Summary
Smith explores the internal battle between self-interest and moral behavior, revealing how our conscience works as society's voice inside our heads. He argues that while it's natural to care more about ourselves than others, we can't act purely on self-interest without losing our place in the human community. The key insight: we must view ourselves as others see us, not just as we see ourselves. Smith describes the 'impartial spectator' - an imaginary observer who helps us judge our own actions fairly. When we violate moral boundaries, we experience remorse - a crushing combination of shame, grief, and terror that makes us want to hide from society yet desperately seek forgiveness. This isn't just guilt; it's the recognition that we've broken the social contract that keeps us connected to others. Conversely, when we act with genuine moral courage, we feel the warm satisfaction of knowing we've earned others' respect and our own self-approval. Smith shows how our moral sense isn't abstract philosophy but a practical navigation system. It tells us when we've gone too far in pursuing our own interests at others' expense. The chapter reveals why good people sometimes do bad things and how the anticipation of remorse can guide us toward better choices before we act.
Coming Up in Chapter 21
Smith will examine why nature designed us with this moral compass in the first place, exploring how our capacity for guilt and moral judgment serves not just individual conscience but the survival and flourishing of human society itself.
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An excerpt from the original text.(~500 words)
Of the sense of justice, of remorse, and of the consciousness of merit. There can be no proper motive for hurting our neighbour, there can be no incitement to do evil to another, which mankind will go along with, except just indignation for evil which that other has done to us. To disturb his happiness merely because it stands in the way of our own, to take from him what is of real use to him merely because it may be of equal or more use to us, or to indulge, in this manner, at the expence of other people, the natural preference which every man has for his own happiness above that of other people, is what no impartial spectator can go along with. Every man is, no doubt, by nature, first and principally recommended to his own care; and as he is fitter to take care 127of himself than of any other person, it is fit and right that it should be so. Every man, therefore, is much more deeply interested in whatever immediately concerns himself, than in what concerns any other man: and to hear, perhaps, of the death of another person, with whom we have no particular connexion, will give us less concern, will spoil our stomach, or break our rest much less than a very insignificant disaster which has befallen ourselves. But though the ruin of our neighbour may affect us much less than a very small misfortune of our own, we must not ruin him to prevent that small misfortune, nor even to prevent our own ruin. We must, here, as in all other cases, view ourselves not so much according to that light in which we may naturally appear to ourselves, as according to that in which we naturally appear to others. Though every man may, according to the proverb, be the whole world to himself, to the rest of mankind he is a most insignificant part of it. Though his own happiness may be of more importance to him than that of all the world besides, to every other person it is of no more consequence than that of any other man. Though it may be true, therefore, that every individual, in his own breast, naturally prefers himself to all mankind, yet he dares not look mankind in the face, and avow that he acts according to this principle. He feels that in this preference they can never go along with him, and that how natural soever it may be to him, it must always appear excessive and extravagant to them. When he views himself in the light in which he is conscious that others will view him, he sees that to them he is but one of the multitude in no respect better than any other in it. If he would act so as that the impartial spectator may 128enter into the principles of his conduct, which is what of all things he has the greatest desire to do, he must,...
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Intelligence Amplifier™ Analysis
The Road of the Inner Jury - How Your Conscience Actually Works
We internalize society's moral expectations as an invisible jury that judges our actions and threatens us with social exile when we violate community standards.
Why This Matters
Connect literature to life
This chapter teaches how to recognize and interpret the physical and emotional signals that arise when you're about to cross moral boundaries.
Practice This Today
This week, notice when you feel uncomfortable about a decision—that squirmy feeling is your conscience activating, and it's worth listening to before you act.
Now let's explore the literary elements.
Terms to Know
Impartial Spectator
Smith's term for the imaginary observer inside our heads who judges our actions fairly, without bias. This internal voice represents how society would view our behavior if they knew all the facts. It's our conscience speaking with the voice of the community.
Modern Usage:
When you ask yourself 'What would people think if they knew what I was really doing?' - that's your impartial spectator talking.
Just Indignation
Righteous anger that society accepts as legitimate - the only kind of anger that justifies hurting someone else. Smith argues this is the only motive for harming others that reasonable people will support. It's anger with moral backing.
Modern Usage:
The fury you feel when someone hurts your child or cheats you - anger that others understand and support.
Natural Self-Preference
The built-in human tendency to care more about our own problems than other people's problems. Smith says this is normal and necessary - we're designed to look out for ourselves first. But it becomes wrong when we hurt others to benefit ourselves.
Modern Usage:
Why a paper cut on your finger bothers you more than hearing about a stranger's broken leg on the news.
Remorse
The crushing emotional punishment we inflict on ourselves when we've acted badly. Smith describes it as a combination of shame, grief, and terror that makes us want to hide from everyone while desperately needing their forgiveness.
Modern Usage:
That sick feeling in your stomach when you realize you've really hurt someone you care about and can't take it back.
Merit and Demerit
Smith's terms for moral worthiness - merit means you deserve praise and rewards for good actions, demerit means you deserve blame and punishment for bad ones. These aren't just personal feelings but social judgments about what people have earned.
Modern Usage:
Why we feel good when someone who works hard gets promoted, and satisfied when a cheater gets caught.
Moral Sympathy
Our ability to imagine what others are feeling and adjust our behavior accordingly. For Smith, this isn't just being nice - it's the foundation of all moral behavior. We learn right from wrong by imagining how our actions affect others.
Modern Usage:
When you lower your voice in a hospital or feel awkward laughing at a funeral - you're reading the emotional room.
