An excerpt from the original text.(complete · 2423 words)
s the procureur had told Madame Danglars, Valentine was not yet
recovered. Bowed down with fatigue, she was indeed confined to her bed;
and it was in her own room, and from the lips of Madame de Villefort,
that she heard all the strange events we have related; we mean the
flight of Eugénie and the arrest of Andrea Cavalcanti, or rather
Benedetto, together with the accusation of murder pronounced against
him. But Valentine was so weak that this recital scarcely produced the
same effect it would have done had she been in her usual state of
health. Indeed, her brain was only the seat of vague ideas, and
confused forms, mingled with strange fancies, alone presented
themselves before her eyes.
During the daytime Valentine’s perceptions remained tolerably clear,
owing to the constant presence of M. Noirtier, who caused himself to be
carried to his granddaughter’s room, and watched her with his paternal
tenderness; Villefort also, on his return from the law courts,
frequently passed an hour or two with his father and child.
At six o’clock Villefort retired to his study, at eight M. d’Avrigny
himself arrived, bringing the night draught prepared for the young
girl, and then M. Noirtier was carried away. A nurse of the doctor’s
choice succeeded them, and never left till about ten or eleven o’clock,
when Valentine was asleep. As she went downstairs she gave the keys of
Valentine’s room to M. de Villefort, so that no one could reach the
sick-room excepting through that of Madame de Villefort and little
Edward.
Every morning Morrel called on Noirtier to receive news of Valentine,
and, extraordinary as it seemed, each day found him less uneasy.
Certainly, though Valentine still labored under dreadful nervous
excitement, she was better; and moreover, Monte Cristo had told him
when, half distracted, he had rushed to the count’s house, that if she
were not dead in two hours she would be saved. Now four days had
elapsed, and Valentine still lived.
The nervous excitement of which we speak pursued Valentine even in her
sleep, or rather in that state of somnolence which succeeded her waking
hours; it was then, in the silence of night, in the dim light shed from
the alabaster lamp on the chimney-piece, that she saw the shadows pass
and repass which hover over the bed of sickness, and fan the fever with
their trembling wings. First she fancied she saw her stepmother
threatening her, then Morrel stretched his arms towards her; sometimes
mere strangers, like the Count of Monte Cristo came to visit her; even
the very furniture, in these moments of delirium, seemed to move, and
this state lasted till about three o’clock in the morning, when a deep,
heavy slumber overcame the young girl, from which she did not awake
till daylight.
On the evening of the day on which Valentine had learned of the flight
of Eugénie and the arrest of Benedetto,—Villefort having retired as
well as Noirtier and d’Avrigny,—her thoughts wandered in a confused
maze, alternately reviewing her own situation and the events she had
just heard.
Eleven o’clock had struck. The nurse, having placed the beverage
prepared by the doctor within reach of the patient, and locked the
door, was listening with terror to the comments of the servants in the
kitchen, and storing her memory with all the horrible stories which had
for some months past amused the occupants of the antechambers in the
house of the king’s attorney. Meanwhile an unexpected scene was passing
in the room which had been so carefully locked.
Ten minutes had elapsed since the nurse had left; Valentine, who for
the last hour had been suffering from the fever which returned nightly,
incapable of controlling her ideas, was forced to yield to the
excitement which exhausted itself in producing and reproducing a
succession and recurrence of the same fancies and images. The
night-lamp threw out countless rays, each resolving itself into some
strange form to her disordered imagination, when suddenly by its
flickering light Valentine thought she saw the door of her library,
which was in the recess by the chimney-piece, open slowly, though she
in vain listened for the sound of the hinges on which it turned.
At any other time Valentine would have seized the silken bell-pull and
summoned assistance, but nothing astonished her in her present
situation. Her reason told her that all the visions she beheld were but
the children of her imagination, and the conviction was strengthened by
the fact that in the morning no traces remained of the nocturnal
phantoms, who disappeared with the coming of daylight.
From behind the door a human figure appeared, but the girl was too
familiar with such apparitions to be alarmed, and therefore only
stared, hoping to recognize Morrel. The figure advanced towards the bed
and appeared to listen with profound attention. At this moment a ray of
light glanced across the face of the midnight visitor.
