An excerpt from the original text.(complete · 2210 words)
he Old Sea-dog at the Admiral Benbow
Squire Trelawney, Dr. Livesey, and the rest of these gentlemen having
asked me to write down the whole particulars about Treasure Island, from
the beginning to the end, keeping nothing back but the bearings of the
island, and that only because there is still treasure not yet lifted, I
take up my pen in the year of grace 17—, and go back to the time when
my father kept the Admiral Benbow inn and the brown old seaman with the
sabre cut first took up his lodging under our roof.
I remember him as if it were yesterday, as he came plodding to the
inn door, his sea-chest following behind him in a hand-barrow--a
tall, strong, heavy, nut-brown man, his tarry pigtail falling over the
shoulder of his soiled blue coat, his hands ragged and scarred, with
black, broken nails, and the sabre cut across one cheek, a dirty, livid
white. I remember him looking round the cove and whistling to himself
as he did so, and then breaking out in that old sea-song that he sang so
often afterwards:
“Fifteen men on the dead man’s chest--
Yo-ho-ho, and a bottle of rum!”
in the high, old tottering voice that seemed to have been tuned and
broken at the capstan bars. Then he rapped on the door with a bit of
stick like a handspike that he carried, and when my father appeared,
called roughly for a glass of rum. This, when it was brought to him,
he drank slowly, like a connoisseur, lingering on the taste and still
looking about him at the cliffs and up at our signboard.
“This is a handy cove,” says he at length; “and a pleasant sittyated
grog-shop. Much company, mate?”
My father told him no, very little company, the more was the pity.
“Well, then,” said he, “this is the berth for me. Here you, matey,” he
cried to the man who trundled the barrow; “bring up alongside and help
up my chest. I’ll stay here a bit,” he continued. “I’m a plain man; rum
and bacon and eggs is what I want, and that head up there for to watch
ships off. What you mought call me? You mought call me captain. Oh, I
see what you’re at--there”; and he threw down three or four gold pieces
on the threshold. “You can tell me when I’ve worked through that,” says
he, looking as fierce as a commander.
And indeed bad as his clothes were and coarsely as he spoke, he had none
of the appearance of a man who sailed before the mast, but seemed like
a mate or skipper accustomed to be obeyed or to strike. The man who came
with the barrow told us the mail had set him down the morning before at
the Royal George, that he had inquired what inns there were along the
coast, and hearing ours well spoken of, I suppose, and described as
lonely, had chosen it from the others for his place of residence. And
that was all we could learn of our guest.
He was a very silent man by custom. All day he hung round the cove or
upon the cliffs with a brass telescope; all evening he sat in a corner
of the parlour next the fire and drank rum and water very strong. Mostly
he would not speak when spoken to, only look up sudden and fierce and
blow through his nose like a fog-horn; and we and the people who came
about our house soon learned to let him be. Every day when he came back
from his stroll he would ask if any seafaring men had gone by along the
road. At first we thought it was the want of company of his own kind
that made him ask this question, but at last we began to see he was
desirous to avoid them. When a seaman did put up at the Admiral Benbow
(as now and then some did, making by the coast road for Bristol) he
would look in at him through the curtained door before he entered the
parlour; and he was always sure to be as silent as a mouse when any such
was present. For me, at least, there was no secret about the matter, for
I was, in a way, a sharer in his alarms. He had taken me aside one day
and promised me a silver fourpenny on the first of every month if I
would only keep my “weather-eye open for a seafaring man with one leg”
and let him know the moment he appeared. Often enough when the first
of the month came round and I applied to him for my wage, he would only
blow through his nose at me and stare me down, but before the week was
out he was sure to think better of it, bring me my four-penny piece, and
repeat his orders to look out for “the seafaring man with one leg.”
How that personage haunted my dreams, I need scarcely tell you. On
stormy nights, when the wind shook the four corners of the house and
the surf roared along the cove and up the cliffs, I would see him in a
thousand forms, and with a thousand diabolical expressions. Now the leg
would be cut off at the knee, now at the hip; now he was a monstrous
kind of a creature who had never had but the one leg, and that in the
middle of his body. To see him leap and run and pursue me over hedge and
ditch was the worst of nightmares. And altogether I paid pretty dear for
my monthly fourpenny piece, in the shape of these abominable fancies.
