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The Essays of Montaigne - Why We Laugh and Cry Simultaneously

Michel de Montaigne

The Essays of Montaigne

Why We Laugh and Cry Simultaneously

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Summary

Montaigne explores one of humanity's most puzzling behaviors: how we can experience completely opposite emotions about the same event. He shares historical examples of warriors who wept over enemies they'd killed, like Caesar turning away from Pompey's severed head despite their rivalry. The key insight is that our souls contain multiple, competing emotions that can surface simultaneously - just as our bodies contain different humors that shift in dominance. A bride can genuinely love her new husband while also grieving the loss of her childhood home. A parent can be furious with their child one moment and protective the next, without either emotion being false. Montaigne argues that this emotional complexity isn't weakness or hypocrisy - it's human nature. We don't need to force ourselves into simple, consistent emotional states. Instead, we can accept that our feelings shift like sunlight, constantly renewed but appearing continuous. The essay validates the messy reality of human emotion, showing that contradictory feelings can coexist authentically. This understanding helps us be more compassionate with ourselves and others when emotions don't fit neat categories. Montaigne's message is liberating: you're not broken if you feel multiple things at once - you're human.

Coming Up in Chapter 38

After exploring our emotional contradictions, Montaigne turns to examine solitude - how being alone with ourselves reveals truths we might miss in the company of others. He'll challenge common assumptions about whether isolation strengthens or weakens the human spirit.

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An excerpt from the original text.(complete · 1322 words)

THAT WE LAUGH AND CRY FOR THE SAME THING

When we read in history that Antigonus was very much displeased with his
son for presenting him the head of King Pyrrhus his enemy, but newly
slain fighting against him, and that seeing it, he wept; and that Rene,
Duke of Lorraine, also lamented the death of Charles, Duke of Burgundy,
whom he had himself defeated, and appeared in mourning at his funeral;
and that in the battle of D’Auray (which Count Montfort obtained over
Charles de Blois, his competitor for the duchy of Brittany)
, the
conqueror meeting the dead body of his enemy, was very much afflicted at
his death, we must not presently cry out:

“E cosi avven, the l’animo ciascuna
Sua passion sotto ‘l contrario manto,
Ricopre, con la vista or’chiara, or’bruna.”

[“And thus it happens that the mind of each veils its passion under
a different appearance, and beneath a smiling visage, gay beneath a
sombre air.”--Petrarch.]

When Pompey’s head was presented to Caesar, the histories tell us that he
turned away his face, as from a sad and unpleasing object. There had
been so long an intelligence and society betwixt them in the management
of the public affairs, so great a community of fortunes, so many mutual
offices, and so near an alliance, that this countenance of his ought not
to suffer under any misinterpretation, or to be suspected for either
false or counterfeit, as this other seems to believe:

“Tutumque putavit
Jam bonus esse socer; lacrymae non sponte cadentes,
Effudit, gemitusque expressit pectore laeto;”

[“And now he thought it safe to play the kind father-in-law,
shedding forced tears, and from a joyful breast discharging sighs
and groans.”--Lucan, ix. 1037.]

for though it be true that the greatest part of our actions are no other
than visor and disguise, and that it may sometimes be true that

“Haeredis fletus sub persona rises est,”

[“The heir’s tears behind the mask are smiles.”
--Publius Syrus, apud Gellium, xvii. 14.]

yet, in judging of these accidents, we are to consider how much our souls
are oftentimes agitated with divers passions. And as they say that in
our bodies there is a congregation of divers humours, of which that is
the sovereign which, according to the complexion we are of, is commonly
most predominant in us: so, though the soul have in it divers motions to
give it agitation, yet must there of necessity be one to overrule all the
rest, though not with so necessary and absolute a dominion but that
through the flexibility and inconstancy of the soul, those of less
authority may upon occasion reassume their place and make a little sally
in turn. Thence it is, that we see not only children, who innocently
obey and follow nature, often laugh and cry at the same thing, but not
one of us can boast, what journey soever he may have in hand that he has
the most set his heart upon, but when he comes to part with his family
and friends, he will find something that troubles him within; and though
he refrain his tears yet he puts foot in the stirrup with a sad and
cloudy countenance. And what gentle flame soever may warm the heart of
modest and wellborn virgins, yet are they fain to be forced from about
their mothers’ necks to be put to bed to their husbands, whatever this
boon companion is pleased to say:

“Estne novis nuptis odio Venus? anne parentum
Frustrantur falsis gaudia lachrymulis,
Ubertim thalami quasi intra limina fundunt?
Non, ita me divi, vera gemunt, juverint.”

[“Is Venus really so alarming to the new-made bride, or does she
honestly oppose her parent’s rejoicing the tears she so abundantly
sheds on entering the nuptial chamber? No, by the Gods, these are
no true tears.”--Catullus, lxvi. 15.]

[“Is Venus really so repugnant to newly-married maids? Do they meet
the smiles of parents with feigned tears? They weep copiously
within the very threshold of the nuptial chamber. No, so the gods
help me, they do not truly grieve.”--Catullus, lxvi. 15.]--
[A more literal translation. D.W.]

