An excerpt from the original text.(complete · 1195 words)
he friends were silent. Neither cared to begin talking. Pierre
continually glanced at Prince Andrew; Prince Andrew rubbed his forehead
with his small hand.
“Let us go and have supper,” he said with a sigh, going to the door.
They entered the elegant, newly decorated, and luxurious dining room.
Everything from the table napkins to the silver, china, and glass bore
that imprint of newness found in the households of the newly married.
Halfway through supper Prince Andrew leaned his elbows on the table and,
with a look of nervous agitation such as Pierre had never before seen on
his face, began to talk—as one who has long had something on his mind
and suddenly determines to speak out.
“Never, never marry, my dear fellow! That’s my advice: never marry
till you can say to yourself that you have done all you are capable of,
and until you have ceased to love the woman of your choice and have seen
her plainly as she is, or else you will make a cruel and irrevocable
mistake. Marry when you are old and good for nothing—or all that is
good and noble in you will be lost. It will all be wasted on trifles.
Yes! Yes! Yes! Don’t look at me with such surprise. If you marry
expecting anything from yourself in the future, you will feel at every
step that for you all is ended, all is closed except the drawing
room, where you will be ranged side by side with a court lackey and an
idiot!... But what’s the good?...” and he waved his arm.
Pierre took off his spectacles, which made his face seem different and
the good-natured expression still more apparent, and gazed at his friend
in amazement.
“My wife,” continued Prince Andrew, “is an excellent woman, one
of those rare women with whom a man’s honor is safe; but, O God, what
would I not give now to be unmarried! You are the first and only one to
whom I mention this, because I like you.”
As he said this Prince Andrew was less than ever like that Bolkónski
who had lolled in Anna Pávlovna’s easy chairs and with half-closed
eyes had uttered French phrases between his teeth. Every muscle of his
thin face was now quivering with nervous excitement; his eyes, in which
the fire of life had seemed extinguished, now flashed with brilliant
light. It was evident that the more lifeless he seemed at ordinary
times, the more impassioned he became in these moments of almost morbid
irritation.
“You don’t understand why I say this,” he continued, “but it is
the whole story of life. You talk of Bonaparte and his career,” said
he (though Pierre had not mentioned Bonaparte), “but Bonaparte when
he worked went step by step toward his goal. He was free, he had nothing
but his aim to consider, and he reached it. But tie yourself up with
a woman and, like a chained convict, you lose all freedom! And all you
have of hope and strength merely weighs you down and torments you with
regret. Drawing rooms, gossip, balls, vanity, and triviality—these are
the enchanted circle I cannot escape from. I am now going to the war,
the greatest war there ever was, and I know nothing and am fit for
nothing. I am very amiable and have a caustic wit,” continued Prince
Andrew, “and at Anna Pávlovna’s they listen to me. And that stupid
set without whom my wife cannot exist, and those women.... If you only
knew what those society women are, and women in general! My father is
right. Selfish, vain, stupid, trivial in everything—that’s what
women are when you see them in their true colors! When you meet them
in society it seems as if there were something in them, but there’s
nothing, nothing, nothing! No, don’t marry, my dear fellow; don’t
marry!” concluded Prince Andrew.
“It seems funny to me,” said Pierre, “that you, you should
consider yourself incapable and your life a spoiled life. You have
everything before you, everything. And you....”
He did not finish his sentence, but his tone showed how highly he
thought of his friend and how much he expected of him in the future.
“How can he talk like that?” thought Pierre. He considered his
friend a model of perfection because Prince Andrew possessed in the
highest degree just the very qualities Pierre lacked, and which might
be best described as strength of will. Pierre was always astonished at
Prince Andrew’s calm manner of treating everybody, his extraordinary
memory, his extensive reading (he had read everything, knew everything,
and had an opinion about everything), but above all at his capacity for
work and study. And if Pierre was often struck by Andrew’s lack
of capacity for philosophical meditation (to which he himself was
particularly addicted), he regarded even this not as a defect but as a
sign of strength.
Even in the best, most friendly and simplest relations of life, praise
and commendation are essential, just as grease is necessary to wheels
that they may run smoothly.
“My part is played out,” said Prince Andrew. “What’s the use of
talking about me? Let us talk about you,” he added after a silence,
smiling at his reassuring thoughts.
That smile was immediately reflected on Pierre’s face.
“But what is there to say about me?” said Pierre, his face relaxing
into a careless, merry smile. “What am I? An illegitimate son!”
He suddenly blushed crimson, and it was plain that he had made a great
effort to say this. “Without a name and without means... And it
really...” But he did not say what “it really” was. “For the
present I am free and am all right. Only I haven’t the least idea what
I am to do; I wanted to consult you seriously.”
Prince Andrew looked kindly at him, yet his glance—friendly and
affectionate as it was—expressed a sense of his own superiority.
“I am fond of you, especially as you are the one live man among our
whole set. Yes, you’re all right! Choose what you will; it’s all the
same. You’ll be all right anywhere. But look here: give up visiting
those Kurágins and leading that sort of life. It suits you so
badly—all this debauchery, dissipation, and the rest of it!”
