An excerpt from the original text.(complete · 879 words)
1.
“nto thine eyes gazed I lately, O Life: gold saw I gleam in thy
night-eyes,—my heart stood still with delight:
—A golden bark saw I gleam on darkened waters, a sinking, drinking,
reblinking, golden swing-bark!
At my dance-frantic foot, dost thou cast a glance, a laughing,
questioning, melting, thrown glance:
Twice only movedst thou thy rattle with thy little hands—then did my
feet swing with dance-fury.—
My heels reared aloft, my toes they hearkened,—thee they would know:
hath not the dancer his ear—in his toe!
Unto thee did I spring: then fledst thou back from my bound; and towards
me waved thy fleeing, flying tresses round!
Away from thee did I spring, and from thy snaky tresses: then stoodst
thou there half-turned, and in thine eye caresses.
With crooked glances—dost thou teach me crooked courses; on crooked
courses learn my feet—crafty fancies!
I fear thee near, I love thee far; thy flight allureth me, thy seeking
secureth me:—I suffer, but for thee, what would I not gladly bear!
For thee, whose coldness inflameth, whose hatred misleadeth, whose
flight enchaineth, whose mockery—pleadeth:
—Who would not hate thee, thou great bindress, inwindress, temptress,
seekress, findress! Who would not love thee, thou innocent, impatient,
wind-swift, child-eyed sinner!
Whither pullest thou me now, thou paragon and tomboy? And now foolest
thou me fleeing; thou sweet romp dost annoy!
I dance after thee, I follow even faint traces lonely. Where art thou?
Give me thy hand! Or thy finger only!
Here are caves and thickets: we shall go astray!—Halt! Stand still!
Seest thou not owls and bats in fluttering fray?
Thou bat! Thou owl! Thou wouldst play me foul? Where are we? From the
dogs hast thou learned thus to bark and howl.
Thou gnashest on me sweetly with little white teeth; thine evil eyes
shoot out upon me, thy curly little mane from underneath!
This is a dance over stock and stone: I am the hunter,—wilt thou be my
hound, or my chamois anon?
Now beside me! And quickly, wickedly springing! Now up! And over!—Alas!
I have fallen myself overswinging!
Oh, see me lying, thou arrogant one, and imploring grace! Gladly would I
walk with thee—in some lovelier place!
—In the paths of love, through bushes variegated, quiet, trim! Or there
along the lake, where gold-fishes dance and swim!
Thou art now aweary? There above are sheep and sun-set stripes: is it
not sweet to sleep—the shepherd pipes?
Thou art so very weary? I carry thee thither; let just thine arm sink!
And art thou thirsty—I should have something; but thy mouth would not
like it to drink!—
—Oh, that cursed, nimble, supple serpent and lurking-witch! Where art
thou gone? But in my face do I feel through thy hand, two spots and red
blotches itch!
I am verily weary of it, ever thy sheepish shepherd to be. Thou witch,
if I have hitherto sung unto thee, now shalt THOU—cry unto me!
To the rhythm of my whip shalt thou dance and cry! I forget not my
whip?—Not I!”—
2.
Then did Life answer me thus, and kept thereby her fine ears closed:
“O Zarathustra! Crack not so terribly with thy whip! Thou knowest surely
that noise killeth thought,—and just now there came to me such delicate
thoughts.
We are both of us genuine ne’er-do-wells and ne’er-do-ills. Beyond
good and evil found we our island and our green meadow—we two alone!
Therefore must we be friendly to each other!
And even should we not love each other from the bottom of our
hearts,—must we then have a grudge against each other if we do not love
each other perfectly?
And that I am friendly to thee, and often too friendly, that knowest
thou: and the reason is that I am envious of thy Wisdom. Ah, this mad
old fool, Wisdom!
If thy Wisdom should one day run away from thee, ah! then would also my
love run away from thee quickly.”—
Thereupon did Life look thoughtfully behind and around, and said softly:
“O Zarathustra, thou art not faithful enough to me!
Thou lovest me not nearly so much as thou sayest; I know thou thinkest
of soon leaving me.
There is an old heavy, heavy, booming-clock: it boometh by night up to
thy cave:—
—When thou hearest this clock strike the hours at midnight, then
thinkest thou between one and twelve thereon—
—Thou thinkest thereon, O Zarathustra, I know it—of soon leaving
me!”—
“Yea,” answered I, hesitatingly, “but thou knowest it also”—And I
said something into her ear, in amongst her confused, yellow, foolish
tresses.
“Thou KNOWEST that, O Zarathustra? That knoweth no one—”
And we gazed at each other, and looked at the green meadow o’er which
the cool evening was just passing, and we wept together.—Then, however,
was Life dearer unto me than all my Wisdom had ever been.—
Thus spake Zarathustra.
3.
One!
O man! Take heed!
Two!
What saith deep midnight’s voice indeed?
Three!
“I slept my sleep—
Four!
“From deepest dream I’ve woke and plead:—
Five!
“The world is deep,
Six!
“And deeper than the day could read.
Seven!
“Deep is its woe—
Eight!
“Joy—deeper still than grief can be:
Nine!
“Woe saith: Hence! Go!
Ten!
“But joys all want eternity—
Eleven!
“Want deep profound eternity!”
Twelve!
