An excerpt from the original text.(complete · 1729 words)
he hotel of the provincial town where Nikolay Levin was lying ill was
one of those provincial hotels which are constructed on the newest
model of modern improvements, with the best intentions of cleanliness,
comfort, and even elegance, but owing to the public that patronizes
them, are with astounding rapidity transformed into filthy taverns with
a pretension of modern improvement that only makes them worse than the
old-fashioned, honestly filthy hotels. This hotel had already reached
that stage, and the soldier in a filthy uniform smoking in the entry,
supposed to stand for a hall-porter, and the cast-iron, slippery, dark,
and disagreeable staircase, and the free and easy waiter in a filthy
frock coat, and the common dining-room with a dusty bouquet of wax
flowers adorning the table, and filth, dust, and disorder everywhere,
and at the same time the sort of modern up-to-date self-complacent
railway uneasiness of this hotel, aroused a most painful feeling in
Levin after their fresh young life, especially because the impression
of falsity made by the hotel was so out of keeping with what awaited
them.
As is invariably the case, after they had been asked at what price they
wanted rooms, it appeared that there was not one decent room for them;
one decent room had been taken by the inspector of railroads, another
by a lawyer from Moscow, a third by Princess Astafieva from the
country. There remained only one filthy room, next to which they
promised that another should be empty by the evening. Feeling angry
with his wife because what he had expected had come to pass, which was
that at the moment of arrival, when his heart throbbed with emotion and
anxiety to know how his brother was getting on, he should have to be
seeing after her, instead of rushing straight to his brother, Levin
conducted her to the room assigned them.
“Go, do go!” she said, looking at him with timid and guilty eyes.
He went out of the door without a word, and at once stumbled over Marya
Nikolaevna, who had heard of his arrival and had not dared to go in to
see him. She was just the same as when he saw her in Moscow; the same
woolen gown, and bare arms and neck, and the same good-naturedly
stupid, pockmarked face, only a little plumper.
“Well, how is he? how is he?”
“Very bad. He can’t get up. He has kept expecting you. He.... Are you
... with your wife?”
Levin did not for the first moment understand what it was confused her,
but she immediately enlightened him.
“I’ll go away. I’ll go down to the kitchen,” she brought out. “Nikolay
Dmitrievitch will be delighted. He heard about it, and knows your lady,
and remembers her abroad.”
Levin realized that she meant his wife, and did not know what answer to
make.
“Come along, come along to him!” he said.
But as soon as he moved, the door of his room opened and Kitty peeped
out. Levin crimsoned both from shame and anger with his wife, who had
put herself and him in such a difficult position; but Marya Nikolaevna
crimsoned still more. She positively shrank together and flushed to the
point of tears, and clutching the ends of her apron in both hands,
twisted them in her red fingers without knowing what to say and what to
do.
For the first instant Levin saw an expression of eager curiosity in the
eyes with which Kitty looked at this awful woman, so incomprehensible
to her; but it lasted only a single instant.
“Well! how is he?” she turned to her husband and then to her.
“But one can’t go on talking in the passage like this!” Levin said,
looking angrily at a gentleman who walked jauntily at that instant
across the corridor, as though about his affairs.
“Well then, come in,” said Kitty, turning to Marya Nikolaevna, who had
recovered herself, but noticing her husband’s face of dismay, “or go
on; go, and then come for me,” she said, and went back into the room.
Levin went to his brother’s room. He had not in the least expected what
he saw and felt in his brother’s room. He had expected to find him in
the same state of self-deception which he had heard was so frequent
with the consumptive, and which had struck him so much during his
brother’s visit in the autumn. He had expected to find the physical
signs of the approach of death more marked—greater weakness, greater
emaciation, but still almost the same condition of things. He had
expected himself to feel the same distress at the loss of the brother
he loved and the same horror in face of death as he had felt then, only
in a greater degree. And he had prepared himself for this; but he found
something utterly different.
In a little dirty room with the painted panels of its walls filthy with
spittle, and conversation audible through the thin partition from the
next room, in a stifling atmosphere saturated with impurities, on a
bedstead moved away from the wall, there lay covered with a quilt, a
body. One arm of this body was above the quilt, and the wrist, huge as
a rake-handle, was attached, inconceivably it seemed, to the thin, long
bone of the arm smooth from the beginning to the middle. The head lay
sideways on the pillow. Levin could see the scanty locks wet with sweat
on the temples and tense, transparent-looking forehead.
