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The Theory of Moral Sentiments - Two Types of Virtue

Adam Smith

The Theory of Moral Sentiments

Two Types of Virtue

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Two Types of Virtue

The Theory of Moral Sentiments by Adam Smith

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Smith reveals that all virtue stems from two fundamental human abilities: our capacity to feel what others feel, and our ability to control our own emotions so others can relate to us. From the first comes the 'amiable virtues' - compassion, kindness, and emotional generosity. These make us lovable because we mirror others' joys and sorrows, making them feel understood and supported. From the second comes the 'respectable virtues' - dignity, self-control, and emotional restraint. These earn admiration because they show mastery over our natural impulses. Smith illustrates this with powerful examples: we're moved by quiet, dignified grief more than loud wailing, and we respect controlled anger more than explosive rage. The key insight is that virtue isn't about being average - it's about being exceptional. True virtue requires either extraordinary sensitivity to others or remarkable self-discipline, going far beyond what most people manage in daily life. Smith also distinguishes between basic propriety (doing what's socially acceptable) and genuine virtue (doing something genuinely admirable). Eating when hungry is proper but not virtuous. However, even imperfect attempts at virtue deserve recognition when circumstances make perfection nearly impossible. This creates a practical framework for evaluating both our own behavior and others' - we can judge by absolute standards or by what's reasonably achievable given the situation. Smith's argument in this chapter builds on his central thesis that moral judgments arise not from abstract rules but from the lived experience of sympathy — the imaginative act of placing ourselves in another's situation and feeling what they would feel.

Coming Up in Chapter 6

Smith will examine how our physical needs and bodily sensations create their own category of emotions, exploring why some feelings seem to arise purely from our animal nature rather than our social connections.

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An excerpt from the original text.(complete · 1710 words)

O

f the amiable and respectable virtues.

Upon these two different efforts, upon that

of the spectator to enter into the sentiments of the

person principally concerned, and upon that of the

person principally concerned, to bring down his

emotions to what the spectator can go along with,

are founded two different sets of virtues. The soft,

the gentle, the amiable virtues, the virtues of candid

condescension and indulgent humanity, are founded

upon the one: the great, the awful and respectable,

the virtues of self-denial, of self-government, of that

command of the passions which subjects all the

movements of our nature to what our own dignity

and honour, and the propriety of our own conduct

require, derive their origin from the other.

How amiable does he appear to be, whose sympathetic

heart seems to re-echo all the sentiments

of those with whom he converses, who grieves for

their calamities, who resents their injuries, and rejoices

28at their good fortune! When we bring home

to ourselves the situation of his companions, we

enter into their gratitude, and feel what consolation

they must derive from the tender sympathy of so

affectionate a friend. And for a contrary reason,

how disagreeable does he appear to be, whose hard

and obdurate heart feels for himself only, but is altogether

insensible of the happiness or misery of others!

We enter, in this case too, into the pain which his

presence must give to every mortal with whom he

converses, to those especially with whom we are

most apt to sympathize, the unfortunate and the injured.

On the other hand, what noble propriety and

grace do we feel in the conduct of those who, in

their own case, exert that recollection and self-command

which constitute the dignity of every

passion, and which bring it down to what others

can enter into? We are disgusted with that clamorous

grief, which, without any delicacy, calls upon

our compassion with sighs and tears and importunate

lamentations. But we reverence that reserved, that

silent and majestic sorrow, which discovers itself

only in the swelling of the eyes, in the quivering of

the lips and cheeks, and in the distant, but affecting,

coldness of the whole behaviour. It imposes the

like silence upon us. We regard it with respectful

attention, and watch with anxious concern over our

whole behaviour, lest by any impropriety we should

disturb that concerted tranquillity, which it requires

so great an effort to support.

The insolence and brutality of anger, in the same

manner when we indulge its fury without check or

29restraint, is, of all subjects, the most detestable.

But we admire that noble and generous resentment

which governs its pursuit of the greatest injuries,

not by the rage which they are apt to excite in the

breast of the sufferer, but by the indignation which

they naturally call forth in that of the impartial spectator;

which allows no word, no gesture, to escape

it beyond what this more equitable sentiment would

dictate; which never, even in thought, attempts any

greater vengeance, nor desires to inflict any greater

punishment, than what every indifferent person

would rejoice to see executed.

