An excerpt from the original text.(complete · 4239 words)
choing Footsteps
A wonderful corner for echoes, it has been remarked, that corner where
the Doctor lived. Ever busily winding the golden thread which bound
her husband, and her father, and herself, and her old directress and
companion, in a life of quiet bliss, Lucie sat in the still house in
the tranquilly resounding corner, listening to the echoing footsteps of
years.
At first, there were times, though she was a perfectly happy young wife,
when her work would slowly fall from her hands, and her eyes would be
dimmed. For, there was something coming in the echoes, something light,
afar off, and scarcely audible yet, that stirred her heart too much.
Fluttering hopes and doubts--hopes, of a love as yet unknown to her:
doubts, of her remaining upon earth, to enjoy that new delight--divided
her breast. Among the echoes then, there would arise the sound of
footsteps at her own early grave; and thoughts of the husband who would
be left so desolate, and who would mourn for her so much, swelled to her
eyes, and broke like waves.
That time passed, and her little Lucie lay on her bosom. Then, among the
advancing echoes, there was the tread of her tiny feet and the sound of
her prattling words. Let greater echoes resound as they would, the young
mother at the cradle side could always hear those coming. They came, and
the shady house was sunny with a child’s laugh, and the Divine friend of
children, to whom in her trouble she had confided hers, seemed to take
her child in his arms, as He took the child of old, and made it a sacred
joy to her.
Ever busily winding the golden thread that bound them all together,
weaving the service of her happy influence through the tissue of all
their lives, and making it predominate nowhere, Lucie heard in the
echoes of years none but friendly and soothing sounds. Her husband’s
step was strong and prosperous among them; her father’s firm and equal.
Lo, Miss Pross, in harness of string, awakening the echoes, as an
unruly charger, whip-corrected, snorting and pawing the earth under the
plane-tree in the garden!
Even when there were sounds of sorrow among the rest, they were not
harsh nor cruel. Even when golden hair, like her own, lay in a halo on a
pillow round the worn face of a little boy, and he said, with a radiant
smile, “Dear papa and mamma, I am very sorry to leave you both, and to
leave my pretty sister; but I am called, and I must go!” those were not
tears all of agony that wetted his young mother’s cheek, as the spirit
departed from her embrace that had been entrusted to it. Suffer them and
forbid them not. They see my Father’s face. O Father, blessed words!
Thus, the rustling of an Angel’s wings got blended with the other
echoes, and they were not wholly of earth, but had in them that breath
of Heaven. Sighs of the winds that blew over a little garden-tomb were
mingled with them also, and both were audible to Lucie, in a hushed
murmur--like the breathing of a summer sea asleep upon a sandy shore--as
the little Lucie, comically studious at the task of the morning, or
dressing a doll at her mother’s footstool, chattered in the tongues of
the Two Cities that were blended in her life.
The Echoes rarely answered to the actual tread of Sydney Carton. Some
half-dozen times a year, at most, he claimed his privilege of coming in
uninvited, and would sit among them through the evening, as he had once
done often. He never came there heated with wine. And one other thing
regarding him was whispered in the echoes, which has been whispered by
all true echoes for ages and ages.
No man ever really loved a woman, lost her, and knew her with a
blameless though an unchanged mind, when she was a wife and a mother,
but her children had a strange sympathy with him--an instinctive
delicacy of pity for him. What fine hidden sensibilities are touched in
such a case, no echoes tell; but it is so, and it was so here. Carton
was the first stranger to whom little Lucie held out her chubby arms,
and he kept his place with her as she grew. The little boy had spoken of
him, almost at the last. “Poor Carton! Kiss him for me!”
Mr. Stryver shouldered his way through the law, like some great engine
forcing itself through turbid water, and dragged his useful friend in
his wake, like a boat towed astern. As the boat so favoured is usually
in a rough plight, and mostly under water, so, Sydney had a swamped
life of it. But, easy and strong custom, unhappily so much easier and
stronger in him than any stimulating sense of desert or disgrace, made
it the life he was to lead; and he no more thought of emerging from his
state of lion’s jackal, than any real jackal may be supposed to think of
rising to be a lion. Stryver was rich; had married a florid widow with
property and three boys, who had nothing particularly shining about them
but the straight hair of their dumpling heads.
