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War and Peace - The Point of No Return

Leo Tolstoy

War and Peace

The Point of No Return

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Summary

Anatole prepares for his reckless plan to elope with Natasha, despite serious warnings from his partner-in-crime Dolokhov. The scene reveals the dangerous dynamics between the two men: Dolokhov has arranged everything—fake priest, passport, money, escape route—but now tries to talk Anatole out of it, warning him about criminal charges and the mess he's creating. Anatole, completely infatuated and thinking only with his emotions, dismisses every concern with childish logic about his existing marriage being invalid. Dolokhov's warnings come not from moral concern but from practical experience—he knows how these schemes usually end. The chapter introduces Balaga, their reckless troyka driver who embodies the same dangerous thrill-seeking that drives both men. Like many enablers, Balaga profits from their destructive behavior while calling them 'real gentlemen.' The preparations feel both exciting and ominous—everyone involved knows this is dangerous, but the momentum has built too far to stop. Tolstoy shows us how bad decisions gain their own gravity, pulling in accomplices and resources until what started as impulse becomes an elaborate, expensive disaster waiting to happen. The chapter captures that moment when you know you're about to make a terrible mistake but feel powerless to stop yourself.

Coming Up in Chapter 162

As the final preparations conclude and the troyka waits outside, the moment of truth arrives. Will Anatole's elaborate plan actually succeed, or are Dolokhov's warnings about to prove prophetic?

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An excerpt from the original text.(complete · 1921 words)

A

natole had lately moved to Dólokhov’s. The plan for Natalie
Rostóva’s abduction had been arranged and the preparations made by
Dólokhov a few days before, and on the day that Sónya, after listening
at Natásha’s door, resolved to safeguard her, it was to have been
put into execution. Natásha had promised to come out to Kurágin at the
back porch at ten that evening. Kurágin was to put her into a troyka
he would have ready and to drive her forty miles to the village of
Kámenka, where an unfrocked priest was in readiness to perform a
marriage ceremony over them. At Kámenka a relay of horses was to wait
which would take them to the Warsaw highroad, and from there they would
hasten abroad with post horses.

Anatole had a passport, an order for post horses, ten thousand rubles
he had taken from his sister and another ten thousand borrowed with
Dólokhov’s help.

Two witnesses for the mock marriage—Khvóstikov, a retired petty
official whom Dólokhov made use of in his gambling transactions, and
Makárin, a retired hussar, a kindly, weak fellow who had an unbounded
affection for Kurágin—were sitting at tea in Dólokhov’s front
room.

In his large study, the walls of which were hung to the ceiling with
Persian rugs, bearskins, and weapons, sat Dólokhov in a traveling cloak
and high boots, at an open desk on which lay an abacus and some bundles
of paper money. Anatole, with uniform unbuttoned, walked to and fro from
the room where the witnesses were sitting, through the study to the room
behind, where his French valet and others were packing the last of his
things. Dólokhov was counting the money and noting something down.

“Well,” he said, “Khvóstikov must have two thousand.”

“Give it to him, then,” said Anatole.

“Makárka” (their name for Makárin) “will go through fire and
water for you for nothing. So here are our accounts all settled,” said
Dólokhov, showing him the memorandum. “Is that right?”

“Yes, of course,” returned Anatole, evidently not listening to
Dólokhov and looking straight before him with a smile that did not
leave his face.

Dólokhov banged down the lid of his desk and turned to Anatole with an
ironic smile:

“Do you know? You’d really better drop it all. There’s still
time!”

“Fool,” retorted Anatole. “Don’t talk nonsense! If you only
knew... it’s the devil knows what!”

“No, really, give it up!” said Dólokhov. “I am speaking
seriously. It’s no joke, this plot you’ve hatched.”

“What, teasing again? Go to the devil! Eh?” said Anatole, making a
grimace. “Really it’s no time for your stupid jokes,” and he left
the room.

Dólokhov smiled contemptuously and condescendingly when Anatole had
gone out.

“You wait a bit,” he called after him. “I’m not joking, I’m
talking sense. Come here, come here!”

Anatole returned and looked at Dólokhov, trying to give him his
attention and evidently submitting to him involuntarily.

“Now listen to me. I’m telling you this for the last time. Why
should I joke about it? Did I hinder you? Who arranged everything for
you? Who found the priest and got the passport? Who raised the money? I
did it all.”

