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Anna Karenina - Chapter 110

Leo Tolstoy

Anna Karenina

Chapter 110

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Chapter 110

Anna Karenina by Leo Tolstoy

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It was past five, and several guests had already arrived, before the host himself got home. He went in together with Sergey Ivanovitch Koznishev and Pestsov, who had reached the street door at the same moment. These were the two leading representatives of the Moscow intellectuals, as Oblonsky had called them. Both were men respected for their character and their intelligence. They respected each other, but were in complete and hopeless disagreement upon almost every subject, not because they belonged to opposite parties, but precisely because they were of the same party (their enemies refused to see any distinction between their views); but, in that party, each had his own special shade of opinion. And since no difference is less easily overcome than the difference of opinion about semi-ab" -stract questions, they never agreed and were used to disagreeing without anger. This is satirical - they're in the same party but argue constantly about minute differences. The dinner party begins. "The _soupe Marie-Louise_ was a splendid success; the tiny pies eaten with it melted in the mouth and were irreproachable." The food is excellent. "The two footmen and Matvey, in white cravats, did their duty with the dishes and wines unobtrusively, quietly, and swiftly. On the material side the dinner was a success; it was no less so on the immaterial." Both the food and conversation are successful. "The conversation, at times general and at times between individuals, never paused, and towards the end the company was so lively that the men rose from the table, without stopping speaking, and even Alexey Alexandrovitch thawed." The dinner works - conversation flows and even the rigid Karenin relaxes ("thawed"). This chapter shows Stiva's social genius at hosting, bringing together disparate personalities and creating a pleasant atmosphere that can even penetrate Karenin's icy reserve. The contrast between Karenin's isolation in his crisis and his temporary integration into warm social life is poignant.

Coming Up in Chapter 111

Anna's emotional turmoil reaches a critical point as she makes a decision that will change everything. The tension between her desperate need for reassurance and her growing sense of hopelessness comes to a head.

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An excerpt from the original text.(complete · 2278 words)

T

was past five, and several guests had already arrived, before the
host himself got home. He went in together with Sergey Ivanovitch
Koznishev and Pestsov, who had reached the street door at the same
moment. These were the two leading representatives of the Moscow
intellectuals, as Oblonsky had called them. Both were men respected for
their character and their intelligence. They respected each other, but
were in complete and hopeless disagreement upon almost every subject,
not because they belonged to opposite parties, but precisely because
they were of the same party (their enemies refused to see any
distinction between their views)
; but, in that party, each had his own
special shade of opinion. And since no difference is less easily
overcome than the difference of opinion about semi-abstract questions,
they never agreed in any opinion, and had long, indeed, been accustomed
to jeer without anger, each at the other’s incorrigible aberrations.

They were just going in at the door, talking of the weather, when
Stepan Arkadyevitch overtook them. In the drawing-room there were
already sitting Prince Alexander Dmitrievitch Shtcherbatsky, young
Shtcherbatsky, Turovtsin, Kitty, and Karenin.

Stepan Arkadyevitch saw immediately that things were not going well in
the drawing-room without him. Darya Alexandrovna, in her best gray silk
gown, obviously worried about the children, who were to have their
dinner by themselves in the nursery, and by her husband’s absence, was
not equal to the task of making the party mix without him. All were
sitting like so many priests’ wives on a visit (so the old prince
expressed it)
, obviously wondering why they were there, and pumping up
remarks simply to avoid being silent. Turovtsin—good, simple man—felt
unmistakably a fish out of water, and the smile with which his thick
lips greeted Stepan Arkadyevitch said, as plainly as words: “Well, old
boy, you have popped me down in a learned set! A drinking party now, or
the Château des Fleurs, would be more in my line!” The old prince sat
in silence, his bright little eyes watching Karenin from one side, and
Stepan Arkadyevitch saw that he had already formed a phrase to sum up
that politician of whom guests were invited to partake as though he
were a sturgeon. Kitty was looking at the door, calling up all her
energies to keep her from blushing at the entrance of Konstantin Levin.
Young Shtcherbatsky, who had not been introduced to Karenin, was trying
to look as though he were not in the least conscious of it. Karenin
himself had followed the Petersburg fashion for a dinner with ladies
and was wearing evening dress and a white tie. Stepan Arkadyevitch saw
by his face that he had come simply to keep his promise, and was
performing a disagreeable duty in being present at this gathering. He
was indeed the person chiefly responsible for the chill benumbing all
the guests before Stepan Arkadyevitch came in.

