An excerpt from the original text.(complete · 1808 words)
was late in the afternoon only when Zarathustra, after long useless
searching and strolling about, again came home to his cave. When,
however, he stood over against it, not more than twenty paces therefrom,
the thing happened which he now least of all expected: he heard anew the
great CRY OF DISTRESS. And extraordinary! this time the cry came out
of his own cave. It was a long, manifold, peculiar cry, and Zarathustra
plainly distinguished that it was composed of many voices: although
heard at a distance it might sound like the cry out of a single mouth.
Thereupon Zarathustra rushed forward to his cave, and behold! what a
spectacle awaited him after that concert! For there did they all sit
together whom he had passed during the day: the king on the right and
the king on the left, the old magician, the pope, the voluntary
beggar, the shadow, the intellectually conscientious one, the sorrowful
soothsayer, and the ass; the ugliest man, however, had set a crown on
his head, and had put round him two purple girdles,—for he liked, like
all ugly ones, to disguise himself and play the handsome person. In the
midst, however, of that sorrowful company stood Zarathustra’s eagle,
ruffled and disquieted, for it had been called upon to answer too much
for which its pride had not any answer; the wise serpent however hung
round its neck.
All this did Zarathustra behold with great astonishment; then however he
scrutinised each individual guest with courteous curiosity, read their
souls and wondered anew. In the meantime the assembled ones had risen
from their seats, and waited with reverence for Zarathustra to speak.
Zarathustra however spake thus:
“Ye despairing ones! Ye strange ones! So it was YOUR cry of distress
that I heard? And now do I know also where he is to be sought, whom I
have sought for in vain to-day: THE HIGHER MAN—:
—In mine own cave sitteth he, the higher man! But why do I wonder! Have
not I myself allured him to me by honey-offerings and artful lure-calls
of my happiness?
But it seemeth to me that ye are badly adapted for company: ye make
one another’s hearts fretful, ye that cry for help, when ye sit here
together? There is one that must first come,
—One who will make you laugh once more, a good jovial buffoon, a
dancer, a wind, a wild romp, some old fool:—what think ye?
Forgive me, however, ye despairing ones, for speaking such trivial words
before you, unworthy, verily, of such guests! But ye do not divine WHAT
maketh my heart wanton:—
—Ye yourselves do it, and your aspect, forgive it me! For every one
becometh courageous who beholdeth a despairing one. To encourage a
despairing one—every one thinketh himself strong enough to do so.
To myself have ye given this power,—a good gift, mine honourable
guests! An excellent guest’s-present! Well, do not then upbraid when I
also offer you something of mine.
This is mine empire and my dominion: that which is mine, however, shall
this evening and to-night be yours. Mine animals shall serve you: let my
cave be your resting-place!
At house and home with me shall no one despair: in my purlieus do I
protect every one from his wild beasts. And that is the first thing
which I offer you: security!
The second thing, however, is my little finger. And when ye have THAT,
then take the whole hand also, yea, and the heart with it! Welcome here,
welcome to you, my guests!”
Thus spake Zarathustra, and laughed with love and mischief. After this
greeting his guests bowed once more and were reverentially silent; the
king on the right, however, answered him in their name.
“O Zarathustra, by the way in which thou hast given us thy hand and thy
greeting, we recognise thee as Zarathustra. Thou hast humbled thyself
before us; almost hast thou hurt our reverence—:
—Who however could have humbled himself as thou hast done, with such
pride? THAT uplifteth us ourselves; a refreshment is it, to our eyes and
hearts.
To behold this, merely, gladly would we ascend higher mountains than
this. For as eager beholders have we come; we wanted to see what
brighteneth dim eyes.
And lo! now is it all over with our cries of distress. Now are our minds
and hearts open and enraptured. Little is lacking for our spirits to
become wanton.
There is nothing, O Zarathustra, that groweth more pleasingly on earth
than a lofty, strong will: it is the finest growth. An entire landscape
refresheth itself at one such tree.
To the pine do I compare him, O Zarathustra, which groweth up like
thee—tall, silent, hardy, solitary, of the best, supplest wood,
stately,—
—In the end, however, grasping out for ITS dominion with strong, green
branches, asking weighty questions of the wind, the storm, and whatever
is at home on high places;
—Answering more weightily, a commander, a victor! Oh! who should not
ascend high mountains to behold such growths?
At thy tree, O Zarathustra, the gloomy and ill-constituted also refresh
themselves; at thy look even the wavering become steady and heal their
hearts.
