An excerpt from the original text.(complete · 5884 words)
pisode 4: Calypso
Mr Leopold Bloom ate with relish the inner organs of beasts and fowls.
He liked thick giblet soup, nutty gizzards, a stuffed roast heart,
liverslices fried with crustcrumbs, fried hencods’ roes. Most of all he
liked grilled mutton kidneys which gave to his palate a fine tang of
faintly scented urine.
Kidneys were in his mind as he moved about the kitchen softly, righting
her breakfast things on the humpy tray. Gelid light and air were in the
kitchen but out of doors gentle summer morning everywhere. Made him
feel a bit peckish.
The coals were reddening.
Another slice of bread and butter: three, four: right. She didn’t like
her plate full. Right. He turned from the tray, lifted the kettle off
the hob and set it sideways on the fire. It sat there, dull and squat,
its spout stuck out. Cup of tea soon. Good. Mouth dry. The cat walked
stiffly round a leg of the table with tail on high.
—Mkgnao!
—O, there you are, Mr Bloom said, turning from the fire.
The cat mewed in answer and stalked again stiffly round a leg of the
table, mewing. Just how she stalks over my writingtable. Prr. Scratch
my head. Prr.
Mr Bloom watched curiously, kindly the lithe black form. Clean to see:
the gloss of her sleek hide, the white button under the butt of her
tail, the green flashing eyes. He bent down to her, his hands on his
knees.
—Milk for the pussens, he said.
—Mrkgnao! the cat cried.
They call them stupid. They understand what we say better than we
understand them. She understands all she wants to. Vindictive too.
Cruel. Her nature. Curious mice never squeal. Seem to like it. Wonder
what I look like to her. Height of a tower? No, she can jump me.
—Afraid of the chickens she is, he said mockingly. Afraid of the
chookchooks. I never saw such a stupid pussens as the pussens.
—Mrkrgnao! the cat said loudly.
She blinked up out of her avid shameclosing eyes, mewing plaintively
and long, showing him her milkwhite teeth. He watched the dark eyeslits
narrowing with greed till her eyes were green stones. Then he went to
the dresser, took the jug Hanlon’s milkman had just filled for him,
poured warmbubbled milk on a saucer and set it slowly on the floor.
—Gurrhr! she cried, running to lap.
He watched the bristles shining wirily in the weak light as she tipped
three times and licked lightly. Wonder is it true if you clip them they
can’t mouse after. Why? They shine in the dark, perhaps, the tips. Or
kind of feelers in the dark, perhaps.
He listened to her licking lap. Ham and eggs, no. No good eggs with
this drouth. Want pure fresh water. Thursday: not a good day either for
a mutton kidney at Buckley’s. Fried with butter, a shake of pepper.
Better a pork kidney at Dlugacz’s. While the kettle is boiling. She
lapped slower, then licking the saucer clean. Why are their tongues so
rough? To lap better, all porous holes. Nothing she can eat? He glanced
round him. No.
On quietly creaky boots he went up the staircase to the hall, paused by
the bedroom door. She might like something tasty. Thin bread and butter
she likes in the morning. Still perhaps: once in a way.
He said softly in the bare hall:
—I’m going round the corner. Be back in a minute.
And when he had heard his voice say it he added:
—You don’t want anything for breakfast?
A sleepy soft grunt answered:
—Mn.
No. She didn’t want anything. He heard then a warm heavy sigh, softer,
as she turned over and the loose brass quoits of the bedstead jingled.
Must get those settled really. Pity. All the way from Gibraltar.
Forgotten any little Spanish she knew. Wonder what her father gave for
it. Old style. Ah yes! of course. Bought it at the governor’s auction.
Got a short knock. Hard as nails at a bargain, old Tweedy. Yes, sir. At
Plevna that was. I rose from the ranks, sir, and I’m proud of it. Still
he had brains enough to make that corner in stamps. Now that was
farseeing.
His hand took his hat from the peg over his initialled heavy overcoat
and his lost property office secondhand waterproof. Stamps: stickyback
pictures. Daresay lots of officers are in the swim too. Course they do.
The sweated legend in the crown of his hat told him mutely: Plasto’s
high grade ha. He peeped quickly inside the leather headband. White
slip of paper. Quite safe.
On the doorstep he felt in his hip pocket for the latchkey. Not there.
In the trousers I left off. Must get it. Potato I have. Creaky
wardrobe. No use disturbing her. She turned over sleepily that time. He
pulled the halldoor to after him very quietly, more, till the footleaf
dropped gently over the threshold, a limp lid. Looked shut. All right
till I come back anyhow.
