An excerpt from the original text.(complete · 1603 words)
n the way home Levin asked all details of Kitty’s illness and the
Shtcherbatskys’ plans, and though he would have been ashamed to admit
it, he was pleased at what he heard. He was pleased that there was
still hope, and still more pleased that she should be suffering who had
made him suffer so much. But when Stepan Arkadyevitch began to speak of
the causes of Kitty’s illness, and mentioned Vronsky’s name, Levin cut
him short.
“I have no right whatever to know family matters, and, to tell the
truth, no interest in them either.”
Stepan Arkadyevitch smiled hardly perceptibly, catching the
instantaneous change he knew so well in Levin’s face, which had become
as gloomy as it had been bright a minute before.
“Have you quite settled about the forest with Ryabinin?” asked Levin.
“Yes, it’s settled. The price is magnificent; thirty-eight thousand.
Eight straight away, and the rest in six years. I’ve been bothering
about it for ever so long. No one would give more.”
“Then you’ve as good as given away your forest for nothing,” said Levin
gloomily.
“How do you mean for nothing?” said Stepan Arkadyevitch with a
good-humored smile, knowing that nothing would be right in Levin’s eyes
now.
“Because the forest is worth at least a hundred and fifty roubles the
acre,” answered Levin.
“Oh, these farmers!” said Stepan Arkadyevitch playfully. “Your tone of
contempt for us poor townsfolk!... But when it comes to business, we do
it better than anyone. I assure you I have reckoned it all out,” he
said, “and the forest is fetching a very good price—so much so that I’m
afraid of this fellow’s crying off, in fact. You know it’s not
‘timber,’” said Stepan Arkadyevitch, hoping by this distinction to
convince Levin completely of the unfairness of his doubts. “And it
won’t run to more than twenty-five yards of fagots per acre, and he’s
giving me at the rate of seventy roubles the acre.”
Levin smiled contemptuously. “I know,” he thought, “that fashion not
only in him, but in all city people, who, after being twice in ten
years in the country, pick up two or three phrases and use them in
season and out of season, firmly persuaded that they know all about it.
‘Timber, run to so many yards the acre.’ He says those words without
understanding them himself.”
“I wouldn’t attempt to teach you what you write about in your office,”
said he, “and if need arose, I should come to you to ask about it. But
you’re so positive you know all the lore of the forest. It’s difficult.
Have you counted the trees?”
“How count the trees?” said Stepan Arkadyevitch, laughing, still trying
to draw his friend out of his ill-temper. “Count the sands of the sea,
number the stars. Some higher power might do it.”
“Oh, well, the higher power of Ryabinin can. Not a single merchant ever
buys a forest without counting the trees, unless they get it given them
for nothing, as you’re doing now. I know your forest. I go there every
year shooting, and your forest’s worth a hundred and fifty roubles an
acre paid down, while he’s giving you sixty by installments. So that in
fact you’re making him a present of thirty thousand.”
“Come, don’t let your imagination run away with you,” said Stepan
Arkadyevitch piteously. “Why was it none would give it, then?”
“Why, because he has an understanding with the merchants; he’s bought
them off. I’ve had to do with all of them; I know them. They’re not
merchants, you know: they’re speculators. He wouldn’t look at a bargain
that gave him ten, fifteen per cent. profit, but holds back to buy a
rouble’s worth for twenty kopecks.”
“Well, enough of it! You’re out of temper.”
“Not the least,” said Levin gloomily, as they drove up to the house.
At the steps there stood a trap tightly covered with iron and leather,
with a sleek horse tightly harnessed with broad collar-straps. In the
trap sat the chubby, tightly belted clerk who served Ryabinin as
coachman. Ryabinin himself was already in the house, and met the
friends in the hall. Ryabinin was a tall, thinnish, middle-aged man,
with mustache and a projecting clean-shaven chin, and prominent
muddy-looking eyes. He was dressed in a long-skirted blue coat, with
buttons below the waist at the back, and wore high boots wrinkled over
the ankles and straight over the calf, with big galoshes drawn over
them. He rubbed his face with his handkerchief, and wrapping round him
his coat, which sat extremely well as it was, he greeted them with a
smile, holding out his hand to Stepan Arkadyevitch, as though he wanted
to catch something.
“So here you are,” said Stepan Arkadyevitch, giving him his hand.
“That’s capital.”
