An excerpt from the original text.(complete · 2162 words)
wenty-Second: Night.—What have I done? and what will be the end of it?
I cannot calmly reflect upon it; I cannot sleep. I must have recourse
to my diary again; I will commit it to paper to-night, and see what I
shall think of it to-morrow.
I went down to dinner resolving to be cheerful and well-conducted, and
kept my resolution very creditably, considering how my head ached and
how internally wretched I felt. I don’t know what is come over me of
late; my very energies, both mental and physical, must be strangely
impaired, or I should not have acted so weakly in many respects as I
have done; but I have not been well this last day or two. I suppose it
is with sleeping and eating so little, and thinking so much, and being
so continually out of humour. But to return. I was exerting myself to
sing and play for the amusement, and at the request, of my aunt and
Milicent, before the gentlemen came into the drawing-room (Miss Wilmot
never likes to waste her musical efforts on ladies’ ears alone).
Milicent had asked for a little Scotch song, and I was just in the
middle of it when they entered. The first thing Mr. Huntingdon did was
to walk up to Annabella.
“Now, Miss Wilmot, won’t you give us some music to-night?” said he.
“Do now! I know you will, when I tell you that I have been hungering
and thirsting all day for the sound of your voice. Come! the piano’s
vacant.”
It was, for I had quitted it immediately upon hearing his petition. Had
I been endowed with a proper degree of self-possession, I should have
turned to the lady myself, and cheerfully joined my entreaties to his,
whereby I should have disappointed his expectations, if the affront had
been purposely given, or made him sensible of the wrong, if it had only
arisen from thoughtlessness; but I felt it too deeply to do anything
but rise from the music-stool, and throw myself back on the sofa,
suppressing with difficulty the audible expression of the bitterness I
felt within. I knew Annabella’s musical talents were superior to mine,
but that was no reason why I should be treated as a perfect nonentity.
The time and the manner of his asking her appeared like a gratuitous
insult to me; and I could have wept with pure vexation.
Meantime, she exultingly seated herself at the piano, and favoured him
with two of his favourite songs, in such superior style that even I
soon lost my anger in admiration, and listened with a sort of gloomy
pleasure to the skilful modulations of her full-toned and powerful
voice, so judiciously aided by her rounded and spirited touch; and
while my ears drank in the sound, my eyes rested on the face of her
principal auditor, and derived an equal or superior delight from the
contemplation of his speaking countenance, as he stood beside her—that
eye and brow lighted up with keen enthusiasm, and that sweet smile
passing and appearing like gleams of sunshine on an April day. No
wonder he should hunger and thirst to hear her sing. I now forgave him
from my heart his reckless slight of me, and I felt ashamed at my
pettish resentment of such a trifle—ashamed too of those bitter envious
pangs that gnawed my inmost heart, in spite of all this admiration and
delight.
“There now,” said she, playfully running her fingers over the keys when
she had concluded the second song. “What shall I give you next?”
But in saying this she looked back at Lord Lowborough, who was standing
a little behind, leaning against the back of a chair, an attentive
listener, too, experiencing, to judge by his countenance, much the same
feelings of mingled pleasure and sadness as I did. But the look she
gave him plainly said, “Do you choose for me now: I have done enough
for him, and will gladly exert myself to gratify you;” and thus
encouraged, his lordship came forward, and turning over the music,
presently set before her a little song that I had noticed before, and
read more than once, with an interest arising from the circumstance of
my connecting it in my mind with the reigning tyrant of my thoughts.
And now, with my nerves already excited and half unstrung, I could not
hear those words so sweetly warbled forth without some symptoms of
emotion I was not able to suppress. Tears rose unbidden to my eyes, and
I buried my face in the sofa-pillow that they might flow unseen while I
listened. The air was simple, sweet, and sad. It is still running in my
head, and so are the words:—
Farewell to thee! but not farewell
To all my fondest thoughts of thee:
Within my heart they still shall dwell;
And they shall cheer and comfort me.