He crossed to the bright side, avoiding the loose cellarflap of number
seventyfive. The sun was nearing the steeple of George’s church. Be a
warm day I fancy. Specially in these black clothes feel it more. Black
conducts, reflects, (refracts is it?), the heat. But I couldn’t go in
that light suit. Make a picnic of it. His eyelids sank quietly often as
he walked in happy warmth. Boland’s breadvan delivering with trays our
daily but she prefers yesterday’s loaves turnovers crisp crowns hot.
Makes you feel young. Somewhere in the east: early morning: set off at
dawn. Travel round in front of the sun, steal a day’s march on him.
Keep it up for ever never grow a day older technically. Walk along a
strand, strange land, come to a city gate, sentry there, old ranker
too, old Tweedy’s big moustaches, leaning on a long kind of a spear.
Wander through awned streets. Turbaned faces going by. Dark caves of
carpet shops, big man, Turko the terrible, seated crosslegged, smoking
a coiled pipe. Cries of sellers in the streets. Drink water scented
with fennel, sherbet. Dander along all day. Might meet a robber or two.
Well, meet him. Getting on to sundown. The shadows of the mosques among
the pillars: priest with a scroll rolled up. A shiver of the trees,
signal, the evening wind. I pass on. Fading gold sky. A mother watches
me from her doorway. She calls her children home in their dark
language. High wall: beyond strings twanged. Night sky, moon, violet,
colour of Molly’s new garters. Strings. Listen. A girl playing one of
those instruments what do you call them: dulcimers. I pass.
Probably not a bit like it really. Kind of stuff you read: in the track
of the sun. Sunburst on the titlepage. He smiled, pleasing himself.
What Arthur Griffith said about the headpiece over the Freeman
leader: a homerule sun rising up in the northwest from the laneway
behind the bank of Ireland. He prolonged his pleased smile. Ikey touch
that: homerule sun rising up in the northwest.
He approached Larry O’Rourke’s. From the cellar grating floated up the
flabby gush of porter. Through the open doorway the bar squirted out
whiffs of ginger, teadust, biscuitmush. Good house, however: just the
end of the city traffic. For instance M’Auley’s down there: n. g. as
position. Of course if they ran a tramline along the North Circular
from the cattlemarket to the quays value would go up like a shot.
Baldhead over the blind. Cute old codger. No use canvassing him for an
ad. Still he knows his own business best. There he is, sure enough, my
bold Larry, leaning against the sugarbin in his shirtsleeves watching
the aproned curate swab up with mop and bucket. Simon Dedalus takes him
off to a tee with his eyes screwed up. Do you know what I’m going to
tell you? What’s that, Mr O’Rourke? Do you know what? The Russians,
they’d only be an eight o’clock breakfast for the Japanese.
Stop and say a word: about the funeral perhaps. Sad thing about poor
Dignam, Mr O’Rourke.
Turning into Dorset street he said freshly in greeting through the
doorway:
—Good day, Mr O’Rourke.
—Good day to you.
—Lovely weather, sir.
—’Tis all that.
Where do they get the money? Coming up redheaded curates from the
county Leitrim, rinsing empties and old man in the cellar. Then, lo and
behold, they blossom out as Adam Findlaters or Dan Tallons. Then think
of the competition. General thirst. Good puzzle would be cross Dublin
without passing a pub. Save it they can’t. Off the drunks perhaps. Put
down three and carry five. What is that, a bob here and there, dribs
and drabs. On the wholesale orders perhaps. Doing a double shuffle with
the town travellers. Square it you with the boss and we’ll split the
job, see?
How much would that tot to off the porter in the month? Say ten barrels
of stuff. Say he got ten per cent off. O more. Fifteen. He passed Saint
Joseph’s National school. Brats’ clamour. Windows open. Fresh air helps
memory. Or a lilt. Ahbeesee defeegee kelomen opeecue rustyouvee
doubleyou. Boys are they? Yes. Inishturk. Inishark. Inishboffin. At
their joggerfry. Mine. Slieve Bloom.
He halted before Dlugacz’s window, staring at the hanks of sausages,
polonies, black and white. Fifteen multiplied by. The figures whitened
in his mind, unsolved: displeased, he let them fade. The shiny links,
packed with forcemeat, fed his gaze and he breathed in tranquilly the
lukewarm breath of cooked spicy pigs’ blood.