These three young gentlemen, Mr. Stryver, exuding patronage of the most
offensive quality from every pore, had walked before him like three
sheep to the quiet corner in Soho, and had offered as pupils to
Lucie’s husband: delicately saying “Halloa! here are three lumps of
bread-and-cheese towards your matrimonial picnic, Darnay!” The polite
rejection of the three lumps of bread-and-cheese had quite bloated Mr.
Stryver with indignation, which he afterwards turned to account in the
training of the young gentlemen, by directing them to beware of the
pride of Beggars, like that tutor-fellow. He was also in the habit of
declaiming to Mrs. Stryver, over his full-bodied wine, on the arts
Mrs. Darnay had once put in practice to “catch” him, and on the
diamond-cut-diamond arts in himself, madam, which had rendered him “not
to be caught.” Some of his King’s Bench familiars, who were occasionally
parties to the full-bodied wine and the lie, excused him for the
latter by saying that he had told it so often, that he believed
it himself--which is surely such an incorrigible aggravation of an
originally bad offence, as to justify any such offender’s being carried
off to some suitably retired spot, and there hanged out of the way.
These were among the echoes to which Lucie, sometimes pensive, sometimes
amused and laughing, listened in the echoing corner, until her little
daughter was six years old. How near to her heart the echoes of her
child’s tread came, and those of her own dear father’s, always active
and self-possessed, and those of her dear husband’s, need not be told.
Nor, how the lightest echo of their united home, directed by herself
with such a wise and elegant thrift that it was more abundant than any
waste, was music to her. Nor, how there were echoes all about her, sweet
in her ears, of the many times her father had told her that he found her
more devoted to him married (if that could be) than single, and of the
many times her husband had said to her that no cares and duties seemed
to divide her love for him or her help to him, and asked her “What is
the magic secret, my darling, of your being everything to all of us,
as if there were only one of us, yet never seeming to be hurried, or to
have too much to do?”
But, there were other echoes, from a distance, that rumbled menacingly
in the corner all through this space of time. And it was now, about
little Lucie’s sixth birthday, that they began to have an awful sound,
as of a great storm in France with a dreadful sea rising.
On a night in mid-July, one thousand seven hundred and eighty-nine, Mr.
Lorry came in late, from Tellson’s, and sat himself down by Lucie and
her husband in the dark window. It was a hot, wild night, and they were
all three reminded of the old Sunday night when they had looked at the
lightning from the same place.
“I began to think,” said Mr. Lorry, pushing his brown wig back, “that
I should have to pass the night at Tellson’s. We have been so full of
business all day, that we have not known what to do first, or which way
to turn. There is such an uneasiness in Paris, that we have actually a
run of confidence upon us! Our customers over there, seem not to be able
to confide their property to us fast enough. There is positively a mania
among some of them for sending it to England.”
“That has a bad look,” said Darnay--
“A bad look, you say, my dear Darnay? Yes, but we don’t know what reason
there is in it. People are so unreasonable! Some of us at Tellson’s are
getting old, and we really can’t be troubled out of the ordinary course
without due occasion.”
“Still,” said Darnay, “you know how gloomy and threatening the sky is.”
“I know that, to be sure,” assented Mr. Lorry, trying to persuade
himself that his sweet temper was soured, and that he grumbled, “but I
am determined to be peevish after my long day’s botheration. Where is
Manette?”
“Here he is,” said the Doctor, entering the dark room at the moment.
“I am quite glad you are at home; for these hurries and forebodings by
which I have been surrounded all day long, have made me nervous without
reason. You are not going out, I hope?”
“No; I am going to play backgammon with you, if you like,” said the
Doctor.
“I don’t think I do like, if I may speak my mind. I am not fit to be
pitted against you to-night. Is the teaboard still there, Lucie? I can’t
see.”
“Of course, it has been kept for you.”
“Thank ye, my dear. The precious child is safe in bed?”
“And sleeping soundly.”
“That’s right; all safe and well! I don’t know why anything should be
otherwise than safe and well here, thank God; but I have been so put out
all day, and I am not as young as I was! My tea, my dear! Thank ye. Now,
come and take your place in the circle, and let us sit quiet, and hear
the echoes about which you have your theory.”
“Not a theory; it was a fancy.”
“A fancy, then, my wise pet,” said Mr. Lorry, patting her hand. “They
are very numerous and very loud, though, are they not? Only hear them!”
