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The Count of Monte Cristo - The Evening of the Betrothal

Alexandre Dumas

The Count of Monte Cristo

The Evening of the Betrothal

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The Evening of the Betrothal

The Count of Monte Cristo by Alexandre Dumas

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Edmond Dantès faces his darkest hour as he's thrown into the infamous Château d'If, a fortress prison where political prisoners disappear forever. The reality of his situation hits hard - he's not just imprisoned, he's been erased from existence. No trial, no appeal, no hope of release. The guards treat him like he's already dead, and the isolation begins to eat away at his sanity. This chapter shows us how quickly a life can be destroyed by those in power, and how the justice system can become a weapon when wielded by corrupt officials. Dantès transforms from a hopeful young man planning his wedding into a prisoner fighting to maintain his grip on reality. His desperate attempts to prove his innocence fall on deaf ears - the system isn't interested in truth, only in protecting itself. The psychological torture begins immediately as he realizes that his enemies have won completely. They've not only stolen his freedom and his future with Mercédès, but they've made him a ghost. This imprisonment represents more than physical confinement - it's social death. Dantès must now confront the harsh truth that good people don't always win, that justice isn't guaranteed, and that sometimes the world is fundamentally unfair. The chapter forces us to watch as hope slowly drains from someone who believed in goodness and fair play. It's a brutal education in how power really works, and how those without it can be crushed without consequence. For working people today, this resonates deeply - we've all seen how the system can work against ordinary folks while protecting those with connections and wealth.

Coming Up in Chapter 10

As months turn to years in his stone cell, Dantès begins to hear something that will change everything - mysterious sounds coming from within the prison walls. Someone else is trapped in this living tomb, and they might hold the key to survival.

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An excerpt from the original text.(complete · 1818 words)

L

lefort had, as we have said, hastened back to Madame de
Saint-Méran’s in the Place du Grand Cours, and on entering the house
found that the guests whom he had left at table were taking coffee in
the salon. Renée was, with all the rest of the company, anxiously
awaiting him, and his entrance was followed by a general exclamation.

“Well, Decapitator, Guardian of the State, Royalist, Brutus, what is
the matter?” said one. “Speak out.”

“Are we threatened with a fresh Reign of Terror?” asked another.

“Has the Corsican ogre broken loose?” cried a third.

“Marquise,” said Villefort, approaching his future mother-in-law, “I
request your pardon for thus leaving you. Will the marquis honor me by
a few moments’ private conversation?”

“Ah, it is really a serious matter, then?” asked the marquis, remarking
the cloud on Villefort’s brow.

“So serious that I must take leave of you for a few days; so,” added
he, turning to Renée, “judge for yourself if it be not important.”

“You are going to leave us?” cried Renée, unable to hide her emotion at
this unexpected announcement.

“Alas,” returned Villefort, “I must!”

“Where, then, are you going?” asked the marquise.

“That, madame, is an official secret; but if you have any commissions
for Paris, a friend of mine is going there tonight, and will with
pleasure undertake them.” The guests looked at each other.

“You wish to speak to me alone?” said the marquis.

“Yes, let us go to the library, please.” The marquis took his arm, and
they left the salon.

“Well,” asked he, as soon as they were by themselves, “tell me what it
is?”

“An affair of the greatest importance, that demands my immediate
presence in Paris. Now, excuse the indiscretion, marquis, but have you
any landed property?”

“All my fortune is in the funds; seven or eight hundred thousand
francs.”

“Then sell out—sell out, marquis, or you will lose it all.”

0123m

“But how can I sell out here?”

“You have a broker, have you not?”

“Yes.”

“Then give me a letter to him, and tell him to sell out without an
instant’s delay, perhaps even now I shall arrive too late.”

“The deuce you say!” replied the marquis, “let us lose no time, then!”

And, sitting down, he wrote a letter to his broker, ordering him to
sell out at the market price.

“Now, then,” said Villefort, placing the letter in his pocketbook, “I
must have another!”

“To whom?”

“To the king.”

“To the king?”

“Yes.”

“I dare not write to his majesty.”

“I do not ask you to write to his majesty, but ask M. de Salvieux to do
so. I want a letter that will enable me to reach the king’s presence
without all the formalities of demanding an audience; that would
occasion a loss of precious time.”