And verily, towards thy mountain and thy tree do many eyes turn to-day;
a great longing hath arisen, and many have learned to ask: ‘Who is
Zarathustra?’
And those into whose ears thou hast at any time dripped thy song and thy
honey: all the hidden ones, the lone-dwellers and the twain-dwellers,
have simultaneously said to their hearts:
‘Doth Zarathustra still live? It is no longer worth while to live,
everything is indifferent, everything is useless: or else—we must live
with Zarathustra!’
‘Why doth he not come who hath so long announced himself?’ thus do many
people ask; ‘hath solitude swallowed him up? Or should we perhaps go to
him?’
Now doth it come to pass that solitude itself becometh fragile and
breaketh open, like a grave that breaketh open and can no longer hold
its dead. Everywhere one seeth resurrected ones.
Now do the waves rise and rise around thy mountain, O Zarathustra. And
however high be thy height, many of them must rise up to thee: thy boat
shall not rest much longer on dry ground.
And that we despairing ones have now come into thy cave, and already no
longer despair:—it is but a prognostic and a presage that better ones
are on the way to thee,—
—For they themselves are on the way to thee, the last remnant of
God among men—that is to say, all the men of great longing, of great
loathing, of great satiety,
—All who do not want to live unless they learn again to HOPE—unless
they learn from thee, O Zarathustra, the GREAT hope!”
Thus spake the king on the right, and seized the hand of Zarathustra in
order to kiss it; but Zarathustra checked his veneration, and stepped
back frightened, fleeing as it were, silently and suddenly into the far
distance. After a little while, however, he was again at home with his
guests, looked at them with clear scrutinising eyes, and said:
“My guests, ye higher men, I will speak plain language and plainly with
you. It is not for YOU that I have waited here in these mountains.”
(“‘Plain language and plainly?’ Good God!” said here the king on the
left to himself; “one seeth he doth not know the good Occidentals, this
sage out of the Orient!
But he meaneth ‘blunt language and bluntly’—well! That is not the worst
taste in these days!”)
“Ye may, verily, all of you be higher men,” continued Zarathustra; “but
for me—ye are neither high enough, nor strong enough.
For me, that is to say, for the inexorable which is now silent in me,
but will not always be silent. And if ye appertain to me, still it is
not as my right arm.
For he who himself standeth, like you, on sickly and tender legs,
wisheth above all to be TREATED INDULGENTLY, whether he be conscious of
it or hide it from himself.
My arms and my legs, however, I do not treat indulgently, I DO NOT TREAT
MY WARRIORS INDULGENTLY: how then could ye be fit for MY warfare?
With you I should spoil all my victories. And many of you would tumble
over if ye but heard the loud beating of my drums.
Moreover, ye are not sufficiently beautiful and well-born for me. I
require pure, smooth mirrors for my doctrines; on your surface even mine
own likeness is distorted.
On your shoulders presseth many a burden, many a recollection; many a
mischievous dwarf squatteth in your corners. There is concealed populace
also in you.
And though ye be high and of a higher type, much in you is crooked and
misshapen. There is no smith in the world that could hammer you right
and straight for me.
Ye are only bridges: may higher ones pass over upon you! Ye signify
steps: so do not upbraid him who ascendeth beyond you into HIS height!
Out of your seed there may one day arise for me a genuine son and
perfect heir: but that time is distant. Ye yourselves are not those unto
whom my heritage and name belong.
Not for you do I wait here in these mountains; not with you may I
descend for the last time. Ye have come unto me only as a presage that
higher ones are on the way to me,—
—NOT the men of great longing, of great loathing, of great satiety, and
that which ye call the remnant of God;
—Nay! Nay! Three times Nay! For OTHERS do I wait here in these
mountains, and will not lift my foot from thence without them;
—For higher ones, stronger ones, triumphanter ones, merrier ones, for
such as are built squarely in body and soul: LAUGHING LIONS must come!
O my guests, ye strange ones—have ye yet heard nothing of my children?
And that they are on the way to me?
Do speak unto me of my gardens, of my Happy Isles, of my new beautiful
race—why do ye not speak unto me thereof?
This guests’-present do I solicit of your love, that ye speak unto me of
my children. For them am I rich, for them I became poor: what have I not
surrendered,
—What would I not surrender that I might have one thing: THESE
children, THIS living plantation, THESE life-trees of my will and of my
highest hope!”
