An excerpt from the original text.(complete · 2031 words)
he Sea Still Rises
Haggard Saint Antoine had had only one exultant week, in which to soften
his modicum of hard and bitter bread to such extent as he could, with
the relish of fraternal embraces and congratulations, when Madame
Defarge sat at her counter, as usual, presiding over the customers.
Madame Defarge wore no rose in her head, for the great brotherhood of
Spies had become, even in one short week, extremely chary of trusting
themselves to the saint’s mercies. The lamps across his streets had a
portentously elastic swing with them.
Madame Defarge, with her arms folded, sat in the morning light and heat,
contemplating the wine-shop and the street. In both, there were several
knots of loungers, squalid and miserable, but now with a manifest sense
of power enthroned on their distress. The raggedest nightcap, awry on
the wretchedest head, had this crooked significance in it: “I know how
hard it has grown for me, the wearer of this, to support life in myself;
but do you know how easy it has grown for me, the wearer of this, to
destroy life in you?” Every lean bare arm, that had been without work
before, had this work always ready for it now, that it could strike.
The fingers of the knitting women were vicious, with the experience that
they could tear. There was a change in the appearance of Saint Antoine;
the image had been hammering into this for hundreds of years, and the
last finishing blows had told mightily on the expression.
Madame Defarge sat observing it, with such suppressed approval as was
to be desired in the leader of the Saint Antoine women. One of her
sisterhood knitted beside her. The short, rather plump wife of a starved
grocer, and the mother of two children withal, this lieutenant had
already earned the complimentary name of The Vengeance.
“Hark!” said The Vengeance. “Listen, then! Who comes?”
As if a train of powder laid from the outermost bound of Saint Antoine
Quarter to the wine-shop door, had been suddenly fired, a fast-spreading
murmur came rushing along.
“It is Defarge,” said madame. “Silence, patriots!”
Defarge came in breathless, pulled off a red cap he wore, and looked
around him! “Listen, everywhere!” said madame again. “Listen to him!”
Defarge stood, panting, against a background of eager eyes and open
mouths, formed outside the door; all those within the wine-shop had
sprung to their feet.
“Say then, my husband. What is it?”
“News from the other world!”
“How, then?” cried madame, contemptuously. “The other world?”
“Does everybody here recall old Foulon, who told the famished people
that they might eat grass, and who died, and went to Hell?”
“Everybody!” from all throats.
“The news is of him. He is among us!”
“Among us!” from the universal throat again. “And dead?”
“Not dead! He feared us so much--and with reason--that he caused himself
to be represented as dead, and had a grand mock-funeral. But they have
found him alive, hiding in the country, and have brought him in. I have
seen him but now, on his way to the Hotel de Ville, a prisoner. I have
said that he had reason to fear us. Say all! Had he reason?”
Wretched old sinner of more than threescore years and ten, if he had
never known it yet, he would have known it in his heart of hearts if he
could have heard the answering cry.
A moment of profound silence followed. Defarge and his wife looked
steadfastly at one another. The Vengeance stooped, and the jar of a drum
was heard as she moved it at her feet behind the counter.
“Patriots!” said Defarge, in a determined voice, “are we ready?”
Instantly Madame Defarge’s knife was in her girdle; the drum was beating
in the streets, as if it and a drummer had flown together by magic; and
The Vengeance, uttering terrific shrieks, and flinging her arms about
her head like all the forty Furies at once, was tearing from house to
house, rousing the women.
The men were terrible, in the bloody-minded anger with which they looked
from windows, caught up what arms they had, and came pouring down into
the streets; but, the women were a sight to chill the boldest. From
such household occupations as their bare poverty yielded, from their
children, from their aged and their sick crouching on the bare ground
famished and naked, they ran out with streaming hair, urging one
another, and themselves, to madness with the wildest cries and actions.
Villain Foulon taken, my sister! Old Foulon taken, my mother! Miscreant
Foulon taken, my daughter! Then, a score of others ran into the midst of
these, beating their breasts, tearing their hair, and screaming, Foulon
alive! Foulon who told the starving people they might eat grass! Foulon
who told my old father that he might eat grass, when I had no bread
to give him! Foulon who told my baby it might suck grass, when these
breasts were dry with want! O mother of God, this Foulon! O Heaven our
suffering! Hear me, my dead baby and my withered father: I swear on my
knees, on these stones, to avenge you on Foulon! Husbands, and brothers,
and young men, Give us the blood of Foulon, Give us the head of Foulon,
Give us the heart of Foulon, Give us the body and soul of Foulon, Rend
Foulon to pieces, and dig him into the ground, that grass may grow from
him! With these cries, numbers of the women, lashed into blind frenzy,
whirled about, striking and tearing at their own friends until they
dropped into a passionate swoon, and were only saved by the men
belonging to them from being trampled under foot.
