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War and Peace - Under Fire for the First Time

Leo Tolstoy

War and Peace

Under Fire for the First Time

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Summary

Denisov's squadron of hussars faces their first real combat as French artillery opens fire on them while they attempt to destroy a bridge. The chapter captures the electric tension of soldiers under fire—the way cannon balls whistle overhead, how faces change when death becomes real, and the strange mixture of terror and exhilaration that combat brings. Young Rostov, eager to prove his courage, discovers that actual battle is nothing like his romantic imaginings. When ordered to help burn the bridge, he stumbles in the mud, falls behind, and feels like a coward while his comrades work under enemy fire. The mission succeeds—the bridge burns—but several hussars are wounded or killed by grapeshot. Rostov experiences a profound moment of clarity, gazing at the beautiful Danube landscape and realizing how precious life is when death lurks so close. He's convinced everyone noticed his fear and failure, but discovers that no one paid attention—they were all too focused on their own survival and duties. The chapter reveals how our internal experience of fear and inadequacy often goes unnoticed by others, who are dealing with their own struggles. It also shows how quickly the romanticized notion of glorious battle dissolves when faced with the brutal reality of flying metal and falling comrades.

Coming Up in Chapter 37

The aftermath of the bridge burning brings new challenges as the retreat continues. Rostov must grapple with what he's learned about himself and war, while the larger strategic situation develops around the scattered Russian forces.

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An excerpt from the original text.(complete · 3290 words)

T

he last of the infantry hurriedly crossed the bridge, squeezing
together as they approached it as if passing through a funnel. At last
the baggage wagons had all crossed, the crush was less, and the last
battalion came onto the bridge. Only Denísov’s squadron of hussars
remained on the farther side of the bridge facing the enemy, who could
be seen from the hill on the opposite bank but was not yet visible from
the bridge, for the horizon as seen from the valley through which the
river flowed was formed by the rising ground only half a mile away.
At the foot of the hill lay wasteland over which a few groups of our
Cossack scouts were moving. Suddenly on the road at the top of the high
ground, artillery and troops in blue uniform were seen. These were the
French. A group of Cossack scouts retired down the hill at a trot. All
the officers and men of Denísov’s squadron, though they tried to talk
of other things and to look in other directions, thought only of what
was there on the hilltop, and kept constantly looking at the patches
appearing on the skyline, which they knew to be the enemy’s troops.
The weather had cleared again since noon and the sun was descending
brightly upon the Danube and the dark hills around it. It was calm, and
at intervals the bugle calls and the shouts of the enemy could be heard
from the hill. There was no one now between the squadron and the enemy
except a few scattered skirmishers. An empty space of some seven hundred
yards was all that separated them. The enemy ceased firing, and that
stern, threatening, inaccessible, and intangible line which separates
two hostile armies was all the more clearly felt.

“One step beyond that boundary line which resembles the line dividing
the living from the dead lies uncertainty, suffering, and death. And
what is there? Who is there?—there beyond that field, that tree, that
roof lit up by the sun? No one knows, but one wants to know. You fear
and yet long to cross that line, and know that sooner or later it must
be crossed and you will have to find out what is there, just as you will
inevitably have to learn what lies the other side of death. But you are
strong, healthy, cheerful, and excited, and are surrounded by other such
excitedly animated and healthy men.” So thinks, or at any rate
feels, anyone who comes in sight of the enemy, and that feeling gives
a particular glamour and glad keenness of impression to everything that
takes place at such moments.

