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War and Peace - Vultures Circle the Dying Count

Leo Tolstoy

War and Peace

Vultures Circle the Dying Count

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Summary

Count Bezúkhov lies dying after his sixth stroke while his family and hangers-on gather like vultures around his deathbed. The scene shifts between the public reception room, where doctors, clergy, and officials maintain polite facades while gossiping about the inheritance, and a private conversation between Prince Vasíli and Princess Catherine. What starts as concern for the dying count quickly reveals itself as naked greed and family scheming. Prince Vasíli desperately tries to convince Catherine to help him find and destroy the count's will, which leaves everything to Pierre, the count's illegitimate son. Catherine initially resists, but when Vasíli mentions that a letter requesting Pierre's legitimation might exist, her composure cracks. She reveals the will is hidden under the count's pillow and launches into a bitter tirade against Anna Mikháylovna, whom she blames for poisoning the count's mind against his legitimate heirs. The chapter exposes how death brings out both the worst in people and the truth about relationships built on money rather than love. Tolstoy masterfully shows how the same event—a man's final hours—can be simultaneously sacred (the last rites) and profane (the inheritance grab). The contrast between the formal, respectful atmosphere in the reception room and the ugly scheming in private reveals the gap between social appearances and human nature.

Coming Up in Chapter 22

The race is on to find the hidden will before Count Bezúkhov dies. With the document's location now revealed, the real battle for the inheritance begins as family members position themselves for one final, desperate gambit.

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An excerpt from the original text.(complete · 2715 words)

W

hile in the Rostóvs’ ballroom the sixth anglaise was being danced,
to a tune in which the weary musicians blundered, and while tired
footmen and cooks were getting the supper, Count Bezúkhov had a
sixth stroke. The doctors pronounced recovery impossible. After a mute
confession, communion was administered to the dying man, preparations
made for the sacrament of unction, and in his house there was the bustle
and thrill of suspense usual at such moments. Outside the house, beyond
the gates, a group of undertakers, who hid whenever a carriage drove up,
waited in expectation of an important order for an expensive funeral.
The Military Governor of Moscow, who had been assiduous in sending
aides-de-camp to inquire after the count’s health, came himself
that evening to bid a last farewell to the celebrated grandee of
Catherine’s court, Count Bezúkhov.

The magnificent reception room was crowded. Everyone stood up
respectfully when the Military Governor, having stayed about half an
hour alone with the dying man, passed out, slightly acknowledging their
bows and trying to escape as quickly as possible from the glances fixed
on him by the doctors, clergy, and relatives of the family. Prince
Vasíli, who had grown thinner and paler during the last few days,
escorted him to the door, repeating something to him several times in
low tones.

When the Military Governor had gone, Prince Vasíli sat down all alone
on a chair in the ballroom, crossing one leg high over the other,
leaning his elbow on his knee and covering his face with his hand. After
sitting so for a while he rose, and, looking about him with frightened
eyes, went with unusually hurried steps down the long corridor leading
to the back of the house, to the room of the eldest princess.

Those who were in the dimly lit reception room spoke in nervous
whispers, and, whenever anyone went into or came from the dying man’s
room, grew silent and gazed with eyes full of curiosity or expectancy at
his door, which creaked slightly when opened.

“The limits of human life ... are fixed and may not be
o’erpassed,” said an old priest to a lady who had taken a seat
beside him and was listening naïvely to his words.

“I wonder, is it not too late to administer unction?” asked the
lady, adding the priest’s clerical title, as if she had no opinion of
her own on the subject.

“Ah, madam, it is a great sacrament,” replied the priest, passing
his hand over the thin grizzled strands of hair combed back across his
bald head.

“Who was that? The Military Governor himself?” was being asked at
the other side of the room. “How young-looking he is!”

“Yes, and he is over sixty. I hear the count no longer recognizes
anyone. They wished to administer the sacrament of unction.”

“I knew someone who received that sacrament seven times.”

The second princess had just come from the sickroom with her eyes red
from weeping and sat down beside Dr. Lorrain, who was sitting in a
graceful pose under a portrait of Catherine, leaning his elbow on a
table.

“Beautiful,” said the doctor in answer to a remark about the
weather. “The weather is beautiful, Princess; and besides, in Moscow
one feels as if one were in the country.”

“Yes, indeed,” replied the princess with a sigh. “So he may have
something to drink?”

