An excerpt from the original text.(complete · 1927 words)
evelations
Quidquid latet, adparebit,
Nil inultum remanebit. [143]
The vesper bells are ringing, and at the holy sound all pause, drop
their tasks, and uncover. The laborer returning from the fields
ceases the song with which he was pacing his carabao and murmurs a
prayer, the women in the street cross themselves and move their lips
affectedly so that none may doubt their piety, a man stops caressing
his game-cock and recites the angelus to bring better luck, while
inside the houses they pray aloud. Every sound but that of the Ave
Maria dies away, becomes hushed.
Nevertheless, the curate, without his hat, rushes across the street,
to the scandalizing of many old women, and, greater scandal still,
directs his steps toward the house of the alferez. The devout women
then think it time to cease the movement of their lips in order to
kiss the curate's hand, but Padre Salvi takes no notice of them. This
evening he finds no pleasure in placing his bony hand on his Christian
nose that he may slip it down dissemblingly (as Doña Consolacion
has observed) over the bosom of the attractive young woman who may
have bent over to receive his blessing. Some important matter must
be engaging his attention when he thus forgets his own interests and
those of the Church!
In fact, he rushes headlong up the stairway and knocks impatiently
at the alferez's door. The latter puts in his appearance, scowling,
followed by his better half, who smiles like one of the damned.
"Ah, Padre, I was just going over to see you. That old goat of yours--"
"I have a very important matter--"
"I can't stand for his running about and breaking down the fence. I'll
shoot him if he comes back!"
"That is, if you are alive tomorrow!" exclaimed the panting curate
as he made his way toward the sala.
"What, do you think that puny doll will kill me? I'll bust him with
a kick!"
Padre Salvi stepped backward with an involuntary glance toward the
alferez's feet. "Whom are you talking about?" he asked tremblingly.
"About whom would I talk but that simpleton who has challenged me to
a duel with revolvers at a hundred paces?"
"Ah!" sighed the curate, then he added, "I've come to talk to you
about a very urgent matter."
"Enough of urgent matters! It'll be like that affair of the two boys."
Had the light been other than from coconut oil and the lamp globe
not so dirty, the alferez would have noticed the curate's pallor.
"Now this is a serious matter, which concerns the lives of all of us,"
declared Padre Salvi in a low voice.
"A serious matter?" echoed the alferez, turning pale. "Can that boy
shoot straight?"
"I'm not talking about him."
"Then, what?"
The friar made a sign toward the door, which the alferez closed in
his own way--with a kick, for he had found his hands superfluous and
had lost nothing by ceasing to be bimanous.
A curse and a roar sounded outside. "Brute, you've split my forehead
open!" yelled his wife.
"Now, unburden yourself," he said calmly to the curate.
The latter stared at him for a space, then asked in the nasal,
droning voice of the preacher, "Didn't you see me come--running?"
"Sure! I thought you'd lost something."
"Well, now," continued the curate, without heeding the alferez's
rudeness, "when I fail thus in my duty, it's because there are grave
reasons."
"Well, what else?" asked the other, tapping the floor with his foot.
"Be calm!"
"Then why did you come in such a hurry?"
The curate drew nearer to him and asked mysteriously,
"Haven't--you--heard--anything?"
The alferez shrugged his shoulders.
"You admit that you know absolutely nothing?"
"Do you want to talk about Elias, who put away your senior sacristan
last night?" was the retort.
"No, I'm not talking about those matters," answered the curate
ill-naturedly. "I'm talking about a great danger."
"Well, damn it, out with it!"
"Come," said the friar slowly and disdainfully, "you see once more
how important we ecclesiastics are. The meanest lay brother is worth
as much as a regiment, while a curate--"
Then he added in a low and mysterious tone, "I've discovered a big
conspiracy!"
The alferez started up and gazed in astonishment at the friar.
"A terrible and well-organized plot, which will be carried out this
very night."
"This very night!" exclaimed the alferez, pushing the curate aside
and running to his revolver and sword hanging on the wall.
"Who'll I arrest? Who'll I arrest?" he cried.
"Calm yourself! There is still time, thanks to the promptness with
which I have acted. We have till eight o'clock."
"I'll shoot all of them!"
"Listen! This afternoon a woman whose name I can't reveal (it's a
secret of the confessional) came to me and told everything. At eight
o'clock they will seize the barracks by surprise, plunder the convento,
capture the police boat, and murder all of us Spaniards."
The alferez was stupefied.
"The woman did not tell me any more than this," added the curate.
"She didn't tell any more? Then I'll arrest her!"
"I can't consent to that. The bar of penitence is the throne of the
God of mercies."
"There's neither God nor mercies that amount to anything! I'll
arrest her!"
"You're losing your head! What you must do is to get yourself
ready. Muster your soldiers quietly and put them in ambush, send
me four guards for the convento, and notify the men in charge of
the boat."
