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The Tenant of Wildfell Hall - The Last Dance Before Separation

Anne Brontë

The Tenant of Wildfell Hall

The Last Dance Before Separation

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The Last Dance Before Separation

The Tenant of Wildfell Hall by Anne Brontë

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Helen attends what becomes a pivotal dinner party at Mr. Wilmot's, where she encounters the charming but questionable Mr. Huntingdon for the last time before being whisked away by her protective aunt. The evening unfolds like a dance of attraction and intervention. Helen finds herself trapped in conversation with the repulsive Mr. Wilmot, only to be rescued by Huntingdon, who leads her away under the pretense of viewing a painting. Their moment of intimacy—where he begins to declare his feelings—is cut short by her aunt's strategic interruption. The chapter reveals Helen's dangerous tendency to see the best in Huntingdon despite mounting evidence of his questionable character. When her aunt confronts her afterward, Helen defends him passionately, admitting she would 'willingly risk her happiness for the chance of securing his.' She transforms every criticism into an opportunity for her to save him, convinced that her love and moral guidance can reform a man ten years her senior. Her aunt's warnings about his reputation and loose companions fall on deaf ears. The chapter ends with their hasty departure from London, orchestrated by her aunt to separate Helen from Huntingdon's influence. This separation sets up the central tension of the novel: Helen's idealistic belief that love can conquer all versus the harsh realities of trying to change someone who may not want to change.

Coming Up in Chapter 18

Months pass in the countryside as Helen settles into routine, but her thoughts remain consumed by Huntingdon. She lives for the possibility of returning to London and seeing him again, suggesting that distance has only intensified her feelings rather than diminished them.

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An excerpt from the original text.(complete · 2980 words)

T

he next day I accompanied my uncle and aunt to a dinner-party at Mr.
Wilmot’s. He had two ladies staying with him: his niece Annabella, a
fine dashing girl, or rather young woman,—of some five-and-twenty, too
great a flirt to be married, according to her own assertion, but
greatly admired by the gentlemen, who universally pronounced her a
splendid woman; and her gentle cousin, Milicent Hargrave, who had taken
a violent fancy to me, mistaking me for something vastly better than I
was. And I, in return, was very fond of her. I should entirely exclude
poor Milicent in my general animadversions against the ladies of my
acquaintance. But it was not on her account, or her cousin’s, that I
have mentioned the party: it was for the sake of another of Mr.
Wilmot’s guests, to wit Mr. Huntingdon. I have good reason to remember
his presence there, for this was the last time I saw him.

He did not sit near me at dinner; for it was his fate to hand in a
capacious old dowager, and mine to be handed in by Mr. Grimsby, a
friend of his, but a man I very greatly disliked: there was a sinister
cast in his countenance, and a mixture of lurking ferocity and fulsome
insincerity in his demeanour, that I could not away with. What a
tiresome custom that is, by-the-by—one among the many sources of
factitious annoyance of this ultra-civilised life. If the gentlemen
must lead the ladies into the dining-room, why cannot they take those
they like best?

I am not sure, however, that Mr. Huntingdon would have taken me, if he
had been at liberty to make his own selection. It is quite possible
he might have chosen Miss Wilmot; for she seemed bent upon engrossing
his attention to herself, and he seemed nothing loth to pay the homage
she demanded. I thought so, at least, when I saw how they talked and
laughed, and glanced across the table, to the neglect and evident
umbrage of their respective neighbours—and afterwards, as the gentlemen
joined us in the drawing-room, when she, immediately upon his entrance,
loudly called upon him to be the arbiter of a dispute between herself
and another lady, and he answered the summons with alacrity, and
decided the question without a moment’s hesitation in her
favour—though, to my thinking, she was obviously in the wrong—and then
stood chatting familiarly with her and a group of other ladies; while I
sat with Milicent Hargrave at the opposite end of the room, looking
over the latter’s drawings, and aiding her with my critical
observations and advice, at her particular desire. But in spite of my
efforts to remain composed, my attention wandered from the drawings to
the merry group, and against my better judgment my wrath rose, and
doubtless my countenance lowered; for Milicent, observing that I must
be tired of her daubs and scratches, begged I would join the company
now, and defer the examination of the remainder to another opportunity.
But while I was assuring her that I had no wish to join them, and was
not tired, Mr. Huntingdon himself came up to the little round table at
which we sat.

“Are these yours?” said he, carelessly taking up one of the drawings.

“No, they are Miss Hargrave’s.”

“Oh! well, let’s have a look at them.”

