An excerpt from the original text.(complete · 1243 words)
wo months previously when Pierre was already staying with the Rostóvs
he had received a letter from Prince Theodore, asking him to come
to Petersburg to confer on some important questions that were being
discussed there by a society of which Pierre was one of the principal
founders.
On reading that letter (she always read her husband’s letters) Natásha
herself suggested that he should go to Petersburg, though she would feel
his absence very acutely. She attributed immense importance to all
her husband’s intellectual and abstract interests though she did not
understand them, and she always dreaded being a hindrance to him in such
matters. To Pierre’s timid look of inquiry after reading the letter she
replied by asking him to go, but to fix a definite date for his return.
He was given four weeks’ leave of absence.
Ever since that leave of absence had expired, more than a fortnight
before, Natásha had been in a constant state of alarm, depression, and
irritability.
Denísov, now a general on the retired list and much dissatisfied with
the present state of affairs, had arrived during that fortnight. He
looked at Natásha with sorrow and surprise as at a bad likeness of a
person once dear. A dull, dejected look, random replies, and talk about
the nursery was all he saw and heard from his former enchantress.
Natásha was sad and irritable all that time, especially when her mother,
her brother, Sónya, or Countess Mary in their efforts to console her
tried to excuse Pierre and suggested reasons for his delay in returning.
“It’s all nonsense, all rubbish—those discussions which lead to nothing
and all those idiotic societies!” Natásha declared of the very affairs
in the immense importance of which she firmly believed.
And she would go to the nursery to nurse Pétya, her only boy. No one
else could tell her anything so comforting or so reasonable as this
little three-month-old creature when he lay at her breast and she was
conscious of the movement of his lips and the snuffling of his little
nose. That creature said: “You are angry, you are jealous, you would
like to pay him out, you are afraid—but here am I! And I am he...” and
that was unanswerable. It was more than true.
During that fortnight of anxiety Natásha resorted to the baby for
comfort so often, and fussed over him so much, that she overfed him and
he fell ill. She was terrified by his illness, and yet that was just
what she needed. While attending to him she bore the anxiety about her
husband more easily.
She was nursing her boy when the sound of Pierre’s sleigh was heard
at the front door, and the old nurse—knowing how to please her
mistress—entered the room inaudibly but hurriedly and with a beaming
face.
“Has he come?” Natásha asked quickly in a whisper, afraid to move lest
she should rouse the dozing baby.
“He’s come, ma’am,” whispered the nurse.
The blood rushed to Natásha’s face and her feet involuntarily moved, but
she could not jump up and run out. The baby again opened his eyes and
looked at her. “You’re here?” he seemed to be saying, and again lazily
smacked his lips.
Cautiously withdrawing her breast, Natásha rocked him a little, handed
him to the nurse, and went with rapid steps toward the door. But at the
door she stopped as if her conscience reproached her for having in
her joy left the child too soon, and she glanced round. The nurse with
raised elbows was lifting the infant over the rail of his cot.
“Go, ma’am! Don’t worry, go!” she whispered, smiling, with the kind of
familiarity that grows up between a nurse and her mistress.
Natásha ran with light footsteps to the anteroom.
Denísov, who had come out of the study into the dancing room with his
pipe, now for the first time recognized the old Natásha. A flood of
brilliant, joyful light poured from her transfigured face.
“He’s come!” she exclaimed as she ran past, and Denísov felt that he too
was delighted that Pierre, whom he did not much care for, had returned.
On reaching the vestibule Natásha saw a tall figure in a fur coat
unwinding his scarf. “It’s he! It’s really he! He has come!” she said
to herself, and rushing at him embraced him, pressed his head to her
breast, and then pushed him back and gazed at his ruddy, happy face,
covered with hoarfrost. “Yes, it is he, happy and contented....”
Then all at once she remembered the tortures of suspense she had
experienced for the last fortnight, and the joy that had lit up her
face vanished; she frowned and overwhelmed Pierre with a torrent of
reproaches and angry words.
“Yes, it’s all very well for you. You are pleased, you’ve had a good
time.... But what about me? You might at least have shown consideration
for the children. I am nursing and my milk was spoiled.... Pétya was at
death’s door. But you were enjoying yourself. Yes, enjoying...”
Pierre knew he was not to blame, for he could not have come sooner; he
knew this outburst was unseemly and would blow over in a minute or two;
above all he knew that he himself was bright and happy. He wanted
to smile but dared not even think of doing so. He made a piteous,
frightened face and bent down.
“I could not, on my honor. But how is Pétya?”
“All right now. Come along! I wonder you’re not ashamed! If only you
could see what I was like without you, how I suffered!”
“You are well?”
“Come, come!” she said, not letting go of his arm. And they went to
their rooms.
When Nicholas and his wife came to look for Pierre he was in the nursery
holding his baby son, who was again awake, on his huge right palm and
dandling him. A blissful bright smile was fixed on the baby’s broad face
with its toothless open mouth. The storm was long since over and there
was bright, joyous sunshine on Natásha’s face as she gazed tenderly at
her husband and child.
“And have you talked everything well over with Prince Theodore?” she
asked.
“Yes, capitally.”
“You see, he holds it up.” (She meant the baby’s head.) “But how he did
frighten me... You’ve seen the princess? Is it true she’s in love with
that...”
“Yes, just fancy...”
At that moment Nicholas and Countess Mary came in. Pierre with the baby
on his hand stooped, kissed them, and replied to their inquiries. But
in spite of much that was interesting and had to be discussed, the baby
with the little cap on its unsteady head evidently absorbed all his
attention.