On the high ground where the enemy was, the smoke of a cannon rose,
and a ball flew whistling over the heads of the hussar squadron. The
officers who had been standing together rode off to their places. The
hussars began carefully aligning their horses. Silence fell on the whole
squadron. All were looking at the enemy in front and at the squadron
commander, awaiting the word of command. A second and a third cannon
ball flew past. Evidently they were firing at the hussars, but the balls
with rapid rhythmic whistle flew over the heads of the horsemen and fell
somewhere beyond them. The hussars did not look round, but at the sound
of each shot, as at the word of command, the whole squadron with its
rows of faces so alike yet so different, holding its breath while the
ball flew past, rose in the stirrups and sank back again. The soldiers
without turning their heads glanced at one another, curious to see their
comrades’ impression. Every face, from Denísov’s to that of the
bugler, showed one common expression of conflict, irritation, and
excitement, around chin and mouth. The quartermaster frowned, looking
at the soldiers as if threatening to punish them. Cadet Mirónov ducked
every time a ball flew past. Rostóv on the left flank, mounted on his
Rook—a handsome horse despite its game leg—had the happy air of a
schoolboy called up before a large audience for an examination in which
he feels sure he will distinguish himself. He was glancing at everyone
with a clear, bright expression, as if asking them to notice how calmly
he sat under fire. But despite himself, on his face too that same
indication of something new and stern showed round the mouth.

“Who’s that curtseying there? Cadet Miwónov! That’s not wight!
Look at me,” cried Denísov who, unable to keep still on one spot,
kept turning his horse in front of the squadron.

The black, hairy, snub-nosed face of Váska Denísov, and his whole
short sturdy figure with the sinewy hairy hand and stumpy fingers in
which he held the hilt of his naked saber, looked just as it usually
did, especially toward evening when he had emptied his second bottle; he
was only redder than usual. With his shaggy head thrown back like birds
when they drink, pressing his spurs mercilessly into the sides of his
good horse, Bedouin, and sitting as though falling backwards in the
saddle, he galloped to the other flank of the squadron and shouted in
a hoarse voice to the men to look to their pistols. He rode up to
Kírsten. The staff captain on his broad-backed, steady mare came at a
walk to meet him. His face with its long mustache was serious as always,
only his eyes were brighter than usual.

“Well, what about it?” said he to Denísov. “It won’t come to a
fight. You’ll see—we shall retire.”

“The devil only knows what they’re about!” muttered Denísov.
“Ah, Wostóv,” he cried noticing the cadet’s bright face,
“you’ve got it at last.”

And he smiled approvingly, evidently pleased with the cadet. Rostóv
felt perfectly happy. Just then the commander appeared on the bridge.
Denísov galloped up to him.

“Your excellency! Let us attack them! I’ll dwive them off.”

“Attack indeed!” said the colonel in a bored voice, puckering up his
face as if driving off a troublesome fly. “And why are you stopping
here? Don’t you see the skirmishers are retreating? Lead the squadron
back.”

The squadron crossed the bridge and drew out of range of fire without
having lost a single man. The second squadron that had been in the front
line followed them across and the last Cossacks quitted the farther side
of the river.

The two Pávlograd squadrons, having crossed the bridge, retired up the
hill one after the other. Their colonel, Karl Bogdánich Schubert, came
up to Denísov’s squadron and rode at a footpace not far from Rostóv,
without taking any notice of him although they were now meeting for the
first time since their encounter concerning Telyánin. Rostóv, feeling
that he was at the front and in the power of a man toward whom he now
admitted that he had been to blame, did not lift his eyes from the
colonel’s athletic back, his nape covered with light hair, and his red
neck. It seemed to Rostóv that Bogdánich was only pretending not
to notice him, and that his whole aim now was to test the cadet’s
courage, so he drew himself up and looked around him merrily; then it
seemed to him that Bogdánich rode so near in order to show him his
courage. Next he thought that his enemy would send the squadron on a
desperate attack just to punish him—Rostóv. Then he imagined how,
after the attack, Bogdánich would come up to him as he lay wounded and
would magnanimously extend the hand of reconciliation.

The high-shouldered figure of Zherkóv, familiar to the Pávlograds as
he had but recently left their regiment, rode up to the colonel.
After his dismissal from headquarters Zherkóv had not remained in the
regiment, saying he was not such a fool as to slave at the front when he
could get more rewards by doing nothing on the staff, and had succeeded
in attaching himself as an orderly officer to Prince Bagratión. He now
came to his former chief with an order from the commander of the rear
guard.

