, are ready to render any sort of service to their master,
and are keen at guessing their master’s baser impulses, especially those
prompted by vanity and pettiness.
Finding himself in the company of Napoleon, whose identity he had easily
and surely recognized, Lavrúshka was not in the least abashed but merely
did his utmost to gain his new master’s favor.
He knew very well that this was Napoleon, but Napoleon’s presence could
no more intimidate him than Rostóv’s, or a sergeant major’s with the
rods, would have done, for he had nothing that either the sergeant major
or Napoleon could deprive him of.
So he rattled on, telling all the gossip he had heard among the
orderlies. Much of it true. But when Napoleon asked him whether the
Russians thought they would beat Bonaparte or not, Lavrúshka screwed up
his eyes and considered.
In this question he saw subtle cunning, as men of his type see cunning
in everything, so he frowned and did not answer immediately.
“It’s like this,” he said thoughtfully, “if there’s a battle soon, yours
will win. That’s right. But if three days pass, then after that, well,
then that same battle will not soon be over.”
Lelorgne d’Ideville smilingly interpreted this speech to Napoleon thus:
“If a battle takes place within the next three days the French will
win, but if later, God knows what will happen.” Napoleon did not smile,
though he was evidently in high good humor, and he ordered these words
to be repeated.
Lavrúshka noticed this and to entertain him further, pretending not to
know who Napoleon was, added:
“We know that you have Bonaparte and that he has beaten everybody in the
world, but we are a different matter...”—without knowing why or how this
bit of boastful patriotism slipped out at the end.
The interpreter translated these words without the last phrase, and
Bonaparte smiled. “The young Cossack made his mighty interlocutor
smile,” says Thiers. After riding a few paces in silence, Napoleon
turned to Berthier and said he wished to see how the news that he was
talking to the Emperor himself, to that very Emperor who had written his
immortally victorious name on the Pyramids, would affect this enfant du
Don. *
* “Child of the Don.”
The fact was accordingly conveyed to Lavrúshka.
Lavrúshka, understanding that this was done to perplex him and that
Napoleon expected him to be frightened, to gratify his new masters
promptly pretended to be astonished and awe-struck, opened his eyes
wide, and assumed the expression he usually put on when taken to be
whipped. “As soon as Napoleon’s interpreter had spoken,” says Thiers,
“the Cossack, seized by amazement, did not utter another word, but rode
on, his eyes fixed on the conqueror whose fame had reached him across
the steppes of the East. All his loquacity was suddenly arrested and
replaced by a naïve and silent feeling of admiration. Napoleon, after
making the Cossack a present, had him set free like a bird restored to
its native fields.”
Napoleon rode on, dreaming of the Moscow that so appealed to his
imagination, and “the bird restored to its native fields” galloped to
our outposts, inventing on the way all that had not taken place but that
he meant to relate to his comrades. What had really taken place he did
not wish to relate because it seemed to him not worth telling. He
found the Cossacks, inquired for the regiment operating with Plátov’s
detachment and by evening found his master, Nicholas Rostóv, quartered
at Yankóvo. Rostóv was just mounting to go for a ride round the
neighboring villages with Ilyín; he let Lavrúshka have another horse and
took him along with him.
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Let's Analyse the Pattern
The more authority someone has, the less they understand the reality of those they control, while those with less power develop sharper survival instincts and clearer assessment of authority.
Why This Matters
Connect literature to life
This chapter teaches how to recognize when authority figures mistake compliance for respect and performance for genuine connection.
Practice This Today
This week, notice when bosses or officials seem to be seeking validation rather than actual feedback—watch how they respond to different types of answers.
Now let's explore the literary elements.
Key Quotes & Analysis
"A good chessplayer having lost a game is sincerely convinced that his loss resulted from a mistake he made and looks for that mistake in the opening, but forgets that at each stage of the game there were similar mistakes and that none of his moves were perfect."
Context: Tolstoy explaining why people oversimplify the causes of complex events
This reveals how we naturally want to find simple explanations for complicated failures. We focus on one 'crucial mistake' instead of seeing the whole pattern of imperfect decisions that led to the outcome.