And hence it is, that to feel much for others and

little for ourselves, that to restrain our selfish, and to

indulge our benevolent affections, constitutes the

perfection of human nature; and can alone produce

among mankind that harmony of sentiments and

passions in which consist their whole grace and propriety.

As to love our neighbour as we love ourselves

is the great law of christianity, so it is the great

precept of nature to love ourselves only as we love

our neighbour, or what comes to the same thing, as

our neighbour is capable of loving us.

As taste and good judgment, when they are considered

as qualities which deserve praise and admiration,

are supposed to imply a delicacy of sentiment

and an acuteness of understanding not commonly

to be met with; so the virtues of sensibility and self-command

are not apprehended to consist in the ordinary,

but in the uncommon degrees of those qualities.

The amiable virtue of humanity requires,

surely, a sensibility, much beyond what is possessed

by the rude vulgar of mankind. The great and

30exalted virtue of magnanimity undoubtedly demands

much more than that degree of self-command,

which the weakest of mortals are capable of

exerting. As in the common degree of the intellectual

qualities, there are no abilities; so in the

common degree of the moral, there is no virtue.

Virtue is excellence, something uncommonly great

and beautiful, which rises far above what is vulgar

and ordinary. The amiable virtues consist in that

degree of sensibility which surprises by its exquisite

and unexpected delicacy and tenderness. The awful

and respectable, in that degree of self-command

which astonishes by its amazing superiority over the

most ungovernable passions of human nature.

There is, in this respect, a considerable difference

between virtue and mere propriety; between those

qualities and actions which deserve to be admired

and celebrated, and those which simply deserve to

be approved of. Upon many occasions, to act

with the most perfect propriety, requires no more

than that common and ordinary degree of sensibility

or self-command which the most worthless of mankind

are possessed of, and sometimes even that degree

is not necessary. Thus, to give a very low instance,

to eat when we are hungry, is certainly, upon

ordinary occasions, perfectly right and proper,

and cannot miss being approved of as such by every

body. Nothing, however, could be more absurd

than to say it is virtuous.

On the contrary, there may frequently be a considerable

degree of virtue in those actions, which

fall short of the most perfect propriety; because

they may still approach nearer to perfection than

31could well be expected upon occasions in which it

was so extremely difficult to attain it: and this is

very often the case upon those occasions which require

the greatest exertions of self-command. There

are some situations which bear so hard upon human

nature, that the greatest degree of self-government,

which can belong to so imperfect a creature as man,

is not able to stifle, altogether, the voice of human

weakness, or reduce the violence of the passions to

that pitch of moderation, in which the impartial

spectator can entirely enter into them. Though in

those cases, therefore, the behaviour of the sufferer

fall short of the most perfect propriety, it may still

deserve some applause, and even in a certain sense,

may be denominated virtuous. It may still manifest

an effort or generosity and magnanimity of

which the greater part of men are incapable; and

though it fails of absolute perfection, it may be a

much nearer approximation towards perfection, than

what, upon such trying occasions, is commonly either

to be found or to be expected.

In cases of this kind, when we are determining

the degree of blame or applause which seems due to

any action, we very frequently make use of two

different standards. The first is the idea of complete

propriety and perfection, which, in those difficult

situations, no human conduct ever did, or

even can come up to; and in comparison with

which the actions of all men must for ever appear

blameable and imperfect. The second is the idea of

that degree of proximity or distance from this complete

perfection, which the actions of the greater

part of men commonly arrive at. Whatever goes

beyond this degree, how far soever it may be removed

32from absolute perfection, seems to deserve

applause; and whatever falls short of it, to deserve

blame.

It is in the same manner that we judge of the

productions of all arts which address themselves to

the imagination. When a critic examines the work

of any of the great masters for poetry or painting,

he may sometimes examine it by an idea of perfection,

in his own mind, which neither that nor any

other human work will ever come up to; and as

long as he compares it with this standard, he can

see nothing in it but faults and imperfections. But

when he come to consider the rank which it ought

to hold among other works of the same kind, he

necessarily compares it with a very different standard,

the common degree of excellence which is usually

attained in this particular art; and when he judges

of it by this new measure, it may often appear to

deserve the highest applause, upon account of its

approaching much nearer to perfection than the

greater part of those works which can be brought

into competition with it.