On entering the drawing-room Stepan Arkadyevitch apologized, explaining
that he had been detained by that prince, who was always the scapegoat
for all his absences and unpunctualities, and in one moment he had made
all the guests acquainted with each other, and, bringing together
Alexey Alexandrovitch and Sergey Koznishev, started them on a
discussion of the Russification of Poland, into which they immediately
plunged with Pestsov. Slapping Turovtsin on the shoulder, he whispered
something comic in his ear, and set him down by his wife and the old
prince. Then he told Kitty she was looking very pretty that evening,
and presented Shtcherbatsky to Karenin. In a moment he had so kneaded
together the social dough that the drawing-room became very lively, and
there was a merry buzz of voices. Konstantin Levin was the only person
who had not arrived. But this was so much the better, as going into the
dining-room, Stepan Arkadyevitch found to his horror that the port and
sherry had been procured from Depré, and not from Levy, and, directing
that the coachman should be sent off as speedily as possible to Levy’s,
he was going back to the drawing-room.

In the dining-room he was met by Konstantin Levin.

“I’m not late?”

“You can never help being late!” said Stepan Arkadyevitch, taking his
arm.

“Have you a lot of people? Who’s here?” asked Levin, unable to help
blushing, as he knocked the snow off his cap with his glove.

“All our own set. Kitty’s here. Come along, I’ll introduce you to
Karenin.”

Stepan Arkadyevitch, for all his liberal views, was well aware that to
meet Karenin was sure to be felt a flattering distinction, and so
treated his best friends to this honor. But at that instant Konstantin
Levin was not in a condition to feel all the gratification of making
such an acquaintance. He had not seen Kitty since that memorable
evening when he met Vronsky, not counting, that is, the moment when he
had had a glimpse of her on the highroad. He had known at the bottom of
his heart that he would see her here today. But to keep his thoughts
free, he had tried to persuade himself that he did not know it. Now
when he heard that she was here, he was suddenly conscious of such
delight, and at the same time of such dread, that his breath failed him
and he could not utter what he wanted to say.

“What is she like, what is she like? Like what she used to be, or like
what she was in the carriage? What if Darya Alexandrovna told the
truth? Why shouldn’t it be the truth?” he thought.

“Oh, please, introduce me to Karenin,” he brought out with an effort,
and with a desperately determined step he walked into the drawing-room
and beheld her.

She was not the same as she used to be, nor was she as she had been in
the carriage; she was quite different.

She was scared, shy, shame-faced, and still more charming from it. She
saw him the very instant he walked into the room. She had been
expecting him. She was delighted, and so confused at her own delight
that there was a moment, the moment when he went up to her sister and
glanced again at her, when she, and he, and Dolly, who saw it all,
thought she would break down and would begin to cry. She crimsoned,
turned white, crimsoned again, and grew faint, waiting with quivering
lips for him to come to her. He went up to her, bowed, and held out his
hand without speaking. Except for the slight quiver of her lips and the
moisture in her eyes that made them brighter, her smile was almost calm
as she said:

“How long it is since we’ve seen each other!” and with desperate
determination she pressed his hand with her cold hand.

“You’ve not seen me, but I’ve seen you,” said Levin, with a radiant
smile of happiness. “I saw you when you were driving from the railway
station to Ergushovo.”

“When?” she asked, wondering.

“You were driving to Ergushovo,” said Levin, feeling as if he would sob
with the rapture that was flooding his heart. “And how dared I
associate a thought of anything not innocent with this touching
creature? And, yes, I do believe it’s true what Darya Alexandrovna told
me,” he thought.