“Colonel,” he said, addressing Rostóv’s enemy with an air of
gloomy gravity and glancing round at his comrades, “there is an order
to stop and fire the bridge.”

“An order to who?” asked the colonel morosely.

“I don’t myself know ‘to who,’” replied the cornet in a
serious tone, “but the prince told me to ‘go and tell the colonel
that the hussars must return quickly and fire the bridge.’”

Zherkóv was followed by an officer of the suite who rode up to the
colonel of hussars with the same order. After him the stout Nesvítski
came galloping up on a Cossack horse that could scarcely carry his
weight.

“How’s this, Colonel?” he shouted as he approached. “I told you
to fire the bridge, and now someone has gone and blundered; they are all
beside themselves over there and one can’t make anything out.”

The colonel deliberately stopped the regiment and turned to Nesvítski.

“You spoke to me of inflammable material,” said he, “but you said
nothing about firing it.”

“But, my dear sir,” said Nesvítski as he drew up, taking off his
cap and smoothing his hair wet with perspiration with his plump hand,
“wasn’t I telling you to fire the bridge, when inflammable material
had been put in position?”

“I am not your ‘dear sir,’ Mr. Staff Officer, and you did not tell
me to burn the bridge! I know the service, and it is my habit orders
strictly to obey. You said the bridge would be burned, but who would
burn it, I could not know by the holy spirit!”

“Ah, that’s always the way!” said Nesvítski with a wave of the
hand. “How did you get here?” said he, turning to Zherkóv.

“On the same business. But you are damp! Let me wring you out!”

“You were saying, Mr. Staff Officer...” continued the colonel in an
offended tone.

“Colonel,” interrupted the officer of the suite, “You must be
quick or the enemy will bring up his guns to use grapeshot.”

The colonel looked silently at the officer of the suite, at the stout
staff officer, and at Zherkóv, and he frowned.

“I will the bridge fire,” he said in a solemn tone as if to announce
that in spite of all the unpleasantness he had to endure he would still
do the right thing.

Striking his horse with his long muscular legs as if it were to blame
for everything, the colonel moved forward and ordered the second
squadron, that in which Rostóv was serving under Denísov, to return to
the bridge.

“There, it’s just as I thought,” said Rostóv to himself. “He
wishes to test me!” His heart contracted and the blood rushed to his
face. “Let him see whether I am a coward!” he thought.

Again on all the bright faces of the squadron the serious expression
appeared that they had worn when under fire. Rostóv watched his enemy,
the colonel, closely—to find in his face confirmation of his own
conjecture, but the colonel did not once glance at Rostóv, and looked
as he always did when at the front, solemn and stern. Then came the word
of command.

“Look sharp! Look sharp!” several voices repeated around him.

Their sabers catching in the bridles and their spurs jingling, the
hussars hastily dismounted, not knowing what they were to do. The men
were crossing themselves. Rostóv no longer looked at the colonel, he
had no time. He was afraid of falling behind the hussars, so much afraid
that his heart stood still. His hand trembled as he gave his horse into
an orderly’s charge, and he felt the blood rush to his heart with
a thud. Denísov rode past him, leaning back and shouting something.
Rostóv saw nothing but the hussars running all around him, their spurs
catching and their sabers clattering.

“Stretchers!” shouted someone behind him.

Rostóv did not think what this call for stretchers meant; he ran on,
trying only to be ahead of the others; but just at the bridge, not
looking at the ground, he came on some sticky, trodden mud, stumbled,
and fell on his hands. The others outstripped him.

“At boss zides, Captain,” he heard the voice of the colonel, who,
having ridden ahead, had pulled up his horse near the bridge, with a
triumphant, cheerful face.

Rostóv wiping his muddy hands on his breeches looked at his enemy and
was about to run on, thinking that the farther he went to the front
the better. But Bogdánich, without looking at or recognizing Rostóv,
shouted to him:

“Who’s that running on the middle of the bridge? To the right! Come
back, Cadet!” he cried angrily; and turning to Denísov, who, showing
off his courage, had ridden on to the planks of the bridge:

“Why run risks, Captain? You should dismount,” he said.