“It cannot be that that fearful body was my brother Nikolay?” thought
Levin. But he went closer, saw the face, and doubt became impossible.
In spite of the terrible change in the face, Levin had only to glance
at those eager eyes raised at his approach, only to catch the faint
movement of the mouth under the sticky mustache, to realize the
terrible truth that this death-like body was his living brother.
The glittering eyes looked sternly and reproachfully at his brother as
he drew near. And immediately this glance established a living
relationship between living men. Levin immediately felt the reproach in
the eyes fixed on him, and felt remorse at his own happiness.
When Konstantin took him by the hand, Nikolay smiled. The smile was
faint, scarcely perceptible, and in spite of the smile the stern
expression of the eyes was unchanged.
“You did not expect to find me like this,” he articulated with effort.
“Yes ... no,” said Levin, hesitating over his words. “How was it you
didn’t let me know before, that is, at the time of my wedding? I made
inquiries in all directions.”
He had to talk so as not to be silent, and he did not know what to say,
especially as his brother made no reply, and simply stared without
dropping his eyes, and evidently penetrated to the inner meaning of
each word. Levin told his brother that his wife had come with him.
Nikolay expressed pleasure, but said he was afraid of frightening her
by his condition. A silence followed. Suddenly Nikolay stirred, and
began to say something. Levin expected something of peculiar gravity
and importance from the expression of his face, but Nikolay began
speaking of his health. He found fault with the doctor, regretting he
had not a celebrated Moscow doctor. Levin saw that he still hoped.
Seizing the first moment of silence, Levin got up, anxious to escape,
if only for an instant, from his agonizing emotion, and said that he
would go and fetch his wife.
“Very well, and I’ll tell her to tidy up here. It’s dirty and stinking
here, I expect. Marya! clear up the room,” the sick man said with
effort. “Oh, and when you’ve cleared up, go away yourself,” he added,
looking inquiringly at his brother.
Levin made no answer. Going out into the corridor, he stopped short. He
had said he would fetch his wife, but now, taking stock of the emotion
he was feeling, he decided that he would try on the contrary to
persuade her not to go in to the sick man. “Why should she suffer as I
am suffering?” he thought.
“Well, how is he?” Kitty asked with a frightened face.
“Oh, it’s awful, it’s awful! What did you come for?” said Levin.
Kitty was silent for a few seconds, looking timidly and ruefully at her
husband; then she went up and took him by the elbow with both hands.
“Kostya! take me to him; it will be easier for us to bear it together.
You only take me, take me to him, please, and go away,” she said. “You
must understand that for me to see you, and not to see him, is far more
painful. There I might be a help to you and to him. Please, let me!”
she besought her husband, as though the happiness of her life depended
on it.
Levin was obliged to agree, and regaining his composure, and completely
forgetting about Marya Nikolaevna by now, he went again in to his
brother with Kitty.
Stepping lightly, and continually glancing at her husband, showing him
a valorous and sympathetic face, Kitty went into the sick-room, and,
turning without haste, noiselessly closed the door. With inaudible
steps she went quickly to the sick man’s bedside, and going up so that
he had not to turn his head, she immediately clasped in her fresh young
hand the skeleton of his huge hand, pressed it, and began speaking with
that soft eagerness, sympathetic and not jarring, which is peculiar to
women.
“We have met, though we were not acquainted, at Soden,” she said. “You
never thought I was to be your sister?”
“You would not have recognized me?” he said, with a radiant smile at
her entrance.
“Yes, I should. What a good thing you let us know! Not a day has passed
that Kostya has not mentioned you, and been anxious.”
But the sick man’s interest did not last long.
Before she had finished speaking, there had come back into his face the
stern, reproachful expression of the dying man’s envy of the living.
“I am afraid you are not quite comfortable here,” she said, turning
away from his fixed stare, and looking about the room. “We must ask
about another room,” she said to her husband, “so that we might be
nearer.”
Master this chapter. Complete your experience
Purchase the complete book to access all chapters and support classic literature
As an Amazon Associate, we earn a small commission from qualifying purchases at no additional cost to you.
Available in paperback, hardcover, and e-book formats
Let's Analyse the Pattern
Using intense physical activity or busyness to avoid confronting uncomfortable emotional or spiritual realities.