“Well, thank you for it. Do you think I am not grateful?” And
Anatole sighed and embraced Dólokhov.

“I helped you, but all the same I must tell you the truth; it is a
dangerous business, and if you think about it—a stupid business. Well,
you’ll carry her off—all right! Will they let it stop at that? It
will come out that you’re already married. Why, they’ll have you in
the criminal court....”

“Oh, nonsense, nonsense!” Anatole ejaculated and again made a
grimace. “Didn’t I explain to you? What?” And Anatole, with the
partiality dull-witted people have for any conclusion they have reached
by their own reasoning, repeated the argument he had already put to
Dólokhov a hundred times. “Didn’t I explain to you that I have come
to this conclusion: if this marriage is invalid,” he went on, crooking
one finger, “then I have nothing to answer for; but if it is valid, no
matter! Abroad no one will know anything about it. Isn’t that so? And
don’t talk to me, don’t, don’t.”

“Seriously, you’d better drop it! You’ll only get yourself into a
mess!”

“Go to the devil!” cried Anatole and, clutching his hair, left the
room, but returned at once and dropped into an armchair in front of
Dólokhov with his feet turned under him. “It’s the very devil!
What? Feel how it beats!” He took Dólokhov’s hand and put it on his
heart. “What a foot, my dear fellow! What a glance! A goddess!” he
added in French. “What?”

Dólokhov with a cold smile and a gleam in his handsome insolent eyes
looked at him—evidently wishing to get some more amusement out of him.

“Well and when the money’s gone, what then?”

“What then? Eh?” repeated Anatole, sincerely perplexed by a thought
of the future. “What then?... Then, I don’t know.... But why talk
nonsense!” He glanced at his watch. “It’s time!”

Anatole went into the back room.

“Now then! Nearly ready? You’re dawdling!” he shouted to the
servants.

Dólokhov put away the money, called a footman whom he ordered to bring
something for them to eat and drink before the journey, and went into
the room where Khvóstikov and Makárin were sitting.

Anatole lay on the sofa in the study leaning on his elbow and smiling
pensively, while his handsome lips muttered tenderly to himself.

“Come and eat something. Have a drink!” Dólokhov shouted to him
from the other room.

“I don’t want to,” answered Anatole continuing to smile.

“Come! Balagá is here.”

Anatole rose and went into the dining room. Balagá was a famous troyka
driver who had known Dólokhov and Anatole some six years and had given
them good service with his troykas. More than once when Anatole’s
regiment was stationed at Tver he had taken him from Tver in the
evening, brought him to Moscow by daybreak, and driven him back again
the next night. More than once he had enabled Dólokhov to escape when
pursued. More than once he had driven them through the town with gypsies
and “ladykins” as he called the cocottes. More than once in their
service he had run over pedestrians and upset vehicles in the streets
of Moscow and had always been protected from the consequences by “my
gentlemen” as he called them. He had ruined more than one horse in
their service. More than once they had beaten him, and more than once
they had made him drunk on champagne and Madeira, which he loved; and
he knew more than one thing about each of them which would long ago have
sent an ordinary man to Siberia. They often called Balagá into their
orgies and made him drink and dance at the gypsies’, and more than one
thousand rubles of their money had passed through his hands. In their
service he risked his skin and his life twenty times a year, and in
their service had lost more horses than the money he had from them would
buy. But he liked them; liked that mad driving at twelve miles an hour,
liked upsetting a driver or running down a pedestrian, and flying at
full gallop through the Moscow streets. He liked to hear those wild,
tipsy shouts behind him: “Get on! Get on!” when it was impossible
to go any faster. He liked giving a painful lash on the neck to some
peasant who, more dead than alive, was already hurrying out of his way.
“Real gentlemen!” he considered them.

Anatole and Dólokhov liked Balagá too for his masterly driving and
because he liked the things they liked. With others Balagá bargained,
charging twenty-five rubles for a two hours’ drive, and rarely
drove himself, generally letting his young men do so. But with “his
gentlemen” he always drove himself and never demanded anything for
his work. Only a couple of times a year—when he knew from their valets
that they had money in hand—he would turn up of a morning quite sober
and with a deep bow would ask them to help him. The gentlemen always
made him sit down.

“Do help me out, Theodore Iványch, sir,” or “your excellency,”
he would say. “I am quite out of horses. Let me have what you can to
go to the fair.”

