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War and Peace - The Deathbed Power Struggle

Leo Tolstoy

War and Peace

The Deathbed Power Struggle

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Summary

Count Bezúkhov is dying, and the vultures are circling. In a dimly lit room that once hosted elegant balls, family members and hangers-on gather for what they know will be the final act. The real drama unfolds when Anna Mikháylovna and the eldest princess literally fight over a portfolio containing what might be the count's will. Their struggle is both physical and symbolic—two women clawing for control over Pierre's future inheritance. Prince Vasíli tries to play peacemaker while positioning himself advantageously. The scene turns ugly fast, with accusations of manipulation and desperate grabbing. When the count finally dies, the masks come off completely. Prince Vasíli breaks down, revealing unexpected vulnerability beneath his calculating exterior. Anna Mikháylovna immediately begins working Pierre, reminding him of promises made and duties owed. The chapter exposes how death brings out both the worst and most human qualities in people. Tolstoy shows us that in moments of crisis, people's true priorities emerge—and they're usually about power, money, and survival rather than love or grief. Pierre, still young and naive, doesn't fully grasp the game being played around him, but he's about to inherit massive wealth and all the complications that come with it. This scene perfectly captures how family dynamics explode when there's money at stake.

Coming Up in Chapter 25

Pierre must now navigate his sudden transformation from awkward outsider to wealthy heir. But with great fortune comes great danger, and those who fought over his inheritance aren't finished with their schemes.

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An excerpt from the original text.(complete · 1656 words)

T

here was now no one in the reception room except Prince Vasíli and the
eldest princess, who were sitting under the portrait of Catherine the
Great and talking eagerly. As soon as they saw Pierre and his companion
they became silent, and Pierre thought he saw the princess hide
something as she whispered:

“I can’t bear the sight of that woman.”

“Catiche has had tea served in the small drawing room,” said Prince
Vasíli to Anna Mikháylovna. “Go and take something, my poor Anna
Mikháylovna, or you will not hold out.”

To Pierre he said nothing, merely giving his arm a sympathetic squeeze
below the shoulder. Pierre went with Anna Mikháylovna into the small
drawing room.

“There is nothing so refreshing after a sleepless night as a cup
of this delicious Russian tea,” Lorrain was saying with an air of
restrained animation as he stood sipping tea from a delicate Chinese
handleless cup before a table on which tea and a cold supper were laid
in the small circular room. Around the table all who were at Count
Bezúkhov’s house that night had gathered to fortify themselves.
Pierre well remembered this small circular drawing room with its mirrors
and little tables. During balls given at the house Pierre, who did not
know how to dance, had liked sitting in this room to watch the ladies
who, as they passed through in their ball dresses with diamonds and
pearls on their bare shoulders, looked at themselves in the brilliantly
lighted mirrors which repeated their reflections several times. Now
this same room was dimly lighted by two candles. On one small table tea
things and supper dishes stood in disorder, and in the middle of the
night a motley throng of people sat there, not merrymaking, but somberly
whispering, and betraying by every word and movement that they none
of them forgot what was happening and what was about to happen in the
bedroom. Pierre did not eat anything though he would very much have
liked to. He looked inquiringly at his monitress and saw that she was
again going on tiptoe to the reception room where they had left Prince
Vasíli and the eldest princess. Pierre concluded that this also was
essential, and after a short interval followed her. Anna Mikháylovna
was standing beside the princess, and they were both speaking in excited
whispers.

“Permit me, Princess, to know what is necessary and what is not
necessary,” said the younger of the two speakers, evidently in the
same state of excitement as when she had slammed the door of her room.

“But, my dear princess,” answered Anna Mikháylovna blandly but
impressively, blocking the way to the bedroom and preventing the other
from passing, “won’t this be too much for poor Uncle at a moment
when he needs repose? Worldly conversation at a moment when his soul is
already prepared...”

Prince Vasíli was seated in an easy chair in his familiar attitude,
with one leg crossed high above the other. His cheeks, which were so
flabby that they looked heavier below, were twitching violently; but
he wore the air of a man little concerned in what the two ladies were
saying.