A kidney oozed bloodgouts on the willowpatterned dish: the last. He
stood by the nextdoor girl at the counter. Would she buy it too,
calling the items from a slip in her hand? Chapped: washingsoda. And a
pound and a half of Denny’s sausages. His eyes rested on her vigorous
hips. Woods his name is. Wonder what he does. Wife is oldish. New
blood. No followers allowed. Strong pair of arms. Whacking a carpet on
the clothesline. She does whack it, by George. The way her crooked
skirt swings at each whack.
The ferreteyed porkbutcher folded the sausages he had snipped off with
blotchy fingers, sausagepink. Sound meat there: like a stallfed heifer.
He took a page up from the pile of cut sheets: the model farm at
Kinnereth on the lakeshore of Tiberias. Can become ideal winter
sanatorium. Moses Montefiore. I thought he was. Farmhouse, wall round
it, blurred cattle cropping. He held the page from him: interesting:
read it nearer, the title, the blurred cropping cattle, the page
rustling. A young white heifer. Those mornings in the cattlemarket, the
beasts lowing in their pens, branded sheep, flop and fall of dung, the
breeders in hobnailed boots trudging through the litter, slapping a
palm on a ripemeated hindquarter, there’s a prime one, unpeeled
switches in their hands. He held the page aslant patiently, bending his
senses and his will, his soft subject gaze at rest. The crooked skirt
swinging, whack by whack by whack.
The porkbutcher snapped two sheets from the pile, wrapped up her prime
sausages and made a red grimace.
—Now, my miss, he said.
She tendered a coin, smiling boldly, holding her thick wrist out.
—Thank you, my miss. And one shilling threepence change. For you,
please?
Mr Bloom pointed quickly. To catch up and walk behind her if she went
slowly, behind her moving hams. Pleasant to see first thing in the
morning. Hurry up, damn it. Make hay while the sun shines. She stood
outside the shop in sunlight and sauntered lazily to the right. He
sighed down his nose: they never understand. Sodachapped hands. Crusted
toenails too. Brown scapulars in tatters, defending her both ways. The
sting of disregard glowed to weak pleasure within his breast. For
another: a constable off duty cuddling her in Eccles’ Lane. They like
them sizeable. Prime sausage. O please, Mr Policeman, I’m lost in the
wood.
—Threepence, please.
His hand accepted the moist tender gland and slid it into a sidepocket.
Then it fetched up three coins from his trousers’ pocket and laid them
on the rubber prickles. They lay, were read quickly and quickly slid,
disc by disc, into the till.
—Thank you, sir. Another time.
A speck of eager fire from foxeyes thanked him. He withdrew his gaze
after an instant. No: better not: another time.
—Good morning, he said, moving away.
—Good morning, sir.
No sign. Gone. What matter?
He walked back along Dorset street, reading gravely. Agendath Netaim:
planters’ company. To purchase waste sandy tracts from Turkish
government and plant with eucalyptus trees. Excellent for shade, fuel
and construction. Orangegroves and immense melonfields north of Jaffa.
You pay eighty marks and they plant a dunam of land for you with
olives, oranges, almonds or citrons. Olives cheaper: oranges need
artificial irrigation. Every year you get a sending of the crop. Your
name entered for life as owner in the book of the union. Can pay ten
down and the balance in yearly instalments. Bleibtreustrasse 34,
Berlin, W. 15.
Nothing doing. Still an idea behind it.
He looked at the cattle, blurred in silver heat. Silverpowdered
olivetrees. Quiet long days: pruning, ripening. Olives are packed in
jars, eh? I have a few left from Andrews. Molly spitting them out.
Knows the taste of them now. Oranges in tissue paper packed in crates.
Citrons too. Wonder is poor Citron still in Saint Kevin’s parade. And
Mastiansky with the old cither. Pleasant evenings we had then. Molly in
Citron’s basketchair. Nice to hold, cool waxen fruit, hold in the hand,
lift it to the nostrils and smell the perfume. Like that, heavy, sweet,
wild perfume. Always the same, year after year. They fetched high
prices too, Moisel told me. Arbutus place: Pleasants street: pleasant
old times. Must be without a flaw, he said. Coming all that way: Spain,
Gibraltar, Mediterranean, the Levant. Crates lined up on the quayside
at Jaffa, chap ticking them off in a book, navvies handling them
barefoot in soiled dungarees. There’s whatdoyoucallhim out of. How do
you? Doesn’t see. Chap you know just to salute bit of a bore. His back
is like that Norwegian captain’s. Wonder if I’ll meet him today.
Watering cart. To provoke the rain. On earth as it is in heaven.
A cloud began to cover the sun slowly, wholly. Grey. Far.