And Anatole and Dólokhov, when they had money, would give him a
thousand or a couple of thousand rubles.

Balagá was a fair-haired, short, and snub-nosed peasant of about
twenty-seven; red-faced, with a particularly red thick neck, glittering
little eyes, and a small beard. He wore a fine, dark-blue, silk-lined
cloth coat over a sheepskin.

On entering the room now he crossed himself, turning toward the front
corner of the room, and went up to Dólokhov, holding out a small, black
hand.

“Theodore Iványch!” he said, bowing.

“How d’you do, friend? Well, here he is!”

“Good day, your excellency!” he said, again holding out his hand to
Anatole who had just come in.

“I say, Balagá,” said Anatole, putting his hands on the man’s
shoulders, “do you care for me or not? Eh? Now, do me a service....
What horses have you come with? Eh?”

“As your messenger ordered, your special beasts,” replied Balagá.

“Well, listen, Balagá! Drive all three to death but get me there in
three hours. Eh?”

“When they are dead, what shall I drive?” said Balagá with a wink.

“Mind, I’ll smash your face in! Don’t make jokes!” cried
Anatole, suddenly rolling his eyes.

“Why joke?” said the driver, laughing. “As if I’d grudge my
gentlemen anything! As fast as ever the horses can gallop, so fast
we’ll go!”

“Ah!” said Anatole. “Well, sit down.”

“Yes, sit down!” said Dólokhov.

“I’ll stand, Theodore Iványch.”

“Sit down; nonsense! Have a drink!” said Anatole, and filled a large
glass of Madeira for him.

The driver’s eyes sparkled at the sight of the wine. After refusing
it for manners’ sake, he drank it and wiped his mouth with a red silk
handkerchief he took out of his cap.

“And when are we to start, your excellency?”

“Well...” Anatole looked at his watch. “We’ll start at once.
Mind, Balagá! You’ll get there in time? Eh?”

“That depends on our luck in starting, else why shouldn’t we be
there in time?” replied Balagá. “Didn’t we get you to Tver in
seven hours? I think you remember that, your excellency?”

“Do you know, one Christmas I drove from Tver,” said Anatole,
smilingly at the recollection and turning to Makárin who gazed
rapturously at him with wide-open eyes. “Will you believe it,
Makárka, it took one’s breath away, the rate we flew. We came across
a train of loaded sleighs and drove right over two of them. Eh?”

“Those were horses!” Balagá continued the tale. “That time I’d
harnessed two young side horses with the bay in the shafts,” he went
on, turning to Dólokhov. “Will you believe it, Theodore Iványch,
those animals flew forty miles? I couldn’t hold them in, my hands grew
numb in the sharp frost so that I threw down the reins—‘Catch hold
yourself, your excellency!’ says I, and I just tumbled on the bottom
of the sleigh and sprawled there. It wasn’t a case of urging them on,
there was no holding them in till we reached the place. The devils took
us there in three hours! Only the near one died of it.”

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Let's Analyse the Pattern

Pattern: Momentum Blindness
This chapter reveals a devastating pattern: when bad decisions gain momentum, they create their own gravitational pull that makes stopping feel impossible. Anatole can't see past his infatuation, Dolokhov can't back out of his elaborate scheme, and everyone gets swept along by forces they helped create. The mechanism works like this: initial impulse leads to small commitments, which require bigger commitments to justify the first ones. Each step makes backing out feel more costly than continuing forward. Pride won't let you admit the whole thing was stupid. Sunk costs make retreat feel like waste. Meanwhile, enablers profit from your momentum and tell you what you want to hear. The system feeds itself until disaster becomes inevitable. You see this everywhere today. The coworker who keeps doubling down on a failed project because admitting mistake feels worse than continuing the lie. The family member who won't leave an abusive relationship because they've invested so much time 'making it work.' The manager who keeps promoting an incompetent hire because firing them would mean admitting the original decision was wrong. The patient who keeps taking addictive medication because stopping means facing the pain they've been avoiding. When you recognize momentum blindness, stop and calculate the true cost of continuing versus the true cost of stopping. Ask: 'If I were starting fresh today, would I begin this path?' Get outside perspective from people who don't profit from your choices. Set decision points in advance: 'If X happens, I stop regardless of sunk costs.' Remember that stopping a bad decision isn't failure—it's intelligence. When you can name the pattern, predict where it leads, and navigate it successfully—that's amplified intelligence.