33

SECTION II.

Of the degrees of the different passions which are consistent with propriety.

INTRODUCTION.

The propriety of every passion excited by objects

peculiarly related to ourselves the pitch

which the spectator can go along with, must lie, it

is evident, in certain mediocrity. If the passion is

too high, or if it is too low, he cannot enter into it.

Grief and resentment for private misfortunes and injuries

may easily, for example, be too high, and in

the greater part of mankind they are so. They

may likewise, though this more rarely happens, be

too low. We denominate the excess, weakness and

fury: and we call the defect, stupidity, insensibility,

and want of spirit. We can enter into neither of

them, but are astonished and confounded to see

them.

This mediocrity, however, in which the point of

propriety consists, is different in different passions.

It is high in some, and low in others. There are

some passions which it is indecent to express very

strongly, even upon those occasions, in which it is

34acknowledged that we cannot avoid feeling them

in the highest degree. And there are others of

which the strongest expressions are upon many occasions

extremely graceful, even though the passions

themselves do not, perhaps, arise so necessarily.

The first are those passions with which, for certain

reasons, there is little or no sympathy: the second

are those with which, for other reasons, there is the

greatest. And if we consider all the different passions

of human nature, we shall find that they are

regarded as decent, or indecent, just in proportion

as mankind are more or less disposed to sympathize

with them.

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Let's Analyse the Pattern

Pattern: Key Pattern
Smith reveals a fundamental pattern: true virtue operates on two distinct tracks, and understanding this changes how you evaluate both yourself and others. You can be virtuous through extraordinary empathy (feeling deeply with others) or through exceptional self-control (managing your emotions masterfully). Most people confuse basic politeness with virtue, but Smith shows the difference: eating when hungry is proper, but sharing your last meal is virtuous. This pattern operates because humans are naturally self-centered. We're impressed by people who either transcend this through genuine care for others or who master it through disciplined restraint. The person who truly feels your pain and acts on it demonstrates the 'amiable virtues.' The person who stays calm under pressure while you're falling apart demonstrates the 'respectable virtues.' Both require going beyond normal human responses. You see this everywhere today. In healthcare, some nurses connect deeply with patient suffering (amiable virtue) while others maintain professional composure during chaos (respectable virtue). At work, some managers genuinely care about employee struggles, others stay level-headed during crises. In families, some relatives offer emotional support, others provide steady leadership. Both approaches earn respect, but for different reasons. When you recognize this pattern, you can navigate relationships more strategically. Don't try to be everything to everyone. Identify your natural strength—are you better at feeling with others or controlling yourself? Develop that track while respecting the other. When evaluating others, don't expect both virtues in one person. The deeply empathetic friend might fall apart under pressure. The self-controlled colleague might seem cold during your crisis. Neither is failing—they're operating on different virtue tracks. Judge people by their circumstances too: the single mother working double shifts who loses her temper isn't the same as the rested person who explodes over nothing. When you can name the pattern, predict where it leads, and navigate it successfully—that's amplified intelligence.

A recurring theme explored in this chapter.

Why This Matters

Connect literature to life

Skill: Reading Virtue Signals

This chapter teaches you to distinguish between genuine virtue and basic politeness by recognizing the two paths to moral excellence.

Practice This Today

This week, notice when someone goes beyond normal expectations - either through exceptional caring or remarkable self-control - and distinguish that from just following social rules.

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Now let's explore the literary elements.

Key Quotes & Analysis

"How amiable does he appear to be, whose sympathetic heart seems to re-echo all the sentiments of those with whom he converses"

— Narrator

Context: Smith is explaining why we find certain people naturally attractive and lovable

This shows that being genuinely caring isn't just nice - it's magnetic. People are drawn to those who can truly feel what they're feeling because it makes them feel less alone.

