An excerpt from the original text.(complete · 929 words)
hus sang the magician; and all who were present went like birds
unawares into the net of his artful and melancholy voluptuousness.
Only the spiritually conscientious one had not been caught: he at once
snatched the harp from the magician and called out: “Air! Let in good
air! Let in Zarathustra! Thou makest this cave sultry and poisonous,
thou bad old magician!
Thou seducest, thou false one, thou subtle one, to unknown desires and
deserts. And alas, that such as thou should talk and make ado about the
TRUTH!
Alas, to all free spirits who are not on their guard against SUCH
magicians! It is all over with their freedom: thou teachest and temptest
back into prisons,—
—Thou old melancholy devil, out of thy lament soundeth a lurement: thou
resemblest those who with their praise of chastity secretly invite to
voluptuousness!”
Thus spake the conscientious one; the old magician, however, looked
about him, enjoying his triumph, and on that account put up with the
annoyance which the conscientious one caused him. “Be still!” said he
with modest voice, “good songs want to re-echo well; after good songs
one should be long silent.
Thus do all those present, the higher men. Thou, however, hast perhaps
understood but little of my song? In thee there is little of the magic
spirit.”
“Thou praisest me,” replied the conscientious one, “in that thou
separatest me from thyself; very well! But, ye others, what do I see? Ye
still sit there, all of you, with lusting eyes—:
Ye free spirits, whither hath your freedom gone! Ye almost seem to me
to resemble those who have long looked at bad girls dancing naked: your
souls themselves dance!
In you, ye higher men, there must be more of that which the magician
calleth his evil spirit of magic and deceit:—we must indeed be
different.
And verily, we spake and thought long enough together ere Zarathustra
came home to his cave, for me not to be unaware that we ARE different.
We SEEK different things even here aloft, ye and I. For I seek more
SECURITY; on that account have I come to Zarathustra. For he is still
the most steadfast tower and will—
—To-day, when everything tottereth, when all the earth quaketh. Ye,
however, when I see what eyes ye make, it almost seemeth to me that ye
seek MORE INSECURITY,
—More horror, more danger, more earthquake. Ye long (it almost seemeth
so to me—forgive my presumption, ye higher men)—
—Ye long for the worst and dangerousest life, which frighteneth ME
most,—for the life of wild beasts, for forests, caves, steep mountains
and labyrinthine gorges.
And it is not those who lead OUT OF danger that please you best, but
those who lead you away from all paths, the misleaders. But if
such longing in you be ACTUAL, it seemeth to me nevertheless to be
IMPOSSIBLE.
For fear—that is man’s original and fundamental feeling; through fear
everything is explained, original sin and original virtue. Through fear
there grew also MY virtue, that is to say: Science.
For fear of wild animals—that hath been longest fostered in
man, inclusive of the animal which he concealeth and feareth in
himself:—Zarathustra calleth it ‘the beast inside.’
Such prolonged ancient fear, at last become subtle, spiritual and
intellectual—at present, me thinketh, it is called SCIENCE.”—
Thus spake the conscientious one; but Zarathustra, who had just come
back into his cave and had heard and divined the last discourse, threw a
handful of roses to the conscientious one, and laughed on account of
his “truths.” “Why!” he exclaimed, “what did I hear just now? Verily, it
seemeth to me, thou art a fool, or else I myself am one: and quietly and
quickly will I put thy ‘truth’ upside down.
For FEAR—is an exception with us. Courage, however, and adventure, and
delight in the uncertain, in the unattempted—COURAGE seemeth to me the
entire primitive history of man.
The wildest and most courageous animals hath he envied and robbed of all
their virtues: thus only did he become—man.
THIS courage, at last become subtle, spiritual and intellectual, this
human courage, with eagle’s pinions and serpent’s wisdom: THIS, it
seemeth to me, is called at present—”
“ZARATHUSTRA!” cried all of them there assembled, as if with one voice,
and burst out at the same time into a great laughter; there arose,
however, from them as it were a heavy cloud. Even the magician laughed,
and said wisely: “Well! It is gone, mine evil spirit!
And did I not myself warn you against it when I said that it was a
deceiver, a lying and deceiving spirit?
Especially when it showeth itself naked. But what can I do with regard
to its tricks! Have I created it and the world?
Well! Let us be good again, and of good cheer! And although Zarathustra
looketh with evil eye—just see him! he disliketh me—:
—Ere night cometh will he again learn to love and laud me; he cannot
live long without committing such follies.
HE—loveth his enemies: this art knoweth he better than any one I have
seen. But he taketh revenge for it—on his friends!”