“What would you have, my dear fellow?” answered Pierre, shrugging
his shoulders. “Women, my dear fellow; women!”
“I don’t understand it,” replied Prince Andrew. “Women who are
comme il faut, that’s a different matter; but the Kurágins’ set of
women, ‘women and wine’ I don’t understand!”
Pierre was staying at Prince Vasíli Kurágin’s and sharing the
dissipated life of his son Anatole, the son whom they were planning to
reform by marrying him to Prince Andrew’s sister.
“Do you know?” said Pierre, as if suddenly struck by a happy
thought, “seriously, I have long been thinking of it.... Leading such
a life I can’t decide or think properly about anything. One’s head
aches, and one spends all one’s money. He asked me for tonight, but I
won’t go.”
“You give me your word of honor not to go?”
“On my honor!”
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Let's Analyse the Pattern
Making life-defining choices before developing the self-knowledge to choose wisely, leading to resentment and stunted growth.
Why This Matters
Connect literature to life
This chapter teaches how to spot when you're making life-defining choices to meet others' expectations rather than your own understanding of what you need.
Practice This Today
This week, notice when someone pressures you toward a 'good opportunity'—ask yourself if you're being sold their version of success or genuinely exploring your own path.
Now let's explore the literary elements.
Key Quotes & Analysis
"Never, never marry, my dear fellow! That's my advice: never marry till you can say to yourself that you have done all you are capable of"
Context: Andrew suddenly opens up during dinner, sharing his bitter feelings about marriage
This reveals Andrew's deep regret about marrying before achieving his potential. He sees marriage as a trap that prevents personal growth and accomplishment. His passionate tone shows this isn't casual advice but hard-won wisdom from personal suffering.
In Today's Words:
Don't get married until you've figured out who you are and what you want to accomplish, or you'll lose yourself completely
"If you marry expecting anything from yourself in the future, you will feel at every step that for you all is ended, all is closed except the drawing room"
Context: Continuing his warning about marriage destroying ambition
Andrew describes marriage as death to personal ambition and growth. The 'drawing room' represents the shallow social world that becomes your entire universe when you're trapped in domestic obligations. This reflects his view that marriage reduces life to social performance.
In Today's Words:
Get married while you still have big dreams and you'll end up stuck in a world of small talk and social obligations
"I give you my word of honor"
Context: Pierre promises Andrew he'll avoid another night of debauchery with the Kuragins
This shows Pierre recognizing he needs to change his lifestyle and taking Andrew's friendship seriously enough to make a binding promise. In their culture, honor-based promises were sacred, showing Pierre's genuine commitment to reform.
In Today's Words:
I swear to you, I'm done with that crowd and that lifestyle
Thematic Threads
Identity
In This Chapter
Andrew realizes marriage prevented him from discovering his true capabilities and potential
Development
Deepens from earlier social performance themes—now we see the cost of living for others' expectations
In Your Life:
You might feel this when major life choices were made to please family or society rather than from self-knowledge
Social Expectations
In This Chapter
Marriage as social duty that traps rather than fulfills, despite wife being 'good'
Development
Continues exploration of how social roles can become prisons
In Your Life:
You see this when following traditional life scripts feels suffocating rather than meaningful
Personal Growth
In This Chapter
Andrew's recognition that he committed before fully developing himself
Development
Introduced here as central tension between security and self-discovery
In Your Life:
You experience this when wondering 'what if' about paths not taken due to early commitments
Human Relationships
In This Chapter
Pierre and Andrew's honest friendship allows brutal truth-telling about life choices
Development
Shows how authentic relationships enable self-examination
In Your Life:
You need this kind of friend who'll listen to your real struggles without judgment
Class
In This Chapter
Upper-class social world described as 'drawing rooms, gossip, balls'—empty privilege
Development
Continues critique of aristocratic society as meaningless performance
In Your Life:
You might recognize this in any social circle that demands conformity over authenticity
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What specific warning does Andrew give Pierre about marriage, and why does he compare himself to a convict?
analysis • surface - 2
Why does Andrew blame marriage for destroying his potential rather than blaming his wife directly?
analysis • medium - 3
Where do you see people today making major life commitments before they know who they are or what they want?
application • medium - 4
How can someone protect their growth and self-discovery while still meeting social expectations about major life milestones?
application • deep - 5
What does Andrew's confession reveal about the difference between choosing safety and choosing growth?
reflection • deep
Critical Thinking Exercise
Map Your Commitment Timeline
Create a timeline of major commitments in your life or ones you're considering. For each commitment, mark whether you made it from self-knowledge or external pressure. Then identify one area where you could create more space for exploration before your next big decision.
Consider:
- •Consider both commitments you've made and ones others expect you to make
- •Think about the difference between choosing from fear versus choosing from knowledge
- •Remember that some commitments can be modified or approached differently even after they're made
Journaling Prompt
Write about a time when you felt pressured to commit to something before you were ready. What did you learn from that experience, and how would you handle similar pressure now?
Coming Up Next...
Chapter 9: The Dangerous Bet
The scene shifts as we meet more characters navigating the complex social world that has trapped Prince Andrew. New personalities emerge, each carrying their own burdens and ambitions in Russian high society.