Headlong, mad, and dangerous footsteps to force their way into anybody’s
life, footsteps not easily made clean again if once stained red, the
footsteps raging in Saint Antoine afar off, as the little circle sat in
the dark London window.
Saint Antoine had been, that morning, a vast dusky mass of scarecrows
heaving to and fro, with frequent gleams of light above the billowy
heads, where steel blades and bayonets shone in the sun. A tremendous
roar arose from the throat of Saint Antoine, and a forest of naked arms
struggled in the air like shrivelled branches of trees in a winter wind:
all the fingers convulsively clutching at every weapon or semblance of a
weapon that was thrown up from the depths below, no matter how far off.
Who gave them out, whence they last came, where they began, through what
agency they crookedly quivered and jerked, scores at a time, over the
heads of the crowd, like a kind of lightning, no eye in the throng could
have told; but, muskets were being distributed--so were cartridges,
powder, and ball, bars of iron and wood, knives, axes, pikes, every
weapon that distracted ingenuity could discover or devise. People who
could lay hold of nothing else, set themselves with bleeding hands to
force stones and bricks out of their places in walls. Every pulse and
heart in Saint Antoine was on high-fever strain and at high-fever heat.
Every living creature there held life as of no account, and was demented
with a passionate readiness to sacrifice it.
As a whirlpool of boiling waters has a centre point, so, all this raging
circled round Defarge’s wine-shop, and every human drop in the caldron
had a tendency to be sucked towards the vortex where Defarge himself,
already begrimed with gunpowder and sweat, issued orders, issued arms,
thrust this man back, dragged this man forward, disarmed one to arm
another, laboured and strove in the thickest of the uproar.
“Keep near to me, Jacques Three,” cried Defarge; “and do you, Jacques
One and Two, separate and put yourselves at the head of as many of these
patriots as you can. Where is my wife?”
“Eh, well! Here you see me!” said madame, composed as ever, but not
knitting to-day. Madame’s resolute right hand was occupied with an axe,
in place of the usual softer implements, and in her girdle were a pistol
and a cruel knife.
“Where do you go, my wife?”
“I go,” said madame, “with you at present. You shall see me at the head
of women, by-and-bye.”
“Come, then!” cried Defarge, in a resounding voice. “Patriots and
friends, we are ready! The Bastille!”
With a roar that sounded as if all the breath in France had been shaped
into the detested word, the living sea rose, wave on wave, depth on
depth, and overflowed the city to that point. Alarm-bells ringing, drums
beating, the sea raging and thundering on its new beach, the attack
began.
Deep ditches, double drawbridge, massive stone walls, eight great
towers, cannon, muskets, fire and smoke. Through the fire and through
the smoke--in the fire and in the smoke, for the sea cast him up against
a cannon, and on the instant he became a cannonier--Defarge of the
wine-shop worked like a manful soldier, Two fierce hours.
Deep ditch, single drawbridge, massive stone walls, eight great towers,
cannon, muskets, fire and smoke. One drawbridge down! “Work, comrades
all, work! Work, Jacques One, Jacques Two, Jacques One Thousand, Jacques
Two Thousand, Jacques Five-and-Twenty Thousand; in the name of all
the Angels or the Devils--which you prefer--work!” Thus Defarge of the
wine-shop, still at his gun, which had long grown hot.
“To me, women!” cried madame his wife. “What! We can kill as well as
the men when the place is taken!” And to her, with a shrill thirsty
cry, trooping women variously armed, but all armed alike in hunger and
revenge.
Cannon, muskets, fire and smoke; but, still the deep ditch, the single
drawbridge, the massive stone walls, and the eight great towers. Slight
displacements of the raging sea, made by the falling wounded. Flashing
weapons, blazing torches, smoking waggonloads of wet straw, hard work
at neighbouring barricades in all directions, shrieks, volleys,
execrations, bravery without stint, boom smash and rattle, and the
furious sounding of the living sea; but, still the deep ditch, and the
single drawbridge, and the massive stone walls, and the eight great
towers, and still Defarge of the wine-shop at his gun, grown doubly hot
by the service of Four fierce hours.