Nevertheless, not a moment was lost; not a moment! This Foulon was at
the Hotel de Ville, and might be loosed. Never, if Saint Antoine knew
his own sufferings, insults, and wrongs! Armed men and women flocked out
of the Quarter so fast, and drew even these last dregs after them with
such a force of suction, that within a quarter of an hour there was not
a human creature in Saint Antoine’s bosom but a few old crones and the
wailing children.
No. They were all by that time choking the Hall of Examination where
this old man, ugly and wicked, was, and overflowing into the adjacent
open space and streets. The Defarges, husband and wife, The Vengeance,
and Jacques Three, were in the first press, and at no great distance
from him in the Hall.
“See!” cried madame, pointing with her knife. “See the old villain bound
with ropes. That was well done to tie a bunch of grass upon his back.
Ha, ha! That was well done. Let him eat it now!” Madame put her knife
under her arm, and clapped her hands as at a play.
The people immediately behind Madame Defarge, explaining the cause of
her satisfaction to those behind them, and those again explaining to
others, and those to others, the neighbouring streets resounded with the
clapping of hands. Similarly, during two or three hours of drawl,
and the winnowing of many bushels of words, Madame Defarge’s frequent
expressions of impatience were taken up, with marvellous quickness, at
a distance: the more readily, because certain men who had by some
wonderful exercise of agility climbed up the external architecture
to look in from the windows, knew Madame Defarge well, and acted as a
telegraph between her and the crowd outside the building.
At length the sun rose so high that it struck a kindly ray as of hope or
protection, directly down upon the old prisoner’s head. The favour was
too much to bear; in an instant the barrier of dust and chaff that had
stood surprisingly long, went to the winds, and Saint Antoine had got
him!
It was known directly, to the furthest confines of the crowd. Defarge
had but sprung over a railing and a table, and folded the miserable
wretch in a deadly embrace--Madame Defarge had but followed and turned
her hand in one of the ropes with which he was tied--The Vengeance and
Jacques Three were not yet up with them, and the men at the windows
had not yet swooped into the Hall, like birds of prey from their high
perches--when the cry seemed to go up, all over the city, “Bring him
out! Bring him to the lamp!”
Down, and up, and head foremost on the steps of the building; now, on
his knees; now, on his feet; now, on his back; dragged, and struck at,
and stifled by the bunches of grass and straw that were thrust into his
face by hundreds of hands; torn, bruised, panting, bleeding, yet always
entreating and beseeching for mercy; now full of vehement agony of
action, with a small clear space about him as the people drew one
another back that they might see; now, a log of dead wood drawn through
a forest of legs; he was hauled to the nearest street corner where one
of the fatal lamps swung, and there Madame Defarge let him go--as a cat
might have done to a mouse--and silently and composedly looked at him
while they made ready, and while he besought her: the women passionately
screeching at him all the time, and the men sternly calling out to have
him killed with grass in his mouth. Once, he went aloft, and the rope
broke, and they caught him shrieking; twice, he went aloft, and the rope
broke, and they caught him shrieking; then, the rope was merciful, and
held him, and his head was soon upon a pike, with grass enough in the
mouth for all Saint Antoine to dance at the sight of.
Nor was this the end of the day’s bad work, for Saint Antoine so shouted
and danced his angry blood up, that it boiled again, on hearing when
the day closed in that the son-in-law of the despatched, another of the
people’s enemies and insulters, was coming into Paris under a guard
five hundred strong, in cavalry alone. Saint Antoine wrote his crimes
on flaring sheets of paper, seized him--would have torn him out of the
breast of an army to bear Foulon company--set his head and heart on
pikes, and carried the three spoils of the day, in Wolf-procession
through the streets.
Not before dark night did the men and women come back to the children,
wailing and breadless. Then, the miserable bakers’ shops were beset by
long files of them, patiently waiting to buy bad bread; and while
they waited with stomachs faint and empty, they beguiled the time by
embracing one another on the triumphs of the day, and achieving them
again in gossip. Gradually, these strings of ragged people shortened and
frayed away; and then poor lights began to shine in high windows, and
slender fires were made in the streets, at which neighbours cooked in
common, afterwards supping at their doors.
Scanty and insufficient suppers those, and innocent of meat, as of
most other sauce to wretched bread. Yet, human fellowship infused
some nourishment into the flinty viands, and struck some sparks of
cheerfulness out of them. Fathers and mothers who had had their full
share in the worst of the day, played gently with their meagre children;
and lovers, with such a world around them and before them, loved and
hoped.
It was almost morning, when Defarge’s wine-shop parted with its last
knot of customers, and Monsieur Defarge said to madame his wife, in
husky tones, while fastening the door:
“At last it is come, my dear!”
“Eh well!” returned madame. “Almost.”
Saint Antoine slept, the Defarges slept: even The Vengeance slept with
her starved grocer, and the drum was at rest. The drum’s was the
only voice in Saint Antoine that blood and hurry had not changed. The
Vengeance, as custodian of the drum, could have wakened him up and had
the same speech out of him as before the Bastille fell, or old Foulon
was seized; not so with the hoarse tones of the men and women in Saint
Antoine’s bosom.
