An excerpt from the original text.(complete · 3672 words)
hapter Fourteen
To begin with, he did not know how he could pay Monsieur Homais for all
the physic supplied by him, and though, as a medical man, he was not
obliged to pay for it, he nevertheless blushed a little at such an
obligation. Then the expenses of the household, now that the servant was
mistress, became terrible. Bills rained in upon the house; the tradesmen
grumbled; Monsieur Lheureux especially harassed him. In fact, at
the height of Emma’s illness, the latter, taking advantage of the
circumstances to make his bill larger, had hurriedly brought the cloak,
the travelling-bag, two trunks instead of one, and a number of other
things. It was very well for Charles to say he did not want them. The
tradesman answered arrogantly that these articles had been ordered, and
that he would not take them back; besides, it would vex madame in her
convalescence; the doctor had better think it over; in short, he was
resolved to sue him rather than give up his rights and take back his
goods. Charles subsequently ordered them to be sent back to the shop.
Félicité forgot; he had other things to attend to; then thought no more
about them. Monsieur Lheureux returned to the charge, and, by turns
threatening and whining, so managed that Bovary ended by signing a
bill at six months. But hardly had he signed this bill than a bold idea
occurred to him: it was to borrow a thousand francs from Lheureux.
So, with an embarrassed air, he asked if it were possible to get them,
adding that it would be for a year, at any interest he wished. Lheureux
ran off to his shop, brought back the money, and dictated another bill,
by which Bovary undertook to pay to his order on the 1st of September
next the sum of one thousand and seventy francs, which, with the hundred
and eighty already agreed to, made just twelve hundred and fifty, thus
lending at six per cent in addition to one-fourth for commission: and
the things bringing him in a good third at the least, this ought in
twelve months to give him a profit of a hundred and thirty francs. He
hoped that the business would not stop there; that the bills would not
be paid; that they would be renewed; and that his poor little money,
having thriven at the doctor’s as at a hospital, would come back to him
one day considerably more plump, and fat enough to burst his bag.
Everything, moreover, succeeded with him. He was adjudicator for a
supply of cider to the hospital at Neufchâtel; Monsieur Guillaumin
promised him some shares in the turf-pits of Gaumesnil, and he dreamt of
establishing a new diligence service between Arcueil and Rouen, which
no doubt would not be long in ruining the ramshackle van of the “Lion
d’Or,” and that, travelling faster, at a cheaper rate, and carrying more
luggage, would thus put into his hands the whole commerce of Yonville.
Charles several times asked himself by what means he should next year be
able to pay back so much money. He reflected, imagined expedients, such
as applying to his father or selling something. But his father would be
deaf, and he--he had nothing to sell. Then he foresaw such worries that
he quickly dismissed so disagreeable a subject of meditation from
his mind. He reproached himself with forgetting Emma, as if, all his
thoughts belonging to this woman, it was robbing her of something not to
be constantly thinking of her.
The winter was severe, Madame Bovary’s convalescence slow. When it
was fine they wheeled her arm-chair to the window that overlooked the
square, for she now had an antipathy to the garden, and the blinds on
that side were always down. She wished the horse to be sold; what she
formerly liked now displeased her. All her ideas seemed to be limited to
the care of herself. She stayed in bed taking little meals, rang for the
servant to inquire about her gruel or to chat with her. The snow on
the market-roof threw a white, still light into the room; then the rain
began to fall; and Emma waited daily with a mind full of eagerness for
the inevitable return of some trifling events which nevertheless had no
relation to her. The most important was the arrival of the “Hirondelle”
in the evening. Then the landlady shouted out, and other voices
answered, while Hippolyte’s lantern, as he fetched the boxes from the
boot, was like a star in the darkness. At mid-day Charles came in;
then he went out again; next she took some beef-tea, and towards five
o’clock, as the day drew in, the children coming back from school,
dragging their wooden shoes along the pavement, knocked the clapper of
the shutters with their rulers one after the other.
It was at this hour that Monsieur Bournisien came to see her. He
inquired after her health, gave her news, exhorted her to religion, in a
coaxing little prattle that was not without its charm. The mere thought
of his cassock comforted her.
