An excerpt from the original text.(complete · 1710 words)
f the amiable and respectable virtues.
Upon these two different efforts, upon that
of the spectator to enter into the sentiments of the
person principally concerned, and upon that of the
person principally concerned, to bring down his
emotions to what the spectator can go along with,
are founded two different sets of virtues. The soft,
the gentle, the amiable virtues, the virtues of candid
condescension and indulgent humanity, are founded
upon the one: the great, the awful and respectable,
the virtues of self-denial, of self-government, of that
command of the passions which subjects all the
movements of our nature to what our own dignity
and honour, and the propriety of our own conduct
require, derive their origin from the other.
How amiable does he appear to be, whose sympathetic
heart seems to re-echo all the sentiments
of those with whom he converses, who grieves for
their calamities, who resents their injuries, and rejoices
28at their good fortune! When we bring home
to ourselves the situation of his companions, we
enter into their gratitude, and feel what consolation
they must derive from the tender sympathy of so
affectionate a friend. And for a contrary reason,
how disagreeable does he appear to be, whose hard
and obdurate heart feels for himself only, but is altogether
insensible of the happiness or misery of others!
We enter, in this case too, into the pain which his
presence must give to every mortal with whom he
converses, to those especially with whom we are
most apt to sympathize, the unfortunate and the injured.
On the other hand, what noble propriety and
grace do we feel in the conduct of those who, in
their own case, exert that recollection and self-command
which constitute the dignity of every
passion, and which bring it down to what others
can enter into? We are disgusted with that clamorous
grief, which, without any delicacy, calls upon
our compassion with sighs and tears and importunate
lamentations. But we reverence that reserved, that
silent and majestic sorrow, which discovers itself
only in the swelling of the eyes, in the quivering of
the lips and cheeks, and in the distant, but affecting,
coldness of the whole behaviour. It imposes the
like silence upon us. We regard it with respectful
attention, and watch with anxious concern over our
whole behaviour, lest by any impropriety we should
disturb that concerted tranquillity, which it requires
so great an effort to support.
The insolence and brutality of anger, in the same
manner when we indulge its fury without check or
29restraint, is, of all subjects, the most detestable.
But we admire that noble and generous resentment
which governs its pursuit of the greatest injuries,
not by the rage which they are apt to excite in the
breast of the sufferer, but by the indignation which
they naturally call forth in that of the impartial spectator;
which allows no word, no gesture, to escape
it beyond what this more equitable sentiment would
dictate; which never, even in thought, attempts any
greater vengeance, nor desires to inflict any greater
punishment, than what every indifferent person
would rejoice to see executed.
And hence it is, that to feel much for others and
little for ourselves, that to restrain our selfish, and to
indulge our benevolent affections, constitutes the
perfection of human nature; and can alone produce
among mankind that harmony of sentiments and
passions in which consist their whole grace and propriety.
As to love our neighbour as we love ourselves
is the great law of christianity, so it is the great
precept of nature to love ourselves only as we love
our neighbour, or what comes to the same thing, as
our neighbour is capable of loving us.
As taste and good judgment, when they are considered
as qualities which deserve praise and admiration,
are supposed to imply a delicacy of sentiment
and an acuteness of understanding not commonly
to be met with; so the virtues of sensibility and self-command
are not apprehended to consist in the ordinary,
but in the uncommon degrees of those qualities.
The amiable virtue of humanity requires,
surely, a sensibility, much beyond what is possessed
by the rude vulgar of mankind. The great and
30exalted virtue of magnanimity undoubtedly demands
much more than that degree of self-command,
which the weakest of mortals are capable of
exerting. As in the common degree of the intellectual
qualities, there are no abilities; so in the
common degree of the moral, there is no virtue.
Virtue is excellence, something uncommonly great
and beautiful, which rises far above what is vulgar
and ordinary. The amiable virtues consist in that
degree of sensibility which surprises by its exquisite
and unexpected delicacy and tenderness. The awful
and respectable, in that degree of self-command
which astonishes by its amazing superiority over the
most ungovernable passions of human nature.
