An excerpt from the original text.(complete · 1152 words)
ierre did not stay for dinner, but left the room and went away at once.
He drove through the town seeking Anatole Kurágin, at the thought of
whom now the blood rushed to his heart and he felt a difficulty in
breathing. He was not at the ice hills, nor at the gypsies’, nor at
Komoneno’s. Pierre drove to the Club. In the Club all was going on as
usual. The members who were assembling for dinner were sitting about
in groups; they greeted Pierre and spoke of the town news. The footman
having greeted him, knowing his habits and his acquaintances, told him
there was a place left for him in the small dining room and that Prince
Michael Zakhárych was in the library, but Paul Timoféevich had not yet
arrived. One of Pierre’s acquaintances, while they were talking about
the weather, asked if he had heard of Kurágin’s abduction of Rostóva
which was talked of in the town, and was it true? Pierre laughed and
said it was nonsense for he had just come from the Rostóvs’. He asked
everyone about Anatole. One man told him he had not come yet, and
another that he was coming to dinner. Pierre felt it strange to see this
calm, indifferent crowd of people unaware of what was going on in his
soul. He paced through the ballroom, waited till everyone had come, and
as Anatole had not turned up did not stay for dinner but drove home.
Anatole, for whom Pierre was looking, dined that day with Dólokhov,
consulting him as to how to remedy this unfortunate affair. It seemed to
him essential to see Natásha. In the evening he drove to his sister’s
to discuss with her how to arrange a meeting. When Pierre returned home
after vainly hunting all over Moscow, his valet informed him that Prince
Anatole was with the countess. The countess’ drawing room was full of
guests.
Pierre without greeting his wife whom he had not seen since his
return—at that moment she was more repulsive to him than ever—entered
the drawing room and seeing Anatole went up to him.
“Ah, Pierre,” said the countess going up to her husband. “You don’t know
what a plight our Anatole...”
She stopped, seeing in the forward thrust of her husband’s head, in his
glowing eyes and his resolute gait, the terrible indications of that
rage and strength which she knew and had herself experienced after his
duel with Dólokhov.
“Where you are, there is vice and evil!” said Pierre to his wife.
“Anatole, come with me! I must speak to you,” he added in French.
Anatole glanced round at his sister and rose submissively, ready to
follow Pierre. Pierre, taking him by the arm, pulled him toward himself
and was leading him from the room.
“If you allow yourself in my drawing room...” whispered Hélène, but
Pierre did not reply and went out of the room.
Anatole followed him with his usual jaunty step but his face betrayed
anxiety.
Having entered his study Pierre closed the door and addressed Anatole
without looking at him.
“You promised Countess Rostóva to marry her and were about to elope with
her, is that so?”
“Mon cher,” answered Anatole (their whole conversation was in French),
“I don’t consider myself bound to answer questions put to me in that
tone.”
Pierre’s face, already pale, became distorted by fury. He seized Anatole
by the collar of his uniform with his big hand and shook him from side
to side till Anatole’s face showed a sufficient degree of terror.
“When I tell you that I must talk to you!...” repeated Pierre.
“Come now, this is stupid. What?” said Anatole, fingering a button of
his collar that had been wrenched loose with a bit of the cloth.
“You’re a scoundrel and a blackguard, and I don’t know what deprives
me from the pleasure of smashing your head with this!” said Pierre,
expressing himself so artificially because he was talking French.
He took a heavy paperweight and lifted it threateningly, but at once put
it back in its place.
“Did you promise to marry her?”
“I... I didn’t think of it. I never promised, because...”
Pierre interrupted him.
“Have you any letters of hers? Any letters?” he said, moving toward
Anatole.
Anatole glanced at him and immediately thrust his hand into his pocket
and drew out his pocketbook.
Pierre took the letter Anatole handed him and, pushing aside a table
that stood in his way, threw himself on the sofa.
“I shan’t be violent, don’t be afraid!” said Pierre in answer to a
frightened gesture of Anatole’s. “First, the letters,” said he, as if
repeating a lesson to himself. “Secondly,” he continued after a short
pause, again rising and again pacing the room, “tomorrow you must get
out of Moscow.”
“But how can I?...”
“Thirdly,” Pierre continued without listening to him, “you must never
breathe a word of what has passed between you and Countess Rostóva.
I know I can’t prevent your doing so, but if you have a spark of
conscience...” Pierre paced the room several times in silence.
Anatole sat at a table frowning and biting his lips.
“After all, you must understand that besides your pleasure there is such
a thing as other people’s happiness and peace, and that you are ruining
a whole life for the sake of amusing yourself! Amuse yourself with women
like my wife—with them you are within your rights, for they know what
you want of them. They are armed against you by the same experience
of debauchery; but to promise a maid to marry her... to deceive, to
kidnap.... Don’t you understand that it is as mean as beating an old man
or a child?...”
Pierre paused and looked at Anatole no longer with an angry but with a
questioning look.
“I don’t know about that, eh?” said Anatole, growing more confident as
Pierre mastered his wrath. “I don’t know that and don’t want to,” he
said, not looking at Pierre and with a slight tremor of his lower jaw,
“but you have used such words to me—‘mean’ and so on—which as a man of
honor I can’t allow anyone to use.”