Characters in This Chapter
The Impartial Spectator
Internal moral judge
This imaginary figure represents the voice of fair judgment inside every person's mind. Smith uses this character to explain how we develop conscience - by imagining how a reasonable, well-informed observer would view our actions.
Modern Equivalent:
The voice asking 'How would this look if everyone could see what I'm doing?'
The Self-Interested Individual
Everyman protagonist
Smith's typical person who naturally cares more about their own problems than others'. This character isn't evil - they're human. Smith shows how this normal self-focus can either be channeled morally or become destructive.
Modern Equivalent:
Anyone trying to balance their own needs with doing the right thing
The Injured Party
Victim seeking justice
The person who has been wronged and whose anger might justify retaliation. Smith uses this character to explore when anger is morally acceptable and when revenge becomes wrong.
Modern Equivalent:
Someone who got cheated or betrayed and is deciding how to respond
The Remorseful Agent
Repentant wrongdoer
Someone who has acted badly and now faces the internal punishment of guilt and shame. Smith shows how this emotional suffering serves as both punishment and potential path to redemption.
Modern Equivalent:
Someone who messed up badly and can't stop thinking about it
Key Quotes & Analysis
"Every man is, no doubt, by nature, first and principally recommended to his own care; and as he is fitter to take care of himself than of any other person, it is fit and right that it should be so."
Context: Smith explaining why self-interest isn't inherently wrong
This quote establishes Smith's realistic view of human nature - we're supposed to look out for ourselves first. It's not selfish, it's practical. The key insight is that self-care is morally acceptable and even necessary, but it has limits.
In Today's Words:
Of course you worry about your own problems more than other people's - that's how you're supposed to be wired.
"There can be no proper motive for hurting our neighbour, there can be no incitement to do evil to another, which mankind will go along with, except just indignation for evil which that other has done to us."
Context: Smith defining the only acceptable reason to harm someone else
This sets a clear moral boundary - you can only hurt someone if they hurt you first, and even then, only if your anger is justified. Society won't support you in harming innocent people, no matter how much it benefits you.
In Today's Words:
The only time people will back you up for hurting someone is when that person had it coming.
"But though the ruin of our neighbour may affect us much less than a very small misfortune of our own, we must not ruin him to prevent that misfortune to ourselves."
Context: Smith explaining the moral limits of self-preference
This captures the central moral challenge - just because you care more about your own problems doesn't mean you can solve them by creating bigger problems for others. Your feelings don't determine your moral obligations.
In Today's Words:
Even if losing your job would hurt you more than getting your coworker fired would hurt them, you still can't throw them under the bus to save yourself.
Thematic Threads
Social Expectations
In This Chapter
Smith shows how we internalize others' judgments to create our moral compass, making social approval the foundation of ethical behavior
Development
Builds on earlier discussions of sympathy by showing how social observation becomes self-regulation
In Your Life:
You might notice how differently you behave when you think someone is watching versus when you believe you're alone
Identity
In This Chapter
Our sense of self depends on viewing ourselves through others' eyes, not just our own self-perception
Development
Deepens the theme by revealing that identity is fundamentally social, not individual
In Your Life:
You might recognize how your self-worth fluctuates based on whether you think others approve of your recent actions
Personal Growth
In This Chapter
Moral development happens through the painful process of remorse teaching us where our boundaries should be
Development
Shows growth as an ongoing calibration process rather than a destination
In Your Life:
You might see how your biggest regrets have actually shaped your current moral standards and decision-making
Human Relationships
In This Chapter
The fear of losing social connection drives moral behavior more than abstract principles
Development
Reveals relationships as the enforcement mechanism for moral behavior
In Your Life:
You might notice how you're more likely to act ethically when you care about what specific people think of you
Class
In This Chapter
Different social groups have different moral expectations, creating class-based versions of the inner jury
Development
Introduces the idea that moral standards vary by social position and community
In Your Life:
You might recognize how your moral calculations change depending on which social group you're trying to fit into or impress
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Smith describes an 'impartial spectator' - an imaginary observer who helps us judge our own actions. How does this internal voice work in your daily decisions?
analysis • surface - 2
Why does Smith argue that remorse isn't just guilt, but a combination of shame, grief, and terror? What makes it so powerful in shaping our behavior?
analysis • medium - 3
Think about a time when you felt that crushing remorse Smith describes. What social boundary had you crossed, and how did it affect your relationships?
application • medium - 4
Smith suggests we must view ourselves as others see us, not just as we see ourselves. How might this change how you handle conflicts at work or home?
application • deep - 5
If our conscience is really society's voice internalized, what does this reveal about why people from different backgrounds might have different moral boundaries?
reflection • deep
Critical Thinking Exercise
Convene Your Inner Jury
Think of a current situation where you're tempted to act in your self-interest in a way that might hurt others or violate social expectations. Write down who makes up your 'inner jury' - the specific people whose respect matters to you. Then imagine presenting your intended action to this jury and write their likely verdict.
Consider:
- •Include people from different areas of your life - family, work, community
- •Consider not just what they'd say, but how they'd feel about your choice
- •Notice if certain jury members have more influence than others
Journaling Prompt
Write about a time when you ignored your inner jury and acted against your better judgment. What was the cost, and how did you find your way back to the community you'd damaged?
Coming Up Next...
Chapter 21: Justice vs Kindness: Society's Foundation
As the story unfolds, you'll explore justice matters more than kindness for society's survival, while uncovering your moral feelings actually work behind the scenes. These lessons connect the classic to contemporary challenges we all face.