And, regardless of Miss Hargrave’s protestations that they were not
worth looking at, he drew a chair to my side, and receiving the
drawings, one by one from my hand, successively scanned them over, and
threw them on the table, but said not a word about them, though he was
talking all the time. I don’t know what Milicent Hargrave thought of
such conduct, but I found his conversation extremely interesting;
though, as I afterwards discovered, when I came to analyse it, it was
chiefly confined to quizzing the different members of the company
present; and albeit he made some clever remarks, and some excessively
droll ones, I do not think the whole would appear anything very
particular, if written here, without the adventitious aids of look, and
tone, and gesture, and that ineffable but indefinite charm, which cast
a halo over all he did and said, and which would have made it a delight
to look in his face, and hear the music of his voice, if he had been
talking positive nonsense—and which, moreover, made me feel so bitter
against my aunt when she put a stop to this enjoyment, by coming
composedly forward, under pretence of wishing to see the drawings, that
she cared and knew nothing about, and while making believe to examine
them, addressing herself to Mr. Huntingdon, with one of her coldest and
most repellent aspects, and beginning a series of the most common-place
and formidably formal questions and observations, on purpose to wrest
his attention from me—on purpose to vex me, as I thought: and having
now looked through the portfolio, I left them to their tête-à-tête,
and seated myself on a sofa, quite apart from the company—never
thinking how strange such conduct would appear, but merely to indulge,
at first, the vexation of the moment, and subsequently to enjoy my
private thoughts.

But I was not left long alone, for Mr. Wilmot, of all men the least
welcome, took advantage of my isolated position to come and plant
himself beside me. I had flattered myself that I had so effectually
repulsed his advances on all former occasions, that I had nothing more
to apprehend from his unfortunate predilection; but it seems I was
mistaken: so great was his confidence, either in his wealth or his
remaining powers of attraction, and so firm his conviction of feminine
weakness, that he thought himself warranted to return to the siege,
which he did with renovated ardour, enkindled by the quantity of wine
he had drunk—a circumstance that rendered him infinitely the more
disgusting; but greatly as I abhorred him at that moment, I did not
like to treat him with rudeness, as I was now his guest, and had just
been enjoying his hospitality; and I was no hand at a polite but
determined rejection, nor would it have greatly availed me if I had,
for he was too coarse-minded to take any repulse that was not as plain
and positive as his own effrontery. The consequence was, that he waxed
more fulsomely tender, and more repulsively warm, and I was driven to
the very verge of desperation, and about to say I know not what, when I
felt my hand, that hung over the arm of the sofa, suddenly taken by
another and gently but fervently pressed. Instinctively, I guessed who
it was, and, on looking up, was less surprised than delighted to see
Mr. Huntingdon smiling upon me. It was like turning from some
purgatorial fiend to an angel of light, come to announce that the
season of torment was past.

“Helen,” said he (he frequently called me Helen, and I never resented
the freedom)
, “I want you to look at this picture. Mr. Wilmot will
excuse you a moment, I’m sure.”

I rose with alacrity. He drew my arm within his, and led me across the
room to a splendid painting of Vandyke’s that I had noticed before, but
not sufficiently examined. After a moment of silent contemplation, I
was beginning to comment on its beauties and peculiarities, when,
playfully pressing the hand he still retained within his arm, he
interrupted me with,—“Never mind the picture: it was not for that I
brought you here; it was to get you away from that scoundrelly old
profligate yonder, who is looking as if he would like to challenge me
for the affront.”

“I am very much obliged to you,” said I. “This is twice you have
delivered me from such unpleasant companionship.”

“Don’t be too thankful,” he answered: “it is not all kindness to you;
it is partly from a feeling of spite to your tormentors that makes me
delighted to do the old fellows a bad turn, though I don’t think I have
any great reason to dread them as rivals. Have I, Helen?”

“You know I detest them both.”

“And me?”

“I have no reason to detest you.”

“But what are your sentiments towards me? Helen—Speak! How do you
regard me?”

And again he pressed my hand; but I feared there was more of conscious
power than tenderness in his demeanour, and I felt he had no right to
extort a confession of attachment from me when he had made no
correspondent avowal himself, and knew not what to answer. At last I
said,—

“How do you regard me?”

“Sweet angel, I adore you! I—”

“Helen, I want you a moment,” said the distinct, low voice of my aunt,
close beside us. And I left him, muttering maledictions against his
evil angel.

“Well, aunt, what is it? What do you want?” said I, following her to
the embrasure of the window.

“I want you to join the company, when you are fit to be seen,” returned
she, severely regarding me; “but please to stay here a little, till
that shocking colour is somewhat abated, and your eyes have recovered
something of their natural expression. I should be ashamed for anyone
to see you in your present state.”

