Summary
Dante finally comes face to face with Satan himself, frozen in ice at the very bottom of Hell. This isn't the dramatic, fiery devil of popular imagination, but something far more terrifying - a pathetic, three-faced giant trapped in his own frozen tears, mindlessly chewing on history's greatest traitors: Judas, Brutus, and Cassius. The image is both horrifying and pitiful, showing how ultimate evil ultimately destroys itself. With Virgil's guidance, Dante must do something that seems impossible - climb down Satan's frozen body to escape Hell entirely. The journey is terrifying and disorienting. As they descend past Satan's waist, gravity suddenly reverses, and they find themselves climbing upward toward a distant opening. They emerge on the other side of the Earth, where stars are visible again. This moment represents the ultimate test of trust and courage. Dante must literally embrace what he fears most to find freedom. The chapter shows us that sometimes the only way out is through - that confronting our deepest fears, rather than running from them, can lead to liberation. The image of Satan as a pathetic, trapped figure rather than an all-powerful force suggests that evil, no matter how overwhelming it seems, ultimately defeats itself. The emergence under stars symbolizes hope and renewal after the darkest possible experience.
Coming Up in Chapter 35
Having escaped Hell's depths, Dante and Virgil begin their ascent up Mount Purgatory, where souls actively work to purge themselves of sin. Unlike Hell's hopeless despair, this new realm pulses with possibility and second chances.
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An excerpt from the original text.(complete · 1096 words)
“The banners of Hell’s Monarch do come forth Towards us; therefore look,” so spake my guide, “If thou discern him.” As, when breathes a cloud Heavy and dense, or when the shades of night Fall on our hemisphere, seems view’d from far A windmill, which the blast stirs briskly round, Such was the fabric then methought I saw, To shield me from the wind, forthwith I drew Behind my guide: no covert else was there. Now came I (and with fear I bid my strain Record the marvel) where the souls were all Whelm’d underneath, transparent, as through glass Pellucid the frail stem. Some prone were laid, Others stood upright, this upon the soles, That on his head, a third with face to feet Arch’d like a bow. When to the point we came, Whereat my guide was pleas’d that I should see The creature eminent in beauty once, He from before me stepp’d and made me pause. “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” How frozen and how faint I then became, Ask me not, reader! for I write it not, Since words would fail to tell thee of my state. I was not dead nor living. Think thyself If quick conception work in thee at all, How I did feel. That emperor, who sways The realm of sorrow, at mid breast from th’ ice Stood forth; and I in stature am more like A giant, than the giants are in his arms. Mark now how great that whole must be, which suits With such a part. If he were beautiful As he is hideous now, and yet did dare To scowl upon his Maker, well from him May all our mis’ry flow. Oh what a sight! How passing strange it seem’d, when I did spy Upon his head three faces: one in front Of hue vermilion, th’ other two with this Midway each shoulder join’d and at the crest; The right ’twixt wan and yellow seem’d: the left To look on, such as come from whence old Nile Stoops to the lowlands. Under each shot forth Two mighty wings, enormous as became A bird so vast. Sails never such I saw Outstretch’d on the wide sea. No plumes had they, But were in texture like a bat, and these He flapp’d i’ th’ air, that from him issued still Three winds, wherewith Cocytus to its depth Was frozen. At six eyes he wept: the tears Adown three chins distill’d with bloody foam. At every mouth his teeth a sinner champ’d Bruis’d as with pond’rous engine, so that three Were in this guise tormented. But far more Than from that gnawing, was the foremost pang’d By the fierce rending, whence ofttimes the back Was stript of all its skin. “That upper spirit, Who hath worse punishment,” so spake my guide, “Is Judas, he that hath his head within And plies the feet without. Of th’ other two, Whose heads are under, from the murky jaw Who hangs, is Brutus: lo! how he doth writhe And speaks not! Th’ other Cassius, that appears So large of limb. But night now re-ascends, And it is time for parting. All is seen.” I clipp’d him round the neck, for so he bade; And noting time and place, he, when the wings Enough were op’d, caught fast the shaggy sides, And down from pile to pile descending stepp’d Between the thick fell and the jagged ice. Soon as he reach’d the point, whereat the thigh Upon the swelling of the haunches turns, My leader there with pain and struggling hard Turn’d round his head, where his feet stood before, And grappled at the fell, as one who mounts, That into hell methought we turn’d again. “Expect that by such stairs as these,” thus spake The teacher, panting like a man forespent, “We must depart from evil so extreme.” Then at a rocky opening issued forth, And plac’d me on a brink to sit, next join’d With wary step my side. I rais’d mine eyes, Believing that I Lucifer should see Where he was lately left, but saw him now With legs held upward. Let the grosser sort, Who see not what the point was I had pass’d, Bethink them if sore toil oppress’d me then. “Arise,” my master cried, “upon thy feet. “The way is long, and much uncouth the road; And now within one hour and half of noon The sun returns.” It was no palace-hall Lofty and luminous wherein we stood, But natural dungeon where ill footing was And scant supply of