“It is not he,” she murmured, and waited, in the assurance that this
was but a dream, for the man to disappear or assume some other form.
Still, she felt her pulse, and finding it throb violently she
remembered that the best method of dispelling such illusions was to
drink, for a draught of the beverage prepared by the doctor to allay
her fever seemed to cause a reaction of the brain, and for a short time
she suffered less. Valentine therefore reached her hand towards the
glass, but as soon as her trembling arm left the bed the apparition
advanced more quickly towards her, and approached the young girl so
closely that she fancied she heard his breath, and felt the pressure of
his hand.
This time the illusion, or rather the reality, surpassed anything
Valentine had before experienced; she began to believe herself really
alive and awake, and the belief that her reason was this time not
deceived made her shudder. The pressure she felt was evidently intended
to arrest her arm, and she slowly withdrew it. Then the figure, from
whom she could not detach her eyes, and who appeared more protecting
than menacing, took the glass, and walking towards the night-light held
it up, as if to test its transparency. This did not seem sufficient;
the man, or rather the ghost—for he trod so softly that no sound was
heard—then poured out about a spoonful into the glass, and drank it.
Valentine witnessed this scene with a sentiment of stupefaction. Every
minute she had expected that it would vanish and give place to another
vision; but the man, instead of dissolving like a shadow, again
approached her, and said in an agitated voice, “Now you may drink.”
Valentine shuddered. It was the first time one of these visions had
ever addressed her in a living voice, and she was about to utter an
exclamation. The man placed his finger on her lips.
“The Count of Monte Cristo!” she murmured.
It was easy to see that no doubt now remained in the young girl’s mind
as to the reality of the scene; her eyes started with terror, her hands
trembled, and she rapidly drew the bedclothes closer to her. Still, the
presence of Monte Cristo at such an hour, his mysterious, fanciful, and
extraordinary entrance into her room through the wall, might well seem
impossibilities to her shattered reason.
“Do not call anyone—do not be alarmed,” said the count; “do not let a
shade of suspicion or uneasiness remain in your breast; the man
standing before you, Valentine (for this time it is no ghost), is
nothing more than the tenderest father and the most respectful friend
you could dream of.”
Valentine could not reply; the voice which indicated the real presence
of a being in the room, alarmed her so much that she feared to utter a
syllable; still the expression of her eyes seemed to inquire, “If your
intentions are pure, why are you here?” The count’s marvellous sagacity
understood all that was passing in the young girl’s mind.
“Listen to me,” he said, “or, rather, look upon me; look at my face,
paler even than usual, and my eyes, red with weariness—for four days I
have not closed them, for I have been constantly watching you, to
protect and preserve you for Maximilian.”
The blood mounted rapidly to the cheeks of Valentine, for the name just
announced by the count dispelled all the fear with which his presence
had inspired her.
“Maximilian!” she exclaimed, and so sweet did the sound appear to her,
that she repeated it—“Maximilian!—has he then owned all to you?”
“Everything. He told me your life was his, and I have promised him that
you shall live.”
“You have promised him that I shall live?”
“Yes.”
“But, sir, you spoke of vigilance and protection. Are you a doctor?”
“Yes; the best you could have at the present time, believe me.”
“But you say you have watched?” said Valentine uneasily; “where have
you been?—I have not seen you.”
The count extended his hand towards the library.
“I was hidden behind that door,” he said, “which leads into the next
house, which I have rented.”
Valentine turned her eyes away, and, with an indignant expression of
pride and modest fear, exclaimed:
“Sir, I think you have been guilty of an unparalleled intrusion, and
that what you call protection is more like an insult.”
“Valentine,” he answered, “during my long watch over you, all I have
observed has been what people visited you, what nourishment was
prepared, and what beverage was served; then, when the latter appeared
dangerous to me, I entered, as I have now done, and substituted, in the
place of the poison, a healthful draught; which, instead of producing
the death intended, caused life to circulate in your veins.”
“Poison—death!” exclaimed Valentine, half believing herself under the
influence of some feverish hallucination; “what are you saying, sir?”
