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Jude the Obscure - The Past Returns to Claim Its Due

Thomas Hardy

Jude the Obscure

The Past Returns to Claim Its Due

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Summary

Arabella's unexpected return creates a crisis that forces Sue and Jude into marriage. When Arabella appears at their door claiming to be in trouble, Sue's jealousy wars with her principles. She begs Jude not to go to his ex-wife, but he insists on helping her out of basic decency. Faced with losing him, Sue finally agrees to marry Jude—not from love's triumph, but from fear of abandonment. The next morning, guilt consumes Sue for her selfishness toward Arabella. She visits the inn to check on her rival, where Arabella reveals she's received a telegram from her Australian partner asking her to return and marry him properly. Arabella advises Sue to legalize her relationship with Jude quickly, warning that unmarried women have no legal protections. This chapter exposes how past relationships never truly end—they resurface at crucial moments, forcing decisions we're not ready to make. Sue's capitulation to marriage comes not from readiness but from desperation, while Jude's divided loyalties reveal the complexity of human obligation. Hardy shows how external pressure can push people into life-changing commitments for the wrong reasons, setting up potential future conflicts.

Coming Up in Chapter 37

Sue and Jude take their first steps toward making their union legal, but Sue's preoccupation suggests Arabella's visit has left deeper marks than expected. Their silent walk together hints at unspoken tensions that may complicate their path to the altar.

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An excerpt from the original text.(complete · 3484 words)

T

was an evening at the end of the month, and Jude had just returned
home from hearing a lecture on ancient history in the public hall not
far off. When he entered, Sue, who had been keeping indoors during his
absence, laid out supper for him. Contrary to custom she did not speak.
Jude had taken up some illustrated paper, which he perused till,
raising his eyes, he saw that her face was troubled.

“Are you depressed, Sue?” he said.

She paused a moment. “I have a message for you,” she answered.

“Somebody has called?”

“Yes. A woman.” Sue’s voice quavered as she spoke, and she suddenly sat
down from her preparations, laid her hands in her lap, and looked into
the fire. “I don’t know whether I did right or not!” she continued. “I
said you were not at home, and when she said she would wait, I said I
thought you might not be able to see her.”

“Why did you say that, dear? I suppose she wanted a headstone. Was she
in mourning?”

“No. She wasn’t in mourning, and she didn’t want a headstone; and I
thought you couldn’t see her.” Sue looked critically and imploringly at
him.

“But who was she? Didn’t she say?”

“No. She wouldn’t give her name. But I know who she was—I think I do!
It was Arabella!”

“Heaven save us! What should Arabella come for? What made you think it
was she?”

“Oh, I can hardly tell. But I know it was! I feel perfectly certain it
was—by the light in her eyes as she looked at me. She was a fleshy,
coarse woman.”

“Well—I should not have called Arabella coarse exactly, except in
speech, though she may be getting so by this time under the duties of
the public house. She was rather handsome when I knew her.”

“Handsome! But yes!—so she is!”

“I think I heard a quiver in your little mouth. Well, waiving that, as
she is nothing to me, and virtuously married to another man, why should
she come troubling us?”

“Are you sure she’s married? Have you definite news of it?”

“No—not definite news. But that was why she asked me to release her.
She and the man both wanted to lead a proper life, as I understood.”

“Oh Jude—it was, it was Arabella!” cried Sue, covering her eyes with
her hand. “And I am so miserable! It seems such an ill omen, whatever
she may have come for. You could not possibly see her, could you?”

“I don’t really think I could. It would be so very painful to talk to
her now—for her as much as for me. However, she’s gone. Did she say she
would come again?”

“No. But she went away very reluctantly.”

Sue, whom the least thing upset, could not eat any supper, and when
Jude had finished his he prepared to go to bed. He had no sooner raked
out the fire, fastened the doors, and got to the top of the stairs than
there came a knock. Sue instantly emerged from her room, which she had
but just entered.

“There she is again!” Sue whispered in appalled accents.

“How do you know?”

“She knocked like that last time.”

They listened, and the knocking came again. No servant was kept in the
house, and if the summons were to be responded to one of them would
have to do it in person. “I’ll open a window,” said Jude. “Whoever it
is cannot be expected to be let in at this time.”