O beautiful, and full of grace!
If thou hadst never met mine eye,
I had not dreamed a living face
Could fancied charms so far outvie.
If I may ne’er behold again
That form and face so dear to me,
Nor hear thy voice, still would I fain
Preserve, for aye, their memory.
That voice, the magic of whose tone
Can wake an echo in my breast,
Creating feelings that, alone,
Can make my tranced spirit blest.
That laughing eye, whose sunny beam
My memory would not cherish less;—
And oh, that smile! I whose joyous gleam
No mortal languish can express.
Adieu! but let me cherish, still,
The hope with which I cannot part.
Contempt may wound, and coldness chill,
But still it lingers in my heart.
And who can tell but Heaven, at last,
May answer all my thousand prayers,
And bid the future pay the past
With joy for anguish, smiles for tears.
When it ceased, I longed for nothing so much as to be out of the room.
The sofa was not far from the door, but I did not dare to raise my
head, for I knew Mr. Huntingdon was standing near me, and I knew by the
sound of his voice, as he spoke in answer to some remark of Lord
Lowborough’s, that his face was turned towards me. Perhaps a
half-suppressed sob had caught his ear, and caused him to look
round—heaven forbid! But with a violent effort, I checked all further
signs of weakness, dried my tears, and, when I thought he had turned
away again, rose, and instantly left the apartment, taking refuge in my
favourite resort, the library.
There was no light there but the faint red glow of the neglected
fire;—but I did not want a light; I only wanted to indulge my thoughts,
unnoticed and undisturbed; and sitting down on a low stool before the
easy-chair, I sunk my head upon its cushioned seat, and thought, and
thought, until the tears gushed out again, and I wept like any child.
Presently, however, the door was gently opened and someone entered the
room. I trusted it was only a servant, and did not stir. The door was
closed again—but I was not alone; a hand gently touched my shoulder,
and a voice said, softly,—“Helen, what is the matter?”
I could not answer at the moment.
“You must, and shall tell me,” was added, more vehemently, and the
speaker threw himself on his knees beside me on the rug, and forcibly
possessed himself of my hand; but I hastily caught it away, and
replied,—“It is nothing to you, Mr. Huntingdon.”
“Are you sure it is nothing to me?” he returned; “can you swear that
you were not thinking of me while you wept?” This was unendurable. I
made an effort to rise, but he was kneeling on my dress.
“Tell me,” continued he—“I want to know,—because if you were, I have
something to say to you,—and if not, I’ll go.”
“Go then!” I cried; but, fearing he would obey too well, and never come
again, I hastily added—“Or say what you have to say, and have done with
it!”
“But which?” said he—“for I shall only say it if you really were
thinking of me. So tell me, Helen.”
“You’re excessively impertinent, Mr. Huntingdon!”
“Not at all—too pertinent, you mean. So you won’t tell me?—Well, I’ll
spare your woman’s pride, and, construing your silence into ‘Yes,’ I’ll
take it for granted that I was the subject of your thoughts, and the
cause of your affliction—”
“Indeed, sir—”
“If you deny it, I won’t tell you my secret,” threatened he; and I did
not interrupt him again, or even attempt to repulse him: though he had
taken my hand once more, and half embraced me with his other arm, I was
scarcely conscious of it at the time.
“It is this,” resumed he: “that Annabella Wilmot, in comparison with
you, is like a flaunting peony compared with a sweet, wild rosebud
gemmed with dew—and I love you to distraction!—Now, tell me if that
intelligence gives you any pleasure. Silence again? That means yes.
Then let me add, that I cannot live without you, and if you answer No
to this last question, you will drive me mad.—Will you bestow yourself
upon me?—you will!” he cried, nearly squeezing me to death in his arms.
“No, no!” I exclaimed, struggling to free myself from him—“you must ask
my uncle and aunt.”
