An excerpt from the original text.(complete · 1547 words)
hab and the Carpenter.
The Deck—First Night Watch.
(Carpenter standing before his vice-bench, and by the light of two
lanterns busily filing the ivory joist for the leg, which joist is
firmly fixed in the vice. Slabs of ivory, leather straps, pads, screws,
and various tools of all sorts lying about the bench. Forward, the red
flame of the forge is seen, where the blacksmith is at work.)
Drat the file, and drat the bone! That is hard which should be soft,
and that is soft which should be hard. So we go, who file old jaws and
shinbones. Let’s try another. Aye, now, this works better (sneezes).
Halloa, this bone dust is (sneezes)—why it’s (sneezes)—yes it’s
(sneezes)—bless my soul, it won’t let me speak! This is what an old
fellow gets now for working in dead lumber. Saw a live tree, and you
don’t get this dust; amputate a live bone, and you don’t get it
(sneezes). Come, come, you old Smut, there, bear a hand, and let’s
have that ferule and buckle-screw; I’ll be ready for them presently.
Lucky now (sneezes) there’s no knee-joint to make; that might puzzle
a little; but a mere shinbone—why it’s easy as making hop-poles; only I
should like to put a good finish on. Time, time; if I but only had the
time, I could turn him out as neat a leg now as ever (sneezes)
scraped to a lady in a parlor. Those buckskin legs and calves of legs
I’ve seen in shop windows wouldn’t compare at all. They soak water,
they do; and of course get rheumatic, and have to be doctored
(sneezes) with washes and lotions, just like live legs. There; before
I saw it off, now, I must call his old Mogulship, and see whether the
length will be all right; too short, if anything, I guess. Ha! that’s
the heel; we are in luck; here he comes, or it’s somebody else, that’s
certain.
AHAB (advancing). (During the ensuing scene, the carpenter continues
sneezing at times.)
Well, manmaker!
Just in time, sir. If the captain pleases, I will now mark the length.
Let me measure, sir.
Measured for a leg! good. Well, it’s not the first time. About it!
There; keep thy finger on it. This is a cogent vice thou hast here,
carpenter; let me feel its grip once. So, so; it does pinch some.
Oh, sir, it will break bones—beware, beware!
No fear; I like a good grip; I like to feel something in this slippery
world that can hold, man. What’s Prometheus about there?—the
blacksmith, I mean—what’s he about?
He must be forging the buckle-screw, sir, now.
Right. It’s a partnership; he supplies the muscle part. He makes a
fierce red flame there!
Aye, sir; he must have the white heat for this kind of fine work.
Um-m. So he must. I do deem it now a most meaning thing, that that old
Greek, Prometheus, who made men, they say, should have been a
blacksmith, and animated them with fire; for what’s made in fire must
properly belong to fire; and so hell’s probable. How the soot flies!
This must be the remainder the Greek made the Africans of. Carpenter,
when he’s through with that buckle, tell him to forge a pair of steel
shoulder-blades; there’s a pedlar aboard with a crushing pack.
Sir?
Hold; while Prometheus is about it, I’ll order a complete man after a
desirable pattern. Imprimis, fifty feet high in his socks; then, chest
modelled after the Thames Tunnel; then, legs with roots to ’em, to stay
in one place; then, arms three feet through the wrist; no heart at all,
brass forehead, and about a quarter of an acre of fine brains; and let
me see—shall I order eyes to see outwards? No, but put a sky-light on
top of his head to illuminate inwards. There, take the order, and away.
Now, what’s he speaking about, and who’s he speaking to, I should like
to know? Shall I keep standing here? (aside).
’Tis but indifferent architecture to make a blind dome; here’s one. No,
no, no; I must have a lantern.
Ho, ho! That’s it, hey? Here are two, sir; one will serve my turn.
What art thou thrusting that thief-catcher into my face for, man?
Thrusted light is worse than presented pistols.
I thought, sir, that you spoke to carpenter.
Carpenter? why that’s—but no;—a very tidy, and, I may say, an extremely
gentlemanlike sort of business thou art in here, carpenter;—or would’st
thou rather work in clay?
Sir?—Clay? clay, sir? That’s mud; we leave clay to ditchers, sir.