Lorrain considered.

“Has he taken his medicine?”

“Yes.”

The doctor glanced at his watch.

“Take a glass of boiled water and put a pinch of cream of tartar,”
and he indicated with his delicate fingers what he meant by a pinch.

“Dere has neffer been a gase,” a German doctor was saying to an
aide-de-camp, “dat one liffs after de sird stroke.”

“And what a well-preserved man he was!” remarked the aide-de-camp.
“And who will inherit his wealth?” he added in a whisper.

“It von’t go begging,” replied the German with a smile.

Everyone again looked toward the door, which creaked as the second
princess went in with the drink she had prepared according to
Lorrain’s instructions. The German doctor went up to Lorrain.

“Do you think he can last till morning?” asked the German,
addressing Lorrain in French which he pronounced badly.

Lorrain, pursing up his lips, waved a severely negative finger before
his nose.

“Tonight, not later,” said he in a low voice, and he moved away
with a decorous smile of self-satisfaction at being able clearly to
understand and state the patient’s condition.

Meanwhile Prince Vasíli had opened the door into the princess’ room.

In this room it was almost dark; only two tiny lamps were burning before
the icons and there was a pleasant scent of flowers and burnt pastilles.
The room was crowded with small pieces of furniture, whatnots,
cupboards, and little tables. The quilt of a high, white feather bed was
just visible behind a screen. A small dog began to bark.

“Ah, is it you, cousin?”

She rose and smoothed her hair, which was as usual so extremely smooth
that it seemed to be made of one piece with her head and covered with
varnish.

“Has anything happened?” she asked. “I am so terrified.”

“No, there is no change. I only came to have a talk about business,
Catiche,” * muttered the prince, seating himself wearily on the chair
she had just vacated. “You have made the place warm, I must say,” he
remarked. “Well, sit down: let’s have a talk.”

*Catherine.

“I thought perhaps something had happened,” she said with her
unchanging stonily severe expression; and, sitting down opposite the
prince, she prepared to listen.

“I wished to get a nap, mon cousin, but I can’t.”

“Well, my dear?” said Prince Vasíli, taking her hand and bending it
downwards as was his habit.

It was plain that this “well?” referred to much that they both
understood without naming.

The princess, who had a straight, rigid body, abnormally long for her
legs, looked directly at Prince Vasíli with no sign of emotion in her
prominent gray eyes. Then she shook her head and glanced up at the icons
with a sigh. This might have been taken as an expression of sorrow
and devotion, or of weariness and hope of resting before long. Prince
Vasíli understood it as an expression of weariness.

“And I?” he said; “do you think it is easier for me? I am as worn
out as a post horse, but still I must have a talk with you, Catiche, a
very serious talk.”

Prince Vasíli said no more and his cheeks began to twitch nervously,
now on one side, now on the other, giving his face an unpleasant
expression which was never to be seen on it in a drawing room. His eyes
too seemed strange; at one moment they looked impudently sly and at the
next glanced round in alarm.

The princess, holding her little dog on her lap with her thin bony
hands, looked attentively into Prince Vasíli’s eyes evidently
resolved not to be the first to break silence, if she had to wait till
morning.

“Well, you see, my dear princess and cousin, Catherine Semënovna,”
continued Prince Vasíli, returning to his theme, apparently not
without an inner struggle; “at such a moment as this one must think
of everything. One must think of the future, of all of you... I love you
all, like children of my own, as you know.”

The princess continued to look at him without moving, and with the same
dull expression.

“And then of course my family has also to be considered,” Prince
Vasíli went on, testily pushing away a little table without looking at
her. “You know, Catiche, that we—you three sisters, Mámontov, and
my wife—are the count’s only direct heirs. I know, I know how hard
it is for you to talk or think of such matters. It is no easier for
me; but, my dear, I am getting on for sixty and must be prepared for
anything. Do you know I have sent for Pierre? The count,” pointing to
his portrait, “definitely demanded that he should be called.”

Prince Vasíli looked questioningly at the princess, but could not make
out whether she was considering what he had just said or whether she was
simply looking at him.

“There is one thing I constantly pray God to grant, mon cousin,” she
replied, “and it is that He would be merciful to him and would allow
his noble soul peacefully to leave this...”