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“Hush, my child,” said Monte Cristo, again placing his finger upon her
lips, “I did say poison and death. But drink some of this;” and the
count took a bottle from his pocket, containing a red liquid, of which
he poured a few drops into the glass. “Drink this, and then take
nothing more tonight.”
Valentine stretched out her hand, but scarcely had she touched the
glass when she drew back in fear. Monte Cristo took the glass, drank
half its contents, and then presented it to Valentine, who smiled and
swallowed the rest.
“Oh, yes,” she exclaimed, “I recognize the flavor of my nocturnal
beverage which refreshed me so much, and seemed to ease my aching
brain. Thank you, sir, thank you!”
“This is how you have lived during the last four nights, Valentine,”
said the count. “But, oh, how I passed that time! Oh, the wretched
hours I have endured—the torture to which I have submitted when I saw
the deadly poison poured into your glass, and how I trembled lest you
should drink it before I could find time to throw it away!”
“Sir,” said Valentine, at the height of her terror, “you say you
endured tortures when you saw the deadly poison poured into my glass;
but if you saw this, you must also have seen the person who poured it?”
“Yes.”
Valentine raised herself in bed, and drew over her chest, which
appeared whiter than snow, the embroidered cambric, still moist with
the cold dews of delirium, to which were now added those of terror.
“You saw the person?” repeated the young girl.
“Yes,” repeated the count.
“What you tell me is horrible, sir. You wish to make me believe
something too dreadful. What?—attempt to murder me in my father’s
house, in my room, on my bed of sickness? Oh, leave me, sir; you are
tempting me—you make me doubt the goodness of Providence—it is
impossible, it cannot be!”
“Are you the first that this hand has stricken? Have you not seen M. de
Saint-Méran, Madame de Saint-Méran, Barrois, all fall? Would not M.
Noirtier also have fallen a victim, had not the treatment he has been
pursuing for the last three years neutralized the effects of the
poison?”
“Oh, Heaven,” said Valentine; “is this the reason why grandpapa has
made me share all his beverages during the last month?”
“And have they all tasted of a slightly bitter flavor, like that of
dried orange-peel?”
“Oh, yes, yes!”
“Then that explains all,” said Monte Cristo. “Your grandfather knows,
then, that a poisoner lives here; perhaps he even suspects the person.
He has been fortifying you, his beloved child, against the fatal
effects of the poison, which has failed because your system was already
impregnated with it. But even this would have availed little against a
more deadly medium of death employed four days ago, which is generally
but too fatal.”
“But who, then, is this assassin, this murderer?”
“Let me also ask you a question. Have you never seen anyone enter your
room at night?”
“Oh, yes; I have frequently seen shadows pass close to me, approach,
and disappear; but I took them for visions raised by my feverish
imagination, and indeed when you entered I thought I was under the
influence of delirium.”
“Then you do not know who it is that attempts your life?”
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“No,” said Valentine; “who could desire my death?”
“You shall know it now, then,” said Monte Cristo, listening.
“How do you mean?” said Valentine, looking anxiously around.
“Because you are not feverish or delirious tonight, but thoroughly
awake; midnight is striking, which is the hour murderers choose.”
“Oh, heavens,” exclaimed Valentine, wiping off the drops which ran down
her forehead. Midnight struck slowly and sadly; every hour seemed to
strike with leaden weight upon the heart of the poor girl.
“Valentine,” said the count, “summon up all your courage; still the
beatings of your heart; do not let a sound escape you, and feign to be
asleep; then you will see.”
Valentine seized the count’s hand. “I think I hear a noise,” she said;
“leave me.”
“Good-bye, for the present,” replied the count, walking upon tiptoe
towards the library door, and smiling with an expression so sad and
paternal that the young girl’s heart was filled with gratitude.
Before closing the door he turned around once more, and said, “Not a
movement—not a word; let them think you asleep, or perhaps you may be
killed before I have the power of helping you.”
And with this fearful injunction the count disappeared through the
door, which noiselessly closed after him.
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Let's Analyse the Pattern
The pursuit of justice or vindication fundamentally changes who we are, often destroying what we were fighting to protect.
Why This Matters
Connect literature to life
This chapter teaches how to spot when pursuing a goal is fundamentally changing who you are.