“Oh, every bullet has its billet,” answered Váska Denísov, turning
in his saddle.

Meanwhile Nesvítski, Zherkóv, and the officer of the suite were
standing together out of range of the shots, watching, now the small
group of men with yellow shakos, dark-green jackets braided with cord,
and blue riding breeches, who were swarming near the bridge, and then at
what was approaching in the distance from the opposite side—the blue
uniforms and groups with horses, easily recognizable as artillery.

“Will they burn the bridge or not? Who’ll get there first? Will they
get there and fire the bridge or will the French get within grapeshot
range and wipe them out?” These were the questions each man of the
troops on the high ground above the bridge involuntarily asked himself
with a sinking heart—watching the bridge and the hussars in the bright
evening light and the blue tunics advancing from the other side with
their bayonets and guns.

“Ugh. The hussars will get it hot!” said Nesvítski; “they are
within grapeshot range now.”

“He shouldn’t have taken so many men,” said the officer of the
suite.

“True enough,” answered Nesvítski; “two smart fellows could have
done the job just as well.”

“Ah, your excellency,” put in Zherkóv, his eyes fixed on the
hussars, but still with that naïve air that made it impossible to know
whether he was speaking in jest or in earnest. “Ah, your excellency!
How you look at things! Send two men? And who then would give us the
Vladímir medal and ribbon? But now, even if they do get peppered, the
squadron may be recommended for honors and he may get a ribbon. Our
Bogdánich knows how things are done.”

“There now!” said the officer of the suite, “that’s
grapeshot.”

He pointed to the French guns, the limbers of which were being detached
and hurriedly removed.

On the French side, amid the groups with cannon, a cloud of smoke
appeared, then a second and a third almost simultaneously, and at the
moment when the first report was heard a fourth was seen. Then two
reports one after another, and a third.

“Oh! Oh!” groaned Nesvítski as if in fierce pain, seizing the
officer of the suite by the arm. “Look! A man has fallen! Fallen,
fallen!”

“Two, I think.”

“If I were Tsar I would never go to war,” said Nesvítski, turning
away.

The French guns were hastily reloaded. The infantry in their blue
uniforms advanced toward the bridge at a run. Smoke appeared again
but at irregular intervals, and grapeshot cracked and rattled onto the
bridge. But this time Nesvítski could not see what was happening there,
as a dense cloud of smoke arose from it. The hussars had succeeded in
setting it on fire and the French batteries were now firing at them, no
longer to hinder them but because the guns were trained and there was
someone to fire at.

The French had time to fire three rounds of grapeshot before the hussars
got back to their horses. Two were misdirected and the shot went too
high, but the last round fell in the midst of a group of hussars and
knocked three of them over.

Rostóv, absorbed by his relations with Bogdánich, had paused on the
bridge not knowing what to do. There was no one to hew down (as he
had always imagined battles to himself)
, nor could he help to fire the
bridge because he had not brought any burning straw with him like the
other soldiers. He stood looking about him, when suddenly he heard a
rattle on the bridge as if nuts were being spilt, and the hussar nearest
to him fell against the rails with a groan. Rostóv ran up to him with
the others. Again someone shouted, “Stretchers!” Four men seized the
hussar and began lifting him.

“Oooh! For Christ’s sake let me alone!” cried the wounded man, but
still he was lifted and laid on the stretcher.

Nicholas Rostóv turned away and, as if searching for something, gazed
into the distance, at the waters of the Danube, at the sky, and at the
sun. How beautiful the sky looked; how blue, how calm, and how deep!
How bright and glorious was the setting sun! With what soft glitter the
waters of the distant Danube shone. And fairer still were the faraway
blue mountains beyond the river, the nunnery, the mysterious gorges, and
the pine forests veiled in the mist of their summits... There was peace
and happiness... “I should wish for nothing else, nothing, if only I
were there,” thought Rostóv. “In myself alone and in that sunshine
there is so much happiness; but here... groans, suffering, fear, and
this uncertainty and hurry... There—they are shouting again, and
again are all running back somewhere, and I shall run with them, and it,
death, is here above me and around... Another instant and I shall never
again see the sun, this water, that gorge!...”