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Let's Analyse the Pattern
We mistake difficulty and inconsistency for value, becoming more attached to what frustrates us than what supports us.
Why This Matters
Connect literature to life
This chapter teaches how to tell the difference between relationships and pursuits that challenge us because they're valuable versus those that exhaust us because they're dysfunctional.
Practice This Today
This week, notice when you're working hard for something—ask yourself: 'Is this difficult because it's worth doing, or because someone's making it unnecessarily hard?'
Now let's explore the literary elements.
Key Quotes & Analysis
"I fear thee near, I love thee far; thy flight allureth me, thy seeking secureth me"
Context: While chasing Life through their passionate dance
This captures the paradox of desire - we often want most what challenges us or stays just out of reach. Zarathustra recognizes that his relationship with Life is complicated by this push-and-pull dynamic.
In Today's Words:
I'm scared when you're close but miss you when you're gone - you running away makes me want you more
"Who would not hate thee, thou great bindress, inwindress, temptress, seekress, findress! Who would not love thee?"
Context: Describing his conflicted feelings toward Life
This shows how the things we value most can also be the most frustrating. Life binds us, tempts us, and confuses us - but we can't help loving it anyway.
In Today's Words:
You drive me absolutely crazy with all your games and complications - and I love you for it
"For all joy wanteth eternity - wanteth deep, profound eternity!"
Context: The climactic revelation at midnight
This is the key insight - while pain makes us want to escape, joy makes us want to hold onto the moment forever. It suggests that our deepest experiences of happiness make us want life to continue eternally.
In Today's Words:
When something makes you truly happy, you wish it could last forever
"But I am changeable and wild and altogether a woman in every respect"
Context: Life defending herself to Zarathustra
Life acknowledges her complexity and unpredictability as essential to her nature, not flaws to be fixed. This suggests that life's challenges and changes are features, not bugs.
In Today's Words:
I'm complicated and unpredictable and that's just who I am - take it or leave it
Thematic Threads
Conflicted Desire
In This Chapter
Zarathustra is simultaneously drawn to Life's beauty and exhausted by her games, unable to choose between her and Wisdom
Development
Builds on earlier themes of internal contradiction and the difficulty of choosing between competing values
In Your Life:
You might feel this in relationships where you're attracted to someone who's exciting but unreliable, or jobs that challenge you but drain you.
Fear of Abandonment
In This Chapter
Life admits she's jealous of Zarathustra's Wisdom and fears he will leave her for deeper philosophical pursuits
Development
Introduced here as a new perspective on relationships and commitment
In Your Life:
You might recognize this in your own jealousy when partners or friends have interests that don't include you.
Temporal vs. Eternal
In This Chapter
The tension between living in the moment with Life versus seeking transcendent meaning through Wisdom
Development
Deepens the ongoing theme of choosing between immediate experience and lasting significance
In Your Life:
You might feel this choosing between enjoying today and sacrificing for future goals, or between fun relationships and meaningful ones.
Joy and Pain Intertwined
In This Chapter
The midnight song reveals that while pain wants to end, joy wants to last forever—both are part of the same experience
Development
Introduced here as a key insight about the nature of meaningful experience
In Your Life:
You might notice this in how your most cherished memories often include some struggle or bittersweetness.
Partnership in Struggle
In This Chapter
Life is portrayed not as an enemy to overcome but as a complex partner in an eternal dance
Development
Evolves from earlier themes of opposition to a more nuanced view of life's challenges
In Your Life:
You might see this in learning to work with difficult circumstances rather than just fighting against them.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What kind of relationship does Zarathustra have with Life in this chapter? How does she behave toward him, and how does he respond?
analysis • surface - 2
Why does Life say she's jealous of Zarathustra's Wisdom? What does this reveal about the tension between living in the moment and seeking deeper meaning?
analysis • medium - 3
Think about relationships in your own life—romantic, work, or family. Where do you see this pattern of being most drawn to what's hardest to get?
application • medium - 4
When you notice yourself chasing someone's approval or attention more than they're working for yours, what strategies could help you step back and evaluate the situation?
application • deep - 5
The chapter suggests we often mistake intensity for value. What does this teach us about how to recognize what's genuinely worth pursuing versus what just triggers our chase instinct?
reflection • deep
Critical Thinking Exercise
Map Your Chase Patterns
Think of three relationships or situations where you find yourself working harder than the other person—maybe seeking approval, attention, or commitment. For each one, write down what specifically draws you in and what makes it challenging. Then honestly assess: are you valuing this because it's genuinely worthwhile, or because it's hard to get?
Consider:
- •Notice the difference between healthy challenge (growth, mutual effort) and unhealthy chase (one-sided pursuit, inconsistent treatment)
- •Pay attention to how you feel after interactions—energized and valued, or drained and uncertain
- •Consider what you might be overlooking in easier, more available relationships or opportunities
Journaling Prompt
Write about a time when you finally walked away from someone or something you'd been chasing. What helped you recognize it wasn't worth the effort? How did your life improve after you stopped the pursuit?
Coming Up Next...
Chapter 60: The Seven Seals of Eternal Return
As the midnight song fades, Zarathustra prepares for a moment of ultimate affirmation. The final philosophical revelation awaits - one that will transform how he sees eternity itself.