Stepan Arkadyevitch took him by the arm and led him away to Karenin.

“Let me introduce you.” He mentioned their names.

“Very glad to meet you again,” said Alexey Alexandrovitch coldly,
shaking hands with Levin.

“You are acquainted?” Stepan Arkadyevitch asked in surprise.

“We spent three hours together in the train,” said Levin smiling, “but
got out, just as in a masquerade, quite mystified—at least I was.”

“Nonsense! Come along, please,” said Stepan Arkadyevitch, pointing in
the direction of the dining-room.

The men went into the dining-room and went up to a table, laid with six
sorts of spirits and as many kinds of cheese, some with little silver
spades and some without, caviar, herrings, preserves of various kinds,
and plates with slices of French bread.

The men stood round the strong-smelling spirits and salt delicacies,
and the discussion of the Russification of Poland between Koznishev,
Karenin, and Pestsov died down in anticipation of dinner.

Sergey Ivanovitch was unequaled in his skill in winding up the most
heated and serious argument by some unexpected pinch of Attic salt that
changed the disposition of his opponent. He did this now.

Alexey Alexandrovitch had been maintaining that the Russification of
Poland could only be accomplished as a result of larger measures which
ought to be introduced by the Russian government.

Pestsov insisted that one country can only absorb another when it is
the more densely populated.

Koznishev admitted both points, but with limitations. As they were
going out of the drawing-room to conclude the argument, Koznishev said,
smiling:

“So, then, for the Russification of our foreign populations there is
but one method—to bring up as many children as one can. My brother and
I are terribly in fault, I see. You married men, especially you, Stepan
Arkadyevitch, are the real patriots: what number have you reached?” he
said, smiling genially at their host and holding out a tiny wine-glass
to him.

Everyone laughed, and Stepan Arkadyevitch with particular good humor.

“Oh, yes, that’s the best method!” he said, munching cheese and filling
the wine-glass with a special sort of spirit. The conversation dropped
at the jest.

“This cheese is not bad. Shall I give you some?” said the master of the
house. “Why, have you been going in for gymnastics again?” he asked
Levin, pinching his muscle with his left hand. Levin smiled, bent his
arm, and under Stepan Arkadyevitch’s fingers the muscles swelled up
like a sound cheese, hard as a knob of iron, through the fine cloth of
the coat.

“What biceps! A perfect Samson!”

“I imagine great strength is needed for hunting bears,” observed Alexey
Alexandrovitch, who had the mistiest notions about the chase. He cut
off and spread with cheese a wafer of bread fine as a spider-web.

Levin smiled.

“Not at all. Quite the contrary; a child can kill a bear,” he said,
with a slight bow moving aside for the ladies, who were approaching the
table.

“You have killed a bear, I’ve been told!” said Kitty, trying
assiduously to catch with her fork a perverse mushroom that would slip
away, and setting the lace quivering over her white arm. “Are there
bears on your place?” she added, turning her charming little head to
him and smiling.

There was apparently nothing extraordinary in what she said, but what
unutterable meaning there was for him in every sound, in every turn of
her lips, her eyes, her hand as she said it! There was entreaty for
forgiveness, and trust in him, and tenderness—soft, timid
tenderness—and promise and hope and love for him, which he could not
but believe in and which choked him with happiness.

“No, we’ve been hunting in the Tver province. It was coming back from
there that I met your beau-frère in the train, or your beau-frère’s
brother-in-law,” he said with a smile. “It was an amusing meeting.”

And he began telling with droll good-humor how, after not sleeping all
night, he had, wearing an old fur-lined, full-skirted coat, got into
Alexey Alexandrovitch’s compartment.

“The conductor, forgetting the proverb, would have chucked me out on
account of my attire; but thereupon I began expressing my feelings in
elevated language, and ... you, too,” he said, addressing Karenin and
forgetting his name, “at first would have ejected me on the ground of
the old coat, but afterwards you took my part, for which I am extremely
grateful.”