Neither is it strange to lament a person dead whom a man would by no
means should be alive. When I rattle my man, I do it with all the mettle
I have, and load him with no feigned, but downright real curses; but the
heat being over, if he should stand in need of me, I should be very ready
to do him good: for I instantly turn the leaf. When I call him calf and
coxcomb, I do not pretend to entail those titles upon him for ever;
neither do I think I give myself the lie in calling him an honest fellow
presently after. No one quality engrosses us purely and universally.
Were it not the sign of a fool to talk to one’s self, there would hardly
be a day or hour wherein I might not be heard to grumble and mutter to
myself and against myself, “Confound the fool!” and yet I do not think
that to be my definition. Who for seeing me one while cold and presently
very fond towards my wife, believes the one or the other to be
counterfeited, is an ass. Nero, taking leave of his mother whom he was
sending to be drowned, was nevertheless sensible of some emotion at this
farewell, and was struck with horror and pity. ‘Tis said, that the light
of the sun is not one continuous thing, but that he darts new rays so
thick one upon another that we cannot perceive the intermission:

“Largus enim liquidi fons luminis, aetherius sol,
Irrigat assidue coelum candore recenti,
Suppeditatque novo confestim lumine lumen.”

[“So the wide fountain of liquid light, the ethereal sun, steadily
fertilises the heavens with new heat, and supplies a continuous
store of fresh light.”--Lucretius, v. 282.]

Just so the soul variously and imperceptibly darts out her passions.

Artabanus coming by surprise once upon his nephew Xerxes, chid him for
the sudden alteration of his countenance. He was considering the
immeasurable greatness of his forces passing over the Hellespont for the
Grecian expedition: he was first seized with a palpitation of joy, to see
so many millions of men under his command, and this appeared in the
gaiety of his looks: but his thoughts at the same instant suggesting to
him that of so many lives, within a century at most, there would not be
one left, he presently knit his brows and grew sad, even to tears.

We have resolutely pursued the revenge of an injury received, and been
sensible of a singular contentment for the victory; but we shall weep
notwithstanding. ‘Tis not for the victory, though, that we shall weep:
there is nothing altered in that but the soul looks upon things with
another eye and represents them to itself with another kind of face; for
everything has many faces and several aspects.

Relations, old acquaintances, and friendships, possess our imaginations
and make them tender for the time, according to their condition; but the
turn is so quick, that ‘tis gone in a moment:

“Nil adeo fieri celeri ratione videtur,
Quam si mens fieri proponit, et inchoat ipsa,
Ocius ergo animus, quam res se perciet ulla,
Ante oculos quorum in promptu natura videtur;”

[“Nothing therefore seems to be done in so swift a manner than if
the mind proposes it to be done, and itself begins. It is more
active than anything which we see in nature.”--Lucretius, iii. 183.]

and therefore, if we would make one continued thing of all this
succession of passions, we deceive ourselves. When Timoleon laments the
murder he had committed upon so mature and generous deliberation, he does
not lament the liberty restored to his country, he does not lament the
tyrant; but he laments his brother: one part of his duty is performed;
let us give him leave to perform the other.

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Let's Analyse the Pattern

Pattern: Emotional Multiplicity
THE PATTERN: Humans naturally experience contradictory emotions simultaneously about the same situation, person, or event. We can love and resent someone, feel proud and ashamed of an achievement, or experience relief and grief over the same loss. This isn't emotional confusion—it's emotional complexity. THE MECHANISM: Our emotional system operates like a multi-track recording, not a single melody. Different parts of our experience trigger different emotional responses that don't cancel each other out. A promotion might trigger pride (achievement), anxiety (new responsibilities), guilt (leaving teammates behind), and excitement (new possibilities) all at once. Society teaches us to simplify these feelings into single, 'appropriate' responses, but our inner experience remains naturally complex. THE MODERN PARALLEL: This shows up everywhere in modern life. A nurse might feel both compassion for a difficult patient and frustration with their behavior. A parent experiences simultaneous love and exasperation during their teenager's rebellion. Someone leaving a toxic job feels relief about escaping while grieving the loss of familiar routines and relationships. A person caring for an aging parent might feel devoted love alongside resentment about the sacrifice of their own plans. THE NAVIGATION: When you notice contradictory emotions, resist the urge to pick one as 'real' and dismiss the others. Instead, acknowledge all feelings: 'I'm both excited about this opportunity and scared of failing.' This prevents emotional suppression that leads to burnout or explosive reactions later. In relationships, communicate complexity: 'I love you and I'm also frustrated right now.' At work, accept that you can appreciate your job while still wanting better conditions. This emotional honesty reduces internal conflict and helps others understand your full experience. When you can name the pattern of emotional multiplicity, predict that complex feelings are normal rather than problematic, and navigate them with acceptance rather than judgment—that's amplified intelligence.

The natural human capacity to experience contradictory emotions simultaneously about the same situation without either feeling being false or invalid.

