Summary
Aglaya performs a dramatic recitation of Pushkin's 'Poor Knight' ballad, but with a twist that sends shockwaves through the assembled company. She deliberately changes the knight's initials from 'A.N.B.' to 'N.P.B.' - clearly referencing Prince Myshkin's own initials. What appears to be a beautiful literary performance is actually an elaborate public joke, though Aglaya delivers it with such sincere passion that the prince struggles to reconcile her pure nature with this cruel jest. The arrival of Evgenie Pavlovitch, a military officer now in civilian clothes, adds another layer of social complexity as everyone speculates about his sudden career change. The chapter builds tension as unwelcome visitors arrive demanding to see the prince - men claiming to represent Pavlicheff's son, who apparently has a financial claim against Myshkin. These rough, aggressive young men represent a stark contrast to the refined salon atmosphere, and their presence threatens to expose the prince to public humiliation. The scene sets up a confrontation between different social classes and worldviews, while highlighting how the prince's genuine goodness makes him vulnerable to both gentle mockery and harsh exploitation. Aglaya's performance reveals the cruel games that sophisticated society plays, even as it pretends to appreciate beauty and literature.
Coming Up in Chapter 24
The confrontation with Pavlicheff's alleged son and his radical companions is about to begin. The prince must face accusations and demands that could destroy his reputation, while his friends watch to see if he will stand up for himself or be crushed by these aggressive young men.
Share it with friends
An excerpt from the original text.(~500 words)
The young fellow accompanying the general was about twenty-eight, tall, and well built, with a handsome and clever face, and bright black eyes, full of fun and intelligence. Aglaya did not so much as glance at the new arrivals, but went on with her recitation, gazing at the prince the while in an affected manner, and at him alone. It was clear to him that she was doing all this with some special object. But the new guests at least somewhat eased his strained and uncomfortable position. Seeing them approaching, he rose from his chair, and nodding amicably to the general, signed to him not to interrupt the recitation. He then got behind his chair, and stood there with his left hand resting on the back of it. Thanks to this change of position, he was able to listen to the ballad with far less embarrassment than before. Mrs. Epanchin had also twice motioned to the new arrivals to be quiet, and stay where they were. The prince was much interested in the young man who had just entered. He easily concluded that this was Evgenie Pavlovitch Radomski, of whom he had already heard mention several times. He was puzzled, however, by the young man’s plain clothes, for he had always heard of Evgenie Pavlovitch as a military man. An ironical smile played on Evgenie’s lips all the while the recitation was proceeding, which showed that he, too, was probably in the secret of the ‘poor knight’ joke. But it had become quite a different matter with Aglaya. All the affectation of manner which she had displayed at the beginning disappeared as the ballad proceeded. She spoke the lines in so serious and exalted a manner, and with so much taste, that she even seemed to justify the exaggerated solemnity with which she had stepped forward. It was impossible to discern in her now anything but a deep feeling for the spirit of the poem which she had undertaken to interpret. Her eyes were aglow with inspiration, and a slight tremor of rapture passed over her lovely features once or twice. She continued to recite: “Once there came a vision glorious, Mystic, dreadful, wondrous fair; Burned itself into his spirit, And abode for ever there! “Never more—from that sweet moment— Gazéd he on womankind; He was dumb to love and wooing And to all their graces blind. “Full of love for that sweet vision, Brave and pure he took the field; With his blood he stained the letters N. P. B. upon his shield. “‘Lumen caeli, sancta Rosa!’ Shouting on the foe he fell, And like thunder rang his war-cry O’er the cowering infidel. “Then within his distant castle, Home returned, he dreamed his days— Silent, sad,—and when death took him He was mad, the legend says.” When recalling all this afterwards the prince could not for the life of him understand how to reconcile the beautiful, sincere, pure nature of the girl with the irony of this jest. That...
Master this chapter. Complete your experience
Purchase the complete book to access all chapters and support classic literature
As an Amazon Associate, we earn a small commission from qualifying purchases at no additional cost to you.