No, not like that. A barren land, bare waste. Vulcanic lake, the dead
sea: no fish, weedless, sunk deep in the earth. No wind could lift
those waves, grey metal, poisonous foggy waters. Brimstone they called
it raining down: the cities of the plain: Sodom, Gomorrah, Edom. All
dead names. A dead sea in a dead land, grey and old. Old now. It bore
the oldest, the first race. A bent hag crossed from Cassidy’s,
clutching a naggin bottle by the neck. The oldest people. Wandered far
away over all the earth, captivity to captivity, multiplying, dying,
being born everywhere. It lay there now. Now it could bear no more.
Dead: an old woman’s: the grey sunken cunt of the world.
Desolation.
Grey horror seared his flesh. Folding the page into his pocket he
turned into Eccles street, hurrying homeward. Cold oils slid along his
veins, chilling his blood: age crusting him with a salt cloak. Well, I
am here now. Yes, I am here now. Morning mouth bad images. Got up wrong
side of the bed. Must begin again those Sandow’s exercises. On the
hands down. Blotchy brown brick houses. Number eighty still unlet. Why
is that? Valuation is only twentyeight. Towers, Battersby, North,
MacArthur: parlour windows plastered with bills. Plasters on a sore
eye. To smell the gentle smoke of tea, fume of the pan, sizzling
butter. Be near her ample bedwarmed flesh. Yes, yes.
Quick warm sunlight came running from Berkeley road, swiftly, in slim
sandals, along the brightening footpath. Runs, she runs to meet me, a
girl with gold hair on the wind.
Two letters and a card lay on the hallfloor. He stooped and gathered
them. Mrs Marion Bloom. His quickened heart slowed at once. Bold hand.
Mrs Marion.
—Poldy!
Entering the bedroom he halfclosed his eyes and walked through warm
yellow twilight towards her tousled head.
—Who are the letters for?
He looked at them. Mullingar. Milly.
—A letter for me from Milly, he said carefully, and a card to you. And
a letter for you.
He laid her card and letter on the twill bedspread near the curve of
her knees.
—Do you want the blind up?
Letting the blind up by gentle tugs halfway his backward eye saw her
glance at the letter and tuck it under her pillow.
—That do? he asked, turning.
She was reading the card, propped on her elbow.
—She got the things, she said.
He waited till she had laid the card aside and curled herself back
slowly with a snug sigh.
—Hurry up with that tea, she said. I’m parched.
—The kettle is boiling, he said.
But he delayed to clear the chair: her striped petticoat, tossed soiled
linen: and lifted all in an armful on to the foot of the bed.
As he went down the kitchen stairs she called:
—Poldy!
—What?
—Scald the teapot.
On the boil sure enough: a plume of steam from the spout. He scalded
and rinsed out the teapot and put in four full spoons of tea, tilting
the kettle then to let the water flow in. Having set it to draw he took
off the kettle, crushed the pan flat on the live coals and watched the
lump of butter slide and melt. While he unwrapped the kidney the cat
mewed hungrily against him. Give her too much meat she won’t mouse. Say
they won’t eat pork. Kosher. Here. He let the bloodsmeared paper fall
to her and dropped the kidney amid the sizzling butter sauce. Pepper.
He sprinkled it through his fingers ringwise from the chipped eggcup.
Then he slit open his letter, glancing down the page and over. Thanks:
new tam: Mr Coghlan: lough Owel picnic: young student: Blazes Boylan’s
seaside girls.
The tea was drawn. He filled his own moustachecup, sham crown Derby,
smiling. Silly Milly’s birthday gift. Only five she was then. No, wait:
four. I gave her the amberoid necklace she broke. Putting pieces of
folded brown paper in the letterbox for her. He smiled, pouring.
O, Milly Bloom, you are my darling.
You are my lookingglass from night to morning.
I’d rather have you without a farthing
Than Katey Keogh with her ass and garden.
Poor old professor Goodwin. Dreadful old case. Still he was a courteous
old chap. Oldfashioned way he used to bow Molly off the platform. And
the little mirror in his silk hat. The night Milly brought it into the
parlour. O, look what I found in professor Goodwin’s hat! All we
laughed. Sex breaking out even then. Pert little piece she was.
He prodded a fork into the kidney and slapped it over: then fitted the
teapot on the tray. Its hump bumped as he took it up. Everything on it?
Bread and butter, four, sugar, spoon, her cream. Yes. He carried it
upstairs, his thumb hooked in the teapot handle.
Nudging the door open with his knee he carried the tray in and set it
on the chair by the bedhead.
—What a time you were! she said.