"The boat isn't here. I'll ask for help from the other sections."
"No, for then the plotters would be warned and would not carry out
their plans. What we must do is to catch them alive and make them
talk--I mean, you'll make them talk, since I, as a priest, must not
meddle in such matters. Listen, here's where you win crosses and
stars. I ask only that you make due acknowledgment that it was I who
warned you."
"It'll be acknowledged, Padre, it'll be acknowledged--and perhaps
you'll get a miter!" answered the glowing alferez, glancing at the
cuffs of his uniform.
"So, you send me four guards in plain clothes, eh? Be discreet,
and tonight at eight o'clock it'll rain stars and crosses."
While all this was taking place, a man ran along the road leading to
Ibarra's house and rushed up the stairway.
"Is your master here?" the voice of Elias called to a servant.
"He's in his study at work."
Ibarra, to divert the impatience that he felt while waiting for the
time when he could make his explanations to Maria Clara, had set
himself to work in his laboratory.
"Ah, that you, Elias?" he exclaimed. "I was thinking about
you. Yesterday I forgot to ask you the name of that Spaniard in whose
house your grandfather lived."
"Let's not talk about me, sir--"
"Look," continued Ibarra, not noticing the youth's agitation,
while he placed a piece of bamboo over a flame, "I've made a great
discovery. This bamboo is incombustible."
"It's not a question of bamboo now, sir, it's a question of your
collecting your papers and fleeing at this very moment."
Ibarra glanced at him in surprise and, on seeing the gravity of his
countenance, dropped the object that he held in his hands.
"Burn everything that may compromise you and within an hour put
yourself in a place of safety."
"Why?" Ibarra was at length able to ask.
"Put all your valuables in a safe place--"
"Why?"
"Burn every letter written by you or to you--the most innocent thing
may be wrongly construed--"
"But why all this?"
"Why! Because I've just discovered a plot that is to be attributed
to you in order to ruin you."
"A plot? Who is forming it?"
"I haven't been able to discover the author of it, but just a moment
ago I talked with one of the poor dupes who are paid to carry it out,
and I wasn't able to dissuade him."
"But he--didn't he tell you who is paying him?"
"Yes! Under a pledge of secrecy he said that it was you."
"My God!" exclaimed the terrified Ibarra.
"There's no doubt of it, sir. Don't lose any time, for the plot will
probably be carried out this very night."
Ibarra, with his hands on his head and his eyes staring unnaturally,
seemed not to hear him.
"The blow cannot be averted," continued Elias. "I've come late,
I don't know who the leaders are. Save yourself, sir, save yourself
for your country's sake!"
"Whither shall I flee? She expects me tonight!" exclaimed Ibarra,
thinking of Maria Clara.
"To any town whatsoever, to Manila, to the house of some official,
but anywhere so that they may not say that you are directing this
movement."
"Suppose that I myself report the plot?"
"You an informer!" exclaimed Elias, stepping back and staring at
him. "You would appear as a traitor and coward in the eyes of the
plotters and faint-hearted in the eyes of others. They would say that
you planned the whole thing to curry favor. They would say--"
"But what's to be done?"
"I've already told you. Destroy every document that relates to your
affairs, flee, and await the outcome."
"And Maria Clara?" exclaimed the young man. "No, I'll die first!"
Elias wrung his hands, saying, "Well then, at least parry the
blow. Prepare for the time when they accuse you."
Ibarra gazed about him in bewilderment. "Then help me. There in
that writing-desk are all the letters of my family. Select those of
my father, which are perhaps the ones that may compromise me. Read
the signatures."
So the bewildered and stupefied young man opened and shut boxes,
collected papers, read letters hurriedly, tearing up some and laying
others aside. He took down some books and began to turn their leaves.
Elias did the same, if not so excitedly, yet with equal eagerness. But
suddenly he paused, his eyes bulged, he turned the paper in his hand
over and over, then asked in a trembling voice:
"Was your family acquainted with Don Pedro Eibarramendia?"
"I should say so!" answered Ibarra, as he opened a chest and took
out a bundle of papers. "He was my great-grandfather."
"Your great-grandfather Don Pedro Eibarramendia?" again asked Elias
with changed and livid features.
"Yes," replied Ibarra absently, "we shortened the surname; it was
too long."
"Was he a Basque?" demanded Elias, approaching him.
"Yes, a Basque--but what's the matter?" asked Ibarra in surprise.
Clenching his fists and pressing them to his forehead, Elias glared
at Crisostomo, who recoiled when he saw the expression on the other's
face. "Do you know who Don Pedro Eibarramendia was?" he asked between
his teeth. "Don Pedro Eibarramendia was the villain who falsely accused
my grandfather and caused all our misfortunes. I have sought for that
name and God has revealed it to me! Render me now an accounting for
our misfortunes!"