Available in paperback, hardcover, and e-book formats
Intelligence Amplifier™ Analysis
The Road of Weaponized Beauty
Using cultural sophistication, art, or positive framing to deliver cruelty while maintaining plausible deniability.
Why This Matters
Connect literature to life
This chapter teaches how to recognize when beautiful words, cultural references, or apparent praise contain hidden attacks designed to confuse and disarm.
Practice This Today
This week, notice when compliments make you feel worse rather than better, and ask yourself what specific words or timing created that discomfort.
Now let's explore the literary elements.
Terms to Know
Salon society
The refined, upper-class social gatherings in 19th century Russia where literature, art, and politics were discussed. These were exclusive spaces where reputation and wit mattered more than genuine feeling.
Modern Usage:
Today's version might be exclusive networking events or high-end social media circles where everything is performative.
Pushkin's 'Poor Knight'
A famous Russian poem about a knight devoted to an idealized woman, representing pure but foolish romantic devotion. In this context, it's being used to mock Prince Myshkin's naive idealism.
Modern Usage:
We still use literary references to make subtle digs at people - like calling someone 'Romeo' when they're being overly romantic.
Social parasites
People who attach themselves to wealthy individuals, claiming relationships or debts to extract money. They represent the predatory underclass that preys on generous people.
Modern Usage:
Modern scammers, fake relatives appearing after lottery wins, or people who suddenly become 'friends' when you get money.
Public humiliation as sport
The way refined society entertains itself by creating elaborate jokes at someone's expense, often disguised as appreciation or art. The victim is expected to smile and take it.
Modern Usage:
Social media pile-ons, 'roasting' culture, or workplace situations where someone becomes the office joke.
Civilian clothes vs uniform
In 19th century Russia, a military officer appearing in civilian clothes suggested scandal, resignation, or disgrace. Social status was immediately visible through dress.
Modern Usage:
Like seeing someone who's always in business suits suddenly in casual clothes - it signals a major life change.
Ironic appreciation
Pretending to enjoy or admire something while secretly mocking it. A way sophisticated people show they're 'in' on a joke while maintaining plausible deniability.
Modern Usage:
When people share memes 'ironically' or praise something they're actually making fun of - keeping one foot in each camp.
Characters in This Chapter
Aglaya Epanchin
Complex antagonist/love interest
She performs the ballad beautifully but changes the initials to mock Prince Myshkin publicly. Her cruelty is wrapped in artistic performance, showing how sophisticated people can be the most cutting.
Modern Equivalent:
The popular girl who compliments your outfit while subtly roasting you on social media
Prince Myshkin
Naive protagonist
He recognizes he's being mocked but struggles to reconcile Aglaya's pure artistic delivery with her cruel intent. His goodness makes him vulnerable to both gentle mockery and harsh exploitation.
Modern Equivalent:
The genuinely nice person who everyone takes advantage of because they assume good intentions
Evgenie Pavlovitch Radomski
Mysterious observer
A military officer now in civilian clothes, he watches the proceedings with an ironic smile, clearly understanding the joke. His presence adds another layer of social complexity and potential scandal.
Modern Equivalent:
The friend who shows up to drama knowing all the backstory but just watches it unfold
Mrs. Epanchin
Social manager
She tries to control the social situation, managing arrivals and maintaining decorum while her daughter creates chaos. She's caught between protecting appearances and managing family drama.
Modern Equivalent:
The mom trying to keep family dinner civil while her teenager is being passive-aggressive
Pavlicheff's alleged son's representatives
Threatening outsiders
These rough men arrive claiming the prince owes them money, representing the predatory underclass that threatens to expose and exploit his vulnerability in front of refined society.
Modern Equivalent:
Debt collectors or scammers who show up at the worst possible moment to embarrass you publicly
Key Quotes & Analysis
"An ironical smile played on Evgenie's lips all the while the recitation was proceeding, which showed that he, too, was probably in the secret of the 'poor knight' joke."