light. “Ere from th’ abyss I sep’rate,” thus when risen I began, “My guide! vouchsafe few words to set me free From error’s thralldom. Where is now the ice? How standeth he in posture thus revers’d? And how from eve to morn in space so brief Hath the sun made his transit?” He in few Thus answering spake: “Thou deemest thou art still On th’ other side the centre, where I grasp’d Th’ abhorred worm, that boreth through the world. Thou wast on th’ other side, so long as I Descended; when I turn’d, thou didst o’erpass That point, to which from ev’ry part is dragg’d All heavy substance. Thou art now arriv’d Under the hemisphere opposed to that, Which the great continent doth overspread, And underneath whose canopy expir’d The Man, that was born sinless, and so liv’d. Thy feet are planted on the smallest sphere, Whose other aspect is Judecca. Morn Here rises, when there evening sets: and he, Whose shaggy pile was scal’d, yet standeth fix’d, As at the first. On this part he fell down From heav’n; and th’ earth, here prominent before, Through fear of him did veil her with the sea, And to our hemisphere retir’d. Perchance To shun him was the vacant space left here By what of firm land on this side appears, That sprang aloof.” There is a place beneath, From Belzebub as distant, as extends The vaulted tomb, discover’d not by sight, But by the sound of brooklet, that descends This way along the hollow of a rock, Which, as it winds with no precipitous course, The wave hath eaten. By that hidden way My guide and I did enter, to return To the fair world: and heedless of repose We climbed, he first, I following his steps, Till on our view the beautiful lights of heav’n Dawn, through a circular opening in the cave: Thus issuing we again beheld the stars. PURGATORY
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Intelligence Amplifier™ Analysis
The Road Through Fear - When the Only Way Out Is Through
Our greatest fears often lose their power when we stop avoiding them and face them directly, revealing they're less powerful than our avoidance made them seem.
Why This Matters
Connect literature to life
This chapter teaches how our worst fears usually lose power the moment we stop running and examine them up close.
Practice This Today
This week, notice when you're avoiding someone or something at work - then take one small step toward it instead of away from it.
Now let's explore the literary elements.
Terms to Know
Dis
Another name for Satan or Lucifer, derived from the Roman god of the underworld. In Dante's vision, Dis rules over the lowest circle of Hell where traitors are punished. The name emphasizes Satan's role as the ultimate ruler of evil and despair.
Modern Usage:
We still use 'dis' as slang meaning to disrespect someone, showing how the concept of ultimate disrespect connects to this ancient idea of the lord of evil.
Three-faced Satan
Dante's Satan has three faces, each chewing on history's greatest traitors: Judas (who betrayed Jesus), Brutus and Cassius (who betrayed Julius Caesar). This imagery represents the complete corruption of love, loyalty, and trust.
Modern Usage:
We see this pattern when someone becomes so consumed by hatred or revenge that they destroy everything around them, becoming a monster of their own making.
Frozen in ice
Unlike the popular image of Hell as fire, Dante's lowest Hell is frozen solid. This represents the complete absence of love and warmth, showing that ultimate evil is cold, isolated, and lifeless.
Modern Usage:
We describe cruel or heartless people as 'cold' or 'ice cold,' recognizing that the worst evil often comes from emotional emptiness rather than hot anger.
Gravity reversal
As Dante and Virgil climb past Satan's waist, they suddenly find themselves climbing upward instead of downward. This represents passing through the center of Earth and symbolizes the moment when everything changes direction.
Modern Usage:
We experience this when hitting rock bottom forces us to change direction completely - sometimes the worst moment becomes the turning point toward something better.
Traitors
The souls frozen in Satan's mouths are the ultimate traitors - those who betrayed the people who trusted them most. Dante considers betrayal the worst possible sin because it destroys the bonds that hold society together.
Modern Usage:
We still consider betrayal by family, friends, or trusted leaders as among the most damaging acts, whether it's cheating, backstabbing at work, or political corruption.
The way out is through
To escape Hell, Dante must do the terrifying thing - climb down Satan's body and trust Virgil completely. There's no way around the fear, only through it.
Modern Usage:
This is the principle behind facing addiction, leaving abusive relationships, or confronting trauma - the only path to freedom often requires going through what we most want to avoid.
Characters in This Chapter
Satan/Dis
Ultimate antagonist
Appears as a pathetic, trapped giant rather than a powerful force, mindlessly chewing on traitors while frozen in his own tears. This reveals that ultimate evil ultimately destroys itself and becomes powerless.
Modern Equivalent:
The bitter person who's destroyed all their relationships and sits alone, consumed by their own hatred
Dante
Protagonist
Faces his ultimate fear by climbing down Satan's body, trusting Virgil completely even when it makes no sense. His terror is real, but he acts despite it, showing true courage.
Modern Equivalent:
Someone in recovery who has to face their deepest shame and fear to get clean
Virgil
Guide and mentor
Leads Dante through the terrifying climb and gravity reversal, providing the strength and direction Dante needs when he's paralyzed by fear. Shows calm leadership in the most extreme situation.