A white flag from within the fortress, and a parley--this dimly
perceptible through the raging storm, nothing audible in it--suddenly
the sea rose immeasurably wider and higher, and swept Defarge of the
wine-shop over the lowered drawbridge, past the massive stone outer
walls, in among the eight great towers surrendered!
So resistless was the force of the ocean bearing him on, that even to
draw his breath or turn his head was as impracticable as if he had been
struggling in the surf at the South Sea, until he was landed in the
outer courtyard of the Bastille. There, against an angle of a wall, he
made a struggle to look about him. Jacques Three was nearly at his side;
Madame Defarge, still heading some of her women, was visible in the
inner distance, and her knife was in her hand. Everywhere was tumult,
exultation, deafening and maniacal bewilderment, astounding noise, yet
furious dumb-show.
“The Prisoners!”
“The Records!”
“The secret cells!”
“The instruments of torture!”
“The Prisoners!”
Of all these cries, and ten thousand incoherences, “The Prisoners!” was
the cry most taken up by the sea that rushed in, as if there were an
eternity of people, as well as of time and space. When the foremost
billows rolled past, bearing the prison officers with them, and
threatening them all with instant death if any secret nook remained
undisclosed, Defarge laid his strong hand on the breast of one of
these men--a man with a grey head, who had a lighted torch in his
hand--separated him from the rest, and got him between himself and the
wall.
“Show me the North Tower!” said Defarge. “Quick!”
“I will faithfully,” replied the man, “if you will come with me. But
there is no one there.”
“What is the meaning of One Hundred and Five, North Tower?” asked
Defarge. “Quick!”
“The meaning, monsieur?”
“Does it mean a captive, or a place of captivity? Or do you mean that I
shall strike you dead?”
“Kill him!” croaked Jacques Three, who had come close up.
“Monsieur, it is a cell.”
“Show it me!”
“Pass this way, then.”
Jacques Three, with his usual craving on him, and evidently disappointed
by the dialogue taking a turn that did not seem to promise bloodshed,
held by Defarge’s arm as he held by the turnkey’s. Their three heads had
been close together during this brief discourse, and it had been as much
as they could do to hear one another, even then: so tremendous was the
noise of the living ocean, in its irruption into the Fortress, and
its inundation of the courts and passages and staircases. All around
outside, too, it beat the walls with a deep, hoarse roar, from which,
occasionally, some partial shouts of tumult broke and leaped into the
air like spray.
Through gloomy vaults where the light of day had never shone, past
hideous doors of dark dens and cages, down cavernous flights of steps,
and again up steep rugged ascents of stone and brick, more like dry
waterfalls than staircases, Defarge, the turnkey, and Jacques Three,
linked hand and arm, went with all the speed they could make. Here and
there, especially at first, the inundation started on them and swept by;
but when they had done descending, and were winding and climbing up a
tower, they were alone. Hemmed in here by the massive thickness of walls
and arches, the storm within the fortress and without was only audible
to them in a dull, subdued way, as if the noise out of which they had
come had almost destroyed their sense of hearing.
The turnkey stopped at a low door, put a key in a clashing lock, swung
the door slowly open, and said, as they all bent their heads and passed
in:
“One hundred and five, North Tower!”
There was a small, heavily-grated, unglazed window high in the wall,
with a stone screen before it, so that the sky could be only seen by
stooping low and looking up. There was a small chimney, heavily barred
across, a few feet within. There was a heap of old feathery wood-ashes
on the hearth. There was a stool, and table, and a straw bed. There were
the four blackened walls, and a rusted iron ring in one of them.
“Pass that torch slowly along these walls, that I may see them,” said
Defarge to the turnkey.
The man obeyed, and Defarge followed the light closely with his eyes.
“Stop!--Look here, Jacques!”
“A. M.!” croaked Jacques Three, as he read greedily.
“Alexandre Manette,” said Defarge in his ear, following the letters
with his swart forefinger, deeply engrained with gunpowder. “And here he
wrote ‘a poor physician.’ And it was he, without doubt, who scratched
a calendar on this stone. What is that in your hand? A crowbar? Give it
me!”
He had still the linstock of his gun in his own hand. He made a sudden
exchange of the two instruments, and turning on the worm-eaten stool and
table, beat them to pieces in a few blows.
“Hold the light higher!” he said, wrathfully, to the turnkey. “Look
among those fragments with care, Jacques. And see! Here is my knife,”
throwing it to him; “rip open that bed, and search the straw. Hold the
light higher, you!”