At that instant the sun began to hide behind the clouds, and other
stretchers came into view before Rostóv. And the fear of death and of
the stretchers, and love of the sun and of life, all merged into one
feeling of sickening agitation.

“O Lord God! Thou who art in that heaven, save, forgive, and protect
me!” Rostóv whispered.

The hussars ran back to the men who held their horses; their voices
sounded louder and calmer, the stretchers disappeared from sight.

“Well, fwiend? So you’ve smelt powdah!” shouted Váska Denísov
just above his ear.

“It’s all over; but I am a coward—yes, a coward!” thought
Rostóv, and sighing deeply he took Rook, his horse, which stood resting
one foot, from the orderly and began to mount.

“Was that grapeshot?” he asked Denísov.

“Yes and no mistake!” cried Denísov. “You worked like wegular
bwicks and it’s nasty work! An attack’s pleasant work! Hacking
away at the dogs! But this sort of thing is the very devil, with them
shooting at you like a target.”

And Denísov rode up to a group that had stopped near Rostóv, composed
of the colonel, Nesvítski, Zherkóv, and the officer from the suite.

“Well, it seems that no one has noticed,” thought Rostóv. And this
was true. No one had taken any notice, for everyone knew the sensation
which the cadet under fire for the first time had experienced.

“Here’s something for you to report,” said Zherkóv. “See if I
don’t get promoted to a sublieutenancy.”

“Inform the prince that I the bridge fired!” said the colonel
triumphantly and gaily.

“And if he asks about the losses?”

“A trifle,” said the colonel in his bass voice: “two hussars
wounded, and one knocked out,” he added, unable to restrain a happy
smile, and pronouncing the phrase “knocked out” with ringing
distinctness.

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Let's Analyse the Pattern

Pattern: The Internal Theater
This chapter reveals a profound pattern: we experience our failures as spotlight moments while everyone else is too busy managing their own struggles to notice our stumbles. Rostov is convinced his fear and fumbling made him the center of attention, but discovers nobody was watching—they were all focused on not getting killed. This happens because our internal experience amplifies everything. When we mess up, our brain floods us with shame and hyperawareness. We assume others are tracking our every mistake because we're tracking our every mistake. Meanwhile, those around us are dealing with their own version of flying cannonballs—their own deadlines, fears, and survival needs. What feels like a public humiliation to us barely registers as a blip to others. You see this everywhere today. The new nurse who drops supplies during a code blue is certain everyone thinks she's incompetent, while her colleagues are focused on saving the patient. The parent who loses their temper at the school pickup line assumes other parents are judging, but they're wrestling with their own kids and schedules. The employee who stumbles through a presentation believes their career is over, while coworkers are thinking about their own upcoming deadlines. The customer who can't find their credit card at checkout feels like they're holding up the world, but everyone behind them is scrolling their phones. When you recognize this pattern, you gain freedom. Next time you feel exposed and foolish, remember: you're probably the only one keeping score. Others are fighting their own battles under their own artillery fire. This doesn't mean your struggles don't matter—they do. But it means you can stop carrying the additional weight of imagined judgment. Focus on learning from the experience and moving forward, not on managing an audience that isn't really watching. When you can name the pattern, predict where it leads, and navigate it successfully—that's amplified intelligence.

We experience our failures as spotlight moments while others are too distracted by their own struggles to notice our stumbles.

Why This Matters

Connect literature to life

Skill: Recognizing the Spotlight Effect

This chapter teaches how to distinguish between actual social judgment and the amplified shame our minds create when we make mistakes.

Practice This Today

This week, notice when you feel like everyone is watching your mistakes—then look around and see what others are actually focused on.

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Now let's explore the literary elements.

Key Quotes & Analysis

"All the officers and men of Denisov's squadron, though they tried to talk of other things and to look in other directions, thought only of what was there on the hilltop."