Of course, such a remark had no effect in reducing the “shocking
colour”; on the contrary, I felt my face glow with redoubled fires
kindled by a complication of emotions, of which indignant, swelling
anger was the chief. I offered no reply, however, but pushed aside the
curtain and looked into the night—or rather into the lamp-lit square.

“Was Mr. Huntingdon proposing to you, Helen?” inquired my too watchful
relative.

“No.”

“What was he saying then? I heard something very like it.”

“I don’t know what he would have said, if you hadn’t interrupted him.”

“And would you have accepted him, Helen, if he had proposed?”

“Of course not—without consulting uncle and you.”

“Oh! I’m glad, my dear, you have so much prudence left. Well, now,” she
added, after a moment’s pause, “you have made yourself conspicuous
enough for one evening. The ladies are directing inquiring glances
towards us at this moment, I see: I shall join them. Do you come too,
when you are sufficiently composed to appear as usual.”

“I am so now.”

“Speak gently then, and don’t look so malicious,” said my calm, but
provoking aunt. “We shall return home shortly, and then,” she added
with solemn significance, “I have much to say to you.”

So I went home prepared for a formidable lecture. Little was said by
either party in the carriage during our short transit homewards; but
when I had entered my room and thrown myself into an easy-chair, to
reflect on the events of the day, my aunt followed me thither, and
having dismissed Rachel, who was carefully stowing away my ornaments,
closed the door; and placing a chair beside me, or rather at right
angles with mine, sat down. With due deference I offered her my more
commodious seat. She declined it, and thus opened the conference: “Do
you remember, Helen, our conversation the night but one before we left
Staningley?”

“Yes, aunt.”

“And do you remember how I warned you against letting your heart be
stolen from you by those unworthy of its possession, and fixing your
affections where approbation did not go before, and where reason and
judgment withheld their sanction?”

“Yes; but my reason—”

“Pardon me—and do you remember assuring me that there was no occasion
for uneasiness on your account; for you should never be tempted to
marry a man who was deficient in sense or principle, however handsome
or charming in other respects he might be, for you could not love him;
you should hate—despise—pity—anything but love him—were not those your
words?”

“Yes; but—”

“And did you not say that your affection must be founded on
approbation; and that, unless you could approve and honour and respect,
you could not love?”

“Yes; but I do approve, and honour, and respect—”

“How so, my dear? Is Mr. Huntingdon a good man?”

“He is a much better man than you think him.”

“That is nothing to the purpose. Is he a good man?”

“Yes—in some respects. He has a good disposition.”

“Is he a man of principle?”

“Perhaps not, exactly; but it is only for want of thought. If he had
some one to advise him, and remind him of what is right—”

“He would soon learn, you think—and you yourself would willingly
undertake to be his teacher? But, my dear, he is, I believe, full ten
years older than you—how is it that you are so beforehand in moral
acquirements?”

“Thanks to you, aunt, I have been well brought up, and had good
examples always before me, which he, most likely, has not; and,
besides, he is of a sanguine temperament, and a gay, thoughtless
temper, and I am naturally inclined to reflection.”

“Well, now you have made him out to be deficient in both sense and
principle, by your own confession—”

“Then, my sense and my principle are at his service.”

“That sounds presumptuous, Helen. Do you think you have enough for
both; and do you imagine your merry, thoughtless profligate would allow
himself to be guided by a young girl like you?”

“No; I should not wish to guide him; but I think I might have influence
sufficient to save him from some errors, and I should think my life
well spent in the effort to preserve so noble a nature from
destruction. He always listens attentively now when I speak seriously
to him (and I often venture to reprove his random way of talking), and
sometimes he says that if he had me always by his side he should never
do or say a wicked thing, and that a little daily talk with me would
make him quite a saint. It may he partly jest and partly flattery, but
still—”

“But still you think it may be truth?”

“If I do think there is any mixture of truth in it, it is not from
confidence in my own powers, but in his natural goodness. And you
have no right to call him a profligate, aunt; he is nothing of the
kind.”

“Who told you so, my dear? What was that story about his intrigue with
a married lady—Lady who was it?—Miss Wilmot herself was telling you the
other day?”

“It was false—false!” I cried. “I don’t believe a word of it.”

“You think, then, that he is a virtuous, well-conducted young man?”