One day, when at the height of her illness, she had thought herself
dying, and had asked for the communion; and, while they were making the
preparations in her room for the sacrament, while they were turning the
night table covered with syrups into an altar, and while Félicité was
strewing dahlia flowers on the floor, Emma felt some power passing
over her that freed her from her pains, from all perception, from
all feeling. Her body, relieved, no longer thought; another life was
beginning; it seemed to her that her being, mounting toward God, would
be annihilated in that love like a burning incense that melts into
vapour. The bed-clothes were sprinkled with holy water, the priest drew
from the holy pyx the white wafer; and it was fainting with a celestial
joy that she put out her lips to accept the body of the Saviour
presented to her. The curtains of the alcove floated gently round her
like clouds, and the rays of the two tapers burning on the night-table
seemed to shine like dazzling halos. Then she let her head fall back,
fancying she heard in space the music of seraphic harps, and perceived
in an azure sky, on a golden throne in the midst of saints holding green
palms, God the Father, resplendent with majesty, who with a sign sent to
earth angels with wings of fire to carry her away in their arms.
This splendid vision dwelt in her memory as the most beautiful thing
that it was possible to dream, so that now she strove to recall her
sensation. That still lasted, however, but in a less exclusive fashion
and with a deeper sweetness. Her soul, tortured by pride, at length
found rest in Christian humility, and, tasting the joy of weakness, she
saw within herself the destruction of her will, that must have left a
wide entrance for the inroads of heavenly grace. There existed, then,
in the place of happiness, still greater joys--another love beyond all
loves, without pause and without end, one that would grow eternally! She
saw amid the illusions of her hope a state of purity floating above the
earth mingling with heaven, to which she aspired. She wanted to become
a saint. She bought chaplets and wore amulets; she wished to have in her
room, by the side of her bed, a reliquary set in emeralds that she might
kiss it every evening.
The cure marvelled at this humour, although Emma’s religion, he thought,
might, from its fervour, end by touching on heresy, extravagance. But
not being much versed in these matters, as soon as they went beyond a
certain limit he wrote to Monsieur Boulard, bookseller to Monsignor,
to send him “something good for a lady who was very clever.” The
bookseller, with as much indifference as if he had been sending off
hardware to niggers, packed up, pellmell, everything that was then the
fashion in the pious book trade. There were little manuals in questions
and answers, pamphlets of aggressive tone after the manner of Monsieur
de Maistre, and certain novels in rose-coloured bindings and with
a honied style, manufactured by troubadour seminarists or penitent
blue-stockings. There were the “Think of it; the Man of the World at
Mary’s Feet, by Monsieur de ***, decorated with many Orders”; “The
Errors of Voltaire, for the Use of the Young,” etc.
Madame Bovary’s mind was not yet sufficiently clear to apply herself
seriously to anything; moreover, she began this reading in too much
hurry. She grew provoked at the doctrines of religion; the arrogance
of the polemic writings displeased her by their inveteracy in attacking
people she did not know; and the secular stories, relieved with
religion, seemed to her written in such ignorance of the world, that
they insensibly estranged her from the truths for whose proof she was
looking. Nevertheless, she persevered; and when the volume slipped
from her hands, she fancied herself seized with the finest Catholic
melancholy that an ethereal soul could conceive.
As for the memory of Rodolphe, she had thrust it back to the bottom of
her heart, and it remained there more solemn and more motionless than
a king’s mummy in a catacomb. An exhalation escaped from this embalmed
love, that, penetrating through everything, perfumed with tenderness the
immaculate atmosphere in which she longed to live. When she knelt on her
Gothic prie-Dieu, she addressed to the Lord the same suave words that
she had murmured formerly to her lover in the outpourings of adultery.
It was to make faith come; but no delights descended from the heavens,
and she arose with tired limbs and with a vague feeling of a gigantic
dupery.
This searching after faith, she thought, was only one merit the more,
and in the pride of her devoutness Emma compared herself to those grand
ladies of long ago whose glory she had dreamed of over a portrait of La
Valliere, and who, trailing with so much majesty the lace-trimmed trains
of their long gowns, retired into solitudes to shed at the feet of
Christ all the tears of hearts that life had wounded.
Then she gave herself up to excessive charity. She sewed clothes for the
poor, she sent wood to women in childbed; and Charles one day, on coming
home, found three good-for-nothings in the kitchen seated at the table
eating soup. She had her little girl, whom during her illness her
husband had sent back to the nurse, brought home. She wanted to teach
her to read; even when Berthe cried, she was not vexed. She had made
up her mind to resignation, to universal indulgence. Her language about
everything was full of ideal expressions. She said to her child, “Is
your stomach-ache better, my angel?”
Madame Bovary senior found nothing to censure except perhaps this mania
of knitting jackets for orphans instead of mending her own house-linen;
but, harassed with domestic quarrels, the good woman took pleasure in
this quiet house, and she even stayed there till after Easter, to escape
the sarcasms of old Bovary, who never failed on Good Friday to order
chitterlings.