He accordingly went into his bedroom and lifted the sash. The lonely
street of early retiring workpeople was empty from end to end save of
one figure—that of a woman walking up and down by the lamp a few yards
off.

“Who’s there?” he asked.

“Is that Mr. Fawley?” came up from the woman, in a voice which was
unmistakably Arabella’s.

Jude replied that it was.

“Is it she?” asked Sue from the door, with lips apart.

“Yes, dear,” said Jude. “What do you want, Arabella?” he inquired.

“I beg your pardon, Jude, for disturbing you,” said Arabella humbly.
“But I called earlier—I wanted particularly to see you to-night, if I
could. I am in trouble, and have nobody to help me!”

“In trouble, are you?”

“Yes.”

There was a silence. An inconvenient sympathy seemed to be rising in
Jude’s breast at the appeal. “But aren’t you married?” he said.

Arabella hesitated. “No, Jude, I am not,” she returned. “He wouldn’t,
after all. And I am in great difficulty. I hope to get another
situation as barmaid soon. But it takes time, and I really am in great
distress because of a sudden responsibility that’s been sprung upon me
from Australia; or I wouldn’t trouble you—believe me I wouldn’t. I want
to tell you about it.”

Sue remained at gaze, in painful tension, hearing every word, but
speaking none.

“You are not really in want of money, Arabella?” he asked, in a
distinctly softened tone.

“I have enough to pay for the night’s lodging I have obtained, but
barely enough to take me back again.”

“Where are you living?”

“In London still.” She was about to give the address, but she said, “I
am afraid somebody may hear, so I don’t like to call out particulars of
myself so loud. If you could come down and walk a little way with me
towards the Prince Inn, where I am staying to-night, I would explain
all. You may as well, for old time’s sake!”

“Poor thing! I must do her the kindness of hearing what’s the matter, I
suppose,” said Jude in much perplexity. “As she’s going back to-morrow
it can’t make much difference.”

“But you can go and see her to-morrow, Jude! Don’t go now, Jude!” came
in plaintive accents from the doorway. “Oh, it is only to entrap you, I
know it is, as she did before! Don’t go, dear! She is such a
low-passioned woman—I can see it in her shape, and hear it in her
voice!

“But I shall go,” said Jude. “Don’t attempt to detain me, Sue. God
knows I love her little enough now, but I don’t want to be cruel to
her.” He turned to the stairs.

“But she’s not your wife!” cried Sue distractedly. “And I—”

“And you are not either, dear, yet,” said Jude.

“Oh, but are you going to her? Don’t! Stay at home! Please, please stay
at home, Jude, and not go to her, now she’s not your wife any more than
I!”

“Well, she is, rather more than you, come to that,” he said, taking his
hat determinedly. “I’ve wanted you to be, and I’ve waited with the
patience of Job, and I don’t see that I’ve got anything by my
self-denial. I shall certainly give her something, and hear what it is
she is so anxious to tell me; no man could do less!”

There was that in his manner which she knew it would be futile to
oppose. She said no more, but, turning to her room as meekly as a
martyr, heard him go downstairs, unbolt the door, and close it behind
him. With a woman’s disregard of her dignity when in the presence of
nobody but herself, she also trotted down, sobbing articulately as she
went. She listened. She knew exactly how far it was to the inn that
Arabella had named as her lodging. It would occupy about seven minutes
to get there at an ordinary walking pace; seven to come back again. If
he did not return in fourteen minutes he would have lingered. She
looked at the clock. It was twenty-five minutes to eleven. He might
enter the inn with Arabella, as they would reach it before closing
time; she might get him to drink with her; and Heaven only knew what
disasters would befall him then.

In a still suspense she waited on. It seemed as if the whole time had
nearly elapsed when the door was opened again, and Jude appeared.

Sue gave a little ecstatic cry. “Oh, I knew I could trust you!—how good
you are!”—she began.

“I can’t find her anywhere in this street, and I went out in my
slippers only. She has walked on, thinking I’ve been so hard-hearted as
to refuse her requests entirely, poor woman. I’ve come back for my
boots, as it is beginning to rain.”