“I know nothing positive respecting his character. I only know that I
have heard nothing definite against it—nothing that could be proved, at
least; and till people can prove their slanderous accusations, I will
not believe them. And I know this, that if he has committed errors,
they are only such as are common to youth, and such as nobody thinks
anything about; for I see that everybody likes him, and all the mammas
smile upon him, and their daughters—and Miss Wilmot herself—are only
too glad to attract his attention.”

“Helen, the world may look upon such offences as venial; a few
unprincipled mothers may be anxious to catch a young man of fortune
without reference may his character; and thoughtless girls may be
glad to win the smiles of so handsome a gentleman, without seeking to
penetrate beyond the surface; but you, I trusted, were better
informed than to see with their eyes, and judge with their perverted
judgment. I did not think you would call these venial errors!”

“Nor do I, aunt; but if I hate the sins, I love the sinner, and would
do much for his salvation, even supposing your suspicions to be mainly
true, which I do not and will not believe.”

“Well, my dear, ask your uncle what sort of company he keeps, and if he
is not banded with a set of loose, profligate young men, whom he calls
his friends, his jolly companions, and whose chief delight is to wallow
in vice, and vie with each other who can run fastest and furthest down
the headlong road to the place prepared for the devil and his angels.”

“Then I will save him from them.”

“Oh, Helen, Helen! you little know the misery of uniting your fortunes
to such a man!”

“I have such confidence in him, aunt, notwithstanding all you say, that
I would willingly risk my happiness for the chance of securing his. I
will leave better men to those who only consider their own advantage.
If he has done amiss, I shall consider my life well spent in saving him
from the consequences of his early errors, and striving to recall him
to the path of virtue. God grant me success!”

Here the conversation ended, for at this juncture my uncle’s voice was
heard from his chamber, loudly calling upon my aunt to come to bed. He
was in a bad humour that night; for his gout was worse. It had been
gradually increasing upon him ever since we came to town; and my aunt
took advantage of the circumstance next morning to persuade him to
return to the country immediately, without waiting for the close of the
season. His physician supported and enforced her arguments; and
contrary to her usual habits, she so hurried the preparations for
removal (as much for my sake as my uncle’s, I think), that in a very
few days we departed; and I saw no more of Mr. Huntingdon. My aunt
flatters herself I shall soon forget him—perhaps she thinks I have
forgotten him already, for I never mention his name; and she may
continue to think so, till we meet again—if ever that should be. I
wonder if it will?

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Let's Analyse the Pattern

Pattern: Savior Syndrome
This chapter reveals a dangerous pattern: the belief that your love can fix someone else's fundamental character flaws. Helen sees Huntingdon's drinking, his questionable friends, his reputation—and transforms each red flag into evidence that he needs her saving grace. She's not falling in love with who he is; she's falling in love with who she believes she can make him become. The mechanism is seductive because it feeds multiple psychological needs simultaneously. It makes Helen feel special (she alone can save him), powerful (she can change a grown man), and morally superior (she's the virtuous one bringing light to darkness). Her aunt's warnings only strengthen Helen's resolve because opposition makes her mission feel more heroic. She's rewriting his story in her mind, casting herself as the redemptive force that will transform his ending. This exact pattern plays out everywhere today. The nurse who stays with an alcoholic partner because 'he drinks less when I'm around.' The manager who keeps defending an unreliable employee because 'they just need someone to believe in them.' The daughter who enables her gambling father because 'family doesn't give up on family.' The friend who loans money repeatedly to someone with addiction issues because 'this time will be different if I just show enough faith.' Each person becomes convinced they're the exception, the one whose love will finally break through. When you recognize Savior Syndrome in yourself, stop and ask: Am I loving this person as they are, or am I loving my fantasy of who they could become? Real love accepts people where they are while hoping they grow—it doesn't require them to change to earn your affection. Set clear boundaries about what behavior you will and won't accept. Remember that you can't want someone's recovery more than they do. Your job is to love and support; their job is to do the work of changing. When you can name the pattern, predict where it leads, and navigate it successfully—that's amplified intelligence working for your emotional survival.

The belief that your love, patience, or moral influence can fundamentally change someone else's character or destructive behaviors.

Why This Matters

Connect literature to life

Skill: Recognizing Savior Syndrome

This chapter teaches how to identify when you're falling in love with someone's potential rather than their reality.

Practice This Today

This week, notice when you find yourself making excuses for someone's behavior or thinking 'they just need the right person to believe in them'—that's usually your cue to step back and reassess.

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Now let's explore the literary elements.

Key Quotes & Analysis

"I would willingly risk my happiness for the chance of securing his."

— Helen

Context: Helen admits this to her aunt when defending her feelings for Huntingdon despite warnings about his character.

