An excerpt from the original text.(complete · 798 words)
OF SMELLS
It has been reported of some, as of Alexander the Great, that their sweat
exhaled an odoriferous smell, occasioned by some rare and extraordinary
constitution, of which Plutarch and others have been inquisitive into the
cause. But the ordinary constitution of human bodies is quite otherwise,
and their best and chiefest excellency is to be exempt from smell. Nay,
the sweetness even of the purest breath has nothing in it of greater
perfection than to be without any offensive smell, like those of
healthful children, which made Plautus say of a woman:
“Mulier tum bene olet, ubi nihil olet.”
[“She smells sweetest, who smells not at all.”
--Plautus, Mostel, i. 3, 116.]
And such as make use of fine exotic perfumes are with good reason to be
suspected of some natural imperfection which they endeavour by these
odours to conceal. To smell, though well, is to stink:
“Rides nos, Coracine, nil olentes
Malo, quam bene olere, nil olere.”
[“You laugh at us, Coracinus, because we are not scented; I would,
rather than smell well, not smell at all.”--Martial, vi. 55, 4.]
And elsewhere:
“Posthume, non bene olet, qui bene semper olet.”
[“Posthumus, he who ever smells well does not smell well.”
--Idem, ii. 12, 14.]
I am nevertheless a great lover of good smells, and as much abominate the
ill ones, which also I scent at a greater distance, I think, than other
men:
“Namque sagacius unus odoror,
Polypus, an gravis hirsutis cubet hircus in aliis
Quam canis acer, ubi latest sus.”
[“My nose is quicker to scent a fetid sore or a rank armpit, than a
dog to smell out the hidden sow.”--Horace, Epod., xii. 4.]
Of smells, the simple and natural seem to me the most pleasing. Let the
ladies look to that, for ‘tis chiefly their concern: amid the most
profound barbarism, the Scythian women, after bathing, were wont to
powder and crust their faces and all their bodies with a certain
odoriferous drug growing in their country, which being cleansed off, when
they came to have familiarity with men they were found perfumed and
sleek. ‘Tis not to be believed how strangely all sorts of odours cleave
to me, and how apt my skin is to imbibe them. He that complains of
nature that she has not furnished mankind with a vehicle to convey smells
to the nose had no reason; for they will do it themselves, especially to
me; my very mustachios, which are full, perform that office; for if I
stroke them but with my gloves or handkerchief, the smell will not out a
whole day; they manifest where I have been, and the close, luscious,
devouring, viscid melting kisses of youthful ardour in my wanton age left
a sweetness upon my lips for several hours after. And yet I have ever
found myself little subject to epidemic diseases, that are caught, either
by conversing with the sick or bred by the contagion of the air, and have
escaped from those of my time, of which there have been several sorts in
our cities and armies. We read of Socrates, that though he never
departed from Athens during the frequent plagues that infested the city,
he only was never infected.
Physicians might, I believe, extract greater utility from odours than
they do, for I have often observed that they cause an alteration in me
and work upon my spirits according to their several virtues; which makes
me approve of what is said, that the use of incense and perfumes in
churches, so ancient and so universally received in all nations and
religions, was intended to cheer us, and to rouse and purify the senses,
the better to fit us for contemplation.
I could have been glad, the better to judge of it, to have tasted the
culinary art of those cooks who had so rare a way of seasoning exotic
odours with the relish of meats; as it was particularly observed in the
service of the king of Tunis, who in our days--[Muley-Hassam, in 1543.]
--landed at Naples to have an interview with Charles the Emperor. His
dishes were larded with odoriferous drugs, to that degree of expense that
the cookery of one peacock and two pheasants amounted to a hundred ducats
to dress them after their fashion; and when the carver came to cut them
up, not only the dining-room, but all the apartments of his palace and
the adjoining streets were filled with an aromatic vapour which did not
presently vanish.
My chiefest care in choosing my lodgings is always to avoid a thick and
stinking air; and those beautiful cities, Venice and Paris, very much
lessen the kindness I have for them, the one by the offensive smell of
her marshes, and the other of her dirt.
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Let's Analyse the Pattern
Natural, unadorned presence consistently outperforms artificial enhancement in building trust and attraction.
Why This Matters
Connect literature to life
This chapter teaches how to recognize when someone is putting on a show versus being genuinely themselves, and why authenticity creates stronger connections.
