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Treasure Island - First Blood and Last Stands

Robert Louis Stevenson

Treasure Island

First Blood and Last Stands

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Summary

The loyalists make their desperate dash to the stockade as the mutineers close in, and the first real battle erupts. Dr. Livesey shows how quickly people adapt in crisis—weapons get redistributed based on skill, not rank, and everyone finds their role. The fight goes well at first: they drop one enemy and reach safety. But victory turns bitter when Tom Redruth, the quiet gamekeeper, takes a fatal shot. His death scene reveals something profound about loyalty and class. This working man, who never complained or questioned orders, dies asking forgiveness from his social superior—showing how deeply ingrained hierarchy runs, even at death's door. Captain Smollett responds by raising the British flag, a powerful symbolic act. When the enemy starts firing cannons at it, the squire suggests taking it down for safety. Smollett refuses, and everyone immediately understands why: the flag isn't about patriotism, it's about defiance. It tells the mutineers they're not broken. The chapter ends with a supply crisis—they're running low on food and the enemy is stealing their stores. Just when things look darkest, Jim Hawkins reappears, climbing over the stockade wall. His return offers hope, but also raises questions about where he's been and what he's learned. The chapter shows how leadership works under pressure: through symbols, through honoring the dead, and through refusing to show weakness even when you're outgunned.

Coming Up in Chapter 19

Jim's back, but where has he been while his friends fought for their lives? His story promises to reveal new dangers and perhaps new opportunities in their desperate situation.

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An excerpt from the original text.(complete · 1480 words)

N

arrative Continued by the Doctor: End of the First Day’s Fighting

We made our best speed across the strip of wood that now divided us from
the stockade, and at every step we took the voices of the buccaneers
rang nearer. Soon we could hear their footfalls as they ran and the
cracking of the branches as they breasted across a bit of thicket.

I began to see we should have a brush for it in earnest and looked to my
priming.

“Captain,” said I, “Trelawney is the dead shot. Give him your gun; his
own is useless.”

They exchanged guns, and Trelawney, silent and cool as he had been since
the beginning of the bustle, hung a moment on his heel to see that all
was fit for service. At the same time, observing Gray to be unarmed, I
handed him my cutlass. It did all our hearts good to see him spit in his
hand, knit his brows, and make the blade sing through the air. It was
plain from every line of his body that our new hand was worth his salt.

Forty paces farther we came to the edge of the wood and saw the stockade
in front of us. We struck the enclosure about the middle of the south
side, and almost at the same time, seven mutineers--Job Anderson, the
boatswain, at their head--appeared in full cry at the southwestern
corner.

They paused as if taken aback, and before they recovered, not only the
squire and I, but Hunter and Joyce from the block house, had time to
fire. The four shots came in rather a scattering volley, but they did
the business: one of the enemy actually fell, and the rest, without
hesitation, turned and plunged into the trees.

After reloading, we walked down the outside of the palisade to see to
the fallen enemy. He was stone dead--shot through the heart.

We began to rejoice over our good success when just at that moment a
pistol cracked in the bush, a ball whistled close past my ear, and poor
Tom Redruth stumbled and fell his length on the ground. Both the squire
and I returned the shot, but as we had nothing to aim at, it is probable
we only wasted powder. Then we reloaded and turned our attention to poor
Tom.

The captain and Gray were already examining him, and I saw with half an
eye that all was over.

I believe the readiness of our return volley had scattered the mutineers
once more, for we were suffered without further molestation to get the
poor old gamekeeper hoisted over the stockade and carried, groaning and
bleeding, into the log-house.

Poor old fellow, he had not uttered one word of surprise, complaint,
fear, or even acquiescence from the very beginning of our troubles till
now, when we had laid him down in the log-house to die. He had lain like
a Trojan behind his mattress in the gallery; he had followed every order
silently, doggedly, and well; he was the oldest of our party by a score
of years; and now, sullen, old, serviceable servant, it was he that was
to die.