Why This Matters
Connect literature to life
This chapter teaches how to identify when intense activity is actually emotional avoidance disguised as productivity.
Practice This Today
This week, notice when you suddenly get very busy after difficult conversations or bad news—ask yourself what you're really trying not to think about.
Now let's explore the literary elements.
Key Quotes & Analysis
"He worked and forgot himself, and only when he stopped did the remembrance of his position come back to him."
Context: As Levin throws himself into the physical labor of harvesting
This shows how temporary physical exhaustion can provide relief from mental anguish, but the problems return the moment you stop. It reveals the futility of trying to outrun existential questions through activity alone.
In Today's Words:
He could only escape his problems by staying busy, but the second he stopped moving, all the anxiety came flooding back.
"What am I struggling for? Why this unrest? Why this effort?"
Context: His internal questioning even while working in the fields
These are the core existential questions that torment him - the search for purpose and meaning that physical labor cannot answer. They represent the universal human struggle to find significance.
In Today's Words:
What's the point of any of this? Why am I so restless? Why do I even try?
"The peasants worked and were happy, they knew what they were working for."
Context: Levin observing his workers during the harvest
This highlights the painful contrast between those who have clear purpose and those who question everything. It shows Levin's envy of simple certainty and his awareness of what he lacks.
In Today's Words:
The regular folks seemed content because they knew why they were doing what they were doing.
Thematic Threads
Spiritual Crisis
In This Chapter
Levin's existential questioning has become so intense that he's using physical labor as an escape mechanism
Development
Evolved from earlier intellectual doubts into full-blown spiritual desperation requiring physical intervention
In Your Life:
You might recognize this when you find yourself staying busy to avoid thinking about deeper questions about your life's direction.
Class Division
In This Chapter
Levin envies his peasant workers' simple faith and ability to accept life without endless questioning
Development
Continues the theme of class differences, but now focuses on spiritual rather than economic disparities
In Your Life:
You might feel this when you envy people who seem to have simple, unquestioned faith in their choices while you struggle with doubt.
Physical vs Mental
In This Chapter
The contrast between exhausting physical work and relentless mental activity shows the limits of using body to control mind
Development
New exploration of how physical and mental states interact, building on earlier themes of internal struggle
In Your Life:
You might experience this when you use exercise, work, or other physical activities to try to stop overthinking or worry.
Isolation
In This Chapter
Despite being surrounded by workers, Levin feels completely alone in his spiritual struggle
Development
Deepens the ongoing theme of emotional isolation that has followed Levin throughout his journey
In Your Life:
You might feel this when you're surrounded by people but feel like no one understands your particular struggles or questions.
Search for Meaning
In This Chapter
Levin's desperate attempt to find peace through labor reveals how urgent his need for life's purpose has become
Development
Intensifies from earlier philosophical questioning into desperate, almost frantic seeking
In Your Life:
You might recognize this when you find yourself trying different activities or lifestyles, hoping one will finally make you feel fulfilled.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What specific strategy does Levin use to try to escape his mental anguish, and what does he hope to achieve?
analysis • surface - 2
Why does physical exhaustion only provide temporary relief from Levin's existential crisis?
analysis • medium - 3
Where do you see people today using intense activity or busyness to avoid dealing with uncomfortable feelings or problems?
application • medium - 4
If you were Levin's friend, what advice would you give him about addressing his spiritual crisis instead of running from it?
application • deep - 5
What does Levin's failed attempt to outwork his problems reveal about the difference between motion and progress in personal growth?
reflection • deep
Critical Thinking Exercise
Map Your Own Displacement Activities
Think about a time when you threw yourself into work, exercise, cleaning, or other intense activity when you were upset or avoiding something difficult. Write down what you were really trying to avoid dealing with and whether the activity actually solved the underlying problem. Then identify one displacement activity you currently use when stressed.
Consider:
- •Notice the difference between healthy coping (like exercise for stress relief) and displacement (using activity to avoid necessary conversations or decisions)
- •Consider whether your go-to activities actually move you toward solutions or just provide temporary escape
- •Think about what happens when the activity stops - do the original feelings return stronger?
Journaling Prompt
Write about a problem you've been avoiding by staying busy. What would happen if you stopped the activity for one day and actually addressed the issue directly?
Coming Up Next...
Chapter 142
Kitty's unexpected competence in the sickroom will challenge everything Levin thought he knew about his young wife—and about what real strength looks like in the face of death.