Besides the companionship of her mother-in-law, who strengthened her a
little by the rectitude of her judgment and her grave ways, Emma almost
every day had other visitors. These were Madame Langlois, Madame Caron,
Madame Dubreuil, Madame Tuvache, and regularly from two to five o’clock
the excellent Madame Homais, who, for her part, had never believed any
of the tittle-tattle about her neighbour. The little Homais also came to
see her; Justin accompanied them. He went up with them to her bedroom,
and remained standing near the door, motionless and mute. Often even
Madame Bovary; taking no heed of him, began her toilette. She began by
taking out her comb, shaking her head with a quick movement, and when
he for the first time saw all this mass of hair that fell to her knees
unrolling in black ringlets, it was to him, poor child! like a sudden
entrance into something new and strange, whose splendour terrified him.
Emma, no doubt, did not notice his silent attentions or his timidity.
She had no suspicion that the love vanished from her life was there,
palpitating by her side, beneath that coarse holland shirt, in that
youthful heart open to the emanations of her beauty. Besides, she
now enveloped all things with such indifference, she had words so
affectionate with looks so haughty, such contradictory ways, that one
could no longer distinguish egotism from charity, or corruption from
virtue. One evening, for example, she was angry with the servant, who
had asked to go out, and stammered as she tried to find some pretext.
Then suddenly--
“So you love him?” she said.
And without waiting for any answer from Félicité, who was blushing, she
added, “There! run along; enjoy yourself!”
In the beginning of spring she had the garden turned up from end to end,
despite Bovary’s remonstrances. However, he was glad to see her at last
manifest a wish of any kind. As she grew stronger she displayed more
wilfulness. First, she found occasion to expel Mere Rollet, the nurse,
who during her convalescence had contracted the habit of coming too
often to the kitchen with her two nurslings and her boarder, better
off for teeth than a cannibal. Then she got rid of the Homais family,
successively dismissed all the other visitors, and even frequented
church less assiduously, to the great approval of the druggist, who said
to her in a friendly way--
“You were going in a bit for the cassock!”
As formerly, Monsieur Bournisien dropped in every day when he came out
after catechism class. He preferred staying out of doors to taking the
air “in the grove,” as he called the arbour. This was the time when
Charles came home. They were hot; some sweet cider was brought out, and
they drank together to madame’s complete restoration.
Binet was there; that is to say, a little lower down against the terrace
wall, fishing for crayfish. Bovary invited him to have a drink, and he
thoroughly understood the uncorking of the stone bottles.
“You must,” he said, throwing a satisfied glance all round him, even to
the very extremity of the landscape, “hold the bottle perpendicularly on
the table, and after the strings are cut, press up the cork with
little thrusts, gently, gently, as indeed they do seltzer-water at
restaurants.”
But during his demonstration the cider often spurted right into their
faces, and then the ecclesiastic, with a thick laugh, never missed this
joke--
“Its goodness strikes the eye!”
He was, in fact, a good fellow and one day he was not even scandalised
at the chemist, who advised Charles to give madame some distraction
by taking her to the theatre at Rouen to hear the illustrious tenor,
Lagardy. Homais, surprised at this silence, wanted to know his opinion,
and the priest declared that he considered music less dangerous for
morals than literature.
But the chemist took up the defence of letters. The theatre, he
contended, served for railing at prejudices, and, beneath a mask of
pleasure, taught virtue.
“Castigat ridendo mores,[16] Monsieur Bournisien! Thus consider the
greater part of Voltaire’s tragedies; they are cleverly strewn with
philosophical reflections, that made them a vast school of morals and
diplomacy for the people.”
[16] It corrects customs through laughter.
“I,” said Binet, “once saw a piece called the ‘Gamin de Paris,’ in which
there was the character of an old general that is really hit off to a
T. He sets down a young swell who had seduced a working girl, who at the
ending--”
“Certainly,” continued Homais, “there is bad literature as there is bad
pharmacy, but to condemn in a lump the most important of the fine arts
seems to me a stupidity, a Gothic idea, worthy of the abominable times
that imprisoned Galileo.”
“I know very well,” objected the cure, “that there are good works,
good authors. However, if it were only those persons of different sexes
united in a bewitching apartment, decorated rouge, those lights, those
effeminate voices, all this must, in the long-run, engender a
certain mental libertinage, give rise to immodest thoughts and impure
temptations. Such, at any rate, is the opinion of all the Fathers.
Finally,” he added, suddenly assuming a mystic tone of voice while
he rolled a pinch of snuff between his fingers, “if the Church has
condemned the theatre, she must be right; we must submit to her
decrees.”