Elias caught and shook the arm of Crisostomo, who gazed at him in
terror. In a voice that was bitter and trembling with hate, he said,
"Look at me well, look at one who has suffered and you live, you live,
you have wealth, a home, reputation--you live, you live!"
Beside himself, he ran to a small collection of arms and snatched up
a dagger. But scarcely had he done so when he let it fall again and
stared like a madman at the motionless Ibarra.
"What was I about to do?" he muttered, fleeing from the house.
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Let's Analyse the Pattern
When family grievances from the past override rational present-day alliances and decision-making.
Why This Matters
Connect literature to life
This chapter teaches how to identify when someone's anger toward you is really anger toward your family's past actions.
Practice This Today
This week, notice when conflicts seem disproportionate to the present situation - ask yourself what family or community history might be driving the emotional intensity.
Now let's explore the literary elements.
Key Quotes & Analysis
"The sins of the fathers shall be visited upon the children"
Context: When revealing how Ibarra's great-grandfather destroyed Elias's family through false accusations
This biblical reference shows how colonial injustices created cycles of revenge that lasted generations. Elias feels justified in his hatred because of crimes committed before either man was born.
In Today's Words:
Your family screwed over mine, so now we're enemies whether you like it or not
"Tonight they will arrest you as the leader of the conspiracy"
Context: Warning Ibarra that he's being framed for a plot he knows nothing about
Shows how colonial authorities used manufactured evidence to eliminate inconvenient people. The timing reveals how quickly someone can go from respected citizen to wanted criminal.
In Today's Words:
They're setting you up to take the fall for something you didn't do
"I came to save you, but now I see I should let you burn"
Context: After revealing the family history that makes them enemies
Captures the moment when personal loyalty conflicts with family honor. Elias's internal struggle between doing what's right and what feels justified shows the complexity of inherited grievances.
In Today's Words:
I was going to help you, but now that I know what your people did to mine, maybe you deserve whatever's coming
Thematic Threads
Betrayal
In This Chapter
Padre Salvi betrays Ibarra by framing him as a conspirator, while Elias feels betrayed by discovering Ibarra's family destroyed his
Development
Evolved from earlier political betrayals to deeply personal ones that threaten core relationships
In Your Life:
You might feel this when discovering a friend's family harmed yours in the past, or when someone you trusted uses your vulnerabilities against you
Class
In This Chapter
The conspiracy targets Spanish authorities, highlighting the deep class divisions that fuel political unrest
Development
Developed from social observation to active political resistance and violent plotting
In Your Life:
You see this when workplace tensions explode into formal complaints or when community grievances turn into organized opposition
Identity
In This Chapter
Elias's entire sense of self is shattered by learning the true source of his family's disgrace
Development
Evolved from questions about social position to fundamental questions about family honor and personal worth
In Your Life:
You might experience this when learning family secrets that change how you see yourself or your place in the world
Justice
In This Chapter
Elias struggles between seeking personal justice for his family and maintaining his alliance with Ibarra
Development
Developed from abstract concepts of social justice to immediate, personal demands for retribution
In Your Life:
You face this when deciding whether to pursue justice for past wrongs or focus on current practical needs
Trust
In This Chapter
The revelation about their families' history instantly destroys the trust between Ibarra and Elias
Development
Evolved from building mutual respect to complete breakdown when family honor conflicts with present alliance
In Your Life:
You experience this when past actions by family or institutions make it impossible to trust current representatives, even when they seem genuine
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What two shocking revelations happen in this chapter, and how does the timing make everything worse?
analysis • surface - 2
Why does Elias almost attack Ibarra with the dagger, even though they've been allies? What overpowers his rational thinking?
analysis • medium - 3
When have you seen people destroy good relationships because of old family grudges or inherited anger? What did that look like?
application • medium - 4
If you were Elias, how would you handle discovering that your ally's family destroyed yours? How do you separate past wrongs from present needs?
application • deep - 5
What does this chapter reveal about how the sins of previous generations can poison present relationships? How do we break those cycles?
reflection • deep
Critical Thinking Exercise
Map Your Inherited Conflicts
Think about a conflict or tension in your life that feels bigger than the immediate situation. Map out what anger or hurt you might be carrying from your family's past. Write down the original wound, how it was passed down, and how it's affecting your current relationships or decisions.
Consider:
- •Are you fighting battles that aren't really yours?
- •What would change if you separated past grievances from present opportunities?
- •How might your inherited anger be hurting relationships you actually need?
Journaling Prompt
Write about a time when family history or old grudges influenced a decision you made. Looking back, would you handle it differently now? What would it look like to break the cycle instead of continuing it?
Coming Up Next...
Chapter 55: When Everything Falls Apart
With Elias gone and the conspiracy set to unfold, Ibarra faces his greatest crisis alone. The carefully laid trap is about to spring, and there may be no escape from the web of accusations closing around him.