“Oh, but why should you take such trouble for a woman who has served
you so badly!” said Sue in a jealous burst of disappointment.

“But, Sue, she’s a woman, and I once cared for her; and one can’t be a
brute in such circumstances.”

“She isn’t your wife any longer!” exclaimed Sue, passionately excited.
“You mustn’t go out to find her! It isn’t right! You can’t join
her, now she’s a stranger to you. How can you forget such a thing, my
dear, dear one!”

“She seems much the same as ever—an erring, careless, unreflecting
fellow-creature,” he said, continuing to pull on his boots. “What those
legal fellows have been playing at in London makes no difference in my
real relations to her. If she was my wife while she was away in
Australia with another husband, she’s my wife now.”

“But she wasn’t! That’s just what I hold! There’s the absurdity!—
Well—you’ll come straight back, after a few minutes, won’t you, dear?
She is too low, too coarse for you to talk to long, Jude, and was
always!”

“Perhaps I am coarse too, worse luck! I have the germs of every human
infirmity in me, I verily believe—that was why I saw it was so
preposterous of me to think of being a curate. I have cured myself of
drunkenness I think; but I never know in what new form a suppressed
vice will break out in me! I do love you, Sue, though I have danced
attendance on you so long for such poor returns! All that’s best and
noblest in me loves you, and your freedom from everything that’s gross
has elevated me, and enabled me to do what I should never have dreamt
myself capable of, or any man, a year or two ago. It is all very well
to preach about self-control, and the wickedness of coercing a woman.
But I should just like a few virtuous people who have condemned me in
the past, about Arabella and other things, to have been in my
tantalizing position with you through these late weeks!—they’d believe,
I think, that I have exercised some little restraint in always giving
in to your wishes—living here in one house, and not a soul between us.”

“Yes, you have been good to me, Jude; I know you have, my dear
protector.”

“Well—Arabella has appealed to me for help. I must go out and speak to
her, Sue, at least!”

“I can’t say any more!—Oh, if you must, you must!” she said, bursting
out into sobs that seemed to tear her heart. “I have nobody but you,
Jude, and you are deserting me! I didn’t know you were like this—I
can’t bear it, I can’t! If she were yours it would be different!”

“Or if you were.”

“Very well then—if I must I must. Since you will have it so, I agree! I
will be. Only I didn’t mean to! And I didn’t want to marry again,
either! … But, yes—I agree, I agree! I do love you. I ought to have
known that you would conquer in the long run, living like this!”

She ran across and flung her arms round his neck. “I am not a
cold-natured, sexless creature, am I, for keeping you at such a
distance? I am sure you don’t think so! Wait and see! I do belong to
you, don’t I? I give in!”

“And I’ll arrange for our marriage to-morrow, or as soon as ever you
wish.”

“Yes, Jude.”

“Then I’ll let her go,” said he, embracing Sue softly. “I do feel that
it would be unfair to you to see her, and perhaps unfair to her. She is
not like you, my darling, and never was: it is only bare justice to say
that. Don’t cry any more. There; and there; and there!” He kissed her
on one side, and on the other, and in the middle, and rebolted the
front door.

The next morning it was wet.

“Now, dear,” said Jude gaily at breakfast; “as this is Saturday I mean
to call about the banns at once, so as to get the first publishing done
to-morrow, or we shall lose a week. Banns will do? We shall save a
pound or two.”

Sue absently agreed to banns. But her mind for the moment was running
on something else. A glow had passed away from her, and depression sat
upon her features.

“I feel I was wickedly selfish last night!” she murmured. “It was sheer
unkindness in me—or worse—to treat Arabella as I did. I didn’t care
about her being in trouble, and what she wished to tell you! Perhaps it
was really something she was justified in telling you. That’s some more
of my badness, I suppose! Love has its own dark morality when rivalry
enters in—at least, mine has, if other people’s hasn’t… I wonder how
she got on? I hope she reached the inn all right, poor woman.”

“Oh yes: she got on all right,” said Jude placidly.

