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Anna Karenina - Chapter 163

Leo Tolstoy

Anna Karenina

Chapter 163

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Chapter 163

Anna Karenina by Leo Tolstoy

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During the children's tea, everyone sits on the balcony "and talked as though nothing had happened," though they all—especially Sergey and Varenka—know "there had happened an event which, though negative, was of very great importance." They feel "rather like that of a schoolboy after an examination, which has left him in the same class or shut him out of the school forever." Everyone talks eagerly about unrelated subjects. Levin and Kitty are "particularly happy and conscious of their love that evening." But their happiness "seemed to imply a disagreeable slur on those who would have liked to feel the same and could not—and they felt a prick of conscience." The princess suddenly has "an unexpected quiver" in her voice talking about the old prince. Her daughters don't know that despite being useful and happy here, she's been "extremely miserable" since marrying off "their last and favorite daughter, and the old home had been left empty." Levin jumps up to teach Grisha his Latin lesson. Varenka offers to arrange supper. Sergey comments that the two sons-in-law are completely unlike: Stiva living in society "like a fish in water," Kostya either sinking "into apathy, or struggles helplessly like a fish on land" when in society. Then they hear horses and wheels. "It's Stiva!" Levin shouts, running like a boy to meet the carriage. But Levin's mistaken—beside Stepan Arkadyevitch isn't the old prince but "a handsome, stout young man in a Scotch cap, with long ends of ribbon behind. This was Vassenka Veslovsky," a distant cousin of the Shtcherbatskys, "a brilliant young gentleman in Petersburg and Moscow society." Levin is "rather vexed at the non-arrival of the old prince" and "at the arrival of this Vassenka Veslovsky, a quite uncongenial and superfluous person." His vexation increases when he sees Veslovsky "with a particularly warm and gallant air, kissing Kitty's hand." "Your wife and I are cousins and very old friends," Veslovsky says. Levin, who moments before "had been in the happiest frame of mind, now looked darkly at everyone, and everything displeased him." He thinks bitterly about Stiva kissing Dolly: "Who was it he kissed yesterday with those lips?" He finds Varenka's "_sainte nitouche_" air hateful. Most unpleasant is Kitty's "particular smile" responding to Veslovsky's smile. As everyone goes inside, Levin turns and walks out. Kitty sees something's wrong, tries to speak to him, but "he made haste to get away from her, saying he was wanted at the counting-house."

Coming Up in Chapter 164

Levin's jealousy over Veslovsky will simmer and grow. Can secure love survive irrational suspicion?

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An excerpt from the original text.(complete · 1659 words)

D

uring the time of the children’s tea the grown-up people sat in the
balcony and talked as though nothing had happened, though they all,
especially Sergey Ivanovitch and Varenka, were very well aware that
there had happened an event which, though negative, was of very great
importance. They both had the same feeling, rather like that of a
schoolboy after an examination, which has left him in the same class or
shut him out of the school forever. Everyone present, feeling too that
something had happened, talked eagerly about extraneous subjects. Levin
and Kitty were particularly happy and conscious of their love that
evening. And their happiness in their love seemed to imply a
disagreeable slur on those who would have liked to feel the same and
could not—and they felt a prick of conscience.

“Mark my words, Alexander will not come,” said the old princess.

That evening they were expecting Stepan Arkadyevitch to come down by
train, and the old prince had written that possibly he might come too.

“And I know why,” the princess went on; “he says that young people
ought to be left alone for a while at first.”

“But papa has left us alone. We’ve never seen him,” said Kitty.
“Besides, we’re not young people!—we’re old, married people by now.”

“Only if he doesn’t come, I shall say good-bye to you children,” said
the princess, sighing mournfully.

“What nonsense, mamma!” both the daughters fell upon her at once.

“How do you suppose he is feeling? Why, now....”

And suddenly there was an unexpected quiver in the princess’s voice.
Her daughters were silent, and looked at one another. “Maman always
finds something to be miserable about,” they said in that glance. They
did not know that happy as the princess was in her daughter’s house,
and useful as she felt herself to be there, she had been extremely
miserable, both on her own account and her husband’s, ever since they
had married their last and favorite daughter, and the old home had been
left empty.

“What is it, Agafea Mihalovna?” Kitty asked suddenly of Agafea
Mihalovna, who was standing with a mysterious air, and a face full of
meaning.