The squire dropped down beside him on his knees and kissed his hand,
crying like a child.

“Be I going, doctor?” he asked.

“Tom, my man,” said I, “you’re going home.”

“I wish I had had a lick at them with the gun first,” he replied.

“Tom,” said the squire, “say you forgive me, won’t you?”

“Would that be respectful like, from me to you, squire?” was the answer.
“Howsoever, so be it, amen!”

After a little while of silence, he said he thought somebody might read
a prayer. “It’s the custom, sir,” he added apologetically. And not long
after, without another word, he passed away.

In the meantime the captain, whom I had observed to be wonderfully
swollen about the chest and pockets, had turned out a great many various
stores--the British colours, a Bible, a coil of stoutish rope, pen, ink,
the log-book, and pounds of tobacco. He had found a longish fir-tree
lying felled and trimmed in the enclosure, and with the help of Hunter
he had set it up at the corner of the log-house where the trunks crossed
and made an angle. Then, climbing on the roof, he had with his own hand
bent and run up the colours.

This seemed mightily to relieve him. He re-entered the log-house and set
about counting up the stores as if nothing else existed. But he had an
eye on Tom’s passage for all that, and as soon as all was over, came
forward with another flag and reverently spread it on the body.

“Don’t you take on, sir,” he said, shaking the squire’s hand. “All’s
well with him; no fear for a hand that’s been shot down in his duty to
captain and owner. It mayn’t be good divinity, but it’s a fact.”

Then he pulled me aside.

“Dr. Livesey,” he said, “in how many weeks do you and squire expect the
consort?”

I told him it was a question not of weeks but of months, that if we
were not back by the end of August Blandly was to send to find us, but
neither sooner nor later. “You can calculate for yourself,” I said.

“Why, yes,” returned the captain, scratching his head; “and making a
large allowance, sir, for all the gifts of Providence, I should say we
were pretty close hauled.”

“How do you mean?” I asked.

“It’s a pity, sir, we lost that second load. That’s what I mean,”
replied the captain. “As for powder and shot, we’ll do. But the rations
are short, very short--so short, Dr. Livesey, that we’re perhaps as well
without that extra mouth.”

And he pointed to the dead body under the flag.

Just then, with a roar and a whistle, a round-shot passed high above the
roof of the log-house and plumped far beyond us in the wood.

“Oho!” said the captain. “Blaze away! You’ve little enough powder
already, my lads.”

At the second trial, the aim was better, and the ball descended inside
the stockade, scattering a cloud of sand but doing no further damage.

“Captain,” said the squire, “the house is quite invisible from the ship.
It must be the flag they are aiming at. Would it not be wiser to take it
in?”

“Strike my colours!” cried the captain. “No, sir, not I”; and as soon
as he had said the words, I think we all agreed with him. For it was
not only a piece of stout, seamanly, good feeling; it was good policy
besides and showed our enemies that we despised their cannonade.

All through the evening they kept thundering away. Ball after ball flew
over or fell short or kicked up the sand in the enclosure, but they had
to fire so high that the shot fell dead and buried itself in the soft
sand. We had no ricochet to fear, and though one popped in through the
roof of the log-house and out again through the floor, we soon got used
to that sort of horse-play and minded it no more than cricket.

“There is one good thing about all this,” observed the captain; “the
wood in front of us is likely clear. The ebb has made a good while; our
stores should be uncovered. Volunteers to go and bring in pork.”

Gray and Hunter were the first to come forward. Well armed, they stole
out of the stockade, but it proved a useless mission. The mutineers were
bolder than we fancied or they put more trust in Israel’s gunnery. For
four or five of them were busy carrying off our stores and wading out
with them to one of the gigs that lay close by, pulling an oar or so to
hold her steady against the current. Silver was in the stern-sheets in
command; and every man of them was now provided with a musket from some
secret magazine of their own.