The fellow’s impious! What art thou sneezing about?
Bone is rather dusty, sir.
Take the hint, then; and when thou art dead, never bury thyself under
living people’s noses.
Sir?—oh! ah!—I guess so;—yes—oh, dear!
Look ye, carpenter, I dare say thou callest thyself a right good
workmanlike workman, eh? Well, then, will it speak thoroughly well for
thy work, if, when I come to mount this leg thou makest, I shall
nevertheless feel another leg in the same identical place with it; that
is, carpenter, my old lost leg; the flesh and blood one, I mean. Canst
thou not drive that old Adam away?
Truly, sir, I begin to understand somewhat now. Yes, I have heard
something curious on that score, sir; how that a dismasted man never
entirely loses the feeling of his old spar, but it will be still
pricking him at times. May I humbly ask if it be really so, sir?
It is, man. Look, put thy live leg here in the place where mine once
was; so, now, here is only one distinct leg to the eye, yet two to the
soul. Where thou feelest tingling life; there, exactly there, there to
a hair, do I. Is’t a riddle?
I should humbly call it a poser, sir.
Hist, then. How dost thou know that some entire, living, thinking thing
may not be invisibly and uninterpenetratingly standing precisely where
thou now standest; aye, and standing there in thy spite? In thy most
solitary hours, then, dost thou not fear eavesdroppers? Hold, don’t
speak! And if I still feel the smart of my crushed leg, though it be
now so long dissolved; then, why mayst not thou, carpenter, feel the
fiery pains of hell for ever, and without a body? Hah!
Good Lord! Truly, sir, if it comes to that, I must calculate over
again; I think I didn’t carry a small figure, sir.
Look ye, pudding-heads should never grant premises.—How long before the
leg is done?
Perhaps an hour, sir.
Bungle away at it then, and bring it to me (turns to go). Oh, Life!
Here I am, proud as Greek god, and yet standing debtor to this
blockhead for a bone to stand on! Cursed be that mortal
inter-indebtedness which will not do away with ledgers. I would be free
as air; and I’m down in the whole world’s books. I am so rich, I could
have given bid for bid with the wealthiest Prætorians at the auction of
the Roman empire (which was the world’s); and yet I owe for the flesh
in the tongue I brag with. By heavens! I’ll get a crucible, and into
it, and dissolve myself down to one small, compendious vertebra. So.
CARPENTER (resuming his work).
Well, well, well! Stubb knows him best of all, and Stubb always says
he’s queer; says nothing but that one sufficient little word queer;
he’s queer, says Stubb; he’s queer—queer, queer; and keeps dinning it
into Mr. Starbuck all the time—queer—sir—queer, queer, very queer. And
here’s his leg! Yes, now that I think of it, here’s his bedfellow! has
a stick of whale’s jaw-bone for a wife! And this is his leg; he’ll
stand on this. What was that now about one leg standing in three
places, and all three places standing in one hell—how was that? Oh! I
don’t wonder he looked so scornful at me! I’m a sort of
strange-thoughted sometimes, they say; but that’s only haphazard-like.
Then, a short, little old body like me, should never undertake to wade
out into deep waters with tall, heron-built captains; the water chucks
you under the chin pretty quick, and there’s a great cry for
life-boats. And here’s the heron’s leg! long and slim, sure enough!
Now, for most folks one pair of legs lasts a lifetime, and that must be
because they use them mercifully, as a tender-hearted old lady uses her
roly-poly old coach-horses. But Ahab; oh he’s a hard driver. Look,
driven one leg to death, and spavined the other for life, and now wears
out bone legs by the cord. Halloa, there, you Smut! bear a hand there
with those screws, and let’s finish it before the resurrection fellow
comes a-calling with his horn for all legs, true or false, as
brewery-men go round collecting old beer barrels, to fill ’em up again.
What a leg this is! It looks like a real live leg, filed down to
nothing but the core; he’ll be standing on this to-morrow; he’ll be
taking altitudes on it. Halloa! I almost forgot the little oval slate,
smoothed ivory, where he figures up the latitude. So, so; chisel, file,
and sand-paper, now!
