An excerpt from the original text.(complete · 1381 words)
rom the day his wife arrived in Moscow Pierre had been intending to go
away somewhere, so as not to be near her. Soon after the Rostóvs came
to Moscow the effect Natásha had on him made him hasten to carry out
his intention. He went to Tver to see Joseph Alexéevich’s widow, who
had long since promised to hand over to him some papers of her deceased
husband’s.
When he returned to Moscow Pierre was handed a letter from Márya
Dmítrievna asking him to come and see her on a matter of great
importance relating to Andrew Bolkónski and his betrothed. Pierre had
been avoiding Natásha because it seemed to him that his feeling for her
was stronger than a married man’s should be for his friend’s fiancée.
Yet some fate constantly threw them together.
“What can have happened? And what can they want with me?” thought he
as he dressed to go to Márya Dmítrievna’s. “If only Prince Andrew would
hurry up and come and marry her!” thought he on his way to the house.
On the Tverskóy Boulevard a familiar voice called to him.
“Pierre! Been back long?” someone shouted. Pierre raised his head. In
a sleigh drawn by two gray trotting-horses that were bespattering the
dashboard with snow, Anatole and his constant companion Makárin dashed
past. Anatole was sitting upright in the classic pose of military
dandies, the lower part of his face hidden by his beaver collar and his
head slightly bent. His face was fresh and rosy, his white-plumed hat,
tilted to one side, disclosed his curled and pomaded hair besprinkled
with powdery snow.
“Yes, indeed, that’s a true sage,” thought Pierre. “He sees nothing
beyond the pleasure of the moment, nothing troubles him and so he is
always cheerful, satisfied, and serene. What wouldn’t I give to be like
him!” he thought enviously.
In Márya Dmítrievna’s anteroom the footman who helped him off with his
fur coat said that the mistress asked him to come to her bedroom.
When he opened the ballroom door Pierre saw Natásha sitting at the
window, with a thin, pale, and spiteful face. She glanced round at him,
frowned, and left the room with an expression of cold dignity.
“What has happened?” asked Pierre, entering Márya Dmítrievna’s room.
“Fine doings!” answered Dmítrievna. “For fifty-eight years have I lived
in this world and never known anything so disgraceful!”
And having put him on his honor not to repeat anything she told him,
Márya Dmítrievna informed him that Natásha had refused Prince Andrew
without her parents’ knowledge and that the cause of this was Anatole
Kurágin into whose society Pierre’s wife had thrown her and with whom
Natásha had tried to elope during her father’s absence, in order to be
married secretly.
Pierre raised his shoulders and listened open-mouthed to what was told
him, scarcely able to believe his own ears. That Prince Andrew’s
deeply loved affianced wife—the same Natásha Rostóva who used to be so
charming—should give up Bolkónski for that fool Anatole who was already
secretly married (as Pierre knew), and should be so in love with him as
to agree to run away with him, was something Pierre could not conceive
and could not imagine.
He could not reconcile the charming impression he had of Natásha, whom
he had known from a child, with this new conception of her baseness,
folly, and cruelty. He thought of his wife. “They are all alike!” he
said to himself, reflecting that he was not the only man unfortunate
enough to be tied to a bad woman. But still he pitied Prince Andrew to
the point of tears and sympathized with his wounded pride, and the more
he pitied his friend the more did he think with contempt and even with
disgust of that Natásha who had just passed him in the ballroom with
such a look of cold dignity. He did not know that Natásha’s soul was
overflowing with despair, shame, and humiliation, and that it was not
her fault that her face happened to assume an expression of calm dignity
and severity.
“But how get married?” said Pierre, in answer to Márya Dmítrievna. “He
could not marry—he is married!”
“Things get worse from hour to hour!” ejaculated Márya Dmítrievna. “A
nice youth! What a scoundrel! And she’s expecting him—expecting him
since yesterday. She must be told! Then at least she won’t go on
expecting him.”
After hearing the details of Anatole’s marriage from Pierre, and giving
vent to her anger against Anatole in words of abuse, Márya Dmítrievna
told Pierre why she had sent for him. She was afraid that the count or
Bolkónski, who might arrive at any moment, if they knew of this affair
(which she hoped to hide from them) might challenge Anatole to a duel,
and she therefore asked Pierre to tell his brother-in-law in her name to
leave Moscow and not dare to let her set eyes on him again. Pierre—only
now realizing the danger to the old count, Nicholas, and Prince
Andrew—promised to do as she wished. Having briefly and exactly
explained her wishes to him, she let him go to the drawing room.
“Mind, the count knows nothing. Behave as if you know nothing either,”
she said. “And I will go and tell her it is no use expecting him! And
stay to dinner if you care to!” she called after Pierre.
Pierre met the old count, who seemed nervous and upset. That morning
Natásha had told him that she had rejected Bolkónski.
“Troubles, troubles, my dear fellow!” he said to Pierre. “What troubles
one has with these girls without their mother! I do so regret having
come here.... I will be frank with you. Have you heard she has broken
off her engagement without consulting anybody? It’s true this engagement
never was much to my liking. Of course he is an excellent man, but
still, with his father’s disapproval they wouldn’t have been happy, and
Natásha won’t lack suitors. Still, it has been going on so long, and
to take such a step without father’s or mother’s consent! And now she’s
ill, and God knows what! It’s hard, Count, hard to manage daughters in
their mother’s absence....”
Pierre saw that the count was much upset and tried to change the
subject, but the count returned to his troubles.
Sónya entered the room with an agitated face.
“Natásha is not quite well; she’s in her room and would like to see you.
Márya Dmítrievna is with her and she too asks you to come.”
“Yes, you are a great friend of Bolkónski’s, no doubt she wants to send
him a message,” said the count. “Oh dear! Oh dear! How happy it all
was!”