Pierre glanced at him with amazement, unable to understand what he
wanted.
“Though it was tête-à-tête,” Anatole continued, “still I can’t...”
“Is it satisfaction you want?” said Pierre ironically.
“You could at least take back your words. What? If you want me to do as
you wish, eh?”
“I take them back, I take them back!” said Pierre, “and I ask you to
forgive me.” Pierre involuntarily glanced at the loose button. “And if
you require money for your journey...”
Anatole smiled. The expression of that base and cringing smile, which
Pierre knew so well in his wife, revolted him.
“Oh, vile and heartless brood!” he exclaimed, and left the room.
Next day Anatole left for Petersburg.
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Let's Analyse the Pattern
The internal struggle between maintaining comfortable relationships and holding people accountable for harm they've caused to others.
Why This Matters
Connect literature to life
This chapter teaches how manipulative people avoid accountability by minimizing harm, blaming others, or turning confrontation back on the confronter.
Practice This Today
Next time someone deflects responsibility with 'I never promised anything' or 'You're overreacting,' notice the pattern and stay focused on the actual harm caused.
Now let's explore the literary elements.
Key Quotes & Analysis
"Pierre felt it strange to see this calm, indifferent crowd of people unaware of what was going on in his soul."
Context: Pierre observes the club members casually gossiping about Natasha's scandal
This shows how isolated we feel when experiencing intense emotions while everyone else goes about their normal lives. It highlights the disconnect between public gossip and private anguish.
In Today's Words:
It was weird how everyone was just chatting normally when he felt like his world was falling apart.
"You have promised to marry her and... you have abducted her, and yet you seem to think you have no duties toward her?"
Context: Pierre confronts Anatole about his treatment of Natasha
Pierre demands accountability from someone who sees no connection between his actions and their consequences. This represents the moment when someone finally calls out destructive behavior.
In Today's Words:
You led her on and messed with her life, and you think you don't owe her anything?
"I don't understand what you are driving at."
Context: Anatole's response when Pierre demands he take responsibility
This shows how people who cause harm often genuinely don't understand why others are upset. Anatole's confusion reveals his complete lack of empathy or awareness of consequences.
In Today's Words:
I have no idea what your problem is.
Thematic Threads
Class Privilege
In This Chapter
Anatole's casual dismissal of consequences shows how wealth insulates people from accountability
Development
Builds on earlier themes of aristocratic detachment from real-world consequences
In Your Life:
You might see this when wealthy people in your community face different consequences than working-class people for similar actions.
Personal Growth
In This Chapter
Pierre learns to channel protective instincts into direct action, even imperfectly
Development
Continues Pierre's evolution from passive observer to someone who takes stands
In Your Life:
You experience this when you finally speak up about something wrong, even when your execution isn't perfect.
Social Expectations
In This Chapter
The club gossip and Pierre's pretense show how social circles police behavior through reputation
Development
Deepens exploration of how society enforces norms through social pressure
In Your Life:
You see this in how workplace gossip or community talk can pressure people to conform or hide problems.
Deflection
In This Chapter
Anatole minimizes his promises to Natasha and tries to turn confrontation into a matter of honor
Development
Introduced here as a pattern of avoiding accountability
In Your Life:
You encounter this when someone responds to criticism by attacking your right to criticize rather than addressing the issue.
Compromise
In This Chapter
Pierre offers money instead of demanding real accountability, showing how difficult sustained confrontation becomes
Development
Introduced here as the gap between moral clarity and practical action
In Your Life:
You experience this when you settle for partial solutions because full accountability feels too costly or difficult to maintain.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What does Pierre discover about Anatole's relationship with Natasha, and how does Anatole respond when confronted?
analysis • surface - 2
Why does Pierre's anger fade into compromise when Anatole tries to make it about 'honor'? What does this reveal about social pressure?
analysis • medium - 3
Think about your workplace or family - where have you seen someone deflect responsibility by turning the conversation back on their accuser?
application • medium - 4
If you were Pierre, knowing that giving money might just enable Anatole's future bad behavior, what would you do differently?
application • deep - 5
What does this chapter teach us about the difference between keeping peace and actually protecting people from harm?
reflection • deep
Critical Thinking Exercise
Map Your Accountability Moment
Think of a situation where someone in your circle has hurt or wronged another person. Write down the deflection tactics they used (minimizing, blaming others, making you the problem). Then map out what a firm but fair confrontation might have looked like, focusing on specific behaviors rather than character attacks.
Consider:
- •Notice how deflection tactics make you question your own perceptions
- •Consider what outcome would actually protect the person who was harmed
- •Think about which relationships are worth preserving versus which enable ongoing harm
Journaling Prompt
Write about a time when you chose keeping peace over protecting someone. What would you do differently now, and what specific words would you use to address the situation directly?
Coming Up Next...
Chapter 166: The Cold Aftermath of Betrayal
With Anatole gone, the immediate crisis seems resolved, but the emotional aftermath for those involved is just beginning. Pierre must now face the deeper questions about his own life and relationships that this confrontation has stirred up.