“They won’t refuse me, if you don’t.”
“I’m not so sure of that—my aunt dislikes you.”
“But you don’t, Helen—say you love me, and I’ll go.”
“I wish you would go!” I replied.
“I will, this instant,—if you’ll only say you love me.”
“You know I do,” I answered. And again he caught me in his arms, and
smothered me with kisses.
At that moment my aunt opened wide the door, and stood before us,
candle in hand, in shocked and horrified amazement, gazing alternately
at Mr. Huntingdon and me—for we had both started up, and now stood wide
enough asunder. But his confusion was only for a moment. Rallying in
an instant, with the most enviable assurance, he began,—“I beg ten
thousand pardons, Mrs. Maxwell! Don’t be too severe upon me. I’ve been
asking your sweet niece to take me for better, for worse; and she, like
a good girl, informs me she cannot think of it without her uncle’s and
aunt’s consent. So let me implore you not to condemn me to eternal
wretchedness: if you favour my cause, I am safe; for Mr. Maxwell, I
am certain, can refuse you nothing.”
“We will talk of this to-morrow, sir,” said my aunt, coldly. “It is a
subject that demands mature and serious deliberation. At present, you
had better return to the drawing-room.”
“But meantime,” pleaded he, “let me commend my cause to your most
indulgent—”
“No indulgence for you, Mr. Huntingdon, must come between me and the
consideration of my niece’s happiness.”
“Ah, true! I know she is an angel, and I am a presumptuous dog to dream
of possessing such a treasure; but, nevertheless, I would sooner die
than relinquish her in favour of the best man that ever went to
heaven—and as for her happiness, I would sacrifice my body and soul—”
“Body and soul, Mr. Huntingdon—sacrifice your soul?”
“Well, I would lay down life—”
“You would not be required to lay it down.”
“I would spend it, then—devote my life—and all its powers to the
promotion and preservation—”
“Another time, sir, we will talk of this—and I should have felt
disposed to judge more favourably of your pretensions, if you too had
chosen another time and place, and let me add—another manner for your
declaration.”
“Why, you see, Mrs. Maxwell,” he began—
“Pardon me, sir,” said she, with dignity—“The company are inquiring for
you in the other room.” And she turned to me.
“Then you must plead for me, Helen,” said he, and at length withdrew.
“You had better retire to your room, Helen,” said my aunt, gravely. “I
will discuss this matter with you, too, to-morrow.”
“Don’t be angry, aunt,” said I.
“My dear, I am not angry,” she replied: “I am surprised. If it is
true that you told him you could not accept his offer without our
consent—”
“It is true,” interrupted I.
“Then how could you permit—?”
“I couldn’t help it, aunt,” I cried, bursting into tears. They were not
altogether the tears of sorrow, or of fear for her displeasure, but
rather the outbreak of the general tumultuous excitement of my
feelings. But my good aunt was touched at my agitation. In a softer
tone, she repeated her recommendation to retire, and, gently kissing my
forehead, bade me good-night, and put her candle in my hand; and I
went; but my brain worked so, I could not think of sleeping. I feel
calmer now that I have written all this; and I will go to bed, and try
to win tired nature’s sweet restorer.
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Let's Analyse the Pattern
When someone creates emotional pain then positions themselves as the cure during your vulnerable moment.
Why This Matters
Connect literature to life
This chapter teaches how to identify when someone creates a problem then positions themselves as your savior.
Practice This Today
This week, notice when someone's comfort comes immediately after they've caused you pain—pause before accepting their 'solution.'
Now let's explore the literary elements.
Key Quotes & Analysis
"What have I done? and what will be the end of it? I cannot calmly reflect upon it; I cannot sleep."
Context: Helen writes in her diary after the evening's events, realizing she's made a decision that will change everything
This shows Helen's immediate regret and anxiety about her confession to Huntingdon. The repetitive questions reveal her panic about losing control of her own life.