The captain sat down to his log, and here is the beginning of the entry:

Alexander Smollett, master; David Livesey, ship’s
doctor; Abraham Gray, carpenter’s mate; John
Trelawney, owner; John Hunter and Richard Joyce,
owner’s servants, landsmen--being all that is left
faithful of the ship’s company--with stores for ten
days at short rations, came ashore this day and flew
British colours on the log-house in Treasure Island.
Thomas Redruth, owner’s servant, landsman, shot by the
mutineers; James Hawkins, cabin-boy--

And at the same time, I was wondering over poor Jim Hawkins’ fate.

A hail on the land side.

“Somebody hailing us,” said Hunter, who was on guard.

“Doctor! Squire! Captain! Hullo, Hunter, is that you?” came the cries.

And I ran to the door in time to see Jim Hawkins, safe and sound, come
climbing over the stockade.

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Let's Analyse the Pattern

Pattern: The Flag Principle
This chapter reveals a crucial pattern: when systems collapse and people are scared, leadership isn't about having all the answers—it's about controlling the symbols that shape how people see reality. Captain Smollett doesn't have more food or better weapons than the mutineers. But he has something more powerful: he understands that the flag isn't fabric, it's a message. The mechanism works through what psychologists call 'meaning-making under stress.' When Tom Redruth dies asking forgiveness from his social superior, we see how people cling to familiar structures even when those structures are failing them. Smollett recognizes this and gives his people something to believe in. The flag says 'we're still fighting, we're still legitimate, we haven't given up.' When the squire suggests lowering it for safety, everyone instinctively knows that would be surrender—not to cannon fire, but to despair. This pattern plays out everywhere today. The hospital administrator who keeps the mission statement posted during budget cuts. The single mom who insists on family dinner even when money's tight and everyone's stressed. The union leader who wears the badge even when negotiations are failing. The small business owner who keeps the 'We're Open' sign bright even when customers are scarce. These aren't empty gestures—they're strategic acts of meaning-making that tell everyone 'we're still in this fight.' When you recognize this pattern, you gain a powerful navigation tool. In your own crisis moments—job loss, family breakdown, health scares—ask yourself: what's your flag? What symbol can you control that reminds everyone (including yourself) who you are and what you stand for? It might be keeping your workspace organized when everything else is chaos. It might be maintaining your morning routine when life feels unpredictable. The specific symbol matters less than your commitment to it. When people see you refuse to lower your flag, they remember they don't have to lower theirs either. When you can name the pattern—crisis leadership through symbolic defiance—predict where it leads—either rallying hope or exposing false bravado—and navigate it successfully by choosing your symbols carefully, that's amplified intelligence working for you.

In crisis, controlling symbols of meaning and identity becomes more important than controlling resources.

Why This Matters

Connect literature to life

Skill: Reading Symbolic Leadership

This chapter teaches how leaders use symbols to maintain morale and group identity when material resources fail.

Practice This Today

This week, notice when someone keeps up appearances during tough times—the teacher who decorates their classroom despite budget cuts, the coach who insists on team traditions despite losing seasons—and recognize the strategic purpose behind these gestures.

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Now let's explore the literary elements.

Key Quotes & Analysis

"It did all our hearts good to see him spit in his hand, knit his brows, and make the blade sing through the air."

— Dr. Livesey

Context: Describing Gray's reaction when handed a cutlass for the coming fight

This shows how people reveal their true character under pressure. Gray's physical preparation - spitting in his hand for grip, focusing his expression, testing his weapon - demonstrates he's committed and competent. The doctor recognizes that actions speak louder than words.

In Today's Words:

We could all see he was ready to get down to business and knew what he was doing.

"Forgive me, sir, but I think I'm done for."

— Tom Redruth

Context: Tom's dying words to Squire Trelawney after being shot

This reveals the tragic depth of class conditioning - even while dying, Tom apologizes to his social superior for the inconvenience of his death. It shows how working-class loyalty often goes unrecognized and unrewarded, yet remains absolute.