“How sweet!” said Countess Mary, looking at and playing with the baby.
“Now, Nicholas,” she added, turning to her husband, “I can’t understand
how it is you don’t see the charm of these delicious marvels.”
“I don’t and can’t,” replied Nicholas, looking coldly at the baby. “A
lump of flesh. Come along, Pierre!”
“And yet he’s such an affectionate father,” said Countess Mary,
vindicating her husband, “but only after they are a year old or so...”
“Now, Pierre nurses them splendidly,” said Natásha. “He says his hand is
just made for a baby’s seat. Just look!”
“Only not for this...” Pierre suddenly exclaimed with a laugh, and
shifting the baby he gave him to the nurse.
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Let's Analyse the Pattern
We often attack those we love most when they return, not for what they did, but for the pain we carried while they were gone.
Why This Matters
Connect literature to life
This chapter teaches how people often express their deepest pain as anger toward the safest target—those who love them unconditionally.
Practice This Today
Next time someone close to you explodes over something small, ask yourself: 'What bigger fear or pain might they be carrying that they can't directly express?'
Now let's explore the literary elements.
Key Quotes & Analysis
"She attributed immense importance to all her husband's intellectual and abstract interests though she did not understand them, and she always dreaded being a hindrance to him in such matters."
Context: Describing why Natasha encouraged Pierre to go to Petersburg despite knowing she'd miss him
Shows Natasha's selfless support for Pierre's ambitions even when they cost her personally. This reveals both her love and the sacrifice women often make for their partner's careers.
In Today's Words:
She knew his work mattered even if she didn't get it, and she didn't want to hold him back.
"A dull, dejected look, random replies, and talk about the nursery was all he saw and heard from his former enchantress."
Context: Denisov's observation of how Natasha has changed during Pierre's absence
Captures how new motherhood and isolation can transform someone's entire personality. The contrast with 'former enchantress' emphasizes how dramatically life circumstances can change us.
In Today's Words:
She looked exhausted and could only talk about baby stuff - nothing like the fun person she used to be.
"Pierre knew he was not to blame, for he could not have come sooner; he knew this outburst was unseemly and would blow over in a minute or two."
Context: Pierre's internal reaction to Natasha's angry outburst when he returns
Demonstrates emotional maturity in relationships - understanding that sometimes people need to vent their frustration even when it's not entirely fair. He doesn't take it personally.
In Today's Words:
He knew he hadn't really done anything wrong and that she just needed to get it out of her system.
Thematic Threads
Marriage Reality
In This Chapter
Pierre and Natasha's conflict shows how even loving partnerships include anger, misunderstanding, and the need for individual purpose beyond the relationship
Development
Evolved from their early romantic idealization to show the complex negotiations of real married life
In Your Life:
Your strongest relationships will include moments where love and resentment coexist, and that's normal, not failure
Isolation Effects
In This Chapter
Natasha's month alone with the baby creates anxiety, resentment, and distorted thinking about Pierre's experiences
Development
Builds on earlier themes of how separation affects characters differently based on their circumstances
In Your Life:
Extended isolation, even when caring for others, can warp your perspective and build resentment toward people who aren't actually at fault
Parental Identity
In This Chapter
Natasha finds both burden and comfort in caring for baby Petya, while Pierre experiences pure delight in fatherhood
Development
Shows how parenthood creates new identities and responsibilities that reshape relationships
In Your Life:
Becoming a parent changes not just your schedule but your entire sense of self and what you need from your partner
Emotional Labor
In This Chapter
Natasha carries the full weight of childcare and household management while Pierre pursues intellectual work
Development
Reflects ongoing themes about whose work is valued and whose sacrifices go unrecognized
In Your Life:
The person handling daily survival tasks often feels invisible while others pursue more 'meaningful' work
Quick Forgiveness
In This Chapter
Pierre doesn't defend himself against Natasha's anger, understanding it will pass, and they quickly move to tenderness
Development
Shows mature love that can weather emotional storms without keeping score
In Your Life:
Sometimes the most loving response to someone's anger is not to argue your innocence but to acknowledge their pain
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Why does Natasha immediately get angry at Pierre when he returns, even though she's been desperately missing him?
analysis • surface - 2
What does Natasha's anger really represent - what emotions is she actually expressing through her outburst?
analysis • medium - 3
Where do you see this 'punish the person you love most' pattern in modern relationships - at work, home, or in your community?
application • medium - 4
If you were Pierre, how would you respond to Natasha's anger in a way that addresses her real needs rather than just defending yourself?
application • deep - 5
What does this scene reveal about how isolation and responsibility can build hidden resentment, even in loving relationships?
reflection • deep
Critical Thinking Exercise
Decode the Real Message
Think of a time when someone close to you got angry about something small right after a reunion or return. Write down what they said they were mad about, then dig deeper - what were they really feeling underneath? Now flip it: recall a time you did this to someone else. What was your surface complaint versus your deeper emotional need?
Consider:
- •Surface anger often masks deeper fears about abandonment or being overwhelmed
- •The safest person to explode at is usually the one who loves you most unconditionally
- •Isolation builds pressure that has to go somewhere when the person returns
Journaling Prompt
Write about a time when you carried too much alone and then took it out on the wrong person. What would you say differently now if you could name your real feelings first?
Coming Up Next...
Chapter 349: The Household's Many Worlds
The family gathers to hear about Pierre's important business in Petersburg, but the conversation reveals deeper questions about Russia's future and the role of the nobility in a changing world.