“Yes, yes, of course,” interrupted Prince Vasíli impatiently,
rubbing his bald head and angrily pulling back toward him the little
table that he had pushed away. “But... in short, the fact is... you
know yourself that last winter the count made a will by which he left
all his property, not to us his direct heirs, but to Pierre.”

“He has made wills enough!” quietly remarked the princess. “But he
cannot leave the estate to Pierre. Pierre is illegitimate.”

“But, my dear,” said Prince Vasíli suddenly, clutching the little
table and becoming more animated and talking more rapidly: “what if
a letter has been written to the Emperor in which the count asks for
Pierre’s legitimation? Do you understand that in consideration of the
count’s services, his request would be granted?...”

The princess smiled as people do who think they know more about the
subject under discussion than those they are talking with.

“I can tell you more,” continued Prince Vasíli, seizing her hand,
“that letter was written, though it was not sent, and the Emperor knew
of it. The only question is, has it been destroyed or not? If not, then
as soon as all is over,” and Prince Vasíli sighed to intimate what he
meant by the words all is over, “and the count’s papers are opened,
the will and letter will be delivered to the Emperor, and the petition
will certainly be granted. Pierre will get everything as the legitimate
son.”

“And our share?” asked the princess smiling ironically, as if
anything might happen, only not that.

“But, my poor Catiche, it is as clear as daylight! He will then be the
legal heir to everything and you won’t get anything. You must know,
my dear, whether the will and letter were written, and whether they have
been destroyed or not. And if they have somehow been overlooked, you
ought to know where they are, and must find them, because...”

“What next?” the princess interrupted, smiling sardonically and not
changing the expression of her eyes. “I am a woman, and you think we
are all stupid; but I know this: an illegitimate son cannot inherit...
un bâtard!”* she added, as if supposing that this translation of the
word would effectively prove to Prince Vasíli the invalidity of his
contention.

* A bastard.

“Well, really, Catiche! Can’t you understand! You are so
intelligent, how is it you don’t see that if the count has written a
letter to the Emperor begging him to recognize Pierre as legitimate, it
follows that Pierre will not be Pierre but will become Count Bezúkhov,
and will then inherit everything under the will? And if the will and
letter are not destroyed, then you will have nothing but the consolation
of having been dutiful et tout ce qui s’ensuit!* That’s certain.”

* And all that follows therefrom.

“I know the will was made, but I also know that it is invalid;
and you, mon cousin, seem to consider me a perfect fool,” said the
princess with the expression women assume when they suppose they are
saying something witty and stinging.

“My dear Princess Catherine Semënovna,” began Prince Vasíli
impatiently, “I came here not to wrangle with you, but to talk about
your interests as with a kinswoman, a good, kind, true relation. And I
tell you for the tenth time that if the letter to the Emperor and the
will in Pierre’s favor are among the count’s papers, then, my dear
girl, you and your sisters are not heiresses! If you don’t believe me,
then believe an expert. I have just been talking to Dmítri Onúfrich”
(the family solicitor) “and he says the same.”

At this a sudden change evidently took place in the princess’ ideas;
her thin lips grew white, though her eyes did not change, and her voice
when she began to speak passed through such transitions as she herself
evidently did not expect.

“That would be a fine thing!” said she. “I never wanted anything
and I don’t now.”

She pushed the little dog off her lap and smoothed her dress.

“And this is gratitude—this is recognition for those who have
sacrificed everything for his sake!” she cried. “It’s splendid!
Fine! I don’t want anything, Prince.”

“Yes, but you are not the only one. There are your sisters...”
replied Prince Vasíli.

But the princess did not listen to him.

“Yes, I knew it long ago but had forgotten. I knew that I could expect
nothing but meanness, deceit, envy, intrigue, and ingratitude—the
blackest ingratitude—in this house...”

“Do you or do you not know where that will is?” insisted Prince
Vasíli, his cheeks twitching more than ever.

“Yes, I was a fool! I still believed in people, loved them, and
sacrificed myself. But only the base, the vile succeed! I know who has
been intriguing!”

The princess wished to rise, but the prince held her by the hand. She
had the air of one who has suddenly lost faith in the whole human race.
She gave her companion an angry glance.

“There is still time, my dear. You must remember, Catiche, that it was
all done casually in a moment of anger, of illness, and was afterwards
forgotten. Our duty, my dear, is to rectify his mistake, to ease his
last moments by not letting him commit this injustice, and not to let
him die feeling that he is rendering unhappy those who...”

