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War and Peace - Family Rituals and War Plans

Leo Tolstoy

War and Peace

Family Rituals and War Plans

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Summary

Prince Andrew returns home with his pregnant wife Lise to visit his father and sister Princess Mary before departing for war. The chapter reveals the rigid structure of the old prince's household, where even his son's arrival cannot disrupt the established daily routine. The contrast between personalities becomes immediately apparent: Lise is bubbly and talkative, Princess Mary is gentle and emotional, while Andrew appears uncomfortable with displays of affection. The reunion between the two women is tearfully joyful, but Andrew finds their emotional outpouring awkward and unnatural. Meanwhile, his father maintains his eccentric habits—precise schedules, mathematical lessons, and dismissive attitudes toward modern military strategy. When Andrew finally meets with his father, the old prince shows both affection and stubborn opinions, insisting on hearing war plans while simultaneously mocking them. The old man's interruptions during Andrew's military briefing reveal his scattered attention and preoccupation with domestic details, even as his son prepares for battle. This chapter establishes the family dynamics that will influence Andrew's emotional development throughout the novel, showing how different generations and personalities cope with love, duty, and impending separation. The structured household routines provide comfort and continuity, even as war threatens to disrupt everything.

Coming Up in Chapter 27

The family dinner brings together all these contrasting personalities under one roof, where the old prince's sharp tongue and strong opinions will create tension as Andrew's departure for war looms closer.

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An excerpt from the original text.(complete · 1951 words)

T

he gray-haired valet was sitting drowsily listening to the snoring of
the prince, who was in his large study. From the far side of the house
through the closed doors came the sound of difficult passages—twenty
times repeated—of a sonata by Dussek.

Just then a closed carriage and another with a hood drove up to the
porch. Prince Andrew got out of the carriage, helped his little wife to
alight, and let her pass into the house before him. Old Tíkhon, wearing
a wig, put his head out of the door of the antechamber, reported in
a whisper that the prince was sleeping, and hastily closed the door.
Tíkhon knew that neither the son’s arrival nor any other unusual
event must be allowed to disturb the appointed order of the day. Prince
Andrew apparently knew this as well as Tíkhon; he looked at his watch
as if to ascertain whether his father’s habits had changed since he
was at home last, and, having assured himself that they had not, he
turned to his wife.

“He will get up in twenty minutes. Let us go across to Mary’s
room,” he said.

The little princess had grown stouter during this time, but her eyes
and her short, downy, smiling lip lifted when she began to speak just as
merrily and prettily as ever.

“Why, this is a palace!” she said to her husband, looking around
with the expression with which people compliment their host at a ball.
“Let’s come, quick, quick!” And with a glance round, she smiled at
Tíkhon, at her husband, and at the footman who accompanied them.

“Is that Mary practicing? Let’s go quietly and take her by
surprise.”

Prince Andrew followed her with a courteous but sad expression.

“You’ve grown older, Tíkhon,” he said in passing to the old man,
who kissed his hand.

Before they reached the room from which the sounds of the clavichord
came, the pretty, fair-haired Frenchwoman, Mademoiselle Bourienne,
rushed out apparently beside herself with delight.

“Ah! what joy for the princess!” exclaimed she: “At last! I must
let her know.”

“No, no, please not... You are Mademoiselle Bourienne,” said
the little princess, kissing her. “I know you already through my
sister-in-law’s friendship for you. She was not expecting us?”

They went up to the door of the sitting room from which came the sound
of the oft-repeated passage of the sonata. Prince Andrew stopped and
made a grimace, as if expecting something unpleasant.

The little princess entered the room. The passage broke off in the
middle, a cry was heard, then Princess Mary’s heavy tread and the
sound of kissing. When Prince Andrew went in the two princesses, who
had only met once before for a short time at his wedding, were in
each other’s arms warmly pressing their lips to whatever place they
happened to touch. Mademoiselle Bourienne stood near them pressing her
hand to her heart, with a beatific smile and obviously equally ready to
cry or to laugh. Prince Andrew shrugged his shoulders and frowned, as
lovers of music do when they hear a false note. The two women let go
of one another, and then, as if afraid of being too late, seized each
other’s hands, kissing them and pulling them away, and again began
kissing each other on the face, and then to Prince Andrew’s surprise
both began to cry and kissed again. Mademoiselle Bourienne also began to
cry. Prince Andrew evidently felt ill at ease, but to the two women
it seemed quite natural that they should cry, and apparently it never
entered their heads that it could have been otherwise at this meeting.