She set the brasses jingling as she raised herself briskly, an elbow on
the pillow. He looked calmly down on her bulk and between her large
soft bubs, sloping within her nightdress like a shegoat’s udder. The
warmth of her couched body rose on the air, mingling with the fragrance
of the tea she poured.
A strip of torn envelope peeped from under the dimpled pillow. In the
act of going he stayed to straighten the bedspread.
—Who was the letter from? he asked.
Bold hand. Marion.
—O, Boylan, she said. He’s bringing the programme.
—What are you singing?
—Là ci darem with J. C. Doyle, she said, and Love’s Old Sweet Song.
Her full lips, drinking, smiled. Rather stale smell that incense leaves
next day. Like foul flowerwater.
—Would you like the window open a little?
She doubled a slice of bread into her mouth, asking:
—What time is the funeral?
—Eleven, I think, he answered. I didn’t see the paper.
Following the pointing of her finger he took up a leg of her soiled
drawers from the bed. No? Then, a twisted grey garter looped round a
stocking: rumpled, shiny sole.
—No: that book.
Other stocking. Her petticoat.
—It must have fell down, she said.
He felt here and there. Voglio e non vorrei. Wonder if she pronounces
that right: voglio. Not in the bed. Must have slid down. He stooped
and lifted the valance. The book, fallen, sprawled against the bulge of
the orangekeyed chamberpot.
—Show here, she said. I put a mark in it. There’s a word I wanted to
ask you.
She swallowed a draught of tea from her cup held by nothandle and,
having wiped her fingertips smartly on the blanket, began to search the
text with the hairpin till she reached the word.
—Met him what? he asked.
—Here, she said. What does that mean?
He leaned downward and read near her polished thumbnail.
—Metempsychosis?
—Yes. Who’s he when he’s at home?
—Metempsychosis, he said, frowning. It’s Greek: from the Greek. That
means the transmigration of souls.
—O, rocks! she said. Tell us in plain words.
He smiled, glancing askance at her mocking eyes. The same young eyes.
The first night after the charades. Dolphin’s Barn. He turned over the
smudged pages. Ruby: the Pride of the Ring. Hello. Illustration.
Fierce Italian with carriagewhip. Must be Ruby pride of the on the
floor naked. Sheet kindly lent. The monster Maffei desisted and flung
his victim from him with an oath. Cruelty behind it all. Doped
animals. Trapeze at Hengler’s. Had to look the other way. Mob gaping.
Break your neck and we’ll break our sides. Families of them. Bone them
young so they metamspychosis. That we live after death. Our souls. That
a man’s soul after he dies. Dignam’s soul...
—Did you finish it? he asked.
—Yes, she said. There’s nothing smutty in it. Is she in love with the
first fellow all the time?
—Never read it. Do you want another?
—Yes. Get another of Paul de Kock’s. Nice name he has.
She poured more tea into her cup, watching it flow sideways.
Must get that Capel street library book renewed or they’ll write to
Kearney, my guarantor. Reincarnation: that’s the word.
—Some people believe, he said, that we go on living in another body
after death, that we lived before. They call it reincarnation. That we
all lived before on the earth thousands of years ago or some other
planet. They say we have forgotten it. Some say they remember their
past lives.
The sluggish cream wound curdling spirals through her tea. Better
remind her of the word: metempsychosis. An example would be better. An
example?
The Bath of the Nymph over the bed. Given away with the Easter number
of Photo Bits: Splendid masterpiece in art colours. Tea before you
put milk in. Not unlike her with her hair down: slimmer. Three and six
I gave for the frame. She said it would look nice over the bed. Naked
nymphs: Greece: and for instance all the people that lived then.
He turned the pages back.
—Metempsychosis, he said, is what the ancient Greeks called it. They
used to believe you could be changed into an animal or a tree, for
instance. What they called nymphs, for example.
Her spoon ceased to stir up the sugar. She gazed straight before her,
inhaling through her arched nostrils.
—There’s a smell of burn, she said. Did you leave anything on the fire?
—The kidney! he cried suddenly.
He fitted the book roughly into his inner pocket and, stubbing his toes
against the broken commode, hurried out towards the smell, stepping
hastily down the stairs with a flurried stork’s legs. Pungent smoke
shot up in an angry jet from a side of the pan. By prodding a prong of
the fork under the kidney he detached it and turned it turtle on its
back. Only a little burnt. He tossed it off the pan on to a plate and
let the scanty brown gravy trickle over it.
