An excerpt from the original text.(complete · 1137 words)
hen Oblonsky asked Levin what had brought him to town, Levin blushed,
and was furious with himself for blushing, because he could not answer,
“I have come to make your sister-in-law an offer,” though that was
precisely what he had come for.
The families of the Levins and the Shtcherbatskys were old, noble
Moscow families, and had always been on intimate and friendly terms.
This intimacy had grown still closer during Levin’s student days. He
had both prepared for the university with the young Prince
Shtcherbatsky, the brother of Kitty and Dolly, and had entered at the
same time with him. In those days Levin used often to be in the
Shtcherbatskys’ house, and he was in love with the Shtcherbatsky
household. Strange as it may appear, it was with the household, the
family, that Konstantin Levin was in love, especially with the feminine
half of the household. Levin did not remember his own mother, and his
only sister was older than he was, so that it was in the
Shtcherbatskys’ house that he saw for the first time that inner life of
an old, noble, cultivated, and honorable family of which he had been
deprived by the death of his father and mother. All the members of that
family, especially the feminine half, were pictured by him, as it were,
wrapped about with a mysterious poetical veil, and he not only
perceived no defects whatever in them, but under the poetical veil that
shrouded them he assumed the existence of the loftiest sentiments and
every possible perfection. Why it was the three young ladies had one
day to speak French, and the next English; why it was that at certain
hours they played by turns on the piano, the sounds of which were
audible in their brother’s room above, where the students used to work;
why they were visited by those professors of French literature, of
music, of drawing, of dancing; why at certain hours all the three young
ladies, with Mademoiselle Linon, drove in the coach to the Tversky
boulevard, dressed in their satin cloaks, Dolly in a long one, Natalia
in a half-long one, and Kitty in one so short that her shapely legs in
tightly-drawn red stockings were visible to all beholders; why it was
they had to walk about the Tversky boulevard escorted by a footman with
a gold cockade in his hat—all this and much more that was done in their
mysterious world he did not understand, but he was sure that everything
that was done there was very good, and he was in love precisely with
the mystery of the proceedings.
In his student days he had all but been in love with the eldest, Dolly,
but she was soon married to Oblonsky. Then he began being in love with
the second. He felt, as it were, that he had to be in love with one of
the sisters, only he could not quite make out which. But Natalia, too,
had hardly made her appearance in the world when she married the
diplomat Lvov. Kitty was still a child when Levin left the university.
Young Shtcherbatsky went into the navy, was drowned in the Baltic, and
Levin’s relations with the Shtcherbatskys, in spite of his friendship
with Oblonsky, became less intimate. But when early in the winter of
this year Levin came to Moscow, after a year in the country, and saw
the Shtcherbatskys, he realized which of the three sisters he was
indeed destined to love.
One would have thought that nothing could be simpler than for him, a
man of good family, rather rich than poor, and thirty-two years old, to
make the young Princess Shtcherbatskaya an offer of marriage; in all
likelihood he would at once have been looked upon as a good match. But
Levin was in love, and so it seemed to him that Kitty was so perfect in
every respect that she was a creature far above everything earthly; and
that he was a creature so low and so earthly that it could not even be
conceived that other people and she herself could regard him as worthy
of her.
After spending two months in Moscow in a state of enchantment, seeing
Kitty almost every day in society, into which he went so as to meet
her, he abruptly decided that it could not be, and went back to the
country.
Levin’s conviction that it could not be was founded on the idea that in
the eyes of her family he was a disadvantageous and worthless match for
the charming Kitty, and that Kitty herself could not love him. In her
family’s eyes he had no ordinary, definite career and position in
society, while his contemporaries by this time, when he was thirty-two,
were already, one a colonel, and another a professor, another director
of a bank and railways, or president of a board like Oblonsky. But he
(he knew very well how he must appear to others) was a country
gentleman, occupied in breeding cattle, shooting game, and building
barns; in other words, a fellow of no ability, who had not turned out
well, and who was doing just what, according to the ideas of the world,
is done by people fit for nothing else.
The mysterious, enchanting Kitty herself could not love such an ugly
person as he conceived himself to be, and, above all, such an ordinary,
in no way striking person. Moreover, his attitude to Kitty in the
past—the attitude of a grown-up person to a child, arising from his
friendship with her brother—seemed to him yet another obstacle to love.
An ugly, good-natured man, as he considered himself, might, he
supposed, be liked as a friend; but to be loved with such a love as
that with which he loved Kitty, one would need to be a handsome and,
still more, a distinguished man.
He had heard that women often did care for ugly and ordinary men, but
he did not believe it, for he judged by himself, and he could not
himself have loved any but beautiful, mysterious, and exceptional
women.
