An excerpt from the original text.(complete · 1535 words)
CENE V. A more remote part of the Castle.
Enter Ghost and Hamlet.
HAMLET.
Whither wilt thou lead me? Speak, I’ll go no further.
GHOST.
Mark me.
HAMLET.
I will.
GHOST.
My hour is almost come,
When I to sulph’rous and tormenting flames
Must render up myself.
HAMLET.
Alas, poor ghost!
GHOST.
Pity me not, but lend thy serious hearing
To what I shall unfold.
HAMLET.
Speak, I am bound to hear.
GHOST.
So art thou to revenge, when thou shalt hear.
HAMLET.
What?
GHOST.
I am thy father’s spirit,
Doom’d for a certain term to walk the night,
And for the day confin’d to fast in fires,
Till the foul crimes done in my days of nature
Are burnt and purg’d away. But that I am forbid
To tell the secrets of my prison-house,
I could a tale unfold whose lightest word
Would harrow up thy soul; freeze thy young blood,
Make thy two eyes like stars start from their spheres,
Thy knotted and combined locks to part,
And each particular hair to stand on end
Like quills upon the fretful porpentine.
But this eternal blazon must not be
To ears of flesh and blood. List, list, O, list!
If thou didst ever thy dear father love—
HAMLET.
O God!
GHOST.
Revenge his foul and most unnatural murder.
HAMLET.
Murder!
GHOST.
Murder most foul, as in the best it is;
But this most foul, strange, and unnatural.
HAMLET.
Haste me to know’t, that I, with wings as swift
As meditation or the thoughts of love
May sweep to my revenge.
GHOST.
I find thee apt;
And duller shouldst thou be than the fat weed
That rots itself in ease on Lethe wharf,
Wouldst thou not stir in this. Now, Hamlet, hear.
’Tis given out that, sleeping in my orchard,
A serpent stung me; so the whole ear of Denmark
Is by a forged process of my death
Rankly abus’d; but know, thou noble youth,
The serpent that did sting thy father’s life
Now wears his crown.
HAMLET.
O my prophetic soul!
Mine uncle!
GHOST.
Ay, that incestuous, that adulterate beast,
With witchcraft of his wit, with traitorous gifts,—
O wicked wit, and gifts, that have the power
So to seduce!—won to his shameful lust
The will of my most seeming-virtuous queen.
O Hamlet, what a falling off was there,
From me, whose love was of that dignity
That it went hand in hand even with the vow
I made to her in marriage; and to decline
Upon a wretch whose natural gifts were poor
To those of mine. But virtue, as it never will be mov’d,
Though lewdness court it in a shape of heaven;
So lust, though to a radiant angel link’d,
Will sate itself in a celestial bed
And prey on garbage.
But soft! methinks I scent the morning air;
Brief let me be. Sleeping within my orchard,
My custom always of the afternoon,
Upon my secure hour thy uncle stole
With juice of cursed hebenon in a vial,
And in the porches of my ears did pour
The leperous distilment, whose effect
Holds such an enmity with blood of man
That swift as quicksilver it courses through
The natural gates and alleys of the body;
And with a sudden vigour it doth posset
And curd, like eager droppings into milk,
The thin and wholesome blood. So did it mine;
And a most instant tetter bark’d about,
Most lazar-like, with vile and loathsome crust
All my smooth body.
Thus was I, sleeping, by a brother’s hand,
Of life, of crown, of queen at once dispatch’d:
Cut off even in the blossoms of my sin,
Unhous’led, disappointed, unanel’d;
No reckoning made, but sent to my account
With all my imperfections on my head.
O horrible! O horrible! most horrible!
If thou hast nature in thee, bear it not;
Let not the royal bed of Denmark be
A couch for luxury and damned incest.
But howsoever thou pursu’st this act,
Taint not thy mind, nor let thy soul contrive
Against thy mother aught; leave her to heaven,
And to those thorns that in her bosom lodge,
To prick and sting her. Fare thee well at once!
The glow-worm shows the matin to be near,
And ’gins to pale his uneffectual fire.
Adieu, adieu, adieu. Remember me.
[Exit.]
HAMLET.
O all you host of heaven! O earth! What else?
And shall I couple hell? O, fie! Hold, my heart;
And you, my sinews, grow not instant old,
But bear me stiffly up. Remember thee?
Ay, thou poor ghost, while memory holds a seat
In this distracted globe. Remember thee?
Yea, from the table of my memory
I’ll wipe away all trivial fond records,
All saws of books, all forms, all pressures past,
That youth and observation copied there;
And thy commandment all alone shall live
Within the book and volume of my brain,
Unmix’d with baser matter. Yes, by heaven!
O most pernicious woman!
O villain, villain, smiling damned villain!