Cup of tea now. He sat down, cut and buttered a slice of the loaf. He
shore away the burnt flesh and flung it to the cat. Then he put a
forkful into his mouth, chewing with discernment the toothsome pliant
meat. Done to a turn. A mouthful of tea. Then he cut away dies of
bread, sopped one in the gravy and put it in his mouth. What was that
about some young student and a picnic? He creased out the letter at his
side, reading it slowly as he chewed, sopping another die of bread in
the gravy and raising it to his mouth.
Dearest Papli
Thanks ever so much for the lovely birthday present. It suits me
splendid. Everyone says I am quite the belle in my new tam. I got
mummy’s lovely box of creams and am writing. They are lovely. I am
getting on swimming in the photo business now. Mr Coghlan took one of
me and Mrs. Will send when developed. We did great biz yesterday. Fair
day and all the beef to the heels were in. We are going to lough Owel
on Monday with a few friends to make a scrap picnic. Give my love to
mummy and to yourself a big kiss and thanks. I hear them at the piano
downstairs. There is to be a concert in the Greville Arms on Saturday.
There is a young student comes here some evenings named Bannon his
cousins or something are big swells and he sings Boylan’s (I was on the
pop of writing Blazes Boylan’s) song about those seaside girls. Tell
him silly Milly sends my best respects. I must now close with fondest
love
Your fond daughter
Milly
P. S. Excuse bad writing am in hurry. Byby.
M.
Fifteen yesterday. Curious, fifteenth of the month too. Her first
birthday away from home. Separation. Remember the summer morning she
was born, running to knock up Mrs Thornton in Denzille street. Jolly
old woman. Lot of babies she must have helped into the world. She knew
from the first poor little Rudy wouldn’t live. Well, God is good, sir.
She knew at once. He would be eleven now if he had lived.
His vacant face stared pityingly at the postscript. Excuse bad writing.
Hurry. Piano downstairs. Coming out of her shell. Row with her in the
XL Café about the bracelet. Wouldn’t eat her cakes or speak or look.
Saucebox. He sopped other dies of bread in the gravy and ate piece
after piece of kidney. Twelve and six a week. Not much. Still, she
might do worse. Music hall stage. Young student. He drank a draught of
cooler tea to wash down his meal. Then he read the letter again: twice.
O, well: she knows how to mind herself. But if not? No, nothing has
happened. Of course it might. Wait in any case till it does. A wild
piece of goods. Her slim legs running up the staircase. Destiny.
Ripening now. Vain: very.
He smiled with troubled affection at the kitchen window. Day I caught
her in the street pinching her cheeks to make them red. Anemic a
little. Was given milk too long. On the Erin’s King that day round
the Kish. Damned old tub pitching about. Not a bit funky. Her pale blue
scarf loose in the wind with her hair.
All dimpled cheeks and curls,
Your head it simply swirls.
Seaside girls. Torn envelope. Hands stuck in his trousers’ pockets,
jarvey off for the day, singing. Friend of the family. Swurls, he says.
Pier with lamps, summer evening, band.
Those girls, those girls,
Those lovely seaside girls.
Milly too. Young kisses: the first. Far away now past. Mrs Marion.
Reading, lying back now, counting the strands of her hair, smiling,
braiding.
A soft qualm, regret, flowed down his backbone, increasing. Will
happen, yes. Prevent. Useless: can’t move. Girl’s sweet light lips.
Will happen too. He felt the flowing qualm spread over him. Useless to
move now. Lips kissed, kissing, kissed. Full gluey woman’s lips.
Better where she is down there: away. Occupy her. Wanted a dog to pass
the time. Might take a trip down there. August bank holiday, only two
and six return. Six weeks off, however. Might work a press pass. Or
through M’Coy.
The cat, having cleaned all her fur, returned to the meatstained paper,
nosed at it and stalked to the door. She looked back at him, mewing.
Wants to go out. Wait before a door sometime it will open. Let her
wait. Has the fidgets. Electric. Thunder in the air. Was washing at her
ear with her back to the fire too.
He felt heavy, full: then a gentle loosening of his bowels. He stood
up, undoing the waistband of his trousers. The cat mewed to him.
—Miaow! he said in answer. Wait till I’m ready.
Heaviness: hot day coming. Too much trouble to fag up the stairs to the
landing.
A paper. He liked to read at stool. Hope no ape comes knocking just as
I’m.
In the tabledrawer he found an old number of Titbits. He folded it
under his armpit, went to the door and opened it. The cat went up in
soft bounds. Ah, wanted to go upstairs, curl up in a ball on the bed.
Listening, he heard her voice:
—Come, come, pussy. Come.
He went out through the backdoor into the garden: stood to listen
towards the next garden. No sound. Perhaps hanging clothes out to dry.