There is, in this respect, a considerable difference
between virtue and mere propriety; between those
qualities and actions which deserve to be admired
and celebrated, and those which simply deserve to
be approved of. Upon many occasions, to act
with the most perfect propriety, requires no more
than that common and ordinary degree of sensibility
or self-command which the most worthless of mankind
are possessed of, and sometimes even that degree
is not necessary. Thus, to give a very low instance,
to eat when we are hungry, is certainly, upon
ordinary occasions, perfectly right and proper,
and cannot miss being approved of as such by every
body. Nothing, however, could be more absurd
than to say it is virtuous.
On the contrary, there may frequently be a considerable
degree of virtue in those actions, which
fall short of the most perfect propriety; because
they may still approach nearer to perfection than
31could well be expected upon occasions in which it
was so extremely difficult to attain it: and this is
very often the case upon those occasions which require
the greatest exertions of self-command. There
are some situations which bear so hard upon human
nature, that the greatest degree of self-government,
which can belong to so imperfect a creature as man,
is not able to stifle, altogether, the voice of human
weakness, or reduce the violence of the passions to
that pitch of moderation, in which the impartial
spectator can entirely enter into them. Though in
those cases, therefore, the behaviour of the sufferer
fall short of the most perfect propriety, it may still
deserve some applause, and even in a certain sense,
may be denominated virtuous. It may still manifest
an effort or generosity and magnanimity of
which the greater part of men are incapable; and
though it fails of absolute perfection, it may be a
much nearer approximation towards perfection, than
what, upon such trying occasions, is commonly either
to be found or to be expected.
In cases of this kind, when we are determining
the degree of blame or applause which seems due to
any action, we very frequently make use of two
different standards. The first is the idea of complete
propriety and perfection, which, in those difficult
situations, no human conduct ever did, or
even can come up to; and in comparison with
which the actions of all men must for ever appear
blameable and imperfect. The second is the idea of
that degree of proximity or distance from this complete
perfection, which the actions of the greater
part of men commonly arrive at. Whatever goes
beyond this degree, how far soever it may be removed
32from absolute perfection, seems to deserve
applause; and whatever falls short of it, to deserve
blame.
It is in the same manner that we judge of the
productions of all arts which address themselves to
the imagination. When a critic examines the work
of any of the great masters for poetry or painting,
he may sometimes examine it by an idea of perfection,
in his own mind, which neither that nor any
other human work will ever come up to; and as
long as he compares it with this standard, he can
see nothing in it but faults and imperfections. But
when he come to consider the rank which it ought
to hold among other works of the same kind, he
necessarily compares it with a very different standard,
the common degree of excellence which is usually
attained in this particular art; and when he judges
of it by this new measure, it may often appear to
deserve the highest applause, upon account of its
approaching much nearer to perfection than the
greater part of those works which can be brought
into competition with it.
33
SECTION II.
Of the degrees of the different passions which are consistent with propriety.
INTRODUCTION.
The propriety of every passion excited by objects
peculiarly related to ourselves the pitch
which the spectator can go along with, must lie, it
is evident, in certain mediocrity. If the passion is
too high, or if it is too low, he cannot enter into it.
Grief and resentment for private misfortunes and injuries
may easily, for example, be too high, and in
the greater part of mankind they are so. They
may likewise, though this more rarely happens, be
too low. We denominate the excess, weakness and
fury: and we call the defect, stupidity, insensibility,
and want of spirit. We can enter into neither of
them, but are astonished and confounded to see
them.
This mediocrity, however, in which the point of
propriety consists, is different in different passions.
It is high in some, and low in others. There are
some passions which it is indecent to express very
strongly, even upon those occasions, in which it is
34acknowledged that we cannot avoid feeling them
in the highest degree. And there are others of
which the strongest expressions are upon many occasions
extremely graceful, even though the passions
themselves do not, perhaps, arise so necessarily.
The first are those passions with which, for certain
reasons, there is little or no sympathy: the second
are those with which, for other reasons, there is the
greatest. And if we consider all the different passions
of human nature, we shall find that they are
regarded as decent, or indecent, just in proportion
as mankind are more or less disposed to sympathize
with them.
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Let's Analyse the Pattern
A recurring theme explored in this chapter.
Why This Matters
Connect literature to life
This chapter teaches you to distinguish between genuine virtue and basic politeness by recognizing the two paths to moral excellence.
Practice This Today
This week, notice when someone goes beyond normal expectations - either through exceptional caring or remarkable self-control - and distinguish that from just following social rules.
Now let's explore the literary elements.