Thus spake Zarathustra, and stopped suddenly in his discourse: for his
longing came over him, and he closed his eyes and his mouth, because
of the agitation of his heart. And all his guests also were silent, and
stood still and confounded: except only that the old soothsayer made
signs with his hands and his gestures.
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Let's Analyse the Pattern
When people become addicted to their struggles because the pain provides identity, attention, or a sense of being special.
Why This Matters
Connect literature to life
This chapter teaches how to spot when people become addicted to their own pain because it makes them feel important or special.
Practice This Today
This week, notice when someone complains about a problem but rejects every solution—they may be more attached to the struggle than to getting better.
Now let's explore the literary elements.
Key Quotes & Analysis
"You are bridges: may higher ones pass over upon you!"
Context: Zarathustra tells the assembled 'higher men' their true purpose in human evolution
This reveals the painful truth that even society's most accomplished people may not be the ones to create real change. They serve an important purpose in pointing the way forward, but they lack the strength to complete the journey themselves.
In Today's Words:
You've done important work showing what's possible, but you're not the ones who'll actually make it happen.
"I wait for higher ones, stronger ones, more triumphant ones, merrier ones"
Context: Explaining why these accomplished, suffering individuals aren't who he's truly seeking
Zarathustra distinguishes between those who recognize problems and those who can joyfully solve them. Real transformation requires not just intelligence or sensitivity, but unbroken strength and genuine happiness.
In Today's Words:
I'm looking for people who don't just understand what needs to change, but who have the energy and joy to actually do it.
"You higher men, learn this from me: in the market-place no one believes in higher men"
Context: Warning the assembled group about seeking validation from ordinary society
This highlights the isolation that comes with genuine insight - most people won't recognize or appreciate those who see beyond conventional thinking. Seeking approval from the masses will only lead to disappointment.
In Today's Words:
Stop expecting regular people to understand or appreciate your deeper insights - they won't, and that's not their fault.
Thematic Threads
Identity
In This Chapter
Zarathustra recognizes that even 'higher men' define themselves by their struggles rather than their potential
Development
Evolved from earlier themes about self-creation to show how identity can become a prison
In Your Life:
You might catch yourself introducing yourself by your problems rather than your possibilities
Class
In This Chapter
Even society's elite can be trapped in cycles that prevent real progress
Development
Builds on earlier class critiques to show how privilege can create different but equally limiting patterns
In Your Life:
You might see how having 'higher' problems doesn't make you immune to self-defeating patterns
Personal Growth
In This Chapter
True growth requires letting go of comfortable suffering and familiar roles
Development
Deepens from individual transformation to show the difference between recognition and actual evolution
In Your Life:
You might realize you've been choosing familiar pain over unfamiliar healing
Social Expectations
In This Chapter
Society rewards noble suffering more than quiet competence
Development
Expands earlier themes to show how social validation can trap us in destructive patterns
In Your Life:
You might notice how much attention you get for struggling versus succeeding
Human Relationships
In This Chapter
Zarathustra must disappoint people who expect him to validate their suffering
Development
Shows how authentic relationships require honest feedback, not comfortable lies
In Your Life:
You might need to stop enabling others' noble suffering to truly help them
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Why does Zarathustra welcome the 'higher men' warmly but then tell them they're not who he's waiting for?
analysis • surface - 2
What's the difference between being a 'bridge' to the future and being the actual destination?
analysis • medium - 3
Where do you see people today who are accomplished but still trapped in cycles of 'noble suffering'?
application • medium - 4
How can you tell the difference between someone who endures hardship and someone who's addicted to their own struggles?
application • deep - 5
What would it look like to be a 'laughing lion' instead of a tortured hero in your own life?
reflection • deep
Critical Thinking Exercise
Audit Your Pain Portfolio
Make two lists: struggles that genuinely need solving versus struggles that make you feel important or get you attention. Be brutally honest about which problems you secretly don't want to fix because they've become part of your identity. Look for patterns where you resist help or solutions.
Consider:
- •Notice which struggles you talk about most often to others
- •Ask yourself what you'd be known for if this problem disappeared tomorrow
- •Consider whether you've ever sabotaged solutions to keep familiar problems
Journaling Prompt
Write about a time when fixing a problem felt scarier than keeping it. What were you afraid of losing if you got better?
Coming Up Next...
Chapter 72: The Feast Begins
The soothsayer suddenly interrupts with urgent news, pressing forward as if time is running out. What revelation could be so important that it cannot wait?




