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The Count of Monte Cristo - The Pardon

Alexandre Dumas

The Count of Monte Cristo

The Pardon

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Summary

The Pardon

The Count of Monte Cristo by Alexandre Dumas

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Edmond Dantès finally reveals his true identity to Mercédès, the woman who was once his fiancée twenty-four years ago. In a heart-wrenching confrontation, she recognizes him despite his transformation from the young sailor she loved into the mysterious Count of Monte Cristo. Mercédès pleads with him to spare her son Albert, who challenged the Count to a duel without knowing he was facing his father's old friend. This moment strips away all of Edmond's carefully constructed personas—the Count, the Abbé, the sailor—leaving just a man face-to-face with his past. Mercédès doesn't try to justify what happened to him or make excuses for marrying Fernand. Instead, she shows him how his quest for revenge is about to destroy an innocent young man who shares the blood of his betrayer but not his sins. The scene forces Edmond to confront a brutal truth: his methodical revenge has brought him to the brink of killing the son of the woman he once loved. Mercédès' courage in facing him, her willingness to sacrifice her pride to save Albert, begins to crack the ice around Edmond's heart. For the first time since his escape from the Château d'If, he sees the human cost of his mission clearly. This isn't just about settling scores anymore—it's about whether he can find his way back to being human. The chapter marks the beginning of Edmond's internal reckoning with what he's become and what he's lost in his pursuit of justice. Mercédès becomes the mirror that shows him both who he was and who he might still choose to be.

Coming Up in Chapter 117

With his true identity exposed and his heart shaken by Mercédès' plea, Edmond must decide whether to proceed with the duel that could destroy them all. The final chapter will determine if the Count of Monte Cristo can find redemption, or if his thirst for vengeance will consume everything he once held dear.

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An excerpt from the original text.(complete · 1697 words)

T

he next day Danglars was again hungry; certainly the air of that
dungeon was very provocative of appetite. The prisoner expected that he
would be at no expense that day, for like an economical man he had
concealed half of his fowl and a piece of the bread in the corner of
his cell. But he had no sooner eaten than he felt thirsty; he had
forgotten that. He struggled against his thirst till his tongue clave
to the roof of his mouth; then, no longer able to resist, he called
out. The sentinel opened the door; it was a new face. He thought it
would be better to transact business with his old acquaintance, so he
sent for Peppino.

“Here I am, your excellency,” said Peppino, with an eagerness which
Danglars thought favorable to him. “What do you want?”

“Something to drink.”

“Your excellency knows that wine is beyond all price near Rome.”

“Then give me water,” cried Danglars, endeavoring to parry the blow.

“Oh, water is even more scarce than wine, your excellency,—there has
been such a drought.”

“Come,” thought Danglars, “it is the same old story.” And while he
smiled as he attempted to regard the affair as a joke, he felt his
temples get moist with perspiration.

“Come, my friend,” said Danglars, seeing that he made no impression on
Peppino, “you will not refuse me a glass of wine?”

“I have already told you that we do not sell at retail.”

“Well, then, let me have a bottle of the least expensive.”

“They are all the same price.”

“And what is that?”

“Twenty-five thousand francs a bottle.”

“Tell me,” cried Danglars, in a tone whose bitterness Harpagon30 alone
has been capable of revealing—“tell me that you wish to despoil me of
all; it will be sooner over than devouring me piecemeal.”

“It is possible such may be the master’s intention.”

“The master?—who is he?”

“The person to whom you were conducted yesterday.”

“Where is he?”

“Here.”

“Let me see him.”

“Certainly.”

And the next moment Luigi Vampa appeared before Danglars.

“You sent for me?” he said to the prisoner.

“Are you, sir, the chief of the people who brought me here?”

“Yes, your excellency. What then?”

“How much do you require for my ransom?”

“Merely the 5,000,000 you have about you.” Danglars felt a dreadful
spasm dart through his heart.

“But this is all I have left in the world,” he said, “out of an immense
fortune. If you deprive me of that, take away my life also.”

“We are forbidden to shed your blood.”

“And by whom are you forbidden?”

“By him we obey.”

“You do, then, obey someone?”

“Yes, a chief.”