In Today's Words:
When things go wrong, we always think we can pinpoint the exact moment it all fell apart, but really we were making small mistakes the whole time.
"How much more complex than this is the game of war, which occurs under certain limits of time, and where it is not one will that manipulates lifeless objects, but everything results from innumerable conflicts of various wills!"
Context: Tolstoy comparing war to chess to show how much more complicated real conflict is
This challenges the idea that wars are won by brilliant generals making perfect moves. Real war involves thousands of people making independent decisions under pressure, creating chaos no one can fully control.
In Today's Words:
War isn't like chess where one person moves pieces around - it's like trying to coordinate a group project where everyone has their own agenda and nobody's communicating properly.
"You are the Emperor? You are the Emperor who conquered the world?"
Context: Pretending to be amazed when Napoleon reveals his identity
Lavrushka's fake amazement shows his survival instincts - he knows exactly what Napoleon wants to hear. His performance reveals how the powerless often have to act impressed by authority figures to stay safe.
In Today's Words:
Oh wow, you're THE boss? The one everyone talks about? Amazing!
Thematic Threads
Class
In This Chapter
Lavrushka, a beaten serf, remains unimpressed by Napoleon's imperial power because he understands that all masters are fundamentally the same
Development
Continues Tolstoy's examination of how different social classes experience and interpret the same events differently
In Your Life:
You might notice how your perspective on workplace authority differs drastically from your manager's view of their own importance.
Identity
In This Chapter
Napoleon's identity depends on others recognizing his greatness, while Lavrushka's identity remains intact regardless of who's trying to intimidate him
Development
Builds on earlier themes about how external validation versus internal strength shapes character
In Your Life:
You might recognize when you're seeking validation from people whose opinion shouldn't define your worth.
Deception
In This Chapter
Lavrushka tells Napoleon what he wants to hear, then makes up dramatic stories for his regiment because truth seems too ordinary
Development
Introduced here as survival strategy and social performance
In Your Life:
You might catch yourself telling different versions of the same story depending on what your audience wants to hear.
Social Expectations
In This Chapter
Napoleon expects awe and submission based on his status, while Lavrushka performs the expected reaction without feeling it
Development
Continues exploration of how social roles create scripted interactions that may not reflect genuine feelings
In Your Life:
You might notice when you're going through the motions of respect or enthusiasm because it's socially expected, not because you feel it.
Power
In This Chapter
True power lies not in commanding fear but in maintaining inner freedom—Lavrushka keeps his autonomy while appearing to submit
Development
Develops earlier themes about different types of strength and influence
In Your Life:
You might realize that sometimes the person who appears to have less control actually has more freedom and clearer thinking.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Why wasn't Lavrushka intimidated by Napoleon, even though Napoleon was the most powerful man in Europe at the time?
analysis • surface - 2
What does Napoleon's expectation of awe reveal about how power affects someone's understanding of reality?
analysis • medium - 3
Think about your workplace, school, or family. Where do you see people in authority living in bubbles, not understanding what those beneath them really think?
application • medium - 4
When you're dealing with someone who has power over you but doesn't understand your reality, how do you decide when to play along versus when to speak truth?
application • deep - 5
Why do you think Lavrushka made up dramatic stories about meeting Napoleon instead of telling the truth that he wasn't impressed?
reflection • deep
Critical Thinking Exercise
Map the Power Dynamic
Think of a situation where you've seen someone in authority completely misread the room - maybe a boss, teacher, parent, or politician who thought people agreed with them when they actually didn't. Write down what the authority figure believed was happening versus what was really happening from the perspective of those with less power.
Consider:
- •What information was the person in power not getting, and why?
- •How did people with less power protect themselves while managing the situation?
- •What would have happened if someone had told the complete truth?
Journaling Prompt
Write about a time when you had to 'play the game' with someone in authority. How did you balance protecting yourself while maintaining your integrity? What did that experience teach you about navigating power?
Coming Up Next...
Chapter 198: A Daughter's Final Vigil
The story returns to the Russian side as preparations intensify for the massive battle that will determine Moscow's fate. Key characters converge as the decisive confrontation approaches.




