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War and Peace - The Stripped Screw of Existence

Leo Tolstoy

War and Peace

The Stripped Screw of Existence

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Summary

Pierre sits stranded at a post station, but his physical journey has stopped because his mental journey has consumed him entirely. After his duel with Dolokhov and confrontation with his wife, he's trapped in an endless loop of unanswerable questions: What is good? What is evil? What's the point of living if we all die anyway? Tolstoy uses the brilliant metaphor of a stripped screw—it keeps turning but can't move forward or back, just spinning uselessly in place. This is Pierre's mind right now. He has wealth, privilege, and options, but none of it matters when you're questioning the very foundation of existence. The postmaster lies to get more money, a poor woman tries to sell him slippers he doesn't need, his servant offers comfort he can't feel. Pierre sees it all as meaningless theater while he grapples with cosmic questions that have no answers. But just as he reaches peak despair—convinced that 'we know nothing' is the height of human wisdom—a mysterious stranger appears. This weathered old man with penetrating eyes and a death's head ring seems to possess something Pierre lacks: calm certainty. The chapter ends with their eyes meeting, suggesting that sometimes our deepest questions find answers not in our own tortured thinking, but in unexpected human connections. Pierre's existential crisis is about to meet its match.

Coming Up in Chapter 86

The mysterious stranger with the death's head ring is about to speak, and his words will challenge everything Pierre thinks he knows about life's meaning. Sometimes wisdom comes from the most unexpected sources.

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An excerpt from the original text.(complete · 1277 words)

A

fter his interview with his wife Pierre left for Petersburg. At the
Torzhók post station, either there were no horses or the postmaster
would not supply them. Pierre was obliged to wait. Without undressing,
he lay down on the leather sofa in front of a round table, put his big
feet in their overboots on the table, and began to reflect.

“Will you have the portmanteaus brought in? And a bed got ready, and
tea?” asked his valet.

Pierre gave no answer, for he neither heard nor saw anything. He had
begun to think of the last station and was still pondering on the same
question—one so important that he took no notice of what went
on around him. Not only was he indifferent as to whether he got to
Petersburg earlier or later, or whether he secured accommodation at this
station, but compared to the thoughts that now occupied him it was a
matter of indifference whether he remained there for a few hours or for
the rest of his life.

The postmaster, his wife, the valet, and a peasant woman selling
Torzhók embroidery came into the room offering their services.
Without changing his careless attitude, Pierre looked at them over his
spectacles unable to understand what they wanted or how they could go on
living without having solved the problems that so absorbed him. He had
been engrossed by the same thoughts ever since the day he returned from
Sokólniki after the duel and had spent that first agonizing, sleepless
night. But now, in the solitude of the journey, they seized him with
special force. No matter what he thought about, he always returned to
these same questions which he could not solve and yet could not cease to
ask himself. It was as if the thread of the chief screw which held his
life together were stripped, so that the screw could not get in or out,
but went on turning uselessly in the same place.

The postmaster came in and began obsequiously to beg his excellency to
wait only two hours, when, come what might, he would let his excellency
have the courier horses. It was plain that he was lying and only wanted
to get more money from the traveler.

“Is this good or bad?” Pierre asked himself. “It is good for me,
bad for another traveler, and for himself it’s unavoidable, because
he needs money for food; the man said an officer had once given him a
thrashing for letting a private traveler have the courier horses.
But the officer thrashed him because he had to get on as quickly as
possible. And I,” continued Pierre, “shot Dólokhov because I
considered myself injured, and Louis XVI was executed because they
considered him a criminal, and a year later they executed those who
executed him—also for some reason. What is bad? What is good? What
should one love and what hate? What does one live for? And what am I?
What is life, and what is death? What power governs all?”

There was no answer to any of these questions, except one, and that
not a logical answer and not at all a reply to them. The answer was:
“You’ll die and all will end. You’ll die and know all, or cease
asking.” But dying was also dreadful.

The Torzhók peddler woman, in a whining voice, went on offering her
wares, especially a pair of goatskin slippers. “I have hundreds of
rubles I don’t know what to do with, and she stands in her tattered
cloak looking timidly at me,” he thought. “And what does she
want the money for? As if that money could add a hair’s breadth to
happiness or peace of mind. Can anything in the world make her or me
less a prey to evil and death?—death which ends all and must come
today or tomorrow—at any rate, in an instant as compared with
eternity.” And again he twisted the screw with the stripped thread,
and again it turned uselessly in the same place.