With a menacing look at the turnkey he crawled upon the hearth, and,
peering up the chimney, struck and prised at its sides with the crowbar,
and worked at the iron grating across it. In a few minutes, some mortar
and dust came dropping down, which he averted his face to avoid; and
in it, and in the old wood-ashes, and in a crevice in the chimney
into which his weapon had slipped or wrought itself, he groped with a
cautious touch.
“Nothing in the wood, and nothing in the straw, Jacques?”
“Nothing.”
“Let us collect them together, in the middle of the cell. So! Light
them, you!”
The turnkey fired the little pile, which blazed high and hot. Stooping
again to come out at the low-arched door, they left it burning, and
retraced their way to the courtyard; seeming to recover their sense
of hearing as they came down, until they were in the raging flood once
more.
They found it surging and tossing, in quest of Defarge himself. Saint
Antoine was clamorous to have its wine-shop keeper foremost in the guard
upon the governor who had defended the Bastille and shot the people.
Otherwise, the governor would not be marched to the Hotel de Ville for
judgment. Otherwise, the governor would escape, and the people’s
blood (suddenly of some value, after many years of worthlessness) be
unavenged.
In the howling universe of passion and contention that seemed to
encompass this grim old officer conspicuous in his grey coat and red
decoration, there was but one quite steady figure, and that was a
woman’s. “See, there is my husband!” she cried, pointing him out.
“See Defarge!” She stood immovable close to the grim old officer, and
remained immovable close to him; remained immovable close to him through
the streets, as Defarge and the rest bore him along; remained immovable
close to him when he was got near his destination, and began to
be struck at from behind; remained immovable close to him when the
long-gathering rain of stabs and blows fell heavy; was so close to him
when he dropped dead under it, that, suddenly animated, she put her foot
upon his neck, and with her cruel knife--long ready--hewed off his head.
The hour was come, when Saint Antoine was to execute his horrible idea
of hoisting up men for lamps to show what he could be and do. Saint
Antoine’s blood was up, and the blood of tyranny and domination by the
iron hand was down--down on the steps of the Hotel de Ville where the
governor’s body lay--down on the sole of the shoe of Madame Defarge
where she had trodden on the body to steady it for mutilation. “Lower
the lamp yonder!” cried Saint Antoine, after glaring round for a new
means of death; “here is one of his soldiers to be left on guard!” The
swinging sentinel was posted, and the sea rushed on.
The sea of black and threatening waters, and of destructive upheaving
of wave against wave, whose depths were yet unfathomed and whose forces
were yet unknown. The remorseless sea of turbulently swaying shapes,
voices of vengeance, and faces hardened in the furnaces of suffering
until the touch of pity could make no mark on them.
But, in the ocean of faces where every fierce and furious expression was
in vivid life, there were two groups of faces--each seven in number--so
fixedly contrasting with the rest, that never did sea roll which bore
more memorable wrecks with it. Seven faces of prisoners, suddenly
released by the storm that had burst their tomb, were carried high
overhead: all scared, all lost, all wondering and amazed, as if the Last
Day were come, and those who rejoiced around them were lost spirits.
Other seven faces there were, carried higher, seven dead faces, whose
drooping eyelids and half-seen eyes awaited the Last Day. Impassive
faces, yet with a suspended--not an abolished--expression on them;
faces, rather, in a fearful pause, as having yet to raise the dropped
lids of the eyes, and bear witness with the bloodless lips, “THOU DIDST
IT!”
Seven prisoners released, seven gory heads on pikes, the keys of the
accursed fortress of the eight strong towers, some discovered letters
and other memorials of prisoners of old time, long dead of broken
hearts,--such, and such--like, the loudly echoing footsteps of Saint
Antoine escort through the Paris streets in mid-July, one thousand seven
hundred and eighty-nine. Now, Heaven defeat the fancy of Lucie Darnay,
and keep these feet far out of her life! For, they are headlong, mad,
and dangerous; and in the years so long after the breaking of the cask
at Defarge’s wine-shop door, they are not easily purified when once
stained red.
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Let's Analyse the Pattern
The tendency to ignore mounting threats when current life feels secure and satisfying.
Why This Matters
Connect literature to life
This chapter teaches how to spot institutional problems before they destroy your personal world.