“I thought you said you were the chief?”

“So I am of these men; but there is another over me.”

“And did your superior order you to treat me in this way?”

“Yes.”

“But my purse will be exhausted.”

“Probably.”

“Come,” said Danglars, “will you take a million?”

“No.”

“Two millions?—three?—four? Come, four? I will give them to you on
condition that you let me go.”

“Why do you offer me 4,000,000 for what is worth 5,000,000? This is a
kind of usury, banker, that I do not understand.”

“Take all, then—take all, I tell you, and kill me!”

“Come, come, calm yourself. You will excite your blood, and that would
produce an appetite it would require a million a day to satisfy. Be
more economical.”

“But when I have no more money left to pay you?” asked the infuriated
Danglars.

“Then you must suffer hunger.”

“Suffer hunger?” said Danglars, becoming pale.

“Most likely,” replied Vampa coolly.

“But you say you do not wish to kill me?”

“No.”

“And yet you will let me perish with hunger?”

“Ah, that is a different thing.”

“Well, then, wretches,” cried Danglars, “I will defy your infamous
calculations—I would rather die at once! You may torture, torment, kill
me, but you shall not have my signature again!”

“As your excellency pleases,” said Vampa, as he left the cell.

Danglars, raving, threw himself on the goat-skin. Who could these men
be? Who was the invisible chief? What could be his intentions towards
him? And why, when everyone else was allowed to be ransomed, might he
not also be? Oh, yes; certainly a speedy, violent death would be a fine
means of deceiving these remorseless enemies, who appeared to pursue
him with such incomprehensible vengeance. But to die? For the first
time in his life, Danglars contemplated death with a mixture of dread
and desire; the time had come when the implacable spectre, which exists
in the mind of every human creature, arrested his attention and called
out with every pulsation of his heart, “Thou shalt die!”

Danglars resembled a timid animal excited in the chase; first it flies,
then despairs, and at last, by the very force of desperation, sometimes
succeeds in eluding its pursuers. Danglars meditated an escape; but the
walls were solid rock, a man was sitting reading at the only outlet to
the cell, and behind that man shapes armed with guns continually
passed. His resolution not to sign lasted two days, after which he
offered a million for some food. They sent him a magnificent supper,
and took his million.

From this time the prisoner resolved to suffer no longer, but to have
everything he wanted. At the end of twelve days, after having made a
splendid dinner, he reckoned his accounts, and found that he had only
50,000 francs left. Then a strange reaction took place; he who had just
abandoned 5,000,000 endeavored to save the 50,000 francs he had left,
and sooner than give them up he resolved to enter again upon a life of
privation—he was deluded by the hopefulness that is a premonition of
madness.

He, who for so long a time had forgotten God, began to think that
miracles were possible—that the accursed cavern might be discovered by
the officers of the Papal States, who would release him; that then he
would have 50,000 remaining, which would be sufficient to save him from
starvation; and finally he prayed that this sum might be preserved to
him, and as he prayed he wept. Three days passed thus, during which his
prayers were frequent, if not heartfelt. Sometimes he was delirious,
and fancied he saw an old man stretched on a pallet; he, also, was
dying of hunger.

On the fourth, he was no longer a man, but a living corpse. He had
picked up every crumb that had been left from his former meals, and was
beginning to eat the matting which covered the floor of his cell. Then
he entreated Peppino, as he would a guardian angel, to give him food;
he offered him 1,000 francs for a mouthful of bread. But Peppino did
not answer. On the fifth day he dragged himself to the door of the
cell.

“Are you not a Christian?” he said, falling on his knees. “Do you wish
to assassinate a man who, in the eyes of Heaven, is a brother? Oh, my
former friends, my former friends!” he murmured, and fell with his face
to the ground. Then rising in despair, he exclaimed, “The chief, the
chief!”

“Here I am,” said Vampa, instantly appearing; “what do you want?”

“Take my last gold,” muttered Danglars, holding out his pocket-book,
“and let me live here; I ask no more for liberty—I only ask to live!”

“Then you suffer a great deal?”

“Oh, yes, yes, cruelly!”

“Still, there have been men who suffered more than you.”

“I do not think so.”

“Yes; those who have died of hunger.”