“Who sacrificed everything for him,” chimed in the princess, who
would again have risen had not the prince still held her fast, “though
he never could appreciate it. No, mon cousin,” she added with a sigh,
“I shall always remember that in this world one must expect no reward,
that in this world there is neither honor nor justice. In this world one
has to be cunning and cruel.”

“Now come, come! Be reasonable. I know your excellent heart.”

“No, I have a wicked heart.”

“I know your heart,” repeated the prince. “I value your friendship
and wish you to have as good an opinion of me. Don’t upset yourself,
and let us talk sensibly while there is still time, be it a day or be it
but an hour.... Tell me all you know about the will, and above all where
it is. You must know. We will take it at once and show it to the
count. He has, no doubt, forgotten it and will wish to destroy it.
You understand that my sole desire is conscientiously to carry out his
wishes; that is my only reason for being here. I came simply to help him
and you.”

“Now I see it all! I know who has been intriguing—I know!” cried
the princess.

“That’s not the point, my dear.”

“It’s that protégé of yours, that sweet Princess Drubetskáya,
that Anna Mikháylovna whom I would not take for a housemaid... the
infamous, vile woman!”

“Do not let us lose any time...”

“Ah, don’t talk to me! Last winter she wheedled herself in here and
told the count such vile, disgraceful things about us, especially about
Sophie—I can’t repeat them—that it made the count quite ill and he
would not see us for a whole fortnight. I know it was then he wrote this
vile, infamous paper, but I thought the thing was invalid.”

“We’ve got to it at last—why did you not tell me about it
sooner?”

“It’s in the inlaid portfolio that he keeps under his pillow,”
said the princess, ignoring his question. “Now I know! Yes; if I have
a sin, a great sin, it is hatred of that vile woman!” almost shrieked
the princess, now quite changed. “And what does she come worming
herself in here for? But I will give her a piece of my mind. The time
will come!”

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Let's Analyse the Pattern

Pattern: The Deathbed Reveal

The Deathbed Reveal - When Crisis Strips Away Pretense

Crisis has a way of revealing who people really are beneath their polite masks. When Count Bezúkhov lies dying, the formal reception room maintains respectful appearances while private conversations explode with naked greed and family scheming. This is the Deathbed Reveal pattern—moments of high stakes that strip away social pretense and expose true motivations. The mechanism is simple: crisis creates urgency, urgency demands action, and action reveals character. Prince Vasíli and Princess Catherine can no longer afford the luxury of subtle manipulation. With the count's death imminent and Pierre's inheritance at stake, their desperation overrides their social training. The same people offering prayers in public are plotting theft in private. Crisis doesn't change people—it reveals them. You see this pattern everywhere in modern life. During layoffs, watch which coworkers throw others under the bus versus those who share job leads. When a parent is hospitalized, notice which family members focus on care versus inheritance discussions. In workplace restructuring, some managers protect their teams while others sacrifice subordinates to save themselves. During relationship breakups, people reveal whether they're vindictive or gracious under pressure. The pattern is universal: high stakes strip away pretense. When you recognize this pattern, use it as intelligence. In crisis, people show you their true priorities and character—believe them. Don't make major decisions about relationships or partnerships based on how people act in calm times; watch how they behave when something important is at stake. Create your own 'stress tests'—small situations where you can observe how people handle pressure before trusting them with bigger things. Most importantly, monitor your own behavior during crisis. What does your conduct reveal about your true values? When you can name the pattern, predict where it leads, and navigate it successfully—that's amplified intelligence.

Crisis strips away social pretense and exposes people's true motivations and character.

Why This Matters

Connect literature to life

Skill: Reading Crisis Character

This chapter teaches how to distinguish between people who maintain integrity under pressure versus those who abandon principles when stakes get high.

Practice This Today

This week, notice how people behave when something they want is threatened—a promotion, a relationship, or even a parking spot—and watch for the gap between their public face and private actions.

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Now let's explore the literary elements.

Key Quotes & Analysis

"Outside the house, beyond the gates, a group of undertakers, who hid whenever a carriage drove up, waited in expectation of an important order for an expensive funeral."

— Narrator

Context: While the count is dying inside, business people are already positioning themselves to profit from his death.

This perfectly captures how death becomes a business opportunity. Even before the man has died, people are calculating how to make money from his funeral. It shows the cold reality behind all the public grief and ceremony.

