An excerpt from the original text.(complete · 1214 words)
1.
y mouthpiece—is of the people: too coarsely and cordially do I
talk for Angora rabbits. And still stranger soundeth my word unto all
ink-fish and pen-foxes.
My hand—is a fool’s hand: woe unto all tables and walls, and whatever
hath room for fool’s sketching, fool’s scrawling!
My foot—is a horse-foot; therewith do I trample and trot over stick and
stone, in the fields up and down, and am bedevilled with delight in all
fast racing.
My stomach—is surely an eagle’s stomach? For it preferreth lamb’s
flesh. Certainly it is a bird’s stomach.
Nourished with innocent things, and with few, ready and impatient
to fly, to fly away—that is now my nature: why should there not be
something of bird-nature therein!
And especially that I am hostile to the spirit of gravity, that is
bird-nature:—verily, deadly hostile, supremely hostile, originally
hostile! Oh, whither hath my hostility not flown and misflown!
Thereof could I sing a song—and WILL sing it: though I be alone in an
empty house, and must sing it to mine own ears.
Other singers are there, to be sure, to whom only the full house
maketh the voice soft, the hand eloquent, the eye expressive, the heart
wakeful:—those do I not resemble.—
2.
He who one day teacheth men to fly will have shifted all landmarks; to
him will all landmarks themselves fly into the air; the earth will he
christen anew—as “the light body.”
The ostrich runneth faster than the fastest horse, but it also thrusteth
its head heavily into the heavy earth: thus is it with the man who
cannot yet fly.
Heavy unto him are earth and life, and so WILLETH the spirit of gravity!
But he who would become light, and be a bird, must love himself:—thus
do I teach.
Not, to be sure, with the love of the sick and infected, for with them
stinketh even self-love!
One must learn to love oneself—thus do I teach—with a wholesome and
healthy love: that one may endure to be with oneself, and not go roving
about.
Such roving about christeneth itself “brotherly love”; with these words
hath there hitherto been the best lying and dissembling, and especially
by those who have been burdensome to every one.
And verily, it is no commandment for to-day and to-morrow to LEARN to
love oneself. Rather is it of all arts the finest, subtlest, last and
patientest.
For to its possessor is all possession well concealed, and of all
treasure-pits one’s own is last excavated—so causeth the spirit of
gravity.
Almost in the cradle are we apportioned with heavy words and worths:
“good” and “evil”—so calleth itself this dowry. For the sake of it we
are forgiven for living.
And therefore suffereth one little children to come unto one, to forbid
them betimes to love themselves—so causeth the spirit of gravity.
And we—we bear loyally what is apportioned unto us, on hard shoulders,
over rugged mountains! And when we sweat, then do people say to us:
“Yea, life is hard to bear!”
But man himself only is hard to bear! The reason thereof is that he
carrieth too many extraneous things on his shoulders. Like the camel
kneeleth he down, and letteth himself be well laden.
Especially the strong load-bearing man in whom reverence resideth. Too
many EXTRANEOUS heavy words and worths loadeth he upon himself—then
seemeth life to him a desert!
And verily! Many a thing also that is OUR OWN is hard to bear! And many
internal things in man are like the oyster—repulsive and slippery and
hard to grasp;—
So that an elegant shell, with elegant adornment, must plead for
them. But this art also must one learn: to HAVE a shell, and a fine
appearance, and sagacious blindness!
Again, it deceiveth about many things in man, that many a shell is poor
and pitiable, and too much of a shell. Much concealed goodness and power
is never dreamt of; the choicest dainties find no tasters!
Women know that, the choicest of them: a little fatter a little leaner—
oh, how much fate is in so little!
Man is difficult to discover, and unto himself most difficult of all;
often lieth the spirit concerning the soul. So causeth the spirit of
gravity.
He, however, hath discovered himself who saith: This is MY good and
evil: therewith hath he silenced the mole and the dwarf, who say: “Good
for all, evil for all.”
Verily, neither do I like those who call everything good, and this world
the best of all. Those do I call the all-satisfied.
All-satisfiedness, which knoweth how to taste everything,—that is
not the best taste! I honour the refractory, fastidious tongues and
stomachs, which have learned to say “I” and “Yea” and “Nay.”
To chew and digest everything, however—that is the genuine
swine-nature! Ever to say YE-A—that hath only the ass learnt, and those
like it!—
Deep yellow and hot red—so wanteth MY taste—it mixeth blood with all
colours. He, however, who whitewasheth his house, betrayeth unto me a
whitewashed soul.
With mummies, some fall in love; others with phantoms: both alike
hostile to all flesh and blood—oh, how repugnant are both to my taste!
For I love blood.
And there will I not reside and abide where every one spitteth and
speweth: that is now MY taste,—rather would I live amongst thieves and
perjurers. Nobody carrieth gold in his mouth.
Still more repugnant unto me, however, are all lickspittles; and the
most repugnant animal of man that I found, did I christen “parasite”: it
would not love, and would yet live by love.
Unhappy do I call all those who have only one choice: either to become
evil beasts, or evil beast-tamers. Amongst such would I not build my
tabernacle.
Unhappy do I also call those who have ever to WAIT,—they are repugnant
to my taste—all the toll-gatherers and traders, and kings, and other
landkeepers and shopkeepers.
Verily, I learned waiting also, and thoroughly so,—but only waiting for
MYSELF. And above all did I learn standing and walking and running and
leaping and climbing and dancing.
This however is my teaching: he who wisheth one day to fly, must first
learn standing and walking and running and climbing and dancing:—one
doth not fly into flying!