But though I was so terrified by the idea of the seafaring man with one
leg, I was far less afraid of the captain himself than anybody else who
knew him. There were nights when he took a deal more rum and water
than his head would carry; and then he would sometimes sit and sing his
wicked, old, wild sea-songs, minding nobody; but sometimes he would call
for glasses round and force all the trembling company to listen to his
stories or bear a chorus to his singing. Often I have heard the house
shaking with “Yo-ho-ho, and a bottle of rum,” all the neighbours joining
in for dear life, with the fear of death upon them, and each singing
louder than the other to avoid remark. For in these fits he was the most
overriding companion ever known; he would slap his hand on the table for
silence all round; he would fly up in a passion of anger at a question,
or sometimes because none was put, and so he judged the company was not
following his story. Nor would he allow anyone to leave the inn till he
had drunk himself sleepy and reeled off to bed.
His stories were what frightened people worst of all. Dreadful stories
they were--about hanging, and walking the plank, and storms at sea, and
the Dry Tortugas, and wild deeds and places on the Spanish Main. By his
own account he must have lived his life among some of the wickedest men
that God ever allowed upon the sea, and the language in which he told
these stories shocked our plain country people almost as much as the
crimes that he described. My father was always saying the inn would be
ruined, for people would soon cease coming there to be tyrannized over
and put down, and sent shivering to their beds; but I really believe his
presence did us good. People were frightened at the time, but on looking
back they rather liked it; it was a fine excitement in a quiet country
life, and there was even a party of the younger men who pretended to
admire him, calling him a “true sea-dog” and a “real old salt” and
such like names, and saying there was the sort of man that made England
terrible at sea.
In one way, indeed, he bade fair to ruin us, for he kept on staying week
after week, and at last month after month, so that all the money had
been long exhausted, and still my father never plucked up the heart to
insist on having more. If ever he mentioned it, the captain blew through
his nose so loudly that you might say he roared, and stared my poor
father out of the room. I have seen him wringing his hands after such a
rebuff, and I am sure the annoyance and the terror he lived in must have
greatly hastened his early and unhappy death.
All the time he lived with us the captain made no change whatever in his
dress but to buy some stockings from a hawker. One of the cocks of his
hat having fallen down, he let it hang from that day forth, though it
was a great annoyance when it blew. I remember the appearance of his
coat, which he patched himself upstairs in his room, and which, before
the end, was nothing but patches. He never wrote or received a letter,
and he never spoke with any but the neighbours, and with these, for the
most part, only when drunk on rum. The great sea-chest none of us had
ever seen open.
He was only once crossed, and that was towards the end, when my poor
father was far gone in a decline that took him off. Dr. Livesey came
late one afternoon to see the patient, took a bit of dinner from my
mother, and went into the parlour to smoke a pipe until his horse should
come down from the hamlet, for we had no stabling at the old Benbow. I
followed him in, and I remember observing the contrast the neat, bright
doctor, with his powder as white as snow and his bright, black eyes and
pleasant manners, made with the coltish country folk, and above all,
with that filthy, heavy, bleared scarecrow of a pirate of ours, sitting,
far gone in rum, with his arms on the table. Suddenly he--the captain,
that is--began to pipe up his eternal song:
“Fifteen men on the dead man’s chest--
Yo-ho-ho, and a bottle of rum!
Drink and the devil had done for the rest--
Yo-ho-ho, and a bottle of rum!”
At first I had supposed “the dead man’s chest” to be that identical big
box of his upstairs in the front room, and the thought had been mingled
in my nightmares with that of the one-legged seafaring man. But by this
time we had all long ceased to pay any particular notice to the song; it
was new, that night, to nobody but Dr. Livesey, and on him I observed it
did not produce an agreeable effect, for he looked up for a moment quite
angrily before he went on with his talk to old Taylor, the gardener, on
a new cure for the rheumatics. In the meantime, the captain gradually
brightened up at his own music, and at last flapped his hand upon
the table before him in a way we all knew to mean silence. The voices
stopped at once, all but Dr. Livesey’s; he went on as before speaking
clear and kind and drawing briskly at his pipe between every word or
two. The captain glared at him for a while, flapped his hand again,
glared still harder, and at last broke out with a villainous, low oath,
“Silence, there, between decks!”
“Were you addressing me, sir?” says the doctor; and when the ruffian had
told him, with another oath, that this was so, “I have only one thing to
say to you, sir,” replies the doctor, “that if you keep on drinking rum,
the world will soon be quit of a very dirty scoundrel!”
The old fellow’s fury was awful. He sprang to his feet, drew and opened
a sailor’s clasp-knife, and balancing it open on the palm of his hand,
threatened to pin the doctor to the wall.
The doctor never so much as moved. He spoke to him as before, over his
shoulder and in the same tone of voice, rather high, so that all the
room might hear, but perfectly calm and steady: “If you do not put that
knife this instant in your pocket, I promise, upon my honour, you shall
hang at the next assizes.”
Then followed a battle of looks between them, but the captain soon
knuckled under, put up his weapon, and resumed his seat, grumbling like
a beaten dog.