“Ah! my dear!... Ah! Mary!...” they suddenly exclaimed, and then
laughed. “I dreamed last night...”—“You were not expecting
us?...” “Ah! Mary, you have got thinner?...” “And you have grown
stouter!...”

“I knew the princess at once,” put in Mademoiselle Bourienne.

“And I had no idea!...” exclaimed Princess Mary. “Ah, Andrew, I
did not see you.”

Prince Andrew and his sister, hand in hand, kissed one another, and
he told her she was still the same crybaby as ever. Princess Mary had
turned toward her brother, and through her tears the loving, warm,
gentle look of her large luminous eyes, very beautiful at that moment,
rested on Prince Andrew’s face.

The little princess talked incessantly, her short, downy upper lip
continually and rapidly touching her rosy nether lip when necessary
and drawing up again next moment when her face broke into a smile of
glittering teeth and sparkling eyes. She told of an accident they had
had on the Spásski Hill which might have been serious for her in her
condition, and immediately after that informed them that she had left
all her clothes in Petersburg and that heaven knew what she would have
to dress in here; and that Andrew had quite changed, and that Kitty
Odýntsova had married an old man, and that there was a suitor for Mary,
a real one, but that they would talk of that later. Princess Mary was
still looking silently at her brother and her beautiful eyes were full
of love and sadness. It was plain that she was following a train of
thought independent of her sister-in-law’s words. In the midst of a
description of the last Petersburg fete she addressed her brother:

“So you are really going to the war, Andrew?” she said sighing.

Lise sighed too.

“Yes, and even tomorrow,” replied her brother.

“He is leaving me here, God knows why, when he might have had
promotion...”

Princess Mary did not listen to the end, but continuing her train of
thought turned to her sister-in-law with a tender glance at her figure.

“Is it certain?” she said.

The face of the little princess changed. She sighed and said: “Yes,
quite certain. Ah! it is very dreadful...”

Her lip descended. She brought her face close to her sister-in-law’s
and unexpectedly again began to cry.

“She needs rest,” said Prince Andrew with a frown. “Don’t you,
Lise? Take her to your room and I’ll go to Father. How is he? Just the
same?”

“Yes, just the same. Though I don’t know what your opinion will
be,” answered the princess joyfully.

“And are the hours the same? And the walks in the avenues? And the
lathe?” asked Prince Andrew with a scarcely perceptible smile which
showed that, in spite of all his love and respect for his father, he was
aware of his weaknesses.

“The hours are the same, and the lathe, and also the mathematics and
my geometry lessons,” said Princess Mary gleefully, as if her lessons
in geometry were among the greatest delights of her life.

When the twenty minutes had elapsed and the time had come for the old
prince to get up, Tíkhon came to call the young prince to his father.
The old man made a departure from his usual routine in honor of his
son’s arrival: he gave orders to admit him to his apartments while
he dressed for dinner. The old prince always dressed in old-fashioned
style, wearing an antique coat and powdered hair; and when Prince Andrew
entered his father’s dressing room (not with the contemptuous look and
manner he wore in drawing rooms, but with the animated face with which
he talked to Pierre)
, the old man was sitting on a large leather-covered
chair, wrapped in a powdering mantle, entrusting his head to Tíkhon.

“Ah! here’s the warrior! Wants to vanquish Buonaparte?” said the
old man, shaking his powdered head as much as the tail, which Tíkhon
was holding fast to plait, would allow.

“You at least must tackle him properly, or else if he goes on like
this he’ll soon have us, too, for his subjects! How are you?” And he
held out his cheek.

The old man was in a good temper after his nap before dinner. (He
used to say that a nap “after dinner was silver—before dinner,
golden.”)
He cast happy, sidelong glances at his son from under his
thick, bushy eyebrows. Prince Andrew went up and kissed his father on
the spot indicated to him. He made no reply on his father’s favorite
topic—making fun of the military men of the day, and more particularly
of Bonaparte.

“Yes, Father, I have come to you and brought my wife who is
pregnant,” said Prince Andrew, following every movement of his
father’s face with an eager and respectful look. “How is your
health?”

“Only fools and rakes fall ill, my boy. You know me: I am busy from
morning till night and abstemious, so of course I am well.”