Master this chapter. Complete your experience
Purchase the complete book to access all chapters and support classic literature
As an Amazon Associate, we earn a small commission from qualifying purchases at no additional cost to you.
Available in paperback, hardcover, and e-book formats
Let's Analyse the Pattern
When obsession with one narrow goal makes you unable to recognize or value any other form of achievement, turning others' victories into your defeats.
Why This Matters
Connect literature to life
This chapter teaches you to identify when someone's personal obsession has replaced all healthy goals, making them dangerous to follow.
Practice This Today
This week, notice when someone dismisses good news or others' achievements - it reveals whether they're driven by building up or tearing down.
Now let's explore the literary elements.
Key Quotes & Analysis
"Come aboard, come aboard!"
Context: Inviting Ahab to join their celebration as the ships pass
This invitation represents the life Ahab could choose - joy, success, human connection. His refusal shows how obsession isolates us from happiness that's literally within reach.
In Today's Words:
Come on, man, let it go and have some fun with us!
"Hast seen the White Whale?"
Context: His only question to the celebrating captain
While others celebrate life and success, Ahab can only think of revenge. He can't even engage in normal conversation - everything leads back to his obsession.
In Today's Words:
But did you see that person who wronged me?
"No; only heard of him; but don't believe in him at all."
Context: Dismissing the very existence of Ahab's obsession
This casual dismissal shows how personal Ahab's vendetta is. What consumes his entire existence is just a myth to successful captains focused on profit, not revenge.
In Today's Words:
Nah, that's just drama - I don't even think it's real.
"Full ship and homeward bound!"
Context: Their celebration chant as they pass the Pequod
These five words represent everything Ahab has thrown away. Success in whaling means oil, money, and home - but Ahab has redefined success as destruction.
In Today's Words:
We crushed it and we're going home!
Thematic Threads
Obsession
In This Chapter
Ahab literally turns away from joy and success because it doesn't match his singular definition of victory
Development
Reaches peak contrast—Ahab's monomania shown against pure success and happiness
In Your Life:
When you can't celebrate others' wins because you're too focused on your own narrow goal
Success
In This Chapter
The Bachelor represents everything whaling should achieve—profit, joy, safe return home
Development
Introduced as counterpoint to the Pequod's dark mission
In Your Life:
When someone else achieves what you're supposedly working toward but you feel empty instead of inspired
Isolation
In This Chapter
Ahab stands alone with his vial of sand while an entire ship celebrates together
Development
Deepens from chosen isolation to complete disconnection from human joy
In Your Life:
When your personal mission has cut you off from people who could share your happiness
Home
In This Chapter
The vial of Nantucket sand—Ahab carries home in his pocket because he can't return to it
Development
Transforms from distant goal to impossible dream—he has home but can't go home
In Your Life:
When you keep tokens of what you've sacrificed for a goal that's consuming everything you meant to protect
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What's the biggest difference between the Bachelor and the Pequod when they meet?
analysis • surface - 2
Why does Ahab turn away from the Bachelor's celebration instead of joining in?
analysis • medium - 3
Where do you see people so focused on 'getting even' that they can't celebrate when good things happen around them?
application • medium - 4
If you were on the Pequod watching the Bachelor sail by, what would you say to Ahab about his choices?
application • deep - 5
What does the vial of sand tell us about what revenge really costs a person?
reflection • deep
Critical Thinking Exercise
Chart Your Success Definitions
Draw two columns. In the left, write what 'winning' means to the Bachelor's crew (full barrels, going home, getting paid). In the right, write what 'winning' means to Ahab (killing Moby Dick). Now add a third column: write what 'winning' means in your own life right now. Circle any definitions that sound more like revenge than success.
Consider:
- •Are your goals about building something or destroying something?
- •Would achieving your goals let you go home happy or keep you hunting forever?
- •Who decides if you've 'won' - you or someone who hurt you?
Journaling Prompt
Write about a time when someone else's success made you feel like you were failing. What were you really measuring yourself against?
Coming Up Next...
Chapter 109
As the Pequod sails on, death begins to circle the ship in an unexpected form. The crew will soon discover that even in the vast Pacific, some messengers arrive whether you want them or not.