“I hope she wasn’t shut out, and that she hadn’t to walk the streets in
the rain. Do you mind my putting on my waterproof and going to see if
she got in? I’ve been thinking of her all the morning.”

“Well—is it necessary? You haven’t the least idea how Arabella is able
to shift for herself. Still, darling, if you want to go and inquire you
can.”

There was no limit to the strange and unnecessary penances which Sue
would meekly undertake when in a contrite mood; and this going to see
all sorts of extraordinary persons whose relation to her was precisely
of a kind that would have made other people shun them was her instinct
ever, so that the request did not surprise him.

“And when you come back,” he added, “I’ll be ready to go about the
banns. You’ll come with me?”

Sue agreed, and went off under cloak and umbrella letting Jude kiss her
freely, and returning his kisses in a way she had never done before.
Times had decidedly changed. “The little bird is caught at last!” she
said, a sadness showing in her smile.

“No—only nested,” he assured her.

She walked along the muddy street till she reached the public house
mentioned by Arabella, which was not so very far off. She was informed
that Arabella had not yet left, and in doubt how to announce herself so
that her predecessor in Jude’s affections would recognize her, she sent
up word that a friend from Spring Street had called, naming the place
of Jude’s residence. She was asked to step upstairs, and on being shown
into a room found that it was Arabella’s bedroom, and that the latter
had not yet risen. She halted on the turn of her toe till Arabella
cried from the bed, “Come in and shut the door,” which Sue accordingly
did.

Arabella lay facing the window, and did not at once turn her head: and
Sue was wicked enough, despite her penitence, to wish for a moment that
Jude could behold her forerunner now, with the daylight full upon her.
She may have seemed handsome enough in profile under the lamps, but a
frowsiness was apparent this morning; and the sight of her own fresh
charms in the looking-glass made Sue’s manner bright, till she
reflected what a meanly sexual emotion this was in her, and hated
herself for it.

“I’ve just looked in to see if you got back comfortably last night,
that’s all,” she said gently. “I was afraid afterwards that you might
have met with any mishap?”

“Oh—how stupid this is! I thought my visitor was—your friend—your
husband—Mrs. Fawley, as I suppose you call yourself?” said Arabella,
flinging her head back upon the pillows with a disappointed toss, and
ceasing to retain the dimple she had just taken the trouble to produce.

“Indeed I don’t,” said Sue.

“Oh, I thought you might have, even if he’s not really yours. Decency
is decency, any hour of the twenty-four.”

“I don’t know what you mean,” said Sue stiffly. “He is mine, if you
come to that!”

“He wasn’t yesterday.”

Sue coloured roseate, and said, “How do you know?”

“From your manner when you talked to me at the door. Well, my dear,
you’ve been quick about it, and I expect my visit last night helped it
on—ha-ha! But I don’t want to get him away from you.”

Sue looked out at the rain, and at the dirty toilet-cover, and at the
detached tail of Arabella’s hair hanging on the looking-glass, just as
it had done in Jude’s time; and wished she had not come. In the pause
there was a knock at the door, and the chambermaid brought in a
telegram for “Mrs. Cartlett.”

Arabella opened it as she lay, and her ruffled look disappeared.

“I am much obliged to you for your anxiety about me,” she said blandly
when the maid had gone; “but it is not necessary you should feel it. My
man finds he can’t do without me after all, and agrees to stand by the
promise to marry again over here that he has made me all along. See
here! This is in answer to one from me.” She held out the telegram for
Sue to read, but Sue did not take it. “He asks me to come back. His
little corner public in Lambeth would go to pieces without me, he says.
But he isn’t going to knock me about when he has had a drop, any more
after we are spliced by English law than before! … As for you, I should
coax Jude to take me before the parson straight off, and have done with
it, if I were in your place. I say it as a friend, my dear.”

“He’s waiting to, any day,” returned Sue, with frigid pride.