“But address yourself to the keeper of the seals; he has the right of
entry at the Tuileries, and can procure you audience at any hour of the
day or night.”

“Doubtless; but there is no occasion to divide the honors of my
discovery with him. The keeper would leave me in the background, and
take all the glory to himself. I tell you, marquis, my fortune is made
if I only reach the Tuileries the first, for the king will not forget
the service I do him.”

“In that case go and get ready. I will call Salvieux and make him write
the letter.”

“Be as quick as possible, I must be on the road in a quarter of an
hour.”

“Tell your coachman to stop at the door.”

“You will present my excuses to the marquise and Mademoiselle Renée,
whom I leave on such a day with great regret.”

“You will find them both here, and can make your farewells in person.”

“A thousand thanks—and now for the letter.”

The marquis rang, a servant entered.

“Say to the Comte de Salvieux that I would like to see him.”

“Now, then, go,” said the marquis.

“I shall be gone only a few moments.”

Villefort hastily quitted the apartment, but reflecting that the sight
of the deputy procureur running through the streets would be enough to
throw the whole city into confusion, he resumed his ordinary pace. At
his door he perceived a figure in the shadow that seemed to wait for
him. It was Mercédès, who, hearing no news of her lover, had come
unobserved to inquire after him.

As Villefort drew near, she advanced and stood before him. Dantès had
spoken of Mercédès, and Villefort instantly recognized her. Her beauty
and high bearing surprised him, and when she inquired what had become
of her lover, it seemed to him that she was the judge, and he the
accused.

“The young man you speak of,” said Villefort abruptly, “is a great
criminal, and I can do nothing for him, mademoiselle.” Mercédès burst
into tears, and, as Villefort strove to pass her, again addressed him.

“But, at least, tell me where he is, that I may know whether he is
alive or dead,” said she.

0125m

“I do not know; he is no longer in my hands,” replied Villefort.

And desirous of putting an end to the interview, he pushed by her, and
closed the door, as if to exclude the pain he felt. But remorse is not
thus banished; like Virgil’s wounded hero, he carried the arrow in his
wound, and, arrived at the salon, Villefort uttered a sigh that was
almost a sob, and sank into a chair.

Then the first pangs of an unending torture seized upon his heart. The
man he sacrificed to his ambition, that innocent victim immolated on
the altar of his father’s faults, appeared to him pale and threatening,
leading his affianced bride by the hand, and bringing with him remorse,
not such as the ancients figured, furious and terrible, but that slow
and consuming agony whose pangs are intensified from hour to hour up to
the very moment of death. Then he had a moment’s hesitation. He had
frequently called for capital punishment on criminals, and owing to his
irresistible eloquence they had been condemned, and yet the slightest
shadow of remorse had never clouded Villefort’s brow, because they were
guilty; at least, he believed so; but here was an innocent man whose
happiness he had destroyed. In this case he was not the judge, but the
executioner.

As he thus reflected, he felt the sensation we have described, and
which had hitherto been unknown to him, arise in his bosom, and fill
him with vague apprehensions. It is thus that a wounded man trembles
instinctively at the approach of the finger to his wound until it be
healed, but Villefort’s was one of those that never close, or if they
do, only close to reopen more agonizing than ever. If at this moment
the sweet voice of Renée had sounded in his ears pleading for mercy, or
the fair Mercédès had entered and said, “In the name of God, I conjure
you to restore me my affianced husband,” his cold and trembling hands
would have signed his release; but no voice broke the stillness of the
chamber, and the door was opened only by Villefort’s valet, who came to
tell him that the travelling carriage was in readiness.

Villefort rose, or rather sprang, from his chair, hastily opened one of
the drawers of his desk, emptied all the gold it contained into his
pocket, stood motionless an instant, his hand pressed to his head,
muttered a few inarticulate sounds, and then, perceiving that his
servant had placed his cloak on his shoulders, he sprang into the
carriage, ordering the postilions to drive to M. de Saint-Méran’s. The
hapless Dantès was doomed.

As the marquis had promised, Villefort found the marquise and Renée in
waiting. He started when he saw Renée, for he fancied she was again
about to plead for Dantès. Alas, her emotions were wholly personal: she
was thinking only of Villefort’s departure.