“The rights of passengers generally to choose their seats are too
ill-defined,” said Alexey Alexandrovitch, rubbing the tips of his
fingers on his handkerchief.

“I saw you were in uncertainty about me,” said Levin, smiling
good-naturedly, “but I made haste to plunge into intellectual
conversation to smooth over the defects of my attire.” Sergey
Ivanovitch, while he kept up a conversation with their hostess, had one
ear for his brother, and he glanced askance at him. “What is the matter
with him today? Why such a conquering hero?” he thought. He did not
know that Levin was feeling as though he had grown wings. Levin knew
she was listening to his words and that she was glad to listen to him.
And this was the only thing that interested him. Not in that room only,
but in the whole world, there existed for him only himself, with
enormously increased importance and dignity in his own eyes, and she.
He felt himself on a pinnacle that made him giddy, and far away down
below were all those nice excellent Karenins, Oblonskys, and all the
world.

Quite without attracting notice, without glancing at them, as though
there were no other places left, Stepan Arkadyevitch put Levin and
Kitty side by side.

“Oh, you may as well sit there,” he said to Levin.

The dinner was as choice as the china, in which Stepan Arkadyevitch was
a connoisseur. The soupe Marie-Louise was a splendid success; the
tiny pies eaten with it melted in the mouth and were irreproachable.
The two footmen and Matvey, in white cravats, did their duty with the
dishes and wines unobtrusively, quietly, and swiftly. On the material
side the dinner was a success; it was no less so on the immaterial. The
conversation, at times general and at times between individuals, never
paused, and towards the end the company was so lively that the men rose
from the table, without stopping speaking, and even Alexey
Alexandrovitch thawed.

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Let's Analyse the Pattern

Pattern: Emotional Dependency Spiral
Anna reveals the devastating pattern of emotional dependency—when we build our entire sense of self-worth around one person's approval or love. She's created a psychological prison where Vronsky's every gesture becomes evidence of her value as a human being. His smile means she's worthy; his distraction means she's worthless. This isn't love anymore—it's emotional survival. This pattern operates through a vicious cycle. First, we sacrifice our independence for someone's approval. Then, having given up everything else that made us feel valuable—friends, family, personal goals—we become completely dependent on that one source of validation. Every interaction becomes loaded with meaning because it's literally all we have. Our mind starts manufacturing threats where none exist, interpreting neutral behavior as rejection. We become hypervigilant, exhausting ourselves by monitoring every micro-expression and tone of voice. This exact pattern shows up everywhere today. The employee who works 70-hour weeks seeking their boss's approval, then panics when the boss seems distant during one meeting. The parent who lives through their child's achievements, devastated when the kid shows independence. The friend who drops everything for one person, then obsesses over response times to texts. The patient who makes their doctor's approval their entire source of hope, reading medical disaster into every furrowed brow. When you recognize this pattern in yourself, diversify your sources of self-worth immediately. Reconnect with old friends, pursue a hobby, volunteer somewhere, take a class—anything that reminds you that you exist as a complete person outside this one relationship. Set boundaries around how much mental energy you spend analyzing someone else's behavior. Ask yourself: 'What would I do if this person disappeared tomorrow?' Then start doing those things now. Build a life so full that no single person's opinion can destroy your sense of self. When you can name the pattern of emotional dependency, predict where it leads—to paranoia and desperation—and navigate it by maintaining your independence, that's amplified intelligence.

Building your entire self-worth around one person's approval creates a cycle of paranoia and desperation that destroys both the relationship and your sanity.

Why This Matters

Connect literature to life

Skill: Recognizing Emotional Dependency

This chapter teaches you to spot when you've made someone else's approval your entire source of self-worth.

Practice This Today

This week, notice when you check someone's social media more than twice in a day, or when you spend more than ten minutes analyzing why someone seemed 'off.'

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Now let's explore the literary elements.