His servant handed him a half-cut novel, in the form of letters, by
Madame de Souza. He began reading about the sufferings and virtuous
struggles of a certain Emilie de Mansfeld. “And why did she resist
her seducer when she loved him?” he thought. “God could not have put
into her heart an impulse that was against His will. My wife—as she
once was—did not struggle, and perhaps she was right. Nothing has been
found out, nothing discovered,” Pierre again said to himself. “All
we can know is that we know nothing. And that’s the height of human
wisdom.”

Everything within and around him seemed confused, senseless, and
repellent. Yet in this very repugnance to all his circumstances Pierre
found a kind of tantalizing satisfaction.

“I make bold to ask your excellency to move a little for this
gentleman,” said the postmaster, entering the room followed by another
traveler, also detained for lack of horses.

The newcomer was a short, large-boned, yellow-faced, wrinkled old
man, with gray bushy eyebrows overhanging bright eyes of an indefinite
grayish color.

Pierre took his feet off the table, stood up, and lay down on a bed that
had been got ready for him, glancing now and then at the newcomer, who,
with a gloomy and tired face, was wearily taking off his wraps with the
aid of his servant, and not looking at Pierre. With a pair of felt boots
on his thin bony legs, and keeping on a worn, nankeen-covered, sheepskin
coat, the traveler sat down on the sofa, leaned back his big head with
its broad temples and close-cropped hair, and looked at Bezúkhov. The
stern, shrewd, and penetrating expression of that look struck Pierre. He
felt a wish to speak to the stranger, but by the time he had made up his
mind to ask him a question about the roads, the traveler had closed his
eyes. His shriveled old hands were folded and on the finger of one of
them Pierre noticed a large cast iron ring with a seal representing a
death’s head. The stranger sat without stirring, either resting or, as
it seemed to Pierre, sunk in profound and calm meditation. His servant
was also a yellow, wrinkled old man, without beard or mustache,
evidently not because he was shaven but because they had never grown.
This active old servant was unpacking the traveler’s canteen and
preparing tea. He brought in a boiling samovar. When everything was
ready, the stranger opened his eyes, moved to the table, filled a
tumbler with tea for himself and one for the beardless old man to whom
he passed it. Pierre began to feel a sense of uneasiness, and the
need, even the inevitability, of entering into conversation with this
stranger.

The servant brought back his tumbler turned upside down, * with an
unfinished bit of nibbled sugar, and asked if anything more would be
wanted.

* To indicate he did not want more tea.

“No. Give me the book,” said the stranger.

The servant handed him a book which Pierre took to be a devotional work,
and the traveler became absorbed in it. Pierre looked at him. All at
once the stranger closed the book, putting in a marker, and again,
leaning with his arms on the back of the sofa, sat in his former
position with his eyes shut. Pierre looked at him and had not time
to turn away when the old man, opening his eyes, fixed his steady and
severe gaze straight on Pierre’s face.

Pierre felt confused and wished to avoid that look, but the bright old
eyes attracted him irresistibly.

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Let's Analyse the Pattern

Pattern: Overthinking Paralysis Pattern
This chapter reveals the Overthinking Paralysis Pattern—when we get so trapped in our own circular thoughts that we can't move forward in life. Pierre sits physically still because his mind is spinning uselessly, like Tolstoy's brilliant metaphor of a stripped screw that turns but can't advance. The mechanism is vicious: Big life disruptions (Pierre's duel, marriage crisis) trigger existential questions. But instead of processing emotions or taking action, we get stuck asking unanswerable cosmic questions. 'What's the point of anything?' becomes a mental trap. The more we think, the more paralyzed we become. We convince ourselves this endless analysis is wisdom, but it's actually avoidance. Meanwhile, life keeps happening around us—people need responses, decisions await, opportunities pass. This pattern appears everywhere today. The nurse who can't choose a career path because she's overthinking every option instead of trying one. The parent stuck analyzing whether they're good enough instead of just showing up consistently. The worker who can't leave a toxic job because they're paralyzed debating the meaning of work itself. The person scrolling social media at 2am asking 'what's the point of relationships?' instead of texting back the friend who reached out. Navigation requires recognizing when thinking becomes quicksand. Set a timer—give yourself 20 minutes to worry, then take one small action. Ask 'What's one thing I can do today?' instead of 'What's the meaning of everything?' Notice when questions become loops. Sometimes the answer isn't in your head—it's in connection with others, like Pierre's mysterious stranger suggests. When you can name the pattern, predict where it leads, and navigate it successfully—that's amplified intelligence.

When circular thinking about big questions prevents taking any action in real life.

Why This Matters

Connect literature to life

Skill: Recognizing Overthinking Paralysis

This chapter teaches how to identify when deep thinking becomes a mental trap that prevents action and connection.