“Thank God,” said his son smiling.

“God has nothing to do with it! Well, go on,” he continued,
returning to his hobby; “tell me how the Germans have taught you to
fight Bonaparte by this new science you call ‘strategy.’”

Prince Andrew smiled.

“Give me time to collect my wits, Father,” said he, with a smile
that showed that his father’s foibles did not prevent his son from
loving and honoring him. “Why, I have not yet had time to settle
down!”

“Nonsense, nonsense!” cried the old man, shaking his pigtail to
see whether it was firmly plaited, and grasping his by the hand. “The
house for your wife is ready. Princess Mary will take her there and
show her over, and they’ll talk nineteen to the dozen. That’s
their woman’s way! I am glad to have her. Sit down and talk. About
Mikhelson’s army I understand—Tolstóy’s too... a simultaneous
expedition.... But what’s the southern army to do? Prussia is
neutral... I know that. What about Austria?” said he, rising from his
chair and pacing up and down the room followed by Tíkhon, who ran after
him, handing him different articles of clothing. “What of Sweden? How
will they cross Pomerania?”

Prince Andrew, seeing that his father insisted, began—at first
reluctantly, but gradually with more and more animation, and from habit
changing unconsciously from Russian to French as he went on—to explain
the plan of operation for the coming campaign. He explained how an army,
ninety thousand strong, was to threaten Prussia so as to bring her out
of her neutrality and draw her into the war; how part of that army was
to join some Swedish forces at Stralsund; how two hundred and twenty
thousand Austrians, with a hundred thousand Russians, were to operate in
Italy and on the Rhine; how fifty thousand Russians and as many English
were to land at Naples, and how a total force of five hundred thousand
men was to attack the French from different sides. The old prince did
not evince the least interest during this explanation, but as if he were
not listening to it continued to dress while walking about, and three
times unexpectedly interrupted. Once he stopped it by shouting: “The
white one, the white one!”

This meant that Tíkhon was not handing him the waistcoat he wanted.
Another time he interrupted, saying:

“And will she soon be confined?” and shaking his head reproachfully
said: “That’s bad! Go on, go on.”

The third interruption came when Prince Andrew was finishing his
description. The old man began to sing, in the cracked voice of old age:
“Malbrook s’en va-t-en guerre. Dieu sait quand reviendra.” *

* “Marlborough is going to the wars; God knows when he’ll
return.”

His son only smiled.

“I don’t say it’s a plan I approve of,” said the son; “I am
only telling you what it is. Napoleon has also formed his plan by now,
not worse than this one.”

“Well, you’ve told me nothing new,” and the old man repeated,
meditatively and rapidly:

“Dieu sait quand reviendra. Go to the dining room.”

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Let's Analyse the Pattern

Pattern: The Control Cage
This chapter reveals a universal pattern: we create rigid structures to feel safe and in control, but those same structures can trap us and prevent genuine connection. The old prince's household runs like clockwork—precise schedules, mathematical lessons, unchanging routines. Even his son's return from war can't disrupt the established order. This isn't just organization; it's emotional armor. The mechanism works through fear disguised as discipline. The old prince uses routine to maintain control over an uncontrollable world. When faced with his son leaving for war—a reality he cannot schedule or manage—he retreats into familiar patterns: interrupting military briefings with domestic concerns, maintaining rigid lesson times, dismissing what he cannot control. The structure that once provided stability now prevents him from being present for what matters most. This pattern appears everywhere in modern life. The manager who can't deviate from meeting schedules even during a crisis. The parent who insists on regular bedtime routines while their teenager is struggling with depression. The nurse who follows protocol so rigidly she misses what the patient actually needs. The family that maintains holiday traditions even when they've become sources of stress rather than joy. We see it in relationships where couples stick to established patterns instead of adapting to changing needs. Recognizing this pattern means asking: 'Is this structure serving connection or preventing it?' When your routine starts feeling more important than the people it's supposed to serve, it's time to adapt. Create flexible frameworks instead of rigid rules. Schedule connection time, not just task time. Notice when you're using structure to avoid difficult emotions or conversations. The goal isn't to abandon all routine—it's to make structure serve relationship, not replace it. When you can name the pattern, predict where it leads, and navigate it successfully—that's amplified intelligence.