Key Quotes & Analysis

"She felt that beside the blessed relief of telling him everything, she would have the satisfaction of revenge."

— Narrator

Context: Anna contemplates confronting Vronsky about her suspicions

This reveals how Anna's pain has twisted into a desire to hurt Vronsky back. She wants relief from her torment, but she also wants him to suffer like she's suffering.

In Today's Words:

She wanted to dump all her feelings on him and make him feel as bad as she did.

"Yes, I am very much changed, and I know it."

— Anna

Context: Anna's moment of self-awareness about her deteriorating mental state

This shows Anna has some insight into her condition, which makes it even more tragic. She knows she's becoming someone she doesn't recognize but feels powerless to stop it.

In Today's Words:

I know I'm not myself anymore, and that scares me.

"If he does not love me, but treats me kindly and gently out of a sense of duty, without love, then that would be a thousand times worse than hatred!"

— Anna

Context: Anna's fear that Vronsky's affection has become mere obligation

This captures the terror of realizing someone might be staying with you out of pity or duty rather than genuine love. Anna would rather be hated than pitied.

In Today's Words:

I'd rather he dump me than stay with me because he feels sorry for me.

Thematic Threads

Identity

In This Chapter

Anna has completely lost her sense of self outside of Vronsky's love—she exists only as his beloved or his burden

Development

Evolved from her initial confidence to complete self-erasure

In Your Life:

You might catch yourself defining your worth entirely by how one person treats you

Isolation

In This Chapter

Anna's social exile has left her with no other sources of connection or validation beyond Vronsky

Development

Deepened from initial scandal to complete social death

In Your Life:

You might find yourself cutting off friends and family to please one important person

Control

In This Chapter

Anna desperately tries to control Vronsky's feelings through constant analysis and emotional manipulation

Development

Escalated from subtle influence to obsessive monitoring

In Your Life:

You might find yourself trying to manage someone else's emotions instead of your own

Fear

In This Chapter

Terror of abandonment drives Anna to create the very scenarios she's trying to avoid

Development

Intensified from worry to paralyzing panic

In Your Life:

You might sabotage relationships by constantly testing whether people really care about you

Sacrifice

In This Chapter

Anna realizes her sacrifices—her son, her social position, her independence—have left her with nothing if Vronsky leaves

Development

Culminated from romantic gestures to devastating losses

In Your Life:

You might realize you've given up so much for someone that you've lost yourself completely

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What specific behaviors and thoughts show Anna's mental state deteriorating in this chapter?

    analysis • surface
  2. 2

    Why has Anna become so completely dependent on Vronsky's approval for her sense of self-worth?

    analysis • medium
  3. 3

    Where do you see this pattern of emotional dependency playing out in modern relationships - romantic, workplace, or family?

    application • medium
  4. 4

    If you had a friend spiraling into this kind of paranoid dependency, what practical steps would you suggest to help them rebuild their independence?

    application • deep
  5. 5

    What does Anna's story reveal about the difference between healthy love and destructive emotional dependency?

    reflection • deep

Critical Thinking Exercise

10 minutes

Map Your Dependency Risk Factors

Create a simple chart with three columns: 'Sources of Self-Worth,' 'Risk Level,' and 'Backup Plan.' List all the things that make you feel valuable - your job, relationships, achievements, hobbies. Rate each as low, medium, or high risk (how devastated would you be if it disappeared tomorrow?). For high-risk items, write one concrete backup plan.

Consider:

  • •Be honest about which relationships or achievements you've built your identity around
  • •Notice if most of your self-worth comes from just one or two sources
  • •Consider what you used to enjoy before your current major commitments took over

Journaling Prompt

Write about a time when you felt your worth depended entirely on someone else's approval. What warning signs did you miss, and how could you diversify your sources of self-worth now?

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Coming Up Next...

Chapter 111

Anna's emotional turmoil reaches a critical point as she makes a decision that will change everything. The tension between her desperate need for reassurance and her growing sense of hopelessness comes to a head.

Continue to Chapter 111
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Chapter 111

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