In Today's Words:

The funeral directors were already lurking outside, ready to cash in on what would obviously be an expensive funeral.

"The will, my dear Princess... the will is hidden under his pillow."

— Princess Catherine

Context: She finally breaks down and reveals where the count's will is hidden after Prince Vasíli pressures her about Pierre's potential legitimation.

This moment shows how quickly people abandon their principles when their own interests are threatened. Catherine goes from refusing to help to actively participating in the scheme to steal the will.

In Today's Words:

Fine, you want to know where he hid his will? It's right under his pillow.

"Everyone stood up respectfully when the Military Governor... passed out, slightly acknowledging their bows and trying to escape as quickly as possible from the glances fixed on him."

— Narrator

Context: The Military Governor visits the dying count but hurries to leave, uncomfortable with all the attention focused on him.

Even powerful officials feel awkward around death and family drama. The 'respectful' standing is just social theater - everyone's really watching to see what the important visitor knows about the inheritance situation.

In Today's Words:

Everyone jumped up and acted respectful when the big shot left, but he was clearly trying to get out of there as fast as possible while everyone stared at him.

Thematic Threads

Greed

In This Chapter

Family members scheming to steal inheritance while the patriarch lies dying, prioritizing money over dignity or grief

Development

Introduced here as the driving force behind family relationships

In Your Life:

You might see this when relatives suddenly become interested in an aging family member's finances or possessions.

Social Facades

In This Chapter

The contrast between respectful public behavior in the reception room and ugly private scheming between family members

Development

Introduced here as a key mechanism for hiding true motivations

In Your Life:

You encounter this when people act professionally in meetings but gossip maliciously in private conversations.

Class Legitimacy

In This Chapter

Pierre's illegitimate status becomes the central issue in inheritance disputes, with family members viewing him as undeserving

Development

Introduced here as a source of family conflict and social tension

In Your Life:

You might experience this as the 'outsider' in workplace politics or family dynamics where your background is questioned.

Power Desperation

In This Chapter

Prince Vasíli's frantic attempts to manipulate Catherine into helping him destroy the will reveal his desperation to maintain status

Development

Introduced here as a driving force behind unethical behavior

In Your Life:

You see this when someone facing job loss or financial pressure starts making increasingly desperate and unethical choices.

Family Loyalty

In This Chapter

Catherine's bitter resentment toward Anna Mikháylovna shows how family loyalty can turn into vicious competition for resources

Development

Introduced here as conditional and self-serving rather than genuine

In Your Life:

You experience this when family members support you only when it benefits them, but turn hostile when resources are limited.

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What's really happening in the two different rooms while Count Bezúkhov is dying, and why is there such a difference?

    analysis • surface
  2. 2

    Why does Prince Vasíli's desperation override his usual smooth social skills, and what does this tell us about how crisis affects behavior?

    analysis • medium
  3. 3

    Think of a time when high stakes or crisis revealed someone's true character to you. How did their behavior change from normal circumstances?

    application • medium
  4. 4

    If you were in Pierre's position, inheriting wealth that your family believes should be theirs, how would you handle the family dynamics and resentment?

    application • deep
  5. 5

    What does this scene teach us about the difference between public behavior and private motivations, and why does money bring out the worst in people?

    reflection • deep

Critical Thinking Exercise

10 minutes

Create Your Crisis Character Test

Think of three people in your life whose true character you're unsure about. For each person, design a small 'stress test' situation that would reveal their real priorities without causing harm. Consider scenarios like asking for help during your busy time, sharing good news to see their reaction, or observing how they treat service workers when things go wrong.

Consider:

  • •Focus on situations that reveal values, not situations that create unnecessary drama
  • •Look for patterns of behavior across multiple small situations rather than judging from one incident
  • •Remember that you're also being tested by how you handle other people's crises

Journaling Prompt

Write about a time when crisis or high stakes revealed something important about your own character. What did you learn about yourself, and how did it change how you approach relationships or decisions?

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Coming Up Next...

Chapter 22: The Power of Guided Authority

The race is on to find the hidden will before Count Bezúkhov dies. With the document's location now revealed, the real battle for the inheritance begins as family members position themselves for one final, desperate gambit.

Continue to Chapter 22
Previous
When Family Drama Crashes the Party
Contents
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The Power of Guided Authority

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