But after spending two months alone in the country, he was convinced
that this was not one of those passions of which he had had experience
in his early youth; that this feeling gave him not an instant’s rest;
that he could not live without deciding the question, would she or
would she not be his wife, and that his despair had arisen only from
his own imaginings, that he had no sort of proof that he would be
rejected. And he had now come to Moscow with a firm determination to
make an offer, and get married if he were accepted. Or ... he could not
conceive what would become of him if he were rejected.
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Let's Analyse the Pattern
The Committee Decision Trap
When other people's strong opinions about your life choices become so loud that you lose access to your own instincts and preferences.
Why This Matters
Connect literature to life
This chapter teaches you to spot when other people's certainty about your life is drowning out your own instincts.
Practice This Today
This week, notice when someone gives you unsolicited advice about a personal decision—pay attention to how their confidence affects your own clarity.
Now let's explore the literary elements.
Key Quotes & Analysis
"Kitty did not speak, not because she had nothing to say, but because she did not want to reveal her thoughts to her mother."
Context: As her parents discuss her suitors over dinner
This captures the isolation young people feel when their inner world doesn't match others' expectations. Kitty's silence isn't emptiness - it's self-protection. She's learning that some thoughts are too precious to share with people who might dismiss or manipulate them.
In Today's Words:
Sometimes you just have to keep your mouth shut because people won't get it anyway.
"The mother was pleased with Vronsky's attentions to her daughter, but the father was not altogether satisfied."
Context: Describing the parents' different reactions to Vronsky's courtship
This reveals how the same situation can look completely different depending on what you value. The mother sees social success; the father senses something inauthentic. Their split reaction mirrors Kitty's own confusion about what really matters.
In Today's Words:
Mom loved that he had his act together, but Dad got weird vibes from the guy.
"She felt that all the world was looking at her and wondering at her choice."
Context: Describing Kitty's anxiety about her romantic decision
Tolstoy captures the universal experience of feeling like your personal choices are public entertainment. This pressure to perform the 'right' choice often prevents people from discovering what they actually want, turning life decisions into anxiety-inducing performances.
In Today's Words:
Everyone was watching and judging whatever move she made next.
Thematic Threads
Social Expectations
In This Chapter
Kitty's parents debate her marriage prospects based on social status and family strategy rather than her feelings
Development
Building from earlier scenes where characters navigate what society expects versus what they want
In Your Life:
When family or friends pressure you to make the 'smart' choice that doesn't feel right to you
Identity
In This Chapter
Kitty struggles to know her own mind when surrounded by other people's certainties about her future
Development
Expanding the theme of characters discovering who they are separate from others' expectations
In Your Life:
Those moments when you realize you've been living according to someone else's plan for your life
Class
In This Chapter
The family weighs Vronsky's social connections against Levin's sincerity, showing how class shapes marriage decisions
Development
Continues exploring how social position determines life choices and opportunities
In Your Life:
When you feel pressure to date, befriend, or network with people based on their status rather than genuine connection
Personal Growth
In This Chapter
This dinner represents Kitty's first real encounter with having to choose her own path despite family pressure
Development
Introduced here as Kitty begins her journey toward independence
In Your Life:
The uncomfortable but necessary moments when you start making decisions based on your own values instead of family expectations
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What are the different reasons Kitty's parents give for preferring each suitor, and how do these reasons reflect their own values?
analysis • surface - 2
Why does Kitty feel disconnected from the dinner conversation even though it's about her future?
analysis • medium - 3
When have you experienced the 'Committee Decision Trap' - where everyone else's opinions about your choice became louder than your own instincts?
application • medium - 4
What strategies could Kitty use to separate her parents' fears and expectations from her own genuine preferences?
application • deep - 5
What does this scene reveal about how social pressure can make even privileged people feel powerless in their own lives?
reflection • deep
Critical Thinking Exercise
Map Your Decision Committee
Think of a current decision you're facing where other people have strong opinions. Draw or list the 'committee members' - who they are, what they're pushing for, and what fear or value drives their advice. Then identify what your own voice is saying underneath all the noise.
Consider:
- •Notice which voices are loudest and why they might feel entitled to weigh in
- •Distinguish between practical concerns and personal preferences in the advice you're getting
- •Consider what each person gains or loses based on your choice
Journaling Prompt
Write about a time when you went against well-meaning advice and were glad you did. What did you know about your situation that others couldn't see?
Coming Up Next...
Chapter 7
Vronsky makes his move at a high-society ball, but the evening holds surprises that will shift the romantic landscape in ways no one sees coming. Sometimes the most important moments happen when we're not even paying attention.