The maid was in the garden. Fine morning.
He bent down to regard a lean file of spearmint growing by the wall.
Make a summerhouse here. Scarlet runners. Virginia creepers. Want to
manure the whole place over, scabby soil. A coat of liver of sulphur.
All soil like that without dung. Household slops. Loam, what is this
that is? The hens in the next garden: their droppings are very good top
dressing. Best of all though are the cattle, especially when they are
fed on those oilcakes. Mulch of dung. Best thing to clean ladies’ kid
gloves. Dirty cleans. Ashes too. Reclaim the whole place. Grow peas in
that corner there. Lettuce. Always have fresh greens then. Still
gardens have their drawbacks. That bee or bluebottle here Whitmonday.
He walked on. Where is my hat, by the way? Must have put it back on the
peg. Or hanging up on the floor. Funny I don’t remember that. Hallstand
too full. Four umbrellas, her raincloak. Picking up the letters.
Drago’s shopbell ringing. Queer I was just thinking that moment. Brown
brillantined hair over his collar. Just had a wash and brushup. Wonder
have I time for a bath this morning. Tara street. Chap in the paybox
there got away James Stephens, they say. O’Brien.
Deep voice that fellow Dlugacz has. Agendath what is it? Now, my miss.
Enthusiast.
He kicked open the crazy door of the jakes. Better be careful not to
get these trousers dirty for the funeral. He went in, bowing his head
under the low lintel. Leaving the door ajar, amid the stench of mouldy
limewash and stale cobwebs he undid his braces. Before sitting down he
peered through a chink up at the nextdoor windows. The king was in his
countinghouse. Nobody.
Asquat on the cuckstool he folded out his paper, turning its pages over
on his bared knees. Something new and easy. No great hurry. Keep it a
bit. Our prize titbit: Matcham’s Masterstroke. Written by Mr Philip
Beaufoy, Playgoers’ Club, London. Payment at the rate of one guinea a
column has been made to the writer. Three and a half. Three pounds
three. Three pounds, thirteen and six.
Quietly he read, restraining himself, the first column and, yielding
but resisting, began the second. Midway, his last resistance yielding,
he allowed his bowels to ease themselves quietly as he read, reading
still patiently that slight constipation of yesterday quite gone. Hope
it’s not too big bring on piles again. No, just right. So. Ah! Costive.
One tabloid of cascara sagrada. Life might be so. It did not move or
touch him but it was something quick and neat. Print anything now.
Silly season. He read on, seated calm above his own rising smell. Neat
certainly. Matcham often thinks of the masterstroke by which he won
the laughing witch who now. Begins and ends morally. Hand in hand.
Smart. He glanced back through what he had read and, while feeling his
water flow quietly, he envied kindly Mr Beaufoy who had written it and
received payment of three pounds, thirteen and six.
Might manage a sketch. By Mr and Mrs L. M. Bloom. Invent a story for
some proverb. Which? Time I used to try jotting down on my cuff what
she said dressing. Dislike dressing together. Nicked myself shaving.
Biting her nether lip, hooking the placket of her skirt. Timing her.
9.15. Did Roberts pay you yet? 9.20. What had Gretta Conroy on? 9.23.
What possessed me to buy this comb? 9.24. I’m swelled after that
cabbage. A speck of dust on the patent leather of her boot.
Rubbing smartly in turn each welt against her stockinged calf. Morning
after the bazaar dance when May’s band played Ponchielli’s dance of the
hours. Explain that: morning hours, noon, then evening coming on, then
night hours. Washing her teeth. That was the first night. Her head
dancing. Her fansticks clicking. Is that Boylan well off? He has money.
Why? I noticed he had a good rich smell off his breath dancing. No use
humming then. Allude to it. Strange kind of music that last night. The
mirror was in shadow. She rubbed her handglass briskly on her woollen
vest against her full wagging bub. Peering into it. Lines in her eyes.
It wouldn’t pan out somehow.
Evening hours, girls in grey gauze. Night hours then: black with
daggers and eyemasks. Poetical idea: pink, then golden, then grey, then
black. Still, true to life also. Day: then the night.
He tore away half the prize story sharply and wiped himself with it.
Then he girded up his trousers, braced and buttoned himself. He pulled
back the jerky shaky door of the jakes and came forth from the gloom
into the air.
In the bright light, lightened and cooled in limb, he eyed carefully
his black trousers: the ends, the knees, the houghs of the knees. What
time is the funeral? Better find out in the paper.
A creak and a dark whirr in the air high up. The bells of George’s
church. They tolled the hour: loud dark iron.