“Then let him, in Heaven’s name. Life with a man is more businesslike
after it, and money matters work better. And then, you see, if you have
rows, and he turns you out of doors, you can get the law to protect
you, which you can’t otherwise, unless he half-runs you through with a
knife, or cracks your noddle with a poker. And if he bolts away from
you—I say it friendly, as woman to woman, for there’s never any knowing
what a man med do—you’ll have the sticks o’ furniture, and won’t be
looked upon as a thief. I shall marry my man over again, now he’s
willing, as there was a little flaw in the first ceremony. In my
telegram last night which this is an answer to, I told him I had almost
made it up with Jude; and that frightened him, I expect! Perhaps I
should quite have done it if it hadn’t been for you,” she said
laughing; “and then how different our histories might have been from
to-day! Never such a tender fool as Jude is if a woman seems in
trouble, and coaxes him a bit! Just as he used to be about birds and
things. However, as it happens, it is just as well as if I had made it
up, and I forgive you. And, as I say, I’d advise you to get the
business legally done as soon as possible. You’ll find it an awful
bother later on if you don’t.”

“I have told you he is asking me to marry him—to make our natural
marriage a legal one,” said Sue, with yet more dignity. “It was quite
by my wish that he didn’t the moment I was free.”

“Ah, yes—you are a oneyer too, like myself,” said Arabella, eyeing her
visitor with humorous criticism. “Bolted from your first, didn’t you,
like me?”

“Good morning!—I must go,” said Sue hastily.

“And I, too, must up and off!” replied the other, springing out of bed
so suddenly that the soft parts of her person shook. Sue jumped aside
in trepidation. “Lord, I am only a woman—not a six-foot sojer! … Just a
moment, dear,” she continued, putting her hand on Sue’s arm. “I really
did want to consult Jude on a little matter of business, as I told him.
I came about that more than anything else. Would he run up to speak to
me at the station as I am going? You think not. Well, I’ll write to him
about it. I didn’t want to write it, but never mind—I will.”

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Let's Analyse the Pattern

Pattern: Crisis-Driven Decisions
This chapter reveals a fundamental pattern: we make our most important life decisions not when we're ready, but when we're cornered. Sue doesn't marry Jude because she's overcome her fears about marriage—she agrees because she's terrified of losing him to Arabella. The decision comes from panic, not peace. The mechanism is simple but brutal: external pressure creates artificial urgency that overrides our internal compass. Sue's principles about marriage haven't changed, but her circumstances have. When faced with immediate loss, we abandon long-term thinking for short-term damage control. Jude's sense of duty to Arabella forces Sue into a corner where her only options feel like capitulation or abandonment. The crisis doesn't resolve her actual concerns—it just makes them feel less important than the immediate threat. This pattern dominates modern life. Healthcare workers stay in toxic jobs because they can't abandon their patients, even when the workplace is destroying them. Parents agree to expensive activities they can't afford because other kids are doing it and they fear their child will be left out. People marry partners they have doubts about because a pregnancy or family pressure creates artificial urgency. Workers accept terrible job offers when unemployment benefits are about to run out, choosing known misery over unknown possibility. When you recognize crisis-driven decision-making, pause and ask: 'Am I choosing this because it's right, or because I'm scared?' If it's fear, try to create space before deciding. Can you address the immediate crisis without making the permanent commitment? Can you help Arabella without marrying Sue? Can you support your team without accepting the promotion you're not ready for? Sometimes the answer is no—but sometimes there's a third option you can't see when you're panicking. When you can name the pattern of crisis-driven decisions, predict where they lead, and find ways to choose from strength instead of fear—that's amplified intelligence.

Making major life commitments under external pressure rather than internal readiness, leading to choices we're not prepared to sustain.

Why This Matters

Connect literature to life

Skill: Recognizing Crisis-Driven Decision Making

This chapter teaches how external pressure can push us into life-changing commitments for the wrong reasons, overriding our internal compass.

Practice This Today

This week, notice when you feel pressured to make big decisions quickly—ask yourself if you're choosing from fear of loss or genuine readiness for change.

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Now let's explore the literary elements.

Key Quotes & Analysis

"I don't know whether I did right or not!"

— Sue

Context: When telling Jude about turning Arabella away

Sue's uncertainty reveals her internal conflict between jealousy and morality. She knows she acted from selfish motives but can't admit it directly. This self-doubt shows her struggle between who she wants to be and who she actually is.