My tables. Meet it is I set it down,
That one may smile, and smile, and be a villain!
At least I am sure it may be so in Denmark.
[Writing.]
So, uncle, there you are. Now to my word;
It is ‘Adieu, adieu, remember me.’
I have sworn’t.
HORATIO and MARCELLUS.
[Within.] My lord, my lord.
MARCELLUS.
[Within.] Lord Hamlet.
HORATIO.
[Within.] Heaven secure him.
HAMLET.
So be it!
MARCELLUS.
[Within.] Illo, ho, ho, my lord!
HAMLET.
Hillo, ho, ho, boy! Come, bird, come.
Enter Horatio and Marcellus.
MARCELLUS.
How is’t, my noble lord?
HORATIO.
What news, my lord?
HAMLET.
O, wonderful!
HORATIO.
Good my lord, tell it.
HAMLET.
No, you’ll reveal it.
HORATIO.
Not I, my lord, by heaven.
MARCELLUS.
Nor I, my lord.
HAMLET.
How say you then, would heart of man once think it?—
But you’ll be secret?
HORATIO and MARCELLUS.
Ay, by heaven, my lord.
HAMLET.
There’s ne’er a villain dwelling in all Denmark
But he’s an arrant knave.
HORATIO.
There needs no ghost, my lord, come from the grave
To tell us this.
HAMLET.
Why, right; you are i’ the right;
And so, without more circumstance at all,
I hold it fit that we shake hands and part:
You, as your business and desire shall point you,—
For every man hath business and desire,
Such as it is;—and for my own poor part,
Look you, I’ll go pray.
HORATIO.
These are but wild and whirling words, my lord.
HAMLET.
I’m sorry they offend you, heartily;
Yes faith, heartily.
HORATIO.
There’s no offence, my lord.
HAMLET.
Yes, by Saint Patrick, but there is, Horatio,
And much offence too. Touching this vision here,
It is an honest ghost, that let me tell you.
For your desire to know what is between us,
O’ermaster’t as you may. And now, good friends,
As you are friends, scholars, and soldiers,
Give me one poor request.
HORATIO.
What is’t, my lord? We will.
HAMLET.
Never make known what you have seen tonight.
HORATIO and MARCELLUS.
My lord, we will not.
HAMLET.
Nay, but swear’t.
HORATIO.
In faith, my lord, not I.
MARCELLUS.
Nor I, my lord, in faith.
HAMLET.
Upon my sword.
MARCELLUS.
We have sworn, my lord, already.
HAMLET.
Indeed, upon my sword, indeed.
GHOST.
[Cries under the stage.] Swear.
HAMLET.
Ha, ha boy, sayst thou so? Art thou there, truepenny?
Come on, you hear this fellow in the cellarage.
Consent to swear.
HORATIO.
Propose the oath, my lord.
HAMLET.
Never to speak of this that you have seen.
Swear by my sword.
GHOST.
[Beneath.] Swear.
HAMLET.
Hic et ubique? Then we’ll shift our ground.
Come hither, gentlemen,
And lay your hands again upon my sword.
Never to speak of this that you have heard.
Swear by my sword.
GHOST.
[Beneath.] Swear.
HAMLET.
Well said, old mole! Canst work i’ th’earth so fast?
A worthy pioner! Once more remove, good friends.
HORATIO.
O day and night, but this is wondrous strange.
HAMLET.
And therefore as a stranger give it welcome.
There are more things in heaven and earth, Horatio,
Than are dreamt of in your philosophy. But come,
Here, as before, never, so help you mercy,
How strange or odd soe’er I bear myself,—
As I perchance hereafter shall think meet
To put an antic disposition on—
That you, at such times seeing me, never shall,
With arms encumber’d thus, or this head-shake,
Or by pronouncing of some doubtful phrase,
As ‘Well, we know’, or ‘We could and if we would’,
Or ‘If we list to speak’; or ‘There be and if they might’,
Or such ambiguous giving out, to note
That you know aught of me:—this not to do.
So grace and mercy at your most need help you,
Swear.
GHOST.
[Beneath.] Swear.
HAMLET.
Rest, rest, perturbed spirit. So, gentlemen,
With all my love I do commend me to you;
And what so poor a man as Hamlet is
May do t’express his love and friending to you,
God willing, shall not lack. Let us go in together,
And still your fingers on your lips, I pray.
The time is out of joint. O cursed spite,
That ever I was born to set it right.
Nay, come, let’s go together.
[Exeunt.]
ACT II
Master this chapter. Complete your experience
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Let's Analyse the Pattern
When the truth you seek becomes an impossible burden that demands action you're not prepared to take.
Why This Matters
Connect literature to life
This chapter teaches how to identify when someone reveals damaging information not to help you, but to weaponize you for their own purposes.