Practice This Today
This week, notice when someone feels 'off' despite saying all the right things—trust that gut reaction and observe what your instincts are picking up on.
Now let's explore the literary elements.
Key Quotes & Analysis
"She smells sweetest, who smells not at all"
Context: Used to support the argument that natural, unscented people are more appealing than those who use artificial fragrances
This quote captures Montaigne's core belief that authenticity trumps artifice. It suggests that trying too hard to be appealing often backfires, and that our natural state is usually our best state.
In Today's Words:
The most attractive people are those who aren't trying too hard to be attractive
"Such as make use of fine exotic perfumes are with good reason to be suspected of some natural imperfection"
Context: Explaining why he's suspicious of people who rely heavily on artificial scents
This reveals Montaigne's belief that heavy artificial enhancement usually indicates someone is trying to hide flaws. It shows his preference for authenticity and his distrust of pretense.
In Today's Words:
When someone's trying way too hard to impress you, they're probably covering up something they don't want you to see
"I am nevertheless a great lover of good smells, and as much abominate the ill ones"
Context: Describing his own heightened sensitivity to scents
This shows Montaigne's self-awareness about his own sensitivities and how they affect his daily life. He's not against pleasant scents, just artificial ones that mask natural odors.
In Today's Words:
I love when things smell good naturally, but fake or bad smells really bother me
Thematic Threads
Authenticity
In This Chapter
Montaigne argues that natural presence without artificial enhancement is more appealing and trustworthy than heavy perfumes or personas
Development
Introduced here as core principle
In Your Life:
You might notice feeling more comfortable around people who seem genuinely themselves versus those who seem to be performing a role.
Instinct
In This Chapter
Montaigne's heightened sensitivity to smells becomes a tool for detecting genuine versus false elements in his environment
Development
Introduced here as navigation tool
In Your Life:
You might recognize that your gut feelings about people and situations are often more accurate than your logical analysis.
Environment
In This Chapter
Montaigne chooses where to live based on air quality, recognizing that surroundings directly impact well-being
Development
Introduced here as practical wisdom
In Your Life:
You might start paying more attention to how different places and people make you feel physically and emotionally.
Social Masks
In This Chapter
Heavy perfumes and artificial enhancements are seen as attempts to hide natural deficiencies or insecurities
Development
Introduced here as warning sign
In Your Life:
You might notice when you or others are using external things to compensate for feeling inadequate inside.
Health
In This Chapter
Montaigne connects his sensitivity to smells with his overall health and mood, showing how environment affects well-being
Development
Introduced here as holistic approach
In Your Life:
You might start recognizing how your physical environment directly impacts your mental and emotional state.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What does Montaigne mean when he says 'the best smell is no smell at all'? What is he really arguing about how we should present ourselves?
analysis • surface - 2
Why does Montaigne connect heavy perfume use to insecurity or trying to hide something? What pattern is he identifying about artificial enhancement?
analysis • medium - 3
Where do you see this 'authenticity versus artifice' pattern playing out today—at work, on social media, or in relationships?
application • medium - 4
Think about someone you trust versus someone who makes you feel uneasy. How might Montaigne's ideas about detecting genuine versus fake help explain those gut reactions?
application • deep - 5
Montaigne chooses where to live based partly on air quality, recognizing that environment affects well-being. What does this teach us about paying attention to how places and people make us feel?
reflection • deep
Critical Thinking Exercise
The Authenticity Audit
Think about three different versions of yourself: how you act at work, with family, and on social media. Write down what feels most natural versus what feels like performance. Notice where you're adding 'perfume'—extra layers to impress or hide—and where you're comfortable just being yourself.
Consider:
- •Which version of yourself feels most effortless and energizing?
- •Where do you feel pressure to 'enhance' or perform, and what might that signal?
- •How do people respond differently to your authentic versus performed self?
Journaling Prompt
Write about a time when you dropped the performance and just showed up as yourself. What happened? How did people respond, and how did it feel?
Coming Up Next...
Chapter 56: The Sacred and the Profane in Prayer
From the physical realm of scents, Montaigne turns to the spiritual practice of prayer, examining how we communicate with the divine and what our prayers reveal about our deepest desires and fears.