Thus spake the old magician, and the higher men applauded him; so that
Zarathustra went round, and mischievously and lovingly shook hands with
his friends,—like one who hath to make amends and apologise to every
one for something. When however he had thereby come to the door of his
cave, lo, then had he again a longing for the good air outside, and for
his animals,—and wished to steal out.
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Let's Analyse the Pattern
When people with different definitions of bravery clash over whose version represents true strength.
Why This Matters
Connect literature to life
This chapter teaches how to spot when arguments are really about competing definitions of core values like courage, success, or love.
Practice This Today
This week, notice when workplace conflicts involve people defending different versions of 'doing the right thing'—then ask what each person's definition protects about their identity.
Now let's explore the literary elements.
Key Quotes & Analysis
"Air! Let in good air! Let in Zarathustra! Thou makest this cave sultry and poisonous, thou bad old magician!"
Context: Breaking the spell of the magician's melancholy song
Shows how manipulation works through creating an emotional atmosphere that clouds judgment. The conscientious one demands clarity and fresh perspective to break the enchantment.
In Today's Words:
Stop with the toxic positivity! We need some real talk in here!
"Thou teachest and temptest back into prisons"
Context: Accusing the magician of using beautiful words to trap people
Reveals how even inspiring-sounding messages can be designed to keep people dependent and stuck. The most dangerous prisons are the ones that feel like sanctuaries.
In Today's Words:
You're selling people beautiful cages and calling it freedom
"Fear: that is man's original and fundamental feeling; through fear everything is explained, original sin and original virtue"
Context: Arguing that fear is the root of human nature
Presents the pessimistic view that humans are fundamentally driven by avoiding danger rather than seeking growth. This becomes the position Zarathustra will challenge.
In Today's Words:
Everything we do comes down to being scared - our worst and best behaviors are just different ways of handling fear
"Man became man through courage; courage is the fundamental feeling"
Context: Countering the conscientious one's fear-based philosophy
Zarathustra's revolutionary claim that humans evolved through brave action, not fearful hiding. This reframes human potential around what we can become, not what we're running from.
In Today's Words:
We didn't become human by playing it safe - we got here by taking risks and being brave
Thematic Threads
Identity
In This Chapter
The conscientious one and Zarathustra define themselves through different types of courage
Development
Building on earlier themes of self-creation and authentic identity
In Your Life:
You might defend your approach to challenges because changing would mean admitting your identity was wrong
Fear
In This Chapter
Debate over whether fear or courage is humanity's fundamental driving force
Development
Introduced here as a core philosophical divide
In Your Life:
You might notice whether you make decisions primarily to avoid something bad or achieve something good
Leadership
In This Chapter
Two different models of what makes a good leader—stability versus inspiration
Development
Evolving from earlier chapters about following versus leading
In Your Life:
You might struggle with whether to lead through reliability or through bold vision
Deception
In This Chapter
The magician admits to using beautiful manipulation, but everyone laughs and forgives
Development
Continuing the theme of how we deceive ourselves and others
In Your Life:
You might recognize when someone's 'inspiration' is actually manipulation designed to serve their needs
Social Dynamics
In This Chapter
Group laughter breaks tension and creates new understanding between opposing viewpoints
Development
Building on themes of how groups form and maintain relationships
In Your Life:
You might notice how humor can defuse conflicts and help people save face while changing positions
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Why does the conscientious one break the magician's spell when everyone else seems enchanted by the beautiful song?
analysis • surface - 2
What's really at stake when the conscientious one and Zarathustra argue about whether fear or courage is fundamental to human nature?
analysis • medium - 3
Think about your workplace or family - where do you see people defining courage in completely different ways and clashing over it?
application • medium - 4
When someone challenges your definition of what it means to be brave or strong, how do you typically respond, and what does that reveal about your own identity?
reflection • deep - 5
How might recognizing 'Competing Courage' help you navigate conflicts where both sides genuinely believe they're being brave?
application • deep
Critical Thinking Exercise
Map Your Courage Conflicts
Think of a recent disagreement where you and someone else both felt you were being brave or doing the right thing, but in completely different ways. Write down what courage meant to you in that situation versus what it meant to them. Then identify what each person was trying to protect or achieve through their version of courage.
Consider:
- •Neither person is necessarily wrong - they're operating from different courage frameworks
- •Look for what each person's identity or sense of self depends on being true
- •Consider how the situation might have been different if both people could see the other's courage as valid
Journaling Prompt
Write about a time when you had to choose between playing it safe (security courage) and taking a risk (adventure courage). What influenced your choice, and how do you feel about it now?
Coming Up Next...
Chapter 76: The Shadow's Desert Song
As Zarathustra prepares to leave his cave and return to the outside world, the final confrontation with his own teachings and the meaning of his journey awaits. What will he discover about himself and his mission as he steps back into the light?