Practice This Today
This week, notice when someone shares 'shocking' information about others—ask yourself what they want you to do with it and who benefits from your reaction.
Now let's explore the literary elements.
Key Quotes & Analysis
"Murder most foul, as in the best it is, but this most foul, strange, and unnatural."
Context: The ghost reveals that Claudius murdered him by pouring poison in his ear while he slept.
This line emphasizes how betrayal by family makes murder even more heinous. The repetition of 'foul' shows the ghost's horror at being killed by his own brother in such a cowardly way.
In Today's Words:
All murder is terrible, but this was the worst kind - a brother killing a brother while he was defenseless.
"The time is out of joint. O cursed spite, that ever I was born to set it right!"
Context: Hamlet's final words in the scene, expressing his anguish at being chosen to restore justice.
This captures Hamlet's overwhelming sense that the world has gone wrong and he's been cursed with the responsibility to fix it. He feels trapped by destiny and duty.
In Today's Words:
Everything is messed up, and I'm the unlucky one who has to deal with it.
"I could a tale unfold whose lightest word would harrow up thy soul."
Context: The ghost hints at the horrors of the afterlife but says he's forbidden to describe them fully.
This creates dramatic tension while showing the ghost's torment. Even the mildest details of his suffering would traumatize the living, emphasizing how serious his situation is.
In Today's Words:
If I told you what I've been through, even the smallest detail would give you nightmares.
"Hereafter I shall think meet to put an antic disposition on."
Context: Hamlet warns his friends that he might start acting crazy as part of his plan.
This reveals Hamlet's strategic thinking - he knows he needs protection while investigating and planning revenge. Acting mad will give him freedom to probe and speak truths others can't.
In Today's Words:
From now on, I might act crazy on purpose, so don't worry if I seem weird.
Thematic Threads
Betrayal
In This Chapter
The ultimate family betrayal is revealed - brother murdering brother, then marrying the widow
Development
Escalated from suspicion to confirmed devastating reality
In Your Life:
When you discover someone you trusted has been working against you all along.
Revenge
In This Chapter
The ghost explicitly demands revenge, making it Hamlet's sacred duty rather than personal choice
Development
Transformed from internal desire to external command with spiritual authority
In Your Life:
When you feel obligated to get back at someone who wronged you or your family.
Moral Corruption
In This Chapter
The corruption runs deeper than imagined - murder, incest, and deception at the highest levels
Development
Revealed as systemic rather than isolated incidents
In Your Life:
When you realize the problems in your workplace or community go all the way to the top.
Family Loyalty
In This Chapter
Hamlet must choose between loyalty to his dead father versus his living mother
Development
Complicated by conflicting family obligations and the ghost's specific instructions
In Your Life:
When family members put you in the middle of their conflicts and demand you choose sides.
Performance
In This Chapter
Hamlet decides to 'put an antic disposition on' - to perform madness as strategy
Development
Introduced here as conscious choice to use deception as protection
In Your Life:
When you have to act differently at work or in public to protect yourself or achieve your goals.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What specific information does the ghost reveal to Hamlet, and how does Hamlet react to finally getting the answers he's been seeking?
analysis • surface - 2
Why does Hamlet warn his friends that he might start 'putting on an antic disposition' - acting crazy? What does this tell us about how he's processing this terrible knowledge?
analysis • medium - 3
Think about situations where learning the truth creates more problems than it solves. Where do you see this pattern of 'terrible knowledge' in workplaces, families, or communities today?
application • medium - 4
If you discovered something that demanded action but every choice would hurt people you care about, how would you decide what to do? What factors would guide your decision?
application • deep - 5
Hamlet says 'The time is out of joint... that ever I was born to set it right.' What does this reveal about how people respond when they feel chosen or obligated to fix something they didn't create?
reflection • deep
Critical Thinking Exercise
Map Your Decision Framework
Think of a time when you learned something that put you in a difficult position - maybe discovering a friend was being mistreated, realizing your workplace had serious problems, or uncovering family secrets. Write down what you knew, what your options were, and what factors influenced your decision to act or stay silent. Then create a simple framework you could use for future situations like this.
Consider:
- •What could you actually control versus what was beyond your influence?
- •Who would be affected by each possible choice you could make?
- •What were the potential long-term consequences of action versus inaction?
Journaling Prompt
Write about a time when you had to decide whether to speak up about something difficult. What did you learn about yourself from how you handled it? What would you do differently now?
Coming Up Next...
Chapter 7: Spying on Your Own Family
Two months later, we shift to Polonius's house where the king's advisor is about to send a spy to watch his own son in Paris. The web of surveillance and deception that defines this corrupt court is about to expand, showing how distrust poisoned every relationship in Denmark.