And clutching the spare gray locks on his temples the count left the
room.
When Márya Dmítrievna told Natásha that Anatole was married, Natásha
did not wish to believe it and insisted on having it confirmed by Pierre
himself. Sónya told Pierre this as she led him along the corridor to
Natásha’s room.
Natásha, pale and stern, was sitting beside Márya Dmítrievna, and her
eyes, glittering feverishly, met Pierre with a questioning look the
moment he entered. She did not smile or nod, but only gazed fixedly at
him, and her look asked only one thing: was he a friend, or like the
others an enemy in regard to Anatole? As for Pierre, he evidently did
not exist for her.
“He knows all about it,” said Márya Dmítrievna pointing to Pierre and
addressing Natásha. “Let him tell you whether I have told the truth.”
Natásha looked from one to the other as a hunted and wounded animal
looks at the approaching dogs and sportsmen.
“Natálya Ilyníchna,” Pierre began, dropping his eyes with a feeling of
pity for her and loathing for the thing he had to do, “whether it is
true or not should make no difference to you, because...”
“Then it is not true that he’s married!”
“Yes, it is true.”
“Has he been married long?” she asked. “On your honor?...”
Pierre gave his word of honor.
“Is he still here?” she asked, quickly.
“Yes, I have just seen him.”
She was evidently unable to speak and made a sign with her hands that
they should leave her alone.
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Let's Analyse the Pattern
When overwhelmed by shame, people often appear cold or cruel while actually protecting themselves from further emotional damage.
Why This Matters
Connect literature to life
This chapter teaches how to recognize when someone's cold or difficult behavior is actually a protective response to overwhelming shame or pain.
Practice This Today
This week, notice when someone seems unusually formal or distant after a mistake—before judging them as heartless, ask yourself if they might be protecting themselves from further hurt.
Now let's explore the literary elements.
Key Quotes & Analysis
"If only Prince Andrew would hurry up and come and marry her!"
Context: Pierre's thoughts as he tries to avoid his inappropriate feelings for Natasha
Shows how Pierre recognizes his feelings are wrong but hopes Andrew's return will solve the problem. Reveals his internal conflict between desire and loyalty to his friend.
In Today's Words:
I wish she'd just get married already so I can stop having these feelings
"They are all alike"
Context: Pierre's bitter reaction when he first hears about Natasha's betrayal
Pierre lumps Natasha together with his unfaithful wife, showing how betrayal makes us paint everyone with the same brush. This is his defense mechanism against disappointment.
In Today's Words:
All women are the same - they all cheat
"What can have happened? And what can they want with me?"
Context: Pierre's thoughts when summoned urgently by Marya Dmitrievna
Shows Pierre's anxiety and confusion about being pulled into drama. He senses something serious has happened but doesn't want to be involved.
In Today's Words:
Oh no, what's the emergency now and why are they dragging me into it?
Thematic Threads
Judgment
In This Chapter
Pierre initially judges Natasha harshly, thinking 'they are all alike' before recognizing her true despair
Development
Building from earlier themes of first impressions and social appearances
In Your Life:
You might catch yourself writing someone off based on their worst moment instead of seeing their whole story
Shame
In This Chapter
Natasha's dignified coldness masks overwhelming shame about her failed elopement attempt
Development
Introduced here as a driving force behind seemingly inexplicable behavior
In Your Life:
You might recognize times when your own defensive behavior pushed people away when you most needed support
Truth-telling
In This Chapter
Pierre must deliver the painful truth about Anatole's secret marriage to devastated Natasha
Development
Continues the theme of difficult conversations and moral obligations
In Your Life:
You might face moments when being a true friend means saying what someone needs to hear, not what they want to hear
Consequences
In This Chapter
One impulsive decision threatens to destroy multiple lives through potential duels and social ruin
Development
Expanding from individual choices to show ripple effects across relationships
In Your Life:
You might see how one person's crisis can spiral outward, affecting everyone who cares about them
Friendship
In This Chapter
Pierre's loyalty is tested as he navigates between protecting Natasha and delivering harsh realities
Development
Deepening exploration of what true friendship requires beyond pleasant social interaction
In Your Life:
You might recognize that real friendship sometimes means being the messenger of difficult truths
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What news does Pierre learn about Natasha, and why is it so devastating?
analysis • surface - 2
Why does Pierre initially judge Natasha as being 'like all the others,' and what changes his mind?
analysis • medium - 3
Think about someone you've known who seemed cold or distant during a crisis. Could they have been protecting themselves from shame or pain?
application • medium - 4
When someone you care about makes a terrible mistake, how do you balance honesty with compassion in your response?
application • deep - 5
What does this chapter reveal about the difference between how people appear on the surface and what they're actually feeling inside?
reflection • deep
Critical Thinking Exercise
Decode the Protective Shell
Think of someone in your life who seems cold, distant, or difficult right now. Write down their behavior that bothers you. Then brainstorm three possible hidden emotions or fears that might be driving that behavior. What would change about your response if you assumed they were protecting themselves rather than attacking you?
Consider:
- •People often use distance or formality as emotional armor when they feel vulnerable
- •What looks like cruelty might actually be someone barely holding themselves together
- •Your response can either reinforce their protective shell or help them feel safe enough to drop it
Journaling Prompt
Write about a time when you put up a protective shell after making a mistake or feeling ashamed. How did people's reactions affect whether you felt safe enough to be vulnerable again?
Coming Up Next...
Chapter 165: Pierre Confronts Anatole
With Natasha's world shattered and the truth finally revealed, Pierre faces the difficult task of confronting Anatole and protecting the Rostov family from further scandal. But will his intervention be enough to prevent the brewing storm?