“I did not venture to disregard your excellency’s commands, though the
road was extremely bad. I positively walked the whole way, but I am
here at my time. Konstantin Dmitrievitch, my respects”; he turned to
Levin, trying to seize his hand too. But Levin, scowling, made as
though he did not notice his hand, and took out the snipe. “Your honors
have been diverting yourselves with the chase? What kind of bird may it
be, pray?” added Ryabinin, looking contemptuously at the snipe: “a
great delicacy, I suppose.” And he shook his head disapprovingly, as
though he had grave doubts whether this game were worth the candle.
“Would you like to go into my study?” Levin said in French to Stepan
Arkadyevitch, scowling morosely. “Go into my study; you can talk
there.”
“Quite so, where you please,” said Ryabinin with contemptuous dignity,
as though wishing to make it felt that others might be in difficulties
as to how to behave, but that he could never be in any difficulty about
anything.
On entering the study Ryabinin looked about, as his habit was, as
though seeking the holy picture, but when he had found it, he did not
cross himself. He scanned the bookcases and bookshelves, and with the
same dubious air with which he had regarded the snipe, he smiled
contemptuously and shook his head disapprovingly, as though by no means
willing to allow that this game were worth the candle.
“Well, have you brought the money?” asked Oblonsky. “Sit down.”
“Oh, don’t trouble about the money. I’ve come to see you to talk it
over.”
“What is there to talk over? But do sit down.”
“I don’t mind if I do,” said Ryabinin, sitting down and leaning his
elbows on the back of his chair in a position of the intensest
discomfort to himself. “You must knock it down a bit, prince. It would
be too bad. The money is ready conclusively to the last farthing. As to
paying the money down, there’ll be no hitch there.”
Levin, who had meanwhile been putting his gun away in the cupboard, was
just going out of the door, but catching the merchant’s words, he
stopped.
“Why, you’ve got the forest for nothing as it is,” he said. “He came to
me too late, or I’d have fixed the price for him.”
Ryabinin got up, and in silence, with a smile, he looked Levin down and
up.
“Very close about money is Konstantin Dmitrievitch,” he said with a
smile, turning to Stepan Arkadyevitch; “there’s positively no dealing
with him. I was bargaining for some wheat of him, and a pretty price I
offered too.”
“Why should I give you my goods for nothing? I didn’t pick it up on the
ground, nor steal it either.”
“Mercy on us! nowadays there’s no chance at all of stealing. With the
open courts and everything done in style, nowadays there’s no question
of stealing. We are just talking things over like gentlemen. His
excellency’s asking too much for the forest. I can’t make both ends
meet over it. I must ask for a little concession.”
“But is the thing settled between you or not? If it’s settled, it’s
useless haggling; but if it’s not,” said Levin, “I’ll buy the forest.”
The smile vanished at once from Ryabinin’s face. A hawklike, greedy,
cruel expression was left upon it. With rapid, bony fingers he
unbuttoned his coat, revealing a shirt, bronze waistcoat buttons, and a
watch chain, and quickly pulled out a fat old pocketbook.
“Here you are, the forest is mine,” he said, crossing himself quickly,
and holding out his hand. “Take the money; it’s my forest. That’s
Ryabinin’s way of doing business; he doesn’t haggle over every
half-penny,” he added, scowling and waving the pocketbook.
“I wouldn’t be in a hurry if I were you,” said Levin.
“Come, really,” said Oblonsky in surprise. “I’ve given my word, you
know.”
Levin went out of the room, slamming the door. Ryabinin looked towards
the door and shook his head with a smile.
“It’s all youthfulness—positively nothing but boyishness. Why, I’m
buying it, upon my honor, simply, believe me, for the glory of it, that
Ryabinin, and no one else, should have bought the copse of Oblonsky.
And as to the profits, why, I must make what God gives. In God’s name.
If you would kindly sign the title-deed....”
Within an hour the merchant, stroking his big overcoat neatly down, and
hooking up his jacket, with the agreement in his pocket, seated himself
in his tightly covered trap, and drove homewards.
“Ugh, these gentlefolks!” he said to the clerk. “They—they’re a nice
lot!”
“That’s so,” responded the clerk, handing him the reins and buttoning
the leather apron. “But I can congratulate you on the purchase, Mihail
Ignatitch?”
“Well, well....”
Master this chapter. Complete your experience
Purchase the complete book to access all chapters and support classic literature
As an Amazon Associate, we earn a small commission from qualifying purchases at no additional cost to you.