Danglars thought of the old man whom, in his hours of delirium, he had
seen groaning on his bed. He struck his forehead on the ground and
groaned. “Yes,” he said, “there have been some who have suffered more
than I have, but then they must have been martyrs at least.”

“Do you repent?” asked a deep, solemn voice, which caused Danglars’
hair to stand on end. His feeble eyes endeavored to distinguish
objects, and behind the bandit he saw a man enveloped in a cloak, half
lost in the shadow of a stone column.

“Of what must I repent?” stammered Danglars.

“Of the evil you have done,” said the voice.

“Oh, yes; oh, yes, I do indeed repent.” And he struck his breast with
his emaciated fist.

“Then I forgive you,” said the man, dropping his cloak, and advancing
to the light.

“The Count of Monte Cristo!” said Danglars, more pale from terror than
he had been just before from hunger and misery.

“You are mistaken—I am not the Count of Monte Cristo.”

“Then who are you?”

50261m

“I am he whom you sold and dishonored—I am he whose betrothed you
prostituted—I am he upon whom you trampled that you might raise
yourself to fortune—I am he whose father you condemned to die of
hunger—I am he whom you also condemned to starvation, and who yet
forgives you, because he hopes to be forgiven—I am Edmond Dantès!”

Danglars uttered a cry, and fell prostrate.

“Rise,” said the count, “your life is safe; the same good fortune has
not happened to your accomplices—one is mad, the other dead. Keep the
50,000 francs you have left—I give them to you. The 5,000,000 you stole
from the hospitals has been restored to them by an unknown hand. And
now eat and drink; I will entertain you tonight. Vampa, when this man
is satisfied, let him be free.”

Danglars remained prostrate while the count withdrew; when he raised
his head he saw disappearing down the passage nothing but a shadow,
before which the bandits bowed.

According to the count’s directions, Danglars was waited on by Vampa,
who brought him the best wine and fruits of Italy; then, having
conducted him to the road, and pointed to the post-chaise, left him
leaning against a tree. He remained there all night, not knowing where
he was. When daylight dawned he saw that he was near a stream; he was
thirsty, and dragged himself towards it. As he stooped down to drink,
he saw that his hair had become entirely white.

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Let's Analyse the Pattern

Pattern: The Recognition Reckoning
This chapter reveals a fundamental pattern: when someone who knew us before sees through our carefully constructed personas, it forces an immediate reckoning with who we've become. Mercédès doesn't just recognize Edmond's face—she sees the man beneath all his transformations and calls him to account. The mechanism works like this: we build new identities to protect ourselves from past pain, but these masks become prisons. The Count persona gave Edmond power and distance, but it also cut him off from genuine human connection. When Mercédès sees through to his core, all his elaborate defenses crumble instantly. Her recognition strips away his ability to hide behind roles and forces him to confront the human cost of his choices. This exact pattern plays out everywhere today. The nurse who becomes so focused on efficiency that patients become tasks—until a former neighbor recognizes her compassion and asks why she's changed. The supervisor who adopts a harsh management style to gain respect, until an old friend sees through it and asks what happened to their kindness. The parent who becomes so controlling after a divorce that their teenager finally says, 'You used to trust me—what changed?' The person climbing the corporate ladder who loses themselves in networking and image-crafting, until someone from their hometown cuts through the performance. When someone sees through your mask, don't get defensive—get curious. Ask yourself: What am I protecting? What did I lose while building these walls? Is this persona serving me, or am I serving it? Use their recognition as a mirror. The discomfort you feel is information about the gap between who you are and who you're pretending to be. Sometimes the most valuable thing someone can do is refuse to let you hide from yourself. When you can name the pattern, predict where it leads, and navigate it successfully—that's amplified intelligence.

When someone from our past sees through our current persona, it forces an immediate confrontation with who we've become versus who we used to be.

Why This Matters

Connect literature to life

Skill: Recognizing When Success Has Changed You

This chapter teaches how to use other people's reactions as mirrors to see who you've become during periods of major life change.

Practice This Today

This week, notice when old friends or family members seem surprised by your behavior or choices—their reactions are data about how you've changed, for better or worse.

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Now let's explore the literary elements.