Practice This Today

This week, notice when you're asking 'What's the point of everything?' and try asking 'What's one small thing I can do right now?' instead.

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Now let's explore the literary elements.

Key Quotes & Analysis

"What is bad? What is good? What should one love and what hate? What does one live for? And what am I? What is life, and what is death? What power governs all?"

— Pierre (internal monologue)

Context: Pierre's mind spinning through the fundamental questions that have consumed him since the duel

These are the classic existential questions that hit during major life crises. Pierre's privilege means he has time to ask them, but no framework to answer them. The rapid-fire questioning shows his mental state - desperate and scattered.

In Today's Words:

What's the point of anything? Why do good people suffer? What am I supposed to do with my life? Why are we here if we just die anyway?

"He felt that everything was now going to pieces and that nobody was right."

— Narrator about Pierre

Context: Pierre's worldview collapsing as he questions all his previous beliefs and assumptions

This captures the terrifying moment when your entire belief system crumbles. Pierre can't trust his old certainties but hasn't found new ones. It's the dark night of the soul that precedes either breakdown or breakthrough.

In Today's Words:

Everything I believed was wrong, and I don't know what to trust anymore.

"We know nothing, we know nothing! And it is clear that we can know nothing!"

— Pierre (internal monologue)

Context: Pierre reaching the peak of his philosophical despair, convinced that human knowledge is impossible

This is Pierre hitting rock bottom intellectually. He's concluded that since he can't answer the big questions through thinking, nothing can be known. It's the moment before he's ready to try a different approach - perhaps through faith or experience.

In Today's Words:

I've been overthinking everything and I'm more confused than ever. Maybe some things can't be figured out logically.

Thematic Threads

Identity Crisis

In This Chapter

Pierre questions his entire existence and purpose after his personal disasters

Development

Deepened from earlier chapters where he struggled with his role as wealthy heir

In Your Life:

You might feel this when major life changes make you question who you really are

Class Privilege

In This Chapter

Pierre's wealth isolates him from real consequences while others around him struggle for basics

Development

Consistent theme showing how money creates different realities

In Your Life:

You see this in how different economic levels experience the same problems differently

Human Connection

In This Chapter

The mysterious stranger offers what Pierre's isolation and overthinking cannot—potential wisdom through relationship

Development

Emerging theme suggesting answers come through others, not solo analysis

In Your Life:

You might find clarity through conversation when your own thoughts go in circles

Existential Despair

In This Chapter

Pierre reaches rock bottom believing 'we know nothing' is the height of human wisdom

Development

Peak of his spiritual crisis that's been building through recent chapters

In Your Life:

You might hit this wall when life feels meaningless despite having everything you thought you wanted

Social Performance

In This Chapter

Everyone around Pierre—postmaster, servant, poor woman—performs roles while he sees through the meaninglessness

Development

Continuing examination of how people play expected parts in society

In Your Life:

You recognize this in how everyone maintains facades even when struggling internally

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What physical metaphor does Tolstoy use to describe Pierre's mental state, and why is it so effective?

    analysis • surface
  2. 2

    Why does Pierre's wealth and privilege make his existential crisis worse rather than better?

    analysis • medium
  3. 3

    When have you seen someone (or yourself) get so stuck in overthinking that they couldn't make basic decisions or move forward?

    application • medium
  4. 4

    What's the difference between productive self-reflection and the kind of mental spinning Pierre experiences?

    application • deep
  5. 5

    Why might the mysterious stranger represent a way out of Pierre's paralysis, and what does this suggest about how we actually solve life's big questions?

    reflection • deep

Critical Thinking Exercise

10 minutes

Break the Overthinking Loop

Think of a decision or situation you've been overthinking lately. Write it down, then set a timer for 3 minutes and write every worry, question, or 'what if' about it. When the timer stops, look at your list and circle the one thing you could actually do today to move forward, even slightly. Don't analyze whether it's the perfect action—just identify one concrete step.

Consider:

  • •Notice how many of your worries are about things you can't control
  • •Look for questions that have no real answers versus problems that have solutions
  • •Pay attention to how the act of writing stops the mental spinning

Journaling Prompt

Write about a time when you broke out of an overthinking cycle. What finally got you unstuck—was it talking to someone, taking action, or something else? What did you learn about the difference between thinking and ruminating?

Coming Up Next...

Chapter 86: A Stranger Offers Salvation

The mysterious stranger with the death's head ring is about to speak, and his words will challenge everything Pierre thinks he knows about life's meaning. Sometimes wisdom comes from the most unexpected sources.

Continue to Chapter 86
Previous
The Weight of Confession
Contents
Next
A Stranger Offers Salvation

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