In Today's Words:

Everyone loves the person who really gets how you're feeling and cares about what you're going through.

"The soft, the gentle, the amiable virtues, the virtues of candid condescension and indulgent humanity"

— Narrator

Context: Smith is categorizing the two main types of virtues people can possess

Smith is saying that kindness and emotional generosity are real virtues, not just personality traits. Being genuinely caring takes effort and deserves recognition.

In Today's Words:

Being truly kind and understanding isn't easy - it's actually a form of strength that deserves respect.

"How disagreeable does he appear to be, whose hard and obdurate heart feels for himself only"

— Narrator

Context: Smith is contrasting the sympathetic person with someone who is completely self-centered

This reveals that selfishness isn't just morally wrong - it's socially repulsive. People instinctively dislike those who show no concern for others' feelings.

In Today's Words:

Nobody wants to be around someone who only cares about themselves and never considers how others feel.

Thematic Threads

Class

In This Chapter

Different classes value different virtue tracks - working class often prizes empathy, upper class often rewards self-control

Development

Building on earlier discussions of social expectations and judgments

In Your Life:

You might feel judged for being 'too emotional' in professional settings that value restraint over connection

Identity

In This Chapter

Your virtue track becomes part of who you are - the caring person versus the steady person

Development

Extends earlier themes about how we see ourselves through others' eyes

In Your Life:

You might struggle with identity when your natural virtue track doesn't fit your role's expectations

Social Expectations

In This Chapter

Society expects different virtues from different people based on their position and circumstances

Development

Deepens understanding of how social rules vary by context and person

In Your Life:

You might face different virtue expectations as a parent versus employee versus friend

Personal Growth

In This Chapter

Growth means developing your natural virtue track rather than trying to master both

Development

Shifts from general improvement to strategic self-development

In Your Life:

You might waste energy trying to be both deeply empathetic and perfectly controlled instead of excelling at one

Human Relationships

In This Chapter

Understanding others' virtue tracks helps you appreciate different types of people and their contributions

Development

Builds on earlier relationship dynamics with specific framework for evaluation

In Your Life:

You might misunderstand why some people seem cold when they're actually showing respectable virtue through self-control

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    Smith says there are two types of virtue - being really good at feeling what others feel, or being really good at controlling your own emotions. Can you think of someone in your life who's great at one of these? What makes them stand out?

    analysis • surface
  2. 2

    Why does Smith think we respect quiet grief more than loud wailing, or controlled anger more than explosive rage? What does this tell us about what humans naturally admire?

    analysis • medium
  3. 3

    Think about your workplace or family. Who gets respected for staying calm under pressure, and who gets loved for really caring about others' problems? Do you see Smith's two virtue tracks playing out?

    application • medium
  4. 4

    Smith says we should judge people based on their circumstances - the exhausted single parent who snaps isn't the same as someone well-rested who explodes over nothing. How would you apply this 'context matters' principle when someone disappoints you?

    application • deep
  5. 5

    If virtue requires going beyond normal human responses - either through extraordinary empathy or exceptional self-control - what does this suggest about why genuine virtue is rare and valuable?

    reflection • deep

Critical Thinking Exercise

10 minutes

Map Your Virtue Track

Think of three people you genuinely respect or admire. For each person, identify whether you respect them more for their ability to connect emotionally with others (amiable virtues) or for their self-control and steady leadership (respectable virtues). Then reflect on yourself - which track comes more naturally to you, and how could you develop it further?

Consider:

  • •Most people excel more in one track than the other - this isn't a failure, it's specialization
  • •The same person might show different virtues in different situations
  • •Consider whether you're judging people fairly based on their circumstances and natural strengths

Journaling Prompt

Write about a time when you had to choose between being emotionally supportive and staying professionally composed. Which felt more natural to you, and what did you learn about your own virtue track from that experience?

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Coming Up Next...

Chapter 6: When Your Body Betrays Your Image

Smith will examine how our physical needs and bodily sensations create their own category of emotions, exploring why some feelings seem to arise purely from our animal nature rather than our social connections.

Continue to Chapter 6
Previous
The Art of Emotional Harmony
Contents
Next
When Your Body Betrays Your Image

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