Key Quotes & Analysis

"Edmond, you will not kill my son!"

— Mercédès

Context: Her desperate plea when she realizes the Count intends to go through with the duel

This strips away all pretense and gets to the heart of the matter. She's not asking for herself but for an innocent young man who doesn't deserve to die for his father's crimes.

In Today's Words:

Don't you dare hurt my kid because you're mad at his father!

"Mercedes, I have suffered for fourteen years—fourteen years I have wept, I have cursed; now I tell you, Mercedes, I must have my revenge!"

— Edmond Dantès

Context: His justification for why he can't stop his plan now

Shows how consumed he's become by his need for justice. He's held onto his pain for so long it's become his identity, and he can't imagine letting it go.

In Today's Words:

I've been angry for so long, I don't know how to stop being angry anymore.

"You knew this man you have ruined, did you not?"

— Mercédès

Context: Confronting him about the deliberate nature of his revenge

She forces him to acknowledge that his actions were calculated, not just reactions. She's making him own the choices he's made in pursuit of vengeance.

In Today's Words:

You knew exactly what you were doing when you destroyed him, didn't you?

Thematic Threads

Identity

In This Chapter

Edmond's multiple personas—Count, Abbé, sailor—all collapse when Mercédès sees the original man beneath

Development

Evolved from his prison transformation through his careful construction of new identities to this moment of complete exposure

In Your Life:

You might recognize this when someone from your past makes you realize how much you've changed, for better or worse.

Recognition

In This Chapter

Mercédès sees through twenty-four years of change and transformation to identify the man she once loved

Development

Introduced here as the catalyst that breaks through all of Edmond's careful disguises

In Your Life:

You experience this when someone truly sees you despite your attempts to hide or reinvent yourself.

Human Cost

In This Chapter

Mercédès shows Edmond that his revenge will destroy Albert, an innocent young man

Development

Culmination of the mounting collateral damage from his systematic revenge throughout the story

In Your Life:

You might see this when pursuing a goal so intensely that you lose sight of who gets hurt along the way.

Vulnerability

In This Chapter

Both characters strip away pretense—Mercédès begging for her son, Edmond exposed without his masks

Development

First genuine vulnerability shown by either character since the story began

In Your Life:

You experience this when someone's honesty forces you to drop your defenses and be real.

Choice

In This Chapter

Edmond faces the decision of whether to continue his revenge or find another path forward

Development

Evolution from his single-minded pursuit of justice to this moment of potential redemption

In Your Life:

You face this when someone's plea makes you reconsider a course of action you thought was justified.

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What does Mercédès see in Edmond that he's been hiding from everyone else, including himself?

    analysis • surface
  2. 2

    Why does Edmond's carefully constructed identity as the Count crumble so quickly when Mercédès recognizes him?

    analysis • medium
  3. 3

    When have you seen someone's 'professional mask' slip when confronted by someone from their past? What happened?

    application • medium
  4. 4

    If someone from your past called you out for becoming someone you didn't used to be, how would you handle that conversation?

    application • deep
  5. 5

    What does this scene reveal about the difference between protecting yourself and losing yourself?

    reflection • deep

Critical Thinking Exercise

10 minutes

Map Your Identity Layers

Draw three circles: your core self, your protective personas, and how others see you. In the center, write three words that describe who you are at your foundation. In the middle ring, list the roles or masks you wear in different situations. In the outer ring, write how different groups perceive you. Look for gaps between the circles.

Consider:

  • •Which personas serve you versus which ones you serve
  • •When your masks help you function versus when they isolate you
  • •What you might be protecting that no longer needs protection

Journaling Prompt

Write about a time when someone saw through one of your personas to your real self. How did it feel? What did you learn about the gap between who you are and who you present yourself to be?

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Coming Up Next...

Chapter 117: The Fifth of October

With his true identity exposed and his heart shaken by Mercédès' plea, Edmond must decide whether to proceed with the duel that could destroy them all. The final chapter will determine if the Count of Monte Cristo can find redemption, or if his thirst for vengeance will consume everything he once held dear.

Continue to Chapter 117
Previous
Luigi Vampa’s Bill of Fare
Contents
Next
The Fifth of October

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