In Today's Words:

Sorry boss, but I think this is it for me.

"Strike my colors! No, sir, not I!"

— Captain Smollett

Context: Refusing the squire's suggestion to lower the flag when pirates start firing cannons at it

This shows understanding of psychological warfare. The flag isn't about patriotism - it's about refusing to show weakness. Smollett knows that symbols matter in maintaining morale and intimidating enemies. Taking down the flag would signal defeat.

In Today's Words:

Take down our flag? Hell no! We're not showing any sign of giving up.

Thematic Threads

Class

In This Chapter

Tom Redruth dies asking forgiveness from his social superior, showing how deeply hierarchy is internalized even at death

Development

Deepened from earlier hints - now we see how class loyalty persists even when the system is literally under attack

In Your Life:

You might catch yourself apologizing to authority figures even when they've failed you or put you at risk

Leadership

In This Chapter

Smollett leads through symbols (the flag) and meaning-making rather than just tactical commands

Development

Evolved from his earlier rule-following to adaptive crisis management that understands psychology

In Your Life:

You might need to be the person who maintains hope and standards when everyone around you is panicking

Identity

In This Chapter

The flag becomes a symbol of who they are versus who the mutineers are - legitimate versus illegitimate

Development

Building on Jim's earlier identity struggles - now the group's collective identity is at stake

In Your Life:

You might find that what you display or maintain during tough times defines how others see you and how you see yourself

Loyalty

In This Chapter

Tom's deathbed loyalty to his social superiors despite their failures shows both nobility and tragedy of working-class devotion

Development

Intensified from earlier character loyalty - now we see its ultimate cost and complexity

In Your Life:

You might struggle with staying loyal to people or institutions that don't fully value or protect you

Adaptation

In This Chapter

Dr. Livesey quickly redistributes weapons based on skill rather than social rank when survival is at stake

Development

New development showing how crisis forces practical over social considerations

In Your Life:

You might find that emergencies reveal who actually has useful skills versus who just has titles or status

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    Why does Captain Smollett refuse to take down the British flag even when the pirates are shooting cannons at it?

    analysis • surface
  2. 2

    What does Tom Redruth's death scene reveal about how people behave when they're dying - why does he ask forgiveness from the squire instead of expressing anger or fear?

    analysis • medium
  3. 3

    Think about workplaces, families, or communities you know - where have you seen someone use symbols or rituals to keep people's spirits up during tough times?

    application • medium
  4. 4

    If you were facing a crisis where people were losing hope, what would be your 'flag' - what symbol or action would you use to remind everyone you're still fighting?

    application • deep
  5. 5

    Why do humans need symbols and rituals when facing uncertainty, and how can recognizing this help you navigate difficult situations in your own life?

    reflection • deep

Critical Thinking Exercise

10 minutes

Design Your Crisis Symbol

Think of a challenging situation you're currently facing or might face in the future - job stress, family conflict, financial pressure, health concerns. Design a simple, concrete symbol or ritual that would remind you and others that you're still in control and still fighting. It should be something you can actually do or display, not just think about.

Consider:

  • •Your symbol should be something you can control completely, regardless of what others do
  • •It should be visible or noticeable to the people who matter in your situation
  • •It should genuinely represent your values or identity, not just look impressive to others

Journaling Prompt

Write about a time when someone's refusal to give up - shown through their actions, not just words - helped you keep going during a difficult period. What did they do that made the difference?

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Coming Up Next...

Chapter 19: Finding Sanctuary in the Stockade

Jim's back, but where has he been while his friends fought for their lives? His story promises to reveal new dangers and perhaps new opportunities in their desperate situation.

Continue to Chapter 19
Previous
When Everything Goes Wrong at Once
Contents
Next
Finding Sanctuary in the Stockade

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