Bad decisions create their own gravitational pull, making continuation feel inevitable even when stopping would prevent disaster.

Why This Matters

Connect literature to life

Skill: Recognizing Momentum Blindness

This chapter teaches how to identify when bad decisions gain their own gravitational pull, making stopping feel impossible even when continuing guarantees disaster.

Practice This Today

This week, notice when you keep doing something mainly because you've already invested time or money—then ask yourself if you'd start this path today knowing what you know now.

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Now let's explore the literary elements.

Key Quotes & Analysis

"You'll answer for it if anything happens to her"

— Dólokhov

Context: Warning Anatole about the serious consequences of their plan

Shows that even Dólokhov, who arranged everything, recognizes this scheme could destroy lives. It reveals the tension between his criminal expertise and his understanding of real consequences.

In Today's Words:

If this goes wrong, you're taking the blame - and it's going to go very wrong.

"What a brute you are!"

— Anatole

Context: Responding to Dólokhov's warnings about criminal charges

Anatole's childish response to serious warnings shows how infatuation has made him incapable of rational thinking. He attacks the messenger rather than hearing the message.

In Today's Words:

Why are you being such a buzzkill? Stop trying to ruin my fantasy!

"Ah, he's a real gentleman, a real gentleman!"

— Balaga

Context: Praising Anatole while enabling his dangerous behavior

Shows how enablers profit from and encourage destructive behavior by flattering the person making bad choices. Balaga calls recklessness 'gentlemanly.'

In Today's Words:

He's the real deal! He knows how to live!

Thematic Threads

Self-Deception

In This Chapter

Anatole convinces himself his marriage 'doesn't count' and this elopement is somehow legitimate

Development

Deepening from earlier chapters where characters justified smaller deceptions

In Your Life:

You might catch yourself making elaborate justifications for choices you know are wrong

Enabling

In This Chapter

Dolokhov arranges everything while warning against it; Balaga profits from their recklessness while praising them

Development

Introduced here as a new dynamic in destructive relationships

In Your Life:

You might recognize people who help you make bad decisions while claiming to care about you

Class Privilege

In This Chapter

Anatole assumes his status will protect him from consequences of criminal behavior

Development

Continuing theme of aristocrats believing rules don't apply to them

In Your Life:

You might see how some people expect special treatment based on their position or connections

Practical Wisdom

In This Chapter

Dolokhov's warnings come from experience, not morality—he knows how these schemes end

Development

Evolved from earlier scenes showing Dolokhov's calculating nature

In Your Life:

You might learn to distinguish between advice from experience versus advice from judgment

Point of No Return

In This Chapter

The elaborate preparations create momentum that makes backing out feel impossible

Development

Building throughout the Natasha storyline as small steps lead to bigger commitments

In Your Life:

You might recognize when you're approaching a decision point where retreat becomes much harder

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    Why does Dolokhov try to talk Anatole out of the elopement plan after arranging everything for it?

    analysis • surface
  2. 2

    How does Anatole dismiss each of Dolokhov's warnings, and what does this reveal about his decision-making process?

    analysis • medium
  3. 3

    Where have you seen this pattern of 'too deep to quit' in your workplace, family, or community?

    application • medium
  4. 4

    What strategies could someone use to recognize when they're caught in momentum blindness before it's too late?

    application • deep
  5. 5

    Why do people often find it easier to continue bad decisions than to admit they made a mistake in the first place?

    reflection • deep

Critical Thinking Exercise

10 minutes

Map Your Own Momentum Trap

Think of a situation in your life where you kept going with something even though warning signs suggested you should stop. Map out the progression: What was the initial decision? What small commitments followed? At what point did stopping feel more costly than continuing? Who or what encouraged you to keep going?

Consider:

  • •Consider both the emotional and practical costs that kept you moving forward
  • •Identify who benefited from your continued investment in the situation
  • •Think about what information or perspective might have helped you stop sooner

Journaling Prompt

Write about a current situation where you might be experiencing momentum blindness. What would it cost you to stop versus continue? What would you tell a friend in your exact position?

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Coming Up Next...

Chapter 162: The Elopement Trap

As the final preparations conclude and the troyka waits outside, the moment of truth arrives. Will Anatole's elaborate plan actually succeed, or are Dolokhov's warnings about to prove prophetic?

Continue to Chapter 162
Previous
When Love Becomes Obsession
Contents
Next
The Elopement Trap

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