Heigho! Heigho!
Heigho! Heigho!
Heigho! Heigho!
Quarter to. There again: the overtone following through the air. A
third.
Poor Dignam!
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Let's Analyse the Pattern
Careful attention to small details reveals larger patterns and provides strategic insight into relationships and situations.
Why This Matters
Connect literature to life
This chapter teaches how to gauge relationship health by observing small daily interactions rather than waiting for big conversations.
Practice This Today
This week, notice when people's actions don't match their words - who checks their phone during conversations, who avoids eye contact, who changes subjects when certain topics arise.
Now let's explore the literary elements.
Key Quotes & Analysis
"Mr Leopold Bloom ate with relish the inner organs of beasts and fowls."
Context: The opening line establishing Bloom's character through his food preferences
This immediately marks Bloom as different - his Jewish background influences his tastes, and his enjoyment of organ meats suggests someone who appreciates what others might find unpalatable. It's a small detail that reveals cultural identity and individual character.
In Today's Words:
Leo was the kind of guy who actually enjoyed the weird stuff on the menu.
"What is that word known to all men? I am quiet here alone. Sad too. Touch, touch me."
Context: Bloom's thoughts while reading about metempsychosis
This reveals Bloom's profound loneliness and his yearning for connection. The 'word known to all men' suggests universal human experiences like love, death, or loneliness. His plea for touch shows his emotional isolation despite being surrounded by domestic life.
In Today's Words:
There's got to be something that connects all of us, right? I'm so lonely. I just need someone to care.
"She didn't like her plate full. Right."
Context: Preparing Molly's breakfast tray
This simple observation shows Bloom's careful attention to his wife's preferences, suggesting both love and the accumulated knowledge of long marriage. The repetition of 'Right' shows him confirming his care for her details even when she's not present.
In Today's Words:
He knew exactly how she liked things, even after all these years.
Thematic Threads
Identity
In This Chapter
Bloom navigates his complex identity as an Irish Jew through small daily choices - what to cook, what to read, how to interact
Development
Introduced here as counterpoint to Stephen's intellectual identity crisis
In Your Life:
You might recognize this in how you adjust your behavior in different social settings to fit in or stand out.
Marriage
In This Chapter
Bloom's tender care for sleeping Molly contrasts with his awareness of her affair - love persisting despite betrayal
Development
Introduced here
In Your Life:
You might see this in relationships where you continue caring for someone even when you know they're not fully committed to you.
Parenthood
In This Chapter
Bloom's mixed pride and worry about daughter Milly's independence, haunted by memories of dead son Rudy
Development
Introduced here
In Your Life:
You might recognize this in the bittersweet feeling of watching your children grow away from needing you.
Class
In This Chapter
Bloom's middle-class domesticity - shopping for quality kidney, reading, maintaining appearances - shows his social position
Development
Introduced here as contrast to Stephen's bohemian poverty
In Your Life:
You might see this in how small purchases and daily routines signal your economic status to others.
Mortality
In This Chapter
Bloom's thoughts drift to death through everyday triggers - his son's memory, aging concerns, the cycle of life and loss
Development
Introduced here
In Your Life:
You might notice this in how certain objects or activities suddenly remind you of people you've lost or your own aging.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What small details does Bloom notice during his morning routine that most people would miss?
analysis • surface - 2
How does Bloom's way of observing his world help him understand what's really happening in his relationships?
analysis • medium - 3
Where do you see people in your life who have this kind of quiet awareness - who notice things others miss?
application • medium - 4
How could you use Bloom's method of careful observation to better navigate a current challenge in your own life?
application • deep - 5
What does Bloom's morning routine teach us about finding meaning in ordinary moments?
reflection • deep
Critical Thinking Exercise
Practice the Bloom Method
For the next 24 hours, practice Bloom's observation technique during one routine activity - making coffee, commuting, doing dishes. Don't analyze or judge, just notice: What details usually escape your attention? What patterns emerge? What do your wandering thoughts reveal about your real concerns?
Consider:
- •Notice without immediately trying to fix or change anything
- •Pay attention to what your mind drifts toward - it reveals your priorities
- •Look for small changes in familiar people and situations
Journaling Prompt
Write about what you discovered through this closer observation. What did you learn about your situation that you hadn't seen before? How might this awareness help you navigate upcoming challenges?
Coming Up Next...
Chapter 5: Drifting Through Morning Temptations
Bloom ventures into Dublin's streets, beginning his day's journey through the city. His path will cross with various encounters that test his character and reveal more about his place in Dublin society.




