An excerpt from the original text.(complete · 1052 words)
“e has gone! It is over!” Anna said to herself, standing at the
window; and in answer to this statement the impression of the darkness
when the candle had flickered out, and of her fearful dream mingling
into one, filled her heart with cold terror.
“No, that cannot be!” she cried, and crossing the room she rang the
bell. She was so afraid now of being alone, that without waiting for
the servant to come in, she went out to meet him.
“Inquire where the count has gone,” she said. The servant answered that
the count had gone to the stable.
“His honor left word that if you cared to drive out, the carriage would
be back immediately.”
“Very good. Wait a minute. I’ll write a note at once. Send Mihail with
the note to the stables. Make haste.”
She sat down and wrote:
“I was wrong. Come back home; I must explain. For God’s sake come! I’m
afraid.”
She sealed it up and gave it to the servant.
She was afraid of being left alone now; she followed the servant out of
the room, and went to the nursery.
“Why, this isn’t it, this isn’t he! Where are his blue eyes, his sweet,
shy smile?” was her first thought when she saw her chubby, rosy little
girl with her black, curly hair instead of Seryozha, whom in the tangle
of her ideas she had expected to see in the nursery. The little girl
sitting at the table was obstinately and violently battering on it with
a cork, and staring aimlessly at her mother with her pitch-black eyes.
Answering the English nurse that she was quite well, and that she was
going to the country tomorrow, Anna sat down by the little girl and
began spinning the cork to show her. But the child’s loud, ringing
laugh, and the motion of her eyebrows, recalled Vronsky so vividly that
she got up hurriedly, restraining her sobs, and went away. “Can it be
all over? No, it cannot be!” she thought. “He will come back. But how
can he explain that smile, that excitement after he had been talking to
her? But even if he doesn’t explain, I will believe. If I don’t
believe, there’s only one thing left for me, and I can’t.”
She looked at her watch. Twenty minutes had passed. “By now he has
received the note and is coming back. Not long, ten minutes more....
But what if he doesn’t come? No, that cannot be. He mustn’t see me with
tear-stained eyes. I’ll go and wash. Yes, yes; did I do my hair or
not?” she asked herself. And she could not remember. She felt her head
with her hand. “Yes, my hair has been done, but when I did it I can’t
in the least remember.” She could not believe the evidence of her hand,
and went up to the pier-glass to see whether she really had done her
hair. She certainly had, but she could not think when she had done it.
“Who’s that?” she thought, looking in the looking-glass at the swollen
face with strangely glittering eyes, that looked in a scared way at
her. “Why, it’s I!” she suddenly understood, and looking round, she
seemed all at once to feel his kisses on her, and twitched her
shoulders, shuddering. Then she lifted her hand to her lips and kissed
it.
“What is it? Why, I’m going out of my mind!” and she went into her
bedroom, where Annushka was tidying the room.
“Annushka,” she said, coming to a standstill before her, and she stared
at the maid, not knowing what to say to her.
“You meant to go and see Darya Alexandrovna,” said the girl, as though
she understood.
“Darya Alexandrovna? Yes, I’ll go.”
“Fifteen minutes there, fifteen minutes back. He’s coming, he’ll be
here soon.” She took out her watch and looked at it. “But how could he
go away, leaving me in such a state? How can he live, without making it
up with me?” She went to the window and began looking into the street.
Judging by the time, he might be back now. But her calculations might
be wrong, and she began once more to recall when he had started and to
count the minutes.
At the moment when she had moved away to the big clock to compare it
with her watch, someone drove up. Glancing out of the window, she saw
his carriage. But no one came upstairs, and voices could be heard
below. It was the messenger who had come back in the carriage. She went
down to him.
“We didn’t catch the count. The count had driven off on the lower city
road.”
“What do you say? What!...” she said to the rosy, good-humored Mihail,
as he handed her back her note.
“Why, then, he has never received it!” she thought.
“Go with this note to Countess Vronskaya’s place, you know? and bring
an answer back immediately,” she said to the messenger.
“And I, what am I going to do?” she thought. “Yes, I’m going to
Dolly’s, that’s true or else I shall go out of my mind. Yes, and I can
telegraph, too.” And she wrote a telegram. “I absolutely must talk to
you; come at once.” After sending off the telegram, she went to dress.
When she was dressed and in her hat, she glanced again into the eyes of
the plump, comfortable-looking Annushka. There was unmistakable
sympathy in those good-natured little gray eyes.
“Annushka, dear, what am I to do?” said Anna, sobbing and sinking
helplessly into a chair.
“Why fret yourself so, Anna Arkadyevna? Why, there’s nothing out of the
way. You drive out a little, and it’ll cheer you up,” said the maid.
“Yes, I’m going,” said Anna, rousing herself and getting up. “And if
there’s a telegram while I’m away, send it on to Darya Alexandrovna’s
... but no, I shall be back myself.”