“And now, sir,” continued the doctor, “since I now know there’s such a
fellow in my district, you may count I’ll have an eye upon you day and
night. I’m not a doctor only; I’m a magistrate; and if I catch a breath
of complaint against you, if it’s only for a piece of incivility like
tonight’s, I’ll take effectual means to have you hunted down and routed
out of this. Let that suffice.”
Soon after, Dr. Livesey’s horse came to the door and he rode away, but
the captain held his peace that evening, and for many evenings to come.
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Let's Analyse the Pattern
The Charismatic Bully Pattern
Someone who uses fear and intimidation as primary tools while packaging it as entertainment or excitement to maintain power over others.
Why This Matters
Connect literature to life
This chapter teaches how to recognize when someone uses stories and swagger to mask intimidation and avoid accountability.
Practice This Today
This week, notice when someone's entertaining personality makes you overlook their failure to follow basic rules or treat others fairly.
Now let's explore the literary elements.
Key Quotes & Analysis
"Fifteen men on the dead man's chest-- Yo-ho-ho, and a bottle of rum!"
Context: The captain's signature song that he sings repeatedly, especially when drinking
This haunting sea chanty immediately establishes the captain's connection to death and violence. The repetitive singing shows his obsession with his pirate past and creates an ominous atmosphere that foreshadows the danger he brings.
In Today's Words:
That song someone keeps playing that gets stuck in your head, except it's about dead people and drinking
"I remember him as if it were yesterday"
Context: Jim reflecting back on the day the captain first arrived at their inn
This phrase signals that what follows was a life-changing moment. The vivid memory suggests trauma or significance - some experiences burn themselves into our minds because they mark the end of innocence.
In Today's Words:
I can still picture it like it just happened
"You keep a civil tongue in your head, or I'll run you down like the dog you are"
Context: The doctor confronting the captain when he threatens violence in the inn
This shows real authority - not shouting or violence, but calm assertion of consequences. The doctor doesn't back down from the bully, demonstrating that education and social position can triumph over brute force.
In Today's Words:
Watch your mouth or I'll make sure you face real consequences
Thematic Threads
Power
In This Chapter
The captain uses physical intimidation and implied violence to avoid paying bills and control the inn's atmosphere
Development
Introduced here
In Your Life:
You might see this in a boss who uses anger to avoid accountability or a family member who dominates through explosive reactions
Class
In This Chapter
The working-class innkeeper family is powerless against the captain's intimidation, while the educated Dr. Livesey can challenge him effectively
Development
Introduced here
In Your Life:
You might notice how bullies often target people they perceive as having less social power or fewer resources to fight back
Fear
In This Chapter
The captain's presence creates an atmosphere of fear that paralyzes normal social expectations and business practices
Development
Introduced here
In Your Life:
You might recognize how fear can make you accept unacceptable behavior from someone who seems dangerous
Identity
In This Chapter
Jim is caught between childhood innocence and being forced into adult awareness of danger and moral complexity
Development
Introduced here
In Your Life:
You might relate to moments when circumstances forced you to grow up faster than you wanted to
Mystery
In This Chapter
The captain's fear of 'a seafaring man with one leg' suggests he's running from something, creating tension about his true identity
Development
Introduced here
In Your Life:
You might recognize how people with dark secrets often create chaos around them to distract from what they're hiding
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What specific tactics does the captain use to control the inn and its guests?
analysis • surface - 2
Why do you think other customers are attracted to the captain's dangerous presence instead of avoiding him?
analysis • medium - 3
Where have you seen this pattern of someone using intimidation mixed with charisma to get their way?
application • medium - 4
What made Dr. Livesey's response to the captain effective when everyone else failed to stand up to him?
application • deep - 5
What does this chapter reveal about how fear and fascination can work together to give someone power over others?
reflection • deep
Critical Thinking Exercise
Map the Power Dynamic
Draw a simple diagram showing who has power in this chapter and how they use it. Put each character in a circle and draw arrows showing who influences whom. Label each arrow with the method used (fear, respect, money, etc.). Then identify one person in your own life who uses similar tactics and map their influence the same way.
Consider:
- •Notice how different characters respond to the same intimidation tactics
- •Consider why some people are drawn to dangerous personalities
- •Think about what consequences actually matter to bullies versus what they ignore
Journaling Prompt
Write about a time when you encountered someone who used fear and charisma to control situations. How did you respond, and what would you do differently now?
Coming Up Next...
Chapter 2: When the Past Comes Knocking
The captain's worst fears come true when a sinister visitor arrives at the inn, bringing news that will shatter the uneasy peace and thrust Jim into mortal danger.