“About supper.”

“Well, that’s right,” said Dolly; “you go and arrange about it, and
I’ll go and hear Grisha repeat his lesson, or else he will have nothing
done all day.”

“That’s my lesson! No, Dolly, I’m going,” said Levin, jumping up.

Grisha, who was by now at a high school, had to go over the lessons of
the term in the summer holidays. Darya Alexandrovna, who had been
studying Latin with her son in Moscow before, had made it a rule on
coming to the Levins’ to go over with him, at least once a day, the
most difficult lessons of Latin and arithmetic. Levin had offered to
take her place, but the mother, having once overheard Levin’s lesson,
and noticing that it was not given exactly as the teacher in Moscow had
given it, said resolutely, though with much embarrassment and anxiety
not to mortify Levin, that they must keep strictly to the book as the
teacher had done, and that she had better undertake it again herself.
Levin was amazed both at Stepan Arkadyevitch, who, by neglecting his
duty, threw upon the mother the supervision of studies of which she had
no comprehension, and at the teachers for teaching the children so
badly. But he promised his sister-in-law to give the lessons exactly as
she wished. And he went on teaching Grisha, not in his own way, but by
the book, and so took little interest in it, and often forgot the hour
of the lesson. So it had been today.

“No, I’m going, Dolly, you sit still,” he said. “We’ll do it all
properly, like the book. Only when Stiva comes, and we go out shooting,
then we shall have to miss it.”

And Levin went to Grisha.

Varenka was saying the same thing to Kitty. Even in the happy,
well-ordered household of the Levins Varenka had succeeded in making
herself useful.

“I’ll see to the supper, you sit still,” she said, and got up to go to
Agafea Mihalovna.

“Yes, yes, most likely they’ve not been able to get chickens. If so,
ours....”

“Agafea Mihalovna and I will see about it,” and Varenka vanished with
her.

“What a nice girl!” said the princess.

“Not nice, maman; she’s an exquisite girl; there’s no one else like
her.”

“So you are expecting Stepan Arkadyevitch today?” said Sergey
Ivanovitch, evidently not disposed to pursue the conversation about
Varenka. “It would be difficult to find two sons-in-law more unlike
than yours,” he said with a subtle smile. “One all movement, only
living in society, like a fish in water; the other our Kostya, lively,
alert, quick in everything, but as soon as he is in society, he either
sinks into apathy, or struggles helplessly like a fish on land.”

“Yes, he’s very heedless,” said the princess, addressing Sergey
Ivanovitch. “I’ve been meaning, indeed, to ask you to tell him that
it’s out of the question for her” (she indicated Kitty) “to stay here;
that she positively must come to Moscow. He talks of getting a doctor
down....”

“Maman, he’ll do everything; he has agreed to everything,” Kitty said,
angry with her mother for appealing to Sergey Ivanovitch to judge in
such a matter.

In the middle of their conversation they heard the snorting of horses
and the sound of wheels on the gravel. Dolly had not time to get up to
go and meet her husband, when from the window of the room below, where
Grisha was having his lesson, Levin leaped out and helped Grisha out
after him.

“It’s Stiva!” Levin shouted from under the balcony. “We’ve finished,
Dolly, don’t be afraid!” he added, and started running like a boy to
meet the carriage.

“Is ea id, ejus, ejus, ejus!” shouted Grisha, skipping along the
avenue.

“And someone else too! Papa, of course!” cried Levin, stopping at the
entrance of the avenue. “Kitty, don’t come down the steep staircase, go
round.”

But Levin had been mistaken in taking the person sitting in the
carriage for the old prince. As he got nearer to the carriage he saw
beside Stepan Arkadyevitch not the prince but a handsome, stout young
man in a Scotch cap, with long ends of ribbon behind. This was Vassenka
Veslovsky, a distant cousin of the Shtcherbatskys, a brilliant young
gentleman in Petersburg and Moscow society. “A capital fellow, and a
keen sportsman,” as Stepan Arkadyevitch said, introducing him.

Not a whit abashed by the disappointment caused by his having come in
place of the old prince, Veslovsky greeted Levin gaily, claiming
acquaintance with him in the past, and snatching up Grisha into the
carriage, lifted him over the pointer that Stepan Arkadyevitch had
brought with him.