Using rigid structure and routine to maintain control while unconsciously preventing genuine connection and adaptation to what actually matters.

Why This Matters

Connect literature to life

Skill: Reading Fear Disguised as Control

This chapter teaches how to recognize when someone's rigid behavior stems from fear rather than genuine authority.

Practice This Today

This week, notice when someone insists on following procedures during emotional moments—they might be using rules to avoid vulnerability.

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Now let's explore the literary elements.

Key Quotes & Analysis

"He will get up in twenty minutes. Let us go across to Mary's room."

— Prince Andrew

Context: Andrew tells his wife they must wait because his father is napping on schedule

Shows how completely the father's routine dominates the household. Even Andrew's return from a long absence and departure for war cannot disrupt the established order.

In Today's Words:

Dad's still sleeping and we can't wake him up, so we'll have to wait.

"Why, this is a palace!"

— Lise

Context: The little princess comments on the house as they enter

Demonstrates her attempt to be the perfect guest, complimenting her host even though this is her family home. It shows her social training and desire to please.

In Today's Words:

Wow, this place is amazing! (Even though I've been here before and feel obligated to say something nice)

"Tíkhon knew that neither the son's arrival nor any other unusual event must be allowed to disturb the appointed order of the day."

— Narrator

Context: Explaining why the servant won't wake the sleeping prince

Reveals how completely routine has taken over this household. Even major life events like a son's final visit before war cannot interrupt the schedule.

In Today's Words:

The routine was more important than anything else happening in their lives.

Thematic Threads

Control

In This Chapter

The old prince maintains absolute control over household routines, even when his son returns from war

Development

Introduced here

In Your Life:

You might recognize this when you insist on your usual routine during family visits instead of being present for rare time together.

Emotional Distance

In This Chapter

Andrew feels uncomfortable with his wife and sister's tearful reunion, finding their emotions 'awkward and unnatural'

Development

Introduced here

In Your Life:

You might see this when you feel awkward around coworkers who express genuine emotion or vulnerability.

Generational Conflict

In This Chapter

Father dismisses son's military knowledge while demanding to hear war plans, showing both love and stubborn opinions

Development

Introduced here

In Your Life:

You might experience this when older family members simultaneously worry about your choices while dismissing your expertise.

Social Expectations

In This Chapter

Each family member performs their expected role—bubbly wife, gentle sister, dutiful son—even during emotional reunion

Development

Introduced here

In Your Life:

You might notice this when you automatically slip into expected family roles during visits, even when they don't fit who you are now.

Duty vs. Connection

In This Chapter

Andrew fulfills his duty to visit family before war, but struggles to genuinely connect with their emotions

Development

Introduced here

In Your Life:

You might see this when you check all the boxes of being a good family member without actually being emotionally present.

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    Why does the old prince refuse to change his daily routine even when his son returns from war?

    analysis • surface
  2. 2

    What does Andrew's discomfort with emotional displays reveal about how he's learned to cope with feelings?

    analysis • medium
  3. 3

    Where have you seen people use rigid routines or rules to avoid dealing with difficult emotions or situations?

    application • medium
  4. 4

    How would you balance maintaining helpful structure while staying emotionally available to people you care about?

    application • deep
  5. 5

    What does this family's struggle with connection teach us about the difference between being organized and being present?

    reflection • deep

Critical Thinking Exercise

10 minutes

Audit Your Own Armor

Think about your own daily routines and habits. Make two lists: structures that help you connect with others (family dinner time, regular check-ins with friends) and structures that might be protecting you from difficult emotions or conversations (always being busy, strict schedules that prevent spontaneous connection). Be honest about which category each routine really falls into.

Consider:

  • •Notice when you feel most resistant to changing a routine - that resistance often signals emotional protection
  • •Consider whether your structures serve the people in your life or just make you feel more in control
  • •Think about times when flexibility led to better outcomes than sticking to the plan

Journaling Prompt

Write about a time when your need for routine or control prevented you from being fully present for someone who needed you. What were you really protecting yourself from?

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Coming Up Next...

Chapter 27: Dinner Table Power Dynamics

The family dinner brings together all these contrasting personalities under one roof, where the old prince's sharp tongue and strong opinions will create tension as Andrew's departure for war looms closer.

Continue to Chapter 27
Previous
The Clockwork Prince and His Daughter
Contents
Next
Dinner Table Power Dynamics

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