“Come, my dear Anna Mikháylovna, let Catiche do as she pleases. You
know how fond the count is of her.”

“I don’t even know what is in this paper,” said the younger of
the two ladies, addressing Prince Vasíli and pointing to an inlaid
portfolio she held in her hand. “All I know is that his real will is
in his writing table, and this is a paper he has forgotten....”

She tried to pass Anna Mikháylovna, but the latter sprang so as to bar
her path.

“I know, my dear, kind princess,” said Anna Mikháylovna, seizing
the portfolio so firmly that it was plain she would not let go easily.
“Dear princess, I beg and implore you, have some pity on him! Je vous
en conjure...”

The princess did not reply. Their efforts in the struggle for the
portfolio were the only sounds audible, but it was evident that if
the princess did speak, her words would not be flattering to Anna
Mikháylovna. Though the latter held on tenaciously, her voice lost none
of its honeyed firmness and softness.

“Pierre, my dear, come here. I think he will not be out of place in a
family consultation; is it not so, Prince?”

“Why don’t you speak, cousin?” suddenly shrieked the princess so
loud that those in the drawing room heard her and were startled. “Why
do you remain silent when heaven knows who permits herself to
interfere, making a scene on the very threshold of a dying man’s room?
Intriguer!” she hissed viciously, and tugged with all her might at the
portfolio.

But Anna Mikháylovna went forward a step or two to keep her hold on the
portfolio, and changed her grip.

Prince Vasíli rose. “Oh!” said he with reproach and surprise,
“this is absurd! Come, let go I tell you.”

The princess let go.

“And you too!”

But Anna Mikháylovna did not obey him.

“Let go, I tell you! I will take the responsibility. I myself will go
and ask him, I!... does that satisfy you?”

“But, Prince,” said Anna Mikháylovna, “after such a solemn
sacrament, allow him a moment’s peace! Here, Pierre, tell them your
opinion,” said she, turning to the young man who, having come quite
close, was gazing with astonishment at the angry face of the princess
which had lost all dignity, and at the twitching cheeks of Prince
Vasíli.

“Remember that you will answer for the consequences,” said Prince
Vasíli severely. “You don’t know what you are doing.”

“Vile woman!” shouted the princess, darting unexpectedly at Anna
Mikháylovna and snatching the portfolio from her.

Prince Vasíli bent his head and spread out his hands.

At this moment that terrible door, which Pierre had watched so long
and which had always opened so quietly, burst noisily open and banged
against the wall, and the second of the three sisters rushed out
wringing her hands.

“What are you doing!” she cried vehemently. “He is dying and you
leave me alone with him!”

Her sister dropped the portfolio. Anna Mikháylovna, stooping, quickly
caught up the object of contention and ran into the bedroom. The eldest
princess and Prince Vasíli, recovering themselves, followed her. A few
minutes later the eldest sister came out with a pale hard face, again
biting her underlip. At sight of Pierre her expression showed an
irrepressible hatred.

“Yes, now you may be glad!” said she; “this is what you have
been waiting for.” And bursting into tears she hid her face in her
handkerchief and rushed from the room.

Prince Vasíli came next. He staggered to the sofa on which Pierre was
sitting and dropped onto it, covering his face with his hand. Pierre
noticed that he was pale and that his jaw quivered and shook as if in an
ague.

“Ah, my friend!” said he, taking Pierre by the elbow; and there was
in his voice a sincerity and weakness Pierre had never observed in it
before. “How often we sin, how much we deceive, and all for what? I am
near sixty, dear friend... I too... All will end in death, all! Death is
awful...” and he burst into tears.

Anna Mikháylovna came out last. She approached Pierre with slow, quiet
steps.

“Pierre!” she said.

Pierre gave her an inquiring look. She kissed the young man on his
forehead, wetting him with her tears. Then after a pause she said:

“He is no more....”

Pierre looked at her over his spectacles.

“Come, I will go with you. Try to weep, nothing gives such relief as
tears.”