Levin did not get into the carriage, but walked behind. He was rather
vexed at the non-arrival of the old prince, whom he liked more and more
the more he saw of him, and also at the arrival of this Vassenka
Veslovsky, a quite uncongenial and superfluous person. He seemed to him
still more uncongenial and superfluous when, on approaching the steps
where the whole party, children and grown-up, were gathered together in
much excitement, Levin saw Vassenka Veslovsky, with a particularly warm
and gallant air, kissing Kitty’s hand.

“Your wife and I are cousins and very old friends,” said Vassenka
Veslovsky, once more shaking Levin’s hand with great warmth.

“Well, are there plenty of birds?” Stepan Arkadyevitch said to Levin,
hardly leaving time for everyone to utter their greetings. “We’ve come
with the most savage intentions. Why, maman, they’ve not been in Moscow
since! Look, Tanya, here’s something for you! Get it, please, it’s in
the carriage, behind!” he talked in all directions. “How pretty you’ve
grown, Dolly,” he said to his wife, once more kissing her hand, holding
it in one of his, and patting it with the other.

Levin, who a minute before had been in the happiest frame of mind, now
looked darkly at everyone, and everything displeased him.

“Who was it he kissed yesterday with those lips?” he thought, looking
at Stepan Arkadyevitch’s tender demonstrations to his wife. He looked
at Dolly, and he did not like her either.

“She doesn’t believe in his love. So what is she so pleased about?
Revolting!” thought Levin.

He looked at the princess, who had been so dear to him a minute before,
and he did not like the manner in which she welcomed this Vassenka,
with his ribbons, just as though she were in her own house.

Even Sergey Ivanovitch, who had come out too onto the steps, seemed to
him unpleasant with the show of cordiality with which he met Stepan
Arkadyevitch, though Levin knew that his brother neither liked nor
respected Oblonsky.

And Varenka, even she seemed hateful, with her air sainte nitouche
making the acquaintance of this gentleman, while all the while she was
thinking of nothing but getting married.

And more hateful than anyone was Kitty for falling in with the tone of
gaiety with which this gentleman regarded his visit in the country, as
though it were a holiday for himself and everyone else. And, above all,
unpleasant was that particular smile with which she responded to his
smile.

Noisily talking, they all went into the house; but as soon as they were
all seated, Levin turned and went out.

Kitty saw something was wrong with her husband. She tried to seize a
moment to speak to him alone, but he made haste to get away from her,
saying he was wanted at the counting-house. It was long since his own
work on the estate had seemed to him so important as at that moment.
“It’s all holiday for them,” he thought; “but these are no holiday
matters, they won’t wait, and there’s no living without them.”

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Let's Analyse the Pattern

Pattern: The Overthinking Trap
When we're stuck in our heads, desperately searching for life's meaning through endless analysis, we often miss the answers right in front of us. Levin discovers what therapists call 'embodied presence' - the profound shift that happens when you stop thinking your way through life and start living your way through it. His breakthrough comes not from reading another philosophy book, but from picking up a scythe and working alongside people he'd previously dismissed. The mechanism is deceptively simple: overthinking creates a feedback loop where anxiety about meaning generates more thinking, which generates more anxiety. Physical work breaks this cycle by demanding presence. Your body can't swing a scythe while your mind spirals about existential dread. The rhythm of work, the immediate feedback of results, the connection with others focused on the same task - these ground you in reality instead of the maze of your own thoughts. This pattern appears everywhere today. The nurse who finds peace in the repetitive motions of patient care after a day of family drama. The mechanic who discovers clarity while rebuilding an engine, even as his marriage falls apart. The parent who stops googling 'how to be a good mother' and instead focuses on the simple act of making dinner with their kids. The office worker who volunteers at a food bank and suddenly understands their purpose better than any career counselor could explain. When you recognize you're stuck in analysis paralysis, the navigation is clear: engage your body and connect with others doing meaningful work. Find something that requires your hands, your presence, your immediate attention. Join people who are focused on concrete tasks rather than abstract discussions. The wisdom isn't in thinking harder about your problems - it's in stepping into action that serves something larger than your own confusion. When you can name the pattern of overthinking, predict where endless analysis leads (nowhere), and navigate it successfully through embodied action - that's amplified intelligence.

The more we think about finding meaning, the further we get from actually living meaningfully.