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Let's Analyse the Pattern
When accumulated suffering creates a moral blind spot that transforms victims into the oppressors they once despised.
Why This Matters
Connect literature to life
This chapter teaches how to spot when your own suffering becomes an excuse to hurt others who remind you of your former powerlessness.
Practice This Today
This week, notice when you gain any advantage over someone—at work, in an argument, with service workers—and ask yourself if you're seeking fairness or recreating pain you once felt.
Now let's explore the literary elements.
Key Quotes & Analysis
"I know how hard it has grown for me, the wearer of this, to support life in myself; but do you know how easy it has grown for me, the wearer of this, to destroy life in you?"
Context: Describing the meaning behind every ragged piece of clothing in Saint Antoine
This quote captures the psychological transformation of the oppressed. Their suffering has taught them how fragile life is, which makes them expert at ending it. The contrast between struggling to live and ease of killing shows how desperation creates dangerous people.
In Today's Words:
I've barely been able to survive, but now I know exactly how to make sure you don't.
"The fingers of the knitting women were vicious, with the experience that they could tear."
Context: Describing how the women's domestic skills have become weapons
The same hands that knit clothes and prepare food have learned they can destroy. This shows how revolution transforms everyday people and everyday skills into instruments of violence.
In Today's Words:
The women who used to just make things now knew they could destroy things just as easily.
"Grass! Give him grass!"
Context: The mob's cry as they prepare to execute Foulon
This turns Foulon's cruel joke back on him - he told starving people to eat grass, so they stuff grass in his mouth as he dies. It's poetic justice that shows how the oppressed remember every insult and will make their oppressors pay for their callousness.
In Today's Words:
You told us to eat grass when we were starving? Here, you eat it!
Thematic Threads
Class
In This Chapter
The violent reversal of power as the poor literally consume their oppressor, forcing him to 'eat grass' as he once mocked them to do
Development
Evolved from abstract inequality to visceral, physical revenge—class warfare becomes literal warfare
In Your Life:
You might see this when someone from a poor background gets money and looks down on people still struggling.
Identity
In This Chapter
The mob members lose individual identity, becoming a collective force of vengeance, yet return home to be loving family members
Development
Shows how revolutionary identity can coexist with personal identity—people contain multitudes
In Your Life:
You might notice how you act differently in group settings versus one-on-one, sometimes surprising yourself.
Social Expectations
In This Chapter
The women are expected to be nurturing, but they lead the most savage acts of violence with calculated precision
Development
Subverts earlier expectations—shows how oppression can invert traditional gender roles
In Your Life:
You might find yourself acting against type when pushed to your limits or fighting for survival.
Human Relationships
In This Chapter
The same hands that stuff grass in a man's mouth go home to tenderly feed their own families
Development
Reveals the complexity of human capacity—people can be both cruel and loving simultaneously
In Your Life:
You might struggle with how someone can be terrible to others but kind to you, or vice versa.
Personal Growth
In This Chapter
The revolutionaries' 'growth' through violence shows how trauma can warp development into cycles of revenge
Development
Introduced here as a dark mirror of positive growth—showing how pain can teach the wrong lessons
In Your Life:
You might catch yourself thinking your past suffering gives you the right to be harsh with others.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Why do the women of Saint Antoine stuff grass in Foulon's mouth before killing him?
analysis • surface - 2
How does Madame Defarge's leadership of the mob reveal what happens when powerless people suddenly gain control?
analysis • medium - 3
Where do you see the 'justified vengeance' pattern today - people using past hurt as permission for present cruelty?
application • medium - 4
If you'd been systematically mistreated and suddenly had power over your oppressor, how would you prevent yourself from becoming what you once hated?
application • deep - 5
What does this chapter teach us about the difference between seeking justice and seeking revenge?
reflection • deep
Critical Thinking Exercise
Power Flip Analysis
Think of a situation where you went from powerless to powerful - maybe getting promoted, becoming a parent, or gaining expertise in something. Write down three specific ways you could have (or did) treat others badly because of how you were once treated. Then identify what you could do differently to break the cycle.
Consider:
- •Consider how your past pain might create blind spots in your current behavior
- •Think about whether you're seeking justice (fixing the problem) or revenge (recreating the pain)
- •Remember that people who hurt you probably had their own justified reasons - breaking cycles requires conscious choice
Journaling Prompt
Write about a time when someone with power over you used their past suffering to justify treating you poorly. How did it feel? How can you avoid doing the same thing to others?
Coming Up Next...
Chapter 29: When Revolution Ignites
The fires of revolution spread beyond Saint Antoine as the violence that began with individual revenge transforms into something larger and more systematic. The question becomes whether this fury can be contained or if it will consume everything in its path.