She loved Villefort, and he left her at the moment he was about to
become her husband. Villefort knew not when he should return, and
Renée, far from pleading for Dantès, hated the man whose crime
separated her from her lover.

0127m

Meanwhile what of Mercédès? She had met Fernand at the corner of the
Rue de la Loge; she had returned to the Catalans, and had despairingly
cast herself on her couch. Fernand, kneeling by her side, took her
hand, and covered it with kisses that Mercédès did not even feel. She
passed the night thus. The lamp went out for want of oil, but she paid
no heed to the darkness, and dawn came, but she knew not that it was
day. Grief had made her blind to all but one object—that was Edmond.

“Ah, you are there,” said she, at length, turning towards Fernand.

“I have not quitted you since yesterday,” returned Fernand sorrowfully.

M. Morrel had not readily given up the fight. He had learned that
Dantès had been taken to prison, and he had gone to all his friends,
and the influential persons of the city; but the report was already in
circulation that Dantès was arrested as a Bonapartist agent; and as the
most sanguine looked upon any attempt of Napoleon to remount the throne
as impossible, he met with nothing but refusal, and had returned home
in despair, declaring that the matter was serious and that nothing more
could be done.

Caderousse was equally restless and uneasy, but instead of seeking,
like M. Morrel, to aid Dantès, he had shut himself up with two bottles
of black currant brandy, in the hope of drowning reflection. But he did
not succeed, and became too intoxicated to fetch any more drink, and
yet not so intoxicated as to forget what had happened. With his elbows
on the table he sat between the two empty bottles, while spectres
danced in the light of the unsnuffed candle—spectres such as Hoffmann
strews over his punch-drenched pages, like black, fantastic dust.

Danglars alone was content and joyous—he had got rid of an enemy and
made his own situation on the Pharaon secure. Danglars was one of
those men born with a pen behind the ear, and an inkstand in place of a
heart. Everything with him was multiplication or subtraction. The life
of a man was to him of far less value than a numeral, especially when,
by taking it away, he could increase the sum total of his own desires.
He went to bed at his usual hour, and slept in peace.

Villefort, after having received M. de Salvieux’s letter, embraced
Renée, kissed the marquise’s hand, and shaken that of the marquis,
started for Paris along the Aix road.

Old Dantès was dying with anxiety to know what had become of Edmond.
But we know very well what had become of Edmond.

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Let's Analyse the Pattern

Pattern: Institutional Erasure
This chapter reveals the pattern of institutional erasure—when powerful systems don't just punish you, they make you disappear. Dantès discovers that his imprisonment isn't about justice; it's about protecting those who framed him. The system erases inconvenient people by denying their existence entirely. No trial means no record. No record means no accountability. No accountability means perfect protection for the corrupt. The mechanism works through bureaucratic invisibility. When institutions want someone gone, they don't execute them publicly—that creates martyrs and questions. Instead, they file them away in a place where questions can't be asked. The guards treat Dantès like he's already dead because, officially, he is. His protests fall on deaf ears because the system isn't designed to hear them. The corruption is protected by layers of plausible deniability and administrative silence. This exact pattern operates everywhere today. In healthcare, patients get lost in insurance bureaucracy—denied coverage through endless paperwork loops until they give up or die. At work, whistleblowers get transferred to meaningless positions until they quit. In family court, abusers with good lawyers make victims disappear into legal limbo. In corporate downsizing, loyal employees get "restructured" out of existence with no explanation. The method is always the same: use bureaucracy as a weapon, then claim it's just procedure. When you recognize institutional erasure happening, document everything. Keep records they can't control—personal emails, photos, witnesses outside the system. Never rely solely on their documentation of events. Build networks beyond their reach. Most importantly, understand that their silence isn't neutral—it's strategic. Fight bureaucracy with bureaucracy: file complaints, demand written responses, create paper trails they can't ignore. Force them to put their erasure tactics in writing. When you can name the pattern of institutional erasure, predict how systems protect themselves at your expense, and navigate around their bureaucratic weapons—that's amplified intelligence.

Powerful systems protect themselves by making inconvenient people disappear through bureaucratic invisibility rather than direct confrontation.

Why This Matters

Connect literature to life

Skill: Recognizing Institutional Gaslighting

This chapter teaches how to identify when systems use bureaucracy as a weapon while claiming it's just procedure.