In Today's Words:

I know I was being petty, but I'm not ready to own it yet.

"But I know who she was—I think I do! It was Arabella!"

— Sue

Context: Revealing her suspicion about the visitor's identity

Sue's breathless revelation shows how the mere possibility of Arabella's return has shattered her composure. Her certainty mixed with uncertainty reflects how jealousy distorts perception and makes us see threats everywhere.

In Today's Words:

I just know it was your ex—call it woman's intuition, but I'm freaking out.

"Heaven save us! What should Arabella come for?"

— Jude

Context: Reacting to news of Arabella's visit

Jude's shocked response reveals his own anxiety about his past intruding on his present. His immediate concern shows he understands the threat Arabella represents to his relationship with Sue.

In Today's Words:

Oh no, what does she want now? This can't be good.

Thematic Threads

Jealousy

In This Chapter

Sue's jealousy of Arabella overrides her principles about marriage, forcing her into a decision she's not ready for

Development

Evolved from Sue's earlier intellectual opposition to marriage into raw emotional desperation

In Your Life:

You might recognize this when fear of losing someone makes you agree to things that don't align with your values

Obligation

In This Chapter

Jude feels duty-bound to help Arabella despite the cost to his relationship with Sue

Development

Continues Jude's pattern of being pulled between competing moral demands

In Your Life:

You see this when helping one person requires hurting or disappointing another

Legal Protection

In This Chapter

Arabella warns Sue that unmarried women have no legal rights, revealing marriage as practical necessity

Development

Introduced here as a harsh reality underlying romantic idealism

In Your Life:

You encounter this when realizing that principles don't protect you from practical consequences

Past Relationships

In This Chapter

Arabella's return demonstrates how former partners can disrupt current relationships at crucial moments

Development

Builds on earlier hints that the past never truly stays buried

In Your Life:

You experience this when ex-partners, former friends, or old obligations resurface during important life transitions

Guilt

In This Chapter

Sue feels guilty for her selfishness toward Arabella, showing how crisis decisions create new moral conflicts

Development

New layer of Sue's character showing her capacity for self-reflection and remorse

In Your Life:

You feel this when protecting yourself requires being less generous than you'd like to be

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What forces Sue to finally agree to marry Jude, and how does her reason differ from what we might expect?

    analysis • surface
  2. 2

    Why does Jude feel obligated to help Arabella despite being with Sue, and what does this reveal about his character?

    analysis • medium
  3. 3

    Where do you see people making major life decisions out of fear rather than readiness in today's world?

    application • medium
  4. 4

    How could Sue have handled her jealousy and fear differently to make a decision from strength rather than panic?

    application • deep
  5. 5

    What does this chapter teach us about how past relationships continue to influence our present choices?

    reflection • deep

Critical Thinking Exercise

10 minutes

Map Your Crisis Decision Points

Think of a major decision you made under pressure—a job you took, a relationship choice, a financial commitment. Write down what the external pressure was, what you were afraid would happen if you didn't decide quickly, and what your gut was telling you at the time. Then consider: what would you have chosen if you'd had more time and less fear?

Consider:

  • •Notice the difference between urgent and important—crisis makes everything feel urgent
  • •Consider who benefited from your quick decision and who paid the cost
  • •Ask whether the feared outcome was actually as catastrophic as it seemed

Journaling Prompt

Write about a time when you felt cornered into a major decision. What would you tell someone facing a similar situation now?

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Coming Up Next...

Chapter 37: The Unexpected Child Arrives

Sue and Jude take their first steps toward making their union legal, but Sue's preoccupation suggests Arabella's visit has left deeper marks than expected. Their silent walk together hints at unspoken tensions that may complicate their path to the altar.

Continue to Chapter 37
Previous
Freedom's Uncomfortable Questions
Contents
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The Unexpected Child Arrives

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Why Public Domain?

We focus on public domain classics because these timeless works belong to everyone. No paywalls, no restrictions—just wisdom that has stood the test of centuries, freely accessible to all readers.

Public domain books have shaped humanity's understanding of love, justice, ambition, and the human condition. By amplifying these works, we help preserve and share literature that truly belongs to the world.

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