She led him into the dark drawing room and Pierre was glad no one could
see his face. Anna Mikháylovna left him, and when she returned he was
fast asleep with his head on his arm.

In the morning Anna Mikháylovna said to Pierre:

“Yes, my dear, this is a great loss for us all, not to speak of you.
But God will support you: you are young, and are now, I hope, in command
of an immense fortune. The will has not yet been opened. I know you
well enough to be sure that this will not turn your head, but it imposes
duties on you, and you must be a man.”

Pierre was silent.

“Perhaps later on I may tell you, my dear boy, that if I had not been
there, God only knows what would have happened! You know, Uncle promised
me only the day before yesterday not to forget Borís. But he had
no time. I hope, my dear friend, you will carry out your father’s
wish?”

Pierre understood nothing of all this and coloring shyly looked in
silence at Princess Anna Mikháylovna. After her talk with Pierre, Anna
Mikháylovna returned to the Rostóvs’ and went to bed. On waking in
the morning she told the Rostóvs and all her acquaintances the details
of Count Bezúkhov’s death. She said the count had died as she would
herself wish to die, that his end was not only touching but edifying. As
to the last meeting between father and son, it was so touching that she
could not think of it without tears, and did not know which had behaved
better during those awful moments—the father who so remembered
everything and everybody at last and had spoken such pathetic words to
the son, or Pierre, whom it had been pitiful to see, so stricken was he
with grief, though he tried hard to hide it in order not to sadden his
dying father. “It is painful, but it does one good. It uplifts the
soul to see such men as the old count and his worthy son,” said she.
Of the behavior of the eldest princess and Prince Vasíli she spoke
disapprovingly, but in whispers and as a great secret.

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Let's Analyse the Pattern

Pattern: The Deathbed Reveal

The Deathbed Reveal - When Crisis Strips Away Pretense

Death has a way of revealing who people really are. When Count Bezúkhov lies dying, the elegant facade crumbles instantly. Family members who spent years playing polite social games suddenly claw at each other over documents and inheritance rights. This is the Deathbed Reveal pattern—crisis strips away all pretense and shows people's true priorities. The mechanism is simple: when stakes get high and time runs short, people abandon their carefully maintained personas. Anna Mikháylovna and the eldest princess literally wrestle over papers because they know this moment determines everything. Prince Vasíli drops his diplomatic mask and breaks down crying. The social scripts everyone follows during normal times become worthless when survival is on the line. People revert to their core drives: security, power, control. You see this exact pattern everywhere today. When a company announces layoffs, watch how quickly workplace friendships dissolve into backstabbing. During a family medical crisis, relatives who seemed loving suddenly argue over who's responsible for care costs. In divorce proceedings, couples who once shared everything become vicious over assets. When your department gets a new manager, notice how quickly alliances shift and true workplace dynamics emerge. The pattern is always the same: pressure reveals priority. When you recognize this pattern, you gain massive advantage. First, never assume the calm-times version of people is their real self—watch how they behave under pressure. Second, prepare for others to change when stakes rise, so you're not blindsided. Third, use crisis moments to see who actually has your back versus who just acts friendly when it costs nothing. Most importantly, check your own behavior—crisis reveals your true character too. When you can name the pattern, predict where it leads, and navigate it successfully—that's amplified intelligence.

Crisis strips away social pretense and reveals people's true priorities and character.

Why This Matters

Connect literature to life

Skill: Reading Crisis Character

This chapter teaches how to see people's true nature by watching their behavior when pressure mounts and stakes rise.

Practice This Today

This week, notice when someone faces stress—job uncertainty, family problems, financial pressure—and observe if their personality shifts from their normal presentation.

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Now let's explore the literary elements.

Key Quotes & Analysis

"I can't bear the sight of that woman."

— The eldest princess

Context: She whispers this about Anna Mikhaylovna when she sees her approaching with Pierre

This reveals the deep resentment between potential heirs and their supporters. The princess sees Anna Mikhaylovna as a threat to her inheritance and doesn't bother hiding her contempt, showing how death strips away social politeness.