Context: As Aglaya performs her mocking version of the ballad
This reveals how cruelty becomes entertainment for the sophisticated class. Evgenie's smile shows he's complicit in the mockery, making him part of the in-group that enjoys watching someone be humiliated.
In Today's Words:
He was smirking because he got the inside joke they were playing on the guy
"It was clear to him that she was doing all this with some special object."
Context: As Myshkin realizes Aglaya's performance has a hidden agenda
Even in his innocence, Myshkin senses manipulation. This shows how genuine people can recognize cruelty even when they don't want to believe it's happening.
In Today's Words:
He could tell she was up to something, even though he didn't want to believe it
"Thanks to this change of position, he was able to listen to the ballad with far less embarrassment than before."
Context: When Myshkin moves behind his chair as new guests arrive
Physical positioning becomes emotional protection. Myshkin literally tries to hide from the humiliation, showing how public mockery affects even the most forgiving people.
In Today's Words:
Moving to the back of the room made him feel less exposed and awkward
Thematic Threads
Class Performance
In This Chapter
Aglaya uses literary knowledge and refined delivery to mask her cruelty toward Myshkin
Development
Builds on earlier salon scenes, showing how cultural capital becomes a weapon
In Your Life:
You might see this when colleagues use professional jargon to exclude or diminish you in meetings
Vulnerability
In This Chapter
Myshkin's genuine goodness makes him unable to recognize or defend against sophisticated cruelty
Development
Continues the pattern of his innocence being exploited by more worldly characters
In Your Life:
Your honesty and directness might make you vulnerable to people who speak in coded messages
Social Boundaries
In This Chapter
The arrival of rough visitors threatens to expose the prince's business to refined society
Development
Introduced here as new tension between different social worlds
In Your Life:
You might feel caught between different social groups with conflicting expectations of you
Plausible Deniability
In This Chapter
Aglaya's performance can be interpreted as either tribute or mockery, leaving witnesses confused
Development
Introduced here as a sophisticated form of social manipulation
In Your Life:
You might encounter people who say hurtful things but frame them as jokes or compliments
Identity Exposure
In This Chapter
The prince faces potential public humiliation from multiple sources simultaneously
Development
Escalates from earlier private embarrassments to public social threats
In Your Life:
You might fear that your personal struggles or past mistakes will be exposed in professional settings
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Why does Aglaya change the initials in Pushkin's poem from 'A.N.B.' to 'N.P.B.' when she knows everyone will recognize them as Prince Myshkin's initials?
analysis • surface - 2
How does Aglaya's beautiful delivery of the poem make it harder for Prince Myshkin and others to call out what she's actually doing?
analysis • medium - 3
Where have you seen people use compliments, jokes, or cultural references to deliver criticism while maintaining plausible deniability?
application • medium - 4
When someone wraps an insult in beautiful language or claims it's 'just a joke,' how do you respond without looking oversensitive or paranoid?
application • deep - 5
What does Aglaya's behavior reveal about how intelligence and cultural sophistication can be used as weapons rather than gifts?
reflection • deep
Critical Thinking Exercise
Decode the Hidden Message
Think of a recent compliment, joke, or comment someone made about you that left you feeling confused or uncomfortable. Write down exactly what they said, then rewrite it to reveal what you think they actually meant. Compare the surface message with the hidden one.
Consider:
- •Pay attention to word choices that seem unnecessarily specific or pointed
- •Notice if the timing or setting made the comment more uncomfortable
- •Consider whether this person has a pattern of similar 'compliments' or jokes
Journaling Prompt
Write about a time when someone used humor, culture, or kindness to deliver a message that hurt. How did you handle it, and what would you do differently now?
Coming Up Next...
Chapter 24: The Public Humiliation
Moving forward, we'll examine public shame can be weaponized to manipulate generous people, and understand offering help in front of others can backfire and create resentment. These insights bridge the gap between classic literature and modern experience.