Practice This Today
This week, notice when you justify actions by saying 'they deserve it' - ask yourself if the person you're becoming is someone you'd want to know.
Now let's explore the literary elements.
Key Quotes & Analysis
"I am Edmond Dantès!"
Context: The moment he finally reveals his true identity to Mercédès
This simple declaration carries enormous weight. After years of elaborate disguises and false identities, he strips away all pretense. It's both a confession and a plea - he's telling her who he really is while also trying to remember it himself.
In Today's Words:
This is who I really am underneath everything.
"You have indeed changed, Edmond."
Context: Her response to seeing him as he truly is now
She recognizes him but also sees how fundamentally different he's become. It's not just physical changes but something deeper - his soul has been altered by years of pain and plotting.
In Today's Words:
I can see it's you, but you're not the same person I knew.
"I have been so wretched that I have forgotten what happiness is."
Context: Explaining to Mercédès how his suffering has changed him
He admits that his focus on revenge has consumed him so completely that he's lost the ability to feel joy. This is the cost of his elaborate plan - he got his revenge but lost his humanity.
In Today's Words:
I've been angry for so long, I don't remember how to be happy.
"Revenge is a dish best served cold, but it can freeze the heart that serves it."
Context: Reflecting on Edmond's realization about what his quest has cost him
The narrator captures the central tragedy - Edmond succeeded in his revenge but destroyed his capacity for love in the process. The very thing that was supposed to restore his life has made him incapable of living it.
In Today's Words:
Getting back at people might feel good, but it can turn you into someone you don't recognize.
Thematic Threads
Identity
In This Chapter
Edmond realizes he's lost himself in becoming the Count - the man Mercédès loved may be gone forever
Development
Culmination of his complete transformation from innocent sailor to calculating avenger
In Your Life:
You might lose yourself when you spend years focused solely on proving you were wronged.
Love
In This Chapter
Mercédès still loves Edmond but can barely recognize him in the Count's hardened features
Development
The ultimate test of whether love can survive complete personal transformation
In Your Life:
You might find that pursuing justice costs you the relationships you were trying to protect.
Recognition
In This Chapter
The moment Mercédès sees Edmond in the Count's eyes forces both to confront what he's become
Development
The climactic revelation that strips away all pretense and forces truth
In Your Life:
You might need someone from your past to show you how much you've changed.
Cost
In This Chapter
Edmond achieved everything he wanted but realizes the price was becoming someone unrecognizable
Development
The final accounting of what revenge has truly cost him
In Your Life:
You might win every battle but lose the war for your own soul.
Mercy
In This Chapter
Mercédès pleading for Albert forces Edmond to consider whether he can still choose compassion
Development
The test of whether any humanity remains after years of calculated revenge
In Your Life:
You might find that showing mercy is the only way back to who you used to be.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What does Edmond realize about himself when he reveals his identity to Mercedes?
analysis • surface - 2
Why does seeing Mercedes force Edmond to question whether his revenge was worth it?
analysis • medium - 3
Where do you see people today becoming so focused on proving they're right that they lose sight of who they used to be?
application • medium - 4
If you were Edmond's friend, what warning signs would you have watched for to help him stay true to himself?
application • deep - 5
What does this chapter reveal about the difference between justice and revenge, and why that distinction matters?
reflection • deep
Critical Thinking Exercise
The Before and After Self-Check
Think of a current conflict or goal you're pursuing - at work, in family, or personal life. Write down three words that described who you were before this situation started. Then write three words that describe who you're becoming as you pursue this goal. Look at the gap between these lists. What are you gaining? What might you be losing?
Consider:
- •Are your methods aligning with your values, or are you justifying behavior you wouldn't normally accept?
- •Would the people who loved you before this conflict still recognize the person you're becoming?
- •Is the version of yourself you're creating someone you actually want to be long-term?
Journaling Prompt
Write about a time when you achieved something you wanted but realized the cost was higher than expected. What did you learn about setting boundaries around your methods?
Coming Up Next...
Chapter 101: Locusta
With his identity revealed and his heart torn between vengeance and mercy, Edmond must make an impossible choice about Albert's fate. Meanwhile, the final pieces of his revenge plot begin to converge in ways that will test everything he believes about justice.