In Today's Words:
Oh my God, what did I just do? How is this going to end? I can't even think straight and I definitely can't sleep.
"Now, Miss Wilmot, won't you give us some music to-night?"
Context: He walks directly to Annabella while Helen is still performing, publicly dismissing Helen's efforts
This deliberate slight shows Huntingdon's cruel nature and his strategy of making Helen feel inadequate. It's emotional manipulation disguised as social politeness.
In Today's Words:
Hey gorgeous, why don't you show us what real talent looks like?
"She is like a flaunting peony, and you are my sweet wild rosebud."
Context: He compares Annabella to Helen during his declaration of love in the library
This seems romantic but actually reinforces Helen's insecurities while claiming to prefer her. It's classic manipulation - making someone feel special by putting down their competition.
In Today's Words:
She's all flashy and fake, but you're naturally beautiful and pure.
"I suppose it is with sleeping and eating so little, and thinking so much, and being so continually out of humour."
Context: She analyzes why she's been acting unlike herself lately
Helen recognizes she's not in a good mental state but doesn't protect herself from making major decisions. This shows how stress and isolation can cloud judgment.
In Today's Words:
I guess it's because I haven't been sleeping or eating right, I'm overthinking everything, and I'm just constantly irritated.
Thematic Threads
Vulnerability
In This Chapter
Helen's tears and isolation make her defenseless against Huntingdon's manipulation
Development
Evolved from earlier hints of Helen's emotional sensitivity to full exploitation
In Your Life:
You're most susceptible to bad decisions when you're hurting and someone offers comfort with strings attached.
Public vs Private
In This Chapter
Huntingdon's public dismissal contrasts with his private declarations of love
Development
Building on previous chapters showing how people perform differently in public
In Your Life:
Watch how people treat you when others are watching versus when you're alone together.
Social Performance
In This Chapter
The dinner party becomes a stage for displaying talent, beauty, and social worth
Development
Continues the theme of society as performance from earlier social gatherings
In Your Life:
Social media and workplace dynamics still force us to perform our worth for others' approval.
Emotional Manipulation
In This Chapter
Huntingdon creates Helen's pain then exploits it with perfectly timed romantic declarations
Development
First clear example of deliberate emotional manipulation in the story
In Your Life:
Be suspicious of people who offer solutions to problems they helped create.
Compromising Positions
In This Chapter
Helen's aunt discovers them embracing, forcing a premature engagement discussion
Development
Introduced here as a new consequence of private emotional moments
In Your Life:
Private moments of weakness can have very public consequences that limit your future choices.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What sequence of events led Helen from performing at the piano to confessing her love to Huntingdon?
analysis • surface - 2
Why was Helen's timing particularly vulnerable when Huntingdon found her crying in the library?
analysis • medium - 3
Where do you see this pattern of 'create the wound, then offer the cure' in modern relationships, workplaces, or media?
application • medium - 4
How could Helen have protected herself from making a major life decision while emotionally overwhelmed?
application • deep - 5
What does this chapter reveal about how our judgment changes when we're hurt and seeking comfort?
reflection • deep
Critical Thinking Exercise
The 24-Hour Decision Test
Think of a recent time when someone made you feel bad, then immediately tried to make you feel better with grand gestures or sweet words. Write down what happened, then imagine you had waited 24 hours before responding. Map out how your reaction might have been different with time to think.
Consider:
- •Who created the original problem or hurt feeling?
- •What did they gain by being both the problem and the solution?
- •How might waiting have changed your perspective on their motives?
Journaling Prompt
Write about a time when you made an important decision while emotionally upset. What would you tell your past self about waiting before choosing?
Coming Up Next...
Chapter 20: Love Against Warning
The morning brings Helen unexpected joy and hope as she awakens to the reality of requited love. But will her newfound happiness survive the serious conversation her aunt has promised about Huntingdon's proposal?