“Yes, I mustn’t think, I must do something, drive somewhere, and most
of all, get out of this house,” she said, feeling with terror the
strange turmoil going on in her own heart, and she made haste to go out
and get into the carriage.
“Where to?” asked Pyotr before getting onto the box.
“To Znamenka, the Oblonskys’.”
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Let's Analyse the Pattern
The tendency to analyze and intellectualize decisions until we lose touch with our moral instincts and capacity for simple, right action.
Why This Matters
Connect literature to life
This chapter teaches how to identify when thinking becomes a substitute for living and acting on your values.
Practice This Today
This week, notice when you're researching or planning instead of taking action you know is right—set a 48-hour decision deadline and honor it.
Now let's explore the literary elements.
Key Quotes & Analysis
"I shall go on in the same way, losing my temper with Ivan the coachman, falling into angry discussions, expressing my opinions tactlessly; there will be still the same wall between the holy of holies of my soul and other people."
Context: Levin realizes his spiritual awakening won't make him perfect
This shows Levin's honest self-awareness that enlightenment doesn't erase human flaws. He understands that spiritual growth doesn't mean becoming a saint overnight. The 'wall' represents how we all struggle to connect authentically with others.
In Today's Words:
I'm still going to lose my temper and say the wrong thing sometimes, but that doesn't mean this breakthrough isn't real.
"But my life now, my whole life apart from anything that can happen to me, every minute of it is no more meaningless, as it was before, but it has the positive meaning of goodness, which I have the power to put into it."
Context: Levin describes how his perspective on life has fundamentally changed
This captures the essence of Levin's transformation - he's found that meaning comes from choosing goodness in each moment, not from achieving great things. It's about the power to make every day matter through small moral choices.
In Today's Words:
Every day matters now because I can choose to do good things, even small ones, and that gives my whole life purpose.
"This new feeling has not changed me, has not made me happy and enlightened all of a sudden, as I had dreamed, just as the feeling for my child did not change me."
Context: Levin reflects on the realistic nature of his spiritual breakthrough
Tolstoy shows that real transformation is subtle and ongoing, not a dramatic personality overhaul. Levin compares it to becoming a father - profound but not instantly life-changing. True growth integrates gradually into who you already are.
In Today's Words:
This isn't like the movies where everything suddenly becomes perfect - it's more like a quiet shift in how I see things.
Thematic Threads
Personal Growth
In This Chapter
Levin's transformation from intellectual doubt to intuitive faith represents authentic spiritual development
Development
Culmination of his entire journey from early chapters of searching and questioning
In Your Life:
You might experience this when you finally stop trying to prove you're worthy and start trusting that you already are.
Class
In This Chapter
Levin finds wisdom in peasant simplicity that his educated class missed through overcomplication
Development
Resolution of the ongoing tension between intellectual sophistication and authentic living
In Your Life:
You might notice this when simple advice from family feels more valuable than expert opinions.
Identity
In This Chapter
Levin stops trying to construct an identity through philosophy and accepts who he naturally is
Development
Final stage of his identity crisis that began with his social awkwardness in early chapters
In Your Life:
You might feel this when you stop performing who you think you should be and embrace who you actually are.
Human Relationships
In This Chapter
His breakthrough comes through observing how others live with love and purpose, not through isolation
Development
Validates the importance of community and connection established throughout the novel
In Your Life:
You might experience this when watching how others handle challenges teaches you more than self-help books.
Social Expectations
In This Chapter
Levin transcends society's demand for intellectual justification and trusts his moral sense
Development
Final rejection of the social pressure to rationalize everything that has constrained him
In Your Life:
You might feel this when you stop needing to explain your choices to people who don't share your values.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What finally breaks through Levin's endless cycle of doubt and questioning?
analysis • surface - 2
Why does Levin's breakthrough come from observing simple people rather than reading more philosophy books?
analysis • medium - 3
Where do you see people today getting stuck in overthinking instead of trusting their moral instincts?
application • medium - 4
When have you experienced the difference between knowing something intellectually versus feeling it deeply enough to act on it?
reflection • deep - 5
What does Levin's journey suggest about the relationship between certainty and action in making important life decisions?
reflection • deep
Critical Thinking Exercise
Decision Archaeology
Think of a decision you've been overthinking for weeks or months. Write down what your gut instinct tells you to do, then list all the reasons you've been hesitating. Look at your reasons - how many are based on fear versus genuine practical concerns? Now imagine explaining your gut choice to someone you respect.
Consider:
- •Notice whether your hesitation comes from lack of information or fear of making the 'wrong' choice
- •Consider whether you're waiting for perfect certainty that will never come
- •Ask yourself what you'd advise a friend in the same situation
Journaling Prompt
Write about a time when you trusted your instincts and acted without complete certainty. What happened, and what did you learn about the relationship between thinking and doing?
Coming Up Next...
Chapter 217
As Levin processes this life-changing realization, he must figure out how to integrate this new understanding into his daily existence and relationships. The challenge now becomes living out this spiritual awakening in practical terms.