Why This Matters

Connect literature to life

Skill: Breaking Mental Loops

This chapter teaches how to recognize when thinking becomes counterproductive and how to use physical engagement to reset your mental state.

Practice This Today

This week, notice when you catch yourself in repetitive worry cycles, then find a physical task that requires your full attention - cooking, cleaning, gardening, helping someone move.

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Now let's explore the literary elements.

Key Quotes & Analysis

"The longer Levin mowed, the more often he felt those moments of unconsciousness in which it seemed not his hands that swung the scythe, but the scythe mowing of itself."

— Narrator

Context: Levin has been working for hours and finds his rhythm

This describes the flow state that comes from physical work - when you stop thinking and just become one with the activity. Levin's mind finally quiets because his body is fully engaged.

In Today's Words:

He got so into the work that his hands just moved on their own, like he was in the zone.

"He felt himself, and did not want to be anyone else anywhere else."

— Narrator

Context: Levin realizes he's found contentment in the simple work

This is the opposite of his usual restless searching and questioning. For the first time, Levin is present and satisfied with exactly where he is and what he's doing.

In Today's Words:

For once, he wasn't wishing he was somewhere else being someone else.

"The old peasant who had been urging him on was now mowing beside him, and they moved together in the same rhythm."

— Narrator

Context: Levin has been accepted into the group of workers

This shows how shared work creates genuine connection across class lines. The peasant's acceptance comes not from Levin's status but from his willingness to work hard alongside them.

In Today's Words:

The old guy who'd been pushing him was now working right next to him, and they were totally in sync.

Thematic Threads

Class

In This Chapter

Levin discovers the peasants possess practical wisdom his education lacks, challenging his assumptions about intelligence and social hierarchy

Development

Evolving from earlier chapters where Levin felt superior; now recognizing different forms of knowledge

In Your Life:

You might catch yourself dismissing someone's advice because of their job title or education level, missing valuable insights.

Identity

In This Chapter

Levin finds his true self not in intellectual pursuits but in physical labor and community connection

Development

Building on his ongoing struggle to define himself beyond social expectations

In Your Life:

You might discover who you really are comes through what you do, not what you think about yourself.

Personal Growth

In This Chapter

Growth comes through action and embodied experience rather than philosophical contemplation

Development

Represents a major shift from Levin's previous approach to self-improvement

In Your Life:

You might realize your breakthrough comes from trying something new rather than analyzing your problems endlessly.

Human Relationships

In This Chapter

Working alongside the peasants creates authentic connection based on shared purpose rather than social position

Development

Contrasts with his struggles in romantic and social relationships throughout the novel

In Your Life:

You might find deeper connections through shared activities than through trying to impress people with conversation.

Social Expectations

In This Chapter

Levin abandons the expectation that a nobleman should find meaning through intellectual pursuits

Development

Continues his rejection of aristocratic norms established in earlier chapters

In Your Life:

You might need to ignore what others expect from someone in your position to find what actually fulfills you.

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What changes in Levin when he starts working with his hands instead of just thinking about his problems?

    analysis • surface
  2. 2

    Why does physical work quiet Levin's mind in a way that reading philosophy books couldn't?

    analysis • medium
  3. 3

    Where do you see people today getting stuck in overthinking instead of taking action to solve their problems?

    application • medium
  4. 4

    When you're spiraling in your own thoughts about a problem, what kind of hands-on activity might break that cycle for you?

    application • deep
  5. 5

    What does Levin's experience suggest about the relationship between thinking and doing when it comes to finding purpose?

    reflection • deep

Critical Thinking Exercise

10 minutes

Break Your Own Overthinking Loop

Think of something you've been overthinking lately - a relationship issue, career decision, or personal problem. Write down the thoughts that keep cycling through your head. Then identify three physical, hands-on activities you could do this week that would require your full attention and connect you with other people. Pick one and commit to trying it within 48 hours.

Consider:

  • •The activity should require enough focus that you can't multitask or keep thinking about your problem
  • •Look for opportunities to work alongside others rather than solo activities
  • •Simple, repetitive tasks often work better than complex ones for breaking thought loops

Journaling Prompt

Write about a time when you solved a problem by doing something instead of thinking about it. What did that teach you about how your mind works?

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Coming Up Next...

Chapter 164

Levin's jealousy over Veslovsky will simmer and grow. Can secure love survive irrational suspicion?

Continue to Chapter 164
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