— Narrator

Context: As the soldiers wait under enemy observation before the battle begins

Shows how fear works - we try to act normal and distract ourselves, but our minds keep returning to the source of danger. It's a universal human response to threat.

In Today's Words:

Everyone was trying to act casual, but they couldn't stop thinking about the danger.

"The weather had cleared again since noon and the sun was descending brightly upon the Danube and the dark hills around it."

— Narrator

Context: Describing the beautiful landscape just before the violence begins

Tolstoy contrasts natural beauty with human violence. The world remains beautiful even as people prepare to kill each other - life goes on regardless of our conflicts.

In Today's Words:

It was a gorgeous day, which made the whole situation feel even more surreal.

"There was no one to be seen save a few Cossack scouts."

— Narrator

Context: Describing the empty landscape that will soon become a battlefield

The calm before the storm. This emptiness creates tension - we know violence is coming, but the peaceful scene makes it feel unreal and inevitable at the same time.

In Today's Words:

Everything looked normal and quiet, but you could feel something bad was about to happen.

Thematic Threads

Identity

In This Chapter

Rostov's self-image as a brave soldier crumbles when faced with real combat, forcing him to confront who he actually is versus who he thought he was

Development

Building from earlier romantic notions of military glory to harsh reality check

In Your Life:

You might recognize this when a new job or responsibility reveals gaps between your self-concept and your actual abilities

Social Expectations

In This Chapter

Rostov believes he must display courage to meet expectations of his fellow soldiers and his own social class

Development

Continues the theme of characters struggling to meet societal roles and expectations

In Your Life:

You see this when you feel pressure to appear competent or brave in situations where you're actually struggling or afraid

Personal Growth

In This Chapter

Combat strips away Rostov's illusions and forces rapid maturation through direct confrontation with mortality and his own limitations

Development

Part of ongoing character development through harsh experience rather than gradual learning

In Your Life:

You experience this during crisis moments that force you to grow up fast and abandon comfortable self-deceptions

Human Relationships

In This Chapter

Rostov discovers his comrades weren't judging his performance because they were focused on their own survival and duties

Development

Reveals how shared struggle can both isolate us in our own experience and connect us through common challenges

In Your Life:

You might notice this when you realize others aren't as focused on your mistakes as you thought because they're dealing with their own problems

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What does Rostov expect battle to be like versus what he actually experiences when the artillery opens fire?

    analysis • surface
  2. 2

    Why is Rostov convinced that everyone noticed his fear and mistakes, and what does he discover about this assumption?

    analysis • medium
  3. 3

    Think about a time you felt embarrassed or made a mistake in public. How much attention do you think others actually paid to your stumble?

    application • medium
  4. 4

    When you're struggling with something difficult, how can you tell the difference between real feedback from others and your own internal shame spiral?

    application • deep
  5. 5

    What does this chapter reveal about how we experience our own failures versus how others perceive them?

    reflection • deep

Critical Thinking Exercise

10 minutes

The Spotlight Effect Reality Check

Think of a recent moment when you felt exposed, embarrassed, or like you failed publicly. Write down what you thought everyone else was thinking about you in that moment. Then flip the script: if you had witnessed someone else in that exact same situation, what would you actually have been thinking about? How much attention would you have really paid to their mistake?

Consider:

  • •Consider what you were personally dealing with during times when others around you made mistakes
  • •Think about how quickly you forget other people's small embarrassments versus how long you remember your own
  • •Notice the difference between how harshly you judge yourself versus how you judge others in similar situations

Journaling Prompt

Write about a time when you were certain everyone was judging you, but later realized they were too busy with their own concerns to notice your struggle. How did this realization change how you approach similar situations now?

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Coming Up Next...

Chapter 37: Victory's Hollow Taste

The aftermath of the bridge burning brings new challenges as the retreat continues. Rostov must grapple with what he's learned about himself and war, while the larger strategic situation develops around the scattered Russian forces.

Continue to Chapter 37
Previous
Chaos on the Bridge
Contents
Next
Victory's Hollow Taste

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