Practice This Today

This week, notice when institutions give you the runaround—document every interaction, demand written responses, and never accept 'that's just how we do things' as an explanation.

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Now let's explore the literary elements.

Key Quotes & Analysis

"The governor will see you"

— Guard

Context: When Dantès first arrives at the prison

This simple phrase shows how the prison operates like a business. There's no pretense of justice or legal process - just bureaucratic efficiency. The governor isn't a judge, he's an administrator managing human inventory.

In Today's Words:

The boss will see you now - and you're not going to like what he has to say.

"I am not a number, I am a political prisoner!"

— Edmond Dantès

Context: His desperate attempt to maintain his identity and assert his innocence

Dantès is fighting against being reduced to just another case file. He's trying to hold onto his humanity and his sense of justice in a system designed to strip both away. His protest falls on deaf ears because the system doesn't care about individuals.

In Today's Words:

I'm a real person with rights, not just another problem for you to file away!

"Your trial? You have been tried."

— Prison governor

Context: When Dantès asks about his legal proceedings

This reveals the terrifying truth - there was no real trial, just a predetermined outcome. The system has already decided his fate, and his guilt or innocence is irrelevant. It's not about justice, it's about convenience for those in power.

In Today's Words:

You think this is about fairness? The decision was made before you even walked in the room.

Thematic Threads

Class

In This Chapter

Dantès learns that justice depends entirely on your social position—the powerful can make the powerless vanish without consequence

Development

Evolved from earlier hints about social hierarchy to brutal demonstration of how class determines who gets protection and who gets erased

In Your Life:

You might see this when wealthy defendants get plea deals while poor ones get maximum sentences for identical crimes

Identity

In This Chapter

Dantès faces the complete destruction of his identity—from respected sailor to non-person, his very existence denied by the system

Development

Progressed from identity confusion during arrest to total institutional erasure of his personhood

In Your Life:

You might experience this during unemployment when you go from valued employee to invisible job seeker

Social Expectations

In This Chapter

All of Dantès' expectations about fairness, justice, and due process prove to be naive fantasies in the face of institutional power

Development

Shattered progression from believing in system fairness to confronting how power really operates

In Your Life:

You might feel this when you discover that following rules doesn't protect you if someone with influence wants you gone

Human Relationships

In This Chapter

The guards treat Dantès as already dead, showing how institutional roles can strip away basic human recognition and empathy

Development

Introduced here as institutional dehumanization that makes personal cruelty feel like professional duty

In Your Life:

You might encounter this when dealing with customer service representatives who treat you like a case number rather than a person

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What specific methods does the prison system use to make Dantès feel like he no longer exists as a person?

    analysis • surface
  2. 2

    Why do you think the authorities chose imprisonment over execution or a public trial for Dantès?

    analysis • medium
  3. 3

    Where have you seen people get 'disappeared' by bureaucracy in modern life - lost in paperwork, transferred to dead-end positions, or ignored until they give up?

    application • medium
  4. 4

    If you found yourself being systematically erased by an institution, what specific steps would you take to fight back and maintain proof of your existence?

    application • deep
  5. 5

    What does Dantès' situation reveal about how power protects itself when threatened by inconvenient truths?

    reflection • deep

Critical Thinking Exercise

10 minutes

Map Your Paper Trail Defense System

Think of an important situation in your life where you depend on an institution - your job, healthcare, housing, or legal matters. Create a simple map showing what records you control versus what records they control. Then identify three specific ways you could create backup documentation that exists outside their system, just like Dantès wishes he had done before his arrest.

Consider:

  • •What evidence of your interactions exists only in their files?
  • •Who outside the institution could serve as witnesses to important conversations or agreements?
  • •What personal records could you keep that would be harder for them to dispute or erase?

Journaling Prompt

Write about a time when you felt powerless against a bureaucratic system. What would you do differently now, knowing how institutions can make people disappear through paperwork and procedure?

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Coming Up Next...

Chapter 10: The King’s Closet at the Tuileries

As months turn to years in his stone cell, Dantès begins to hear something that will change everything - mysterious sounds coming from within the prison walls. Someone else is trapped in this living tomb, and they might hold the key to survival.

Continue to Chapter 10
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The Château d’If
Contents
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The King’s Closet at the Tuileries

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