Modern Equivalent:
The sponsor, therapist, or mentor who guides you through your darkest moment when you can't see the way forward
Judas
Ultimate traitor
Being chewed head-first in Satan's central mouth represents the worst possible punishment for betraying Jesus. His placement shows that betraying trust and love is the ultimate sin.
Modern Equivalent:
The person who sells out their family, friends, or community for personal gain
Brutus and Cassius
Political traitors
Chewed in Satan's other two mouths for assassinating Julius Caesar, representing the betrayal of legitimate authority and the social order.
Modern Equivalent:
Corrupt politicians or leaders who destroy institutions for personal power
Key Quotes & Analysis
"The banners of Hell's Monarch do come forth Towards us; therefore look, if thou discern him."
Context: Virgil warns Dante as they approach Satan at the bottom of Hell
This moment builds suspense while showing Virgil's role as protector and guide. The formal announcement makes Satan seem like a defeated king rather than a terrifying force, preparing us for the pathetic figure they'll encounter.
In Today's Words:
Here comes the big boss of this whole mess - brace yourself and take a good look.
"How frozen and how faint I then became, Ask me not, reader! for I write it not, Since words would fail to tell thee of my state."
Context: Dante's reaction upon seeing Satan frozen in the ice
Dante admits his complete terror and inability to describe it, making the experience more real and relatable. By saying words fail, he actually makes us feel the overwhelming nature of facing our deepest fears.
In Today's Words:
I can't even begin to tell you how terrified I was - there aren't words for that kind of fear.
"That emperor, who sways The realm of sorrow, at mid breast from th' ice Stood forth"
Context: Dante's first description of seeing Satan trapped in ice
Calling Satan an 'emperor' while showing him trapped and powerless creates irony. The image of being stuck waist-deep in ice makes this ultimate evil figure seem pathetic rather than powerful.
In Today's Words:
There was the so-called king of all this misery, stuck in ice up to his chest like some sad statue.
Thematic Threads
Courage
In This Chapter
Dante must literally climb down Satan's body, embracing his greatest fear to find freedom
Development
Evolved from earlier passive observation to active confrontation of ultimate terror
In Your Life:
You might recognize this when you finally have that difficult conversation you've been avoiding for months.
Transformation
In This Chapter
The moment of gravity reversal symbolizes complete perspective shift - what seemed like descent becomes ascent
Development
Culmination of Dante's journey from lost wanderer to someone who can navigate through ultimate darkness
In Your Life:
You might experience this when a crisis that felt like the end actually becomes your new beginning.
Disillusionment
In This Chapter
Satan appears pathetic rather than powerful - a mindless, trapped creature rather than ultimate evil
Development
Final revelation that apparent powers often mask fundamental weakness
In Your Life:
You might see this when that intimidating boss or authority figure reveals their own insecurities and limitations.
Trust
In This Chapter
Dante must trust Virgil completely during the terrifying climb, even when gravity reverses and nothing makes sense
Development
Ultimate test of the mentor-student relationship established throughout Hell
In Your Life:
You might need this when following advice that seems counterintuitive but comes from someone who's navigated similar challenges.
Hope
In This Chapter
The emergence under stars after the ultimate darkness - visible proof that the worst experiences can lead to renewal
Development
First glimpse of light and possibility after thirty-three chapters of descent and darkness
In Your Life:
You might feel this when you realize you've survived your worst period and can see possibilities ahead again.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Why do you think Dante describes Satan as pathetic and trapped rather than as an all-powerful force of evil?
analysis • surface - 2
What does it mean that Dante has to climb down Satan's body - literally embrace what he fears most - to escape Hell?
analysis • medium - 3
Think about a fear you've been avoiding. How might that fear be getting bigger in your mind the longer you avoid it?
application • medium - 4
When have you discovered that facing something scary head-on made it less powerful than you expected?
application • deep - 5
What does this chapter suggest about the relationship between avoidance and the power our fears hold over us?
reflection • deep
Critical Thinking Exercise
Map Your Fear Journey
Think of something you've been avoiding - a difficult conversation, a medical appointment, asking for what you need at work. Draw or describe the fear as you imagine it from a distance, then imagine what it might actually look like up close. What specific steps would you need to take to move toward it rather than away from it?
Consider:
- •How does the fear change when you examine it closely versus from a distance?
- •What's the worst realistic outcome if you faced this fear directly?
- •What might you learn about yourself by moving through this fear instead of around it?
Journaling Prompt
Write about a time when you avoided something that scared you, only to discover later that facing it wasn't as bad as you imagined. What did that experience teach you about the relationship between avoidance and fear?
Coming Up Next...
Chapter 35: Crossing Into Purgatory
In the next chapter, you'll discover to approach new phases of life with proper preparation and humility, and learn having guides who understand both where you've been and where you're going. These insights reveal timeless patterns that resonate in our own lives and relationships.