Key Quotes & Analysis
"How amiable does he appear to be, whose sympathetic heart seems to re-echo all the sentiments of those with whom he converses"
Context: Smith is explaining why we find certain people naturally attractive and lovable
This shows that being genuinely caring isn't just nice - it's magnetic. People are drawn to those who can truly feel what they're feeling because it makes them feel less alone.
In Today's Words:
Everyone loves the person who really gets how you're feeling and cares about what you're going through.
"The soft, the gentle, the amiable virtues, the virtues of candid condescension and indulgent humanity"
Context: Smith is categorizing the two main types of virtues people can possess
Smith is saying that kindness and emotional generosity are real virtues, not just personality traits. Being genuinely caring takes effort and deserves recognition.
In Today's Words:
Being truly kind and understanding isn't easy - it's actually a form of strength that deserves respect.
"How disagreeable does he appear to be, whose hard and obdurate heart feels for himself only"
Context: Smith is contrasting the sympathetic person with someone who is completely self-centered
This reveals that selfishness isn't just morally wrong - it's socially repulsive. People instinctively dislike those who show no concern for others' feelings.
In Today's Words:
Nobody wants to be around someone who only cares about themselves and never considers how others feel.
Thematic Threads
Class
In This Chapter
Different classes value different virtue tracks - working class often prizes empathy, upper class often rewards self-control
Development
Building on earlier discussions of social expectations and judgments
In Your Life:
You might feel judged for being 'too emotional' in professional settings that value restraint over connection
Identity
In This Chapter
Your virtue track becomes part of who you are - the caring person versus the steady person
Development
Extends earlier themes about how we see ourselves through others' eyes
In Your Life:
You might struggle with identity when your natural virtue track doesn't fit your role's expectations
Social Expectations
In This Chapter
Society expects different virtues from different people based on their position and circumstances
Development
Deepens understanding of how social rules vary by context and person
In Your Life:
You might face different virtue expectations as a parent versus employee versus friend
Personal Growth
In This Chapter
Growth means developing your natural virtue track rather than trying to master both
Development
Shifts from general improvement to strategic self-development
In Your Life:
You might waste energy trying to be both deeply empathetic and perfectly controlled instead of excelling at one
Human Relationships
In This Chapter
Understanding others' virtue tracks helps you appreciate different types of people and their contributions
Development
Builds on earlier relationship dynamics with specific framework for evaluation
In Your Life:
You might misunderstand why some people seem cold when they're actually showing respectable virtue through self-control
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Smith says there are two types of virtue - being really good at feeling what others feel, or being really good at controlling your own emotions. Can you think of someone in your life who's great at one of these? What makes them stand out?
analysis • surface - 2
Why does Smith think we respect quiet grief more than loud wailing, or controlled anger more than explosive rage? What does this tell us about what humans naturally admire?
analysis • medium - 3
Think about your workplace or family. Who gets respected for staying calm under pressure, and who gets loved for really caring about others' problems? Do you see Smith's two virtue tracks playing out?
application • medium - 4
Smith says we should judge people based on their circumstances - the exhausted single parent who snaps isn't the same as someone well-rested who explodes over nothing. How would you apply this 'context matters' principle when someone disappoints you?
application • deep - 5
If virtue requires going beyond normal human responses - either through extraordinary empathy or exceptional self-control - what does this suggest about why genuine virtue is rare and valuable?
reflection • deep
Critical Thinking Exercise
Map Your Virtue Track
Think of three people you genuinely respect or admire. For each person, identify whether you respect them more for their ability to connect emotionally with others (amiable virtues) or for their self-control and steady leadership (respectable virtues). Then reflect on yourself - which track comes more naturally to you, and how could you develop it further?
Consider:
- •Most people excel more in one track than the other - this isn't a failure, it's specialization
- •The same person might show different virtues in different situations
- •Consider whether you're judging people fairly based on their circumstances and natural strengths
Journaling Prompt
Write about a time when you had to choose between being emotionally supportive and staying professionally composed. Which felt more natural to you, and what did you learn about your own virtue track from that experience?
Coming Up Next...
Chapter 6: When Your Body Betrays Your Image
Smith will examine how our physical needs and bodily sensations create their own category of emotions, exploring why some feelings seem to arise purely from our animal nature rather than our social connections.