This reveals Helen's dangerous willingness to sacrifice her own well-being for someone else's potential transformation. It shows how completely she's bought into the idea that her love can save him.

In Today's Words:

I'd rather take the risk and try to fix him than play it safe and lose him.

"There was a sinister cast in his countenance, and a mixture of lurking ferocity and fulsome insincerity in his demeanour."

— Narrator

Context: Helen describes her immediate negative reaction to Mr. Grimsby, Huntingdon's friend who escorts her to dinner.

This shows Helen can recognize dangerous character traits when she's not romantically involved. Her ability to see Grimsby clearly contrasts with her blindness about Huntingdon, highlighting how emotion clouds judgment.

In Today's Words:

Something about this guy gave me the creeps - like he was fake-nice but had a mean streak underneath.

"What a tiresome custom that is, by-the-by—one among the many sources of factitious annoyance of this ultra-civilised life."

— Narrator

Context: Helen complains about the formal dinner escort system that pairs her with the unpleasant Mr. Grimsby.

This reveals Helen's frustration with social conventions that force unwanted interactions. It also shows her growing awareness that 'civilized' society often creates artificial problems and constraints.

In Today's Words:

These social rules are so annoying - just another way that trying to be proper makes life unnecessarily complicated.

Thematic Threads

Self-Deception

In This Chapter

Helen reframes every warning about Huntingdon as evidence that he needs her salvation rather than seeing them as legitimate concerns

Development

Building from earlier hints of Helen's romantic idealism into full-blown denial of obvious red flags

In Your Life:

You might catch yourself making excuses for someone's behavior because admitting the truth would mean difficult choices.

Power Dynamics

In This Chapter

Helen believes she can reform a man ten years older with an established reputation, revealing her naive understanding of influence

Development

Introduced here as Helen encounters her first real test of agency versus external authority

In Your Life:

You might overestimate your ability to change workplace dynamics or family patterns that have existed for years.

Social Expectations

In This Chapter

Her aunt's protective intervention represents society's attempt to guide young women away from unsuitable matches

Development

Continuing the theme of women's limited autonomy, now showing the protective aspects of social constraints

In Your Life:

You might resist good advice because it feels like others are trying to control your choices rather than protect you.

Moral Superiority

In This Chapter

Helen positions herself as Huntingdon's potential moral guide, believing her virtue can overcome his vices

Development

Emerging from her earlier religious certainty into a more complex form of self-righteousness

In Your Life:

You might find yourself staying in difficult relationships because leaving would feel like admitting moral failure.

Romantic Idealism

In This Chapter

Helen admits she would 'willingly risk her happiness' for the chance to secure his, treating love as a noble sacrifice rather than mutual partnership

Development

Escalating from general romantic dreams to specific willingness to sacrifice her wellbeing for an unworthy object

In Your Life:

You might confuse self-sacrifice with love, believing that suffering for someone proves the depth of your feelings.

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What specific warning signs about Huntingdon does Helen's aunt point out, and how does Helen respond to each one?

    analysis • surface
  2. 2

    Why does Helen transform every criticism of Huntingdon into evidence that he needs her help? What psychological needs does this serve for her?

    analysis • medium
  3. 3

    Where do you see this 'I can fix them' pattern in modern relationships - romantic partnerships, friendships, family dynamics, or workplace situations?

    application • medium
  4. 4

    How can you tell the difference between supporting someone's genuine efforts to change versus enabling their harmful behavior while hoping they'll transform?

    application • deep
  5. 5

    What does Helen's story reveal about the danger of falling in love with potential rather than reality?

    reflection • deep

Critical Thinking Exercise

10 minutes

Red Flags vs. Rescue Fantasies

Create two columns on paper. In the left column, list the objective facts about Huntingdon that Helen knows (his drinking, his friends, his reputation). In the right column, write how Helen reinterprets each fact to justify her feelings. Then reflect: when have you done this same mental gymnastics with someone in your own life?

Consider:

  • •Notice how Helen turns every negative into a positive mission
  • •Consider why opposition from her aunt makes Helen more determined, not less
  • •Think about how feeling needed can be confused with being loved

Journaling Prompt

Write about a time when you wanted to 'save' someone. What did you hope would happen? What actually happened? What would you do differently now?

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Coming Up Next...

Chapter 18: The Portrait's Betrayal

Months pass in the countryside as Helen settles into routine, but her thoughts remain consumed by Huntingdon. She lives for the possibility of returning to London and seeing him again, suggesting that distance has only intensified her feelings rather than diminished them.

Continue to Chapter 18
Previous
The Unwanted Proposal
Contents
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The Portrait's Betrayal

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