In Today's Words:

I hate that woman - she's trying to steal what's mine.

"Go and take something, my poor Anna Mikhaylovna, or you will not hold out."

— Prince Vasili

Context: He's directing Anna Mikhaylovna away from the main action while appearing to show concern for her wellbeing

Prince Vasili uses fake kindness to control the situation and manage who has access to what. His words sound caring but he's actually manipulating the positioning of players in this inheritance game.

In Today's Words:

You need to step back and let me handle this - but I'll make it sound like I'm worried about you.

"There is nothing so refreshing after a sleepless night as a cup of this delicious Russian tea."

— Lorrain

Context: The doctor makes polite conversation while everyone gathers around the refreshment table during the death vigil

This shows how people maintain social niceties even in the most emotionally charged situations. The doctor's casual comment about tea contrasts sharply with the life-and-death drama unfolding, highlighting the surreal nature of these formal death watches.

In Today's Words:

Nothing like a good cup of coffee to get you through an all-nighter - even when someone's dying in the next room.

Thematic Threads

Greed

In This Chapter

Family members literally fight over inheritance documents while the count is dying

Development

Escalated from subtle social maneuvering to open conflict

In Your Life:

You might see this when family members argue over a sick relative's care decisions based on who benefits financially

Power

In This Chapter

Prince Vasíli tries to control the situation while positioning himself advantageously

Development

His calculated approach from earlier chapters now shows desperation

In Your Life:

You might see this in workplace politics when someone tries to appear helpful while actually securing their own position

Vulnerability

In This Chapter

Prince Vasíli breaks down crying, showing unexpected human emotion beneath his calculating exterior

Development

First crack in his composed facade we've seen

In Your Life:

You might see this when someone who always seems in control finally shows their fear during a crisis

Manipulation

In This Chapter

Anna Mikháylovna immediately works on Pierre, reminding him of promises and duties

Development

Her strategic approach continues but becomes more urgent and direct

In Your Life:

You might see this when someone uses guilt or obligation to influence your decisions during vulnerable moments

Innocence

In This Chapter

Pierre doesn't grasp the game being played around him despite being at the center of it

Development

His naivety continues as the stakes around him escalate dramatically

In Your Life:

You might see this when you're the focus of family or workplace drama but don't realize the hidden agendas at play

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What changes in the family members' behavior once they realize Count Bezúkhov is actually dying?

    analysis • surface
  2. 2

    Why do Anna Mikháylovna and the eldest princess literally fight over the portfolio, and what does this reveal about their true motivations?

    analysis • medium
  3. 3

    Think about a time when your family faced a crisis (illness, job loss, divorce). How did people's behavior change when the pressure was on?

    application • medium
  4. 4

    If you were Pierre in this situation, how would you protect yourself from people trying to manipulate you during a vulnerable time?

    application • deep
  5. 5

    What does this scene teach us about the difference between how people act in normal times versus crisis times?

    reflection • deep

Critical Thinking Exercise

10 minutes

Map Your Crisis Reveals

Think of three different high-pressure situations you've witnessed or experienced (workplace layoffs, family emergency, relationship breakup, financial stress). For each situation, write down how specific people behaved differently than they normally would. Then identify what their crisis behavior revealed about their true priorities and character.

Consider:

  • •Look for patterns in who became more helpful versus more selfish under pressure
  • •Notice how quickly social masks fell away when stakes got high
  • •Consider what your own behavior in these moments revealed about your character

Journaling Prompt

Write about a time when crisis revealed something surprising about someone you thought you knew well. How did this change your relationship with them, and what did you learn about reading people's true character?

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Coming Up Next...

Chapter 25: The Clockwork Prince and His Daughter

Pierre must now navigate his sudden transformation from awkward outsider to wealthy heir. But with great fortune comes great danger, and those who fought over his inheritance aren't finished with their schemes.

Continue to Chapter 25
Previous
A Father's Final Moments
Contents
Next
The Clockwork Prince and His Daughter

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