Why This Matters

Connect literature to life

Skill: Emotional Complexity Recognition

This chapter teaches how to identify and validate contradictory emotions instead of forcing false emotional simplicity.

Practice This Today

This week, notice when you feel two opposing emotions about the same situation—name both feelings out loud instead of choosing one as 'correct.'

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Now let's explore the literary elements.

Key Quotes & Analysis

"And thus it happens that the mind of each veils its passion under a different appearance, and beneath a smiling visage, gay beneath a sombre air."

— Petrarch (quoted by Montaigne)

Context: Explaining why people might seem to feel opposite emotions from what we'd expect

This reveals that our outward expressions often hide our true feelings. We might smile when sad or appear serious when happy, making human emotions more complex than they appear on the surface.

In Today's Words:

People hide their real feelings behind whatever face they think they should wear.

"When Pompey's head was presented to Caesar, the histories tell us that he turned away his face, as from a sad and unpleasing object."

— Narrator

Context: Describing Caesar's reaction to seeing his former ally and later enemy's severed head

This shows that even political enemies can feel genuine grief for each other. Caesar's reaction wasn't fake - their shared history created real emotional bonds that survived their conflict.

In Today's Words:

When Caesar saw his old friend's head, he couldn't look - it made him genuinely sad, not triumphant.

"There had been so long an intelligence and society betwixt them in the management of the public affairs, so great a community of fortunes, so many mutual offices, and so near an alliance."

— Narrator

Context: Explaining why Caesar's grief over Pompey was genuine, not performative

Montaigne emphasizes that relationships create lasting emotional bonds. Even when people become enemies, their shared history of cooperation and friendship doesn't just disappear.

In Today's Words:

They had worked together for so long and been through so much that those feelings don't just vanish when you become enemies.

Thematic Threads

Identity

In This Chapter

Montaigne reveals that our emotional identity is multifaceted rather than singular, challenging the idea that we must have consistent emotional responses to be authentic.

Development

Builds on earlier explorations of self-knowledge by showing that knowing yourself includes accepting your emotional contradictions.

In Your Life:

You might recognize this when you feel both proud and embarrassed about your background, or love your family while needing distance from them.

Social Expectations

In This Chapter

Society expects simple, appropriate emotional responses, but human nature produces complex, contradictory feelings that don't fit social scripts.

Development

Continues the theme of questioning social norms by examining how emotional expectations limit authentic expression.

In Your Life:

You might notice pressure to feel only grateful for opportunities when you also feel overwhelmed, or only happy at celebrations when you're also sad.

Personal Growth

In This Chapter

Accepting emotional complexity as natural rather than problematic represents a mature understanding of human psychology.

Development

Advances the growth theme by showing that wisdom includes embracing rather than simplifying our emotional experience.

In Your Life:

You might grow by stopping the internal fight against having mixed feelings about major life changes or relationships.

Human Relationships

In This Chapter

Understanding that others also experience emotional contradictions creates space for more authentic and compassionate connections.

Development

Deepens relationship insights by showing how emotional complexity affects how we understand and relate to others.

In Your Life:

You might find more patience with family members when you recognize their contradictory feelings mirror your own internal experience.

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    Montaigne describes warriors who wept over enemies they had killed. What does this tell us about how emotions actually work versus how we think they should work?

    analysis • surface
  2. 2

    Why does Montaigne compare our emotions to different humors in the body that shift in dominance? What does this metaphor help us understand about feeling multiple things at once?

    analysis • medium
  3. 3

    Think about a recent situation where you felt conflicting emotions - maybe about a job change, relationship, or family situation. How does Montaigne's insight apply to your experience?

    application • medium
  4. 4

    When someone you know expresses contradictory feelings about the same situation, how could understanding Montaigne's perspective change how you respond to them?

    application • deep
  5. 5

    Montaigne argues that emotional complexity isn't weakness but human nature. How might accepting this change the way we judge ourselves and others?

    reflection • deep

Critical Thinking Exercise

10 minutes

Map Your Emotional Complexity

Think of a current situation in your life that brings up mixed feelings - a relationship, job, family responsibility, or major decision. Draw a simple diagram with the situation in the center, then branch out all the different emotions you feel about it, even contradictory ones. Don't judge or try to resolve them - just map them out honestly.

Consider:

  • •Include emotions that seem to contradict each other - they can both be true
  • •Notice which emotions you've been trying to suppress or ignore
  • •Consider how different aspects of the situation trigger different emotional responses

Journaling Prompt

Write about which of these emotions you've been most comfortable expressing to others, and which you've kept hidden. What would change if you allowed yourself to acknowledge the full range of your feelings about this situation?

Coming Up Next...

Chapter 38: The Art of True Solitude

After exploring our emotional contradictions, Montaigne turns to examine solitude - how being alone with ourselves reveals truths we might miss in the company of others. He'll challenge common assumptions about whether isolation strengthens or weakens the human spirit.

Continue to Chapter 38
Previous
Don't Judge Others By Your Own Standards
Contents
Next
The Art of True Solitude

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