Practice This Today
This week, notice when feeling secure makes you stop asking hard questions about your workplace, housing situation, or healthcare coverage.
Now let's explore the literary elements.
Key Quotes & Analysis
"Ever busily winding the golden thread which bound her husband, and her father, and herself, and her old directress and companion, in a life of quiet bliss"
Context: Describing how Lucie holds her family together through love and daily care
This shows how family bonds require constant, intentional work. Lucie doesn't just love her family - she actively weaves them together through small, daily acts of care.
In Today's Words:
She was always working to keep her family close and happy through all the little things she did every day
"The sea of black and threatening waters, and of destructive upheaving of wave against wave, whose depths were yet unfathomed and whose forces were yet unknown"
Context: Describing the revolutionary mood building in Paris
Revolution is portrayed as a natural force - powerful, unpredictable, and ultimately destructive. Once it starts, no one can control where it goes.
In Today's Words:
The anger was like a dangerous ocean storm that nobody could predict or stop once it started
"Seven faces of prisoners, suddenly released by the storm that had burst their tomb, were carried high overhead"
Context: The moment when the Bastille prisoners are freed
The image of faces emerging from a tomb suggests resurrection and rebirth, but also hints at something ghostly and potentially dangerous being unleashed.
In Today's Words:
The prisoners who came out looked like people rising from the dead after being buried alive
Thematic Threads
Domestic Sanctuary
In This Chapter
Lucie creates perfect family life with her 'golden thread' binding everyone together in peaceful routine
Development
Evolution from her earlier role as caretaker—now she's the center of a thriving family system
In Your Life:
You might recognize this in how you protect your home life from outside stresses, sometimes to your own detriment
Class Privilege
In This Chapter
The Darnay family lives in comfortable London isolation while working-class Paris explodes in revolution
Development
Continues the theme of class separation, but now shows how privilege can become dangerous blindness
In Your Life:
You see this when your stable situation makes you miss how others around you are struggling or angry
Past and Present
In This Chapter
Dr. Manette's old prison cell is discovered during the Bastille storming—the past literally breaks into the present
Development
The buried past refuses to stay buried, connecting to ongoing themes about unresolved trauma
In Your Life:
You experience this when old family issues or personal history suddenly resurface just when life feels settled
Warning Signs
In This Chapter
Mr. Lorry brings news of financial panic and French customers fleeing, but the family doesn't grasp the implications
Development
Builds on earlier subtle hints about coming trouble—the warnings are getting louder
In Your Life:
You might miss these when friends or colleagues start acting differently, signaling changes you're not ready to see
Violence and Order
In This Chapter
The brutal storming of the Bastille contrasts sharply with Lucie's peaceful domestic scene
Development
Introduces the theme of revolutionary violence that will dominate the rest of the novel
In Your Life:
You see this tension when social unrest or workplace upheaval threatens your personal stability
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What warning signs does Mr. Lorry notice at the bank, and why doesn't Lucie's family take them seriously?
analysis • surface - 2
Why does Lucie focus on weaving her 'golden thread' of family happiness while revolution breaks out in Paris?
analysis • medium - 3
When have you seen people ignore warning signs because their current situation felt good and secure?
application • medium - 4
How could Lucie's family have stayed alert to danger without destroying their peace and happiness?
application • deep - 5
What does this chapter reveal about how comfortable people respond to distant threats?
reflection • deep
Critical Thinking Exercise
Build Your Early Warning System
Think about an area of your life where you feel secure and comfortable right now—your job, relationship, health, or finances. List three warning signs you might be tempted to ignore because everything feels fine. Then design one simple monthly check-in that could help you spot problems before they become crises.
Consider:
- •Warning signs often appear in areas we don't usually monitor when life is good
- •The most dangerous threats feel distant at first, like the revolution felt to Lucie
- •Early warning systems work best when they're built into your routine, not saved for when you're worried
Journaling Prompt
Write about a time when you ignored warning signs because you didn't want to disturb your peace. What would you do differently now, knowing what you know?
Coming Up Next...
Chapter 28: When Rage Becomes Justice
The violence in Paris continues to escalate as the revolution gains momentum. The Defarges and their followers taste blood and want more, while the aristocracy begins to feel the ground shifting beneath their feet.