Available in paperback, hardcover, and e-book formats
Let's Analyse the Pattern
Using intense physical activity to temporarily silence emotional pain, providing relief only while the body is in motion.
Why This Matters
Connect literature to life
This chapter teaches how to identify when intense activity is being used to avoid emotional processing rather than genuine productivity.
Practice This Today
This week, notice when you or others suddenly increase work intensity after emotional upheaval—the pattern reveals what's really being avoided.
Now let's explore the literary elements.
Key Quotes & Analysis
"The longer Levin mowed, the oftener he experienced those moments of oblivion when his arms no longer seemed to swing the scythe, but the scythe itself his whole body, so conscious and full of life."
Context: As Levin loses himself in the rhythm of cutting hay
This captures the meditative state that comes from repetitive physical work. When we're in this zone, our conscious mind shuts off and we become pure action and instinct.
In Today's Words:
The work took over completely - he wasn't thinking anymore, just moving like the tool was part of his body.
"He felt a pleasant coolness even on this hot day in the thick of the woods, and the scent of the resinous birch leaves."
Context: Levin finding momentary peace in nature while working
Physical work in natural settings provides sensory grounding that pulls us out of mental spirals. The specific details show how present-moment awareness can interrupt painful thoughts.
In Today's Words:
For once, he actually noticed how good the fresh air felt instead of being stuck in his head.
"But as soon as he stopped working and began to think, he was at once aware of the stone in his heart."
Context: When Levin pauses from his work and his painful thoughts return
This perfectly captures how distraction-based coping works - it provides temporary relief but doesn't actually heal the underlying wound. The 'stone in his heart' is a visceral way to describe emotional pain.
In Today's Words:
The second he stopped moving, all that hurt came flooding right back.
Thematic Threads
Work
In This Chapter
Levin uses farm labor as medicine for heartbreak, finding peace only in physical exhaustion
Development
Builds on earlier themes of Levin's connection to the land and honest labor
In Your Life:
You might recognize this when you throw yourself into extra shifts or household projects after emotional trauma
Class
In This Chapter
Levin temporarily bridges class divide by working alongside peasants, finding acceptance through shared labor
Development
Continues exploration of how physical work can transcend social barriers
In Your Life:
You might find unexpected connection with coworkers when everyone's focused on the same difficult task
Coping
In This Chapter
Physical exhaustion becomes Levin's primary strategy for managing emotional overwhelm
Development
Introduced here as a new survival mechanism
In Your Life:
You might recognize this pattern when you use exercise, cleaning, or manual work to avoid processing difficult feelings
Present Moment
In This Chapter
Repetitive physical work forces Levin into present-moment awareness, stopping mental spirals
Development
New theme showing how mindfulness can emerge from necessity rather than intention
In Your Life:
You might discover that demanding physical tasks naturally quiet your anxious thoughts
Temporary Relief
In This Chapter
Levin's peace lasts only while working; pain returns the moment he stops moving
Development
Introduced here to show the limitations of avoidance strategies
In Your Life:
You might notice how certain coping strategies work only as long as you're actively doing them
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What does Levin do to cope with his emotional pain, and how does it affect him physically and mentally?
analysis • surface - 2
Why does physical exhaustion temporarily quiet Levin's thoughts, but only while he's actively working?
analysis • medium - 3
Where do you see people using intense physical activity to escape emotional pain in your own life or community?
application • medium - 4
If you were advising someone caught in this cycle of working to exhaustion to avoid painful thoughts, what boundaries would you suggest they set?
application • deep - 5
What does Levin's experience reveal about the relationship between our bodies and minds when we're processing difficult emotions?
reflection • deep
Critical Thinking Exercise
Map Your Own Escape Patterns
Think about the last time you experienced significant emotional pain or stress. List three physical activities you turned to (work, exercise, cleaning, projects, etc.). For each activity, note: How long did the relief last? What happened when you stopped? Did it help or just delay dealing with the real issue?
Consider:
- •Consider both healthy and potentially harmful ways you've used physical activity to cope
- •Notice whether your escape activities connect you to others or isolate you further
- •Think about the difference between using physical activity as temporary relief versus permanent avoidance
Journaling Prompt
Write about a time when you worked yourself to exhaustion to avoid dealing with something painful. What were you really trying to escape, and what did you learn about yourself in the process?
Coming Up Next...
Chapter 51
Levin's temporary peace through farm work can't last forever. As evening approaches and the physical exhaustion fades, he'll be forced to confront the deeper questions about his place in the world and what he truly wants from life.