With rope-ladders learned I to reach many a window, with nimble legs did
I climb high masts: to sit on high masts of perception seemed to me no
small bliss;—
—To flicker like small flames on high masts: a small light, certainly,
but a great comfort to cast-away sailors and shipwrecked ones!
By divers ways and wendings did I arrive at my truth; not by one ladder
did I mount to the height where mine eye roveth into my remoteness.
And unwillingly only did I ask my way—that was always counter to my
taste! Rather did I question and test the ways themselves.
A testing and a questioning hath been all my travelling:—and verily,
one must also LEARN to answer such questioning! That, however,—is my
taste:
—Neither a good nor a bad taste, but MY taste, of which I have no
longer either shame or secrecy.
“This—is now MY way,—where is yours?” Thus did I answer those who
asked me “the way.” For THE way—it doth not exist!
Thus spake Zarathustra.
Master this chapter. Complete your experience
Purchase the complete book to access all chapters and support classic literature
As an Amazon Associate, we earn a small commission from qualifying purchases at no additional cost to you.
Available in paperback, hardcover, and e-book formats
Let's Analyse the Pattern
People exhaust themselves carrying expectations and judgments that belong to others, mistaking external approval for authentic living.
Why This Matters
Connect literature to life
This chapter teaches how to recognize when you're carrying burdens that aren't actually yours—from family expectations to workplace pressure to social definitions of success.
Practice This Today
This week, notice when you feel heavy or resentful, then ask: 'Is this my value or someone else's expectation?' Practice saying 'This is my way' when pressured to follow others' paths.
Now let's explore the literary elements.
Key Quotes & Analysis
"My hand—is a fool's hand: woe unto all tables and walls, and whatever hath room for fool's sketching, fool's scrawling!"
Context: He's describing how his unconventional nature doesn't fit polite society's expectations
This reveals Zarathustra's awareness that his authentic self is messy and disruptive to conventional standards. He's not trying to be respectable or proper—he's being genuinely himself, even if others see it as foolish.
In Today's Words:
I'm too real and messy for people who want everything neat and proper.
"He who one day teacheth men to fly will have shifted all landmarks; to him will all landmarks themselves fly into the air"
Context: He's explaining what happens when people learn to think for themselves
This suggests that when people truly learn to be free and authentic, all the traditional reference points and social expectations become irrelevant. It's both liberating and terrifying—you have to navigate without the old maps.
In Today's Words:
When you learn to really live your own life, all the old rules and expectations stop mattering.
"This is now MY way—where is yours?"
Context: His response when people ask him to show them 'the way' to live
This is the core message: there's no universal formula for living. Each person must discover their own path through experience and self-knowledge, not by following someone else's blueprint.
In Today's Words:
I figured out what works for me—now you need to figure out what works for you.
Thematic Threads
Authenticity
In This Chapter
Zarathustra rejects conventional paths and creates his own way of living
Development
Evolved from earlier themes of self-creation into practical guidance
In Your Life:
You might recognize this when you feel drained by trying to meet everyone else's definition of success
Social Pressure
In This Chapter
Society loads people with burdens like camels kneeling to accept weight
Development
Builds on previous critiques of conformity with concrete imagery
In Your Life:
This shows up when you do things because they're expected rather than because they serve your actual goals
Self-Love
In This Chapter
True self-love is described as the 'finest, subtlest, last and patientest' art
Development
Introduced here as the antidote to people-pleasing
In Your Life:
You might struggle with this when setting boundaries feels selfish or wrong
Individual Path
In This Chapter
Zarathustra refuses to give universal directions, saying 'This is MY way—where is yours?'
Development
Culminates the book's emphasis on personal responsibility and self-creation
In Your Life:
This applies when you're looking for someone else to tell you the 'right' way to handle your situation
Freedom
In This Chapter
Liberation comes from rejecting the 'spirit of gravity' that weighs people down
Development
Builds on earlier themes of breaking free from limiting beliefs
In Your Life:
You experience this when you realize you can choose differently than what's expected of you
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Why does Zarathustra compare himself to a bird and other people to camels? What's the difference between how they approach life's burdens?
analysis • surface - 2
According to Zarathustra, why do most people avoid learning to love themselves? What keeps them focused on 'brotherly love' instead?
analysis • medium - 3
Think about your workplace, family, or social circle. Where do you see people carrying burdens that aren't really theirs? What does this look like in practice?
application • medium - 4
When someone asks you for 'the right way' to handle a situation, how could you respond like Zarathustra without being dismissive or unhelpful?
application • deep - 5
What does this chapter suggest about the relationship between self-love and freedom? Why might genuine self-acceptance be threatening to others?
reflection • deep
Critical Thinking Exercise
Audit Your Burdens
Make two lists: 'Expectations I carry' and 'Where these came from.' For each expectation, ask yourself: Does this actually serve my life, or does it just feel 'normal'? Circle the ones that feel heavy but aren't really yours. This exercise helps you distinguish between authentic values and borrowed weight.
Consider:
- •Notice which expectations make you feel energized versus drained
- •Pay attention to expectations that come with threats of disapproval
- •Consider how your life might change if you set down the heaviest borrowed burdens
Journaling Prompt
Write about one expectation you've been carrying that might not actually be yours. Where did it come from, and what would happen if you questioned it?
Coming Up Next...
Chapter 56: The New Tables of Values
Having declared his independence from conventional paths, Zarathustra now faces the question of what comes next when you've rejected society's roadmap for living.