“Why,” asked the druggist, “should she excommunicate actors? For
formerly they openly took part in religious ceremonies. Yes, in the
middle of the chancel they acted; they performed a kind of farce called
‘Mysteries,’ which often offended against the laws of decency.”
The ecclesiastic contented himself with uttering a groan, and the
chemist went on--
“It’s like it is in the Bible; there there are, you know, more than one
piquant detail, matters really libidinous!”
And on a gesture of irritation from Monsieur Bournisien--
“Ah! you’ll admit that it is not a book to place in the hands of a young
girl, and I should be sorry if Athalie--”
“But it is the Protestants, and not we,” cried the other impatiently,
“who recommend the Bible.”
“No matter,” said Homais. “I am surprised that in our days, in this
century of enlightenment, anyone should still persist in proscribing an
intellectual relaxation that is inoffensive, moralising, and sometimes
even hygienic; is it not, doctor?”
“No doubt,” replied the doctor carelessly, either because, sharing the
same ideas, he wished to offend no one, or else because he had not any
ideas.
The conversation seemed at an end when the chemist thought fit to shoot
a Parthian arrow.
“I’ve known priests who put on ordinary clothes to go and see dancers
kicking about.”
“Come, come!” said the cure.
“Ah! I’ve known some!” And separating the words of his sentence, Homais
repeated, “I--have--known--some!”
“Well, they were wrong,” said Bournisien, resigned to anything.
“By Jove! they go in for more than that,” exclaimed the druggist.
“Sir!” replied the ecclesiastic, with such angry eyes that the druggist
was intimidated by them.
“I only mean to say,” he replied in less brutal a tone, “that toleration
is the surest way to draw people to religion.”
“That is true! that is true!” agreed the good fellow, sitting down again
on his chair. But he stayed only a few moments.
Then, as soon as he had gone, Monsieur Homais said to the doctor--
“That’s what I call a cock-fight. I beat him, did you see, in a
way!--Now take my advice. Take madame to the theatre, if it were only
for once in your life, to enrage one of these ravens, hang it! If anyone
could take my place, I would accompany you myself. Be quick about it.
Lagardy is only going to give one performance; he’s engaged to go to
England at a high salary. From what I hear, he’s a regular dog; he’s
rolling in money; he’s taking three mistresses and a cook along with
him. All these great artists burn the candle at both ends; they require
a dissolute life, that suits the imagination to some extent. But they
die at the hospital, because they haven’t the sense when young to lay
by. Well, a pleasant dinner! Goodbye till to-morrow.”
The idea of the theatre quickly germinated in Bovary’s head, for he at
once communicated it to his wife, who at first refused, alleging the
fatigue, the worry, the expense; but, for a wonder, Charles did not give
in, so sure was he that this recreation would be good for her. He saw
nothing to prevent it: his mother had sent them three hundred francs
which he had no longer expected; the current debts were not very large,
and the falling in of Lheureux’s bills was still so far off that
there was no need to think about them. Besides, imagining that she
was refusing from delicacy, he insisted the more; so that by dint of
worrying her she at last made up her mind, and the next day at eight
o’clock they set out in the “Hirondelle.”
The druggist, whom nothing whatever kept at Yonville, but who thought
himself bound not to budge from it, sighed as he saw them go.
“Well, a pleasant journey!” he said to them; “happy mortals that you
are!”
Then addressing himself to Emma, who was wearing a blue silk gown with
four flounces--
“You are as lovely as a Venus. You’ll cut a figure at Rouen.”
The diligence stopped at the “Croix-Rouge” in the Place Beauvoisine. It
was the inn that is in every provincial faubourg, with large stables
and small bedrooms, where one sees in the middle of the court chickens
pilfering the oats under the muddy gigs of the commercial travellers--a
good old house, with worm-eaten balconies that creak in the wind on
winter nights, always full of people, noise, and feeding, whose black
tables are sticky with coffee and brandy, the thick windows made yellow
by the flies, the damp napkins stained with cheap wine, and that always
smells of the village, like ploughboys dressed in Sundayclothes, has
a cafe on the street, and towards the countryside a kitchen-garden.
Charles at once set out. He muddled up the stage-boxes with the gallery,
the pit with the boxes; asked for explanations, did not understand them;
was sent from the box-office to the acting-manager; came back to the
inn, returned to the theatre, and thus several times traversed the whole
length of the town from the theatre to the boulevard.
Madame Bovary bought a bonnet, gloves, and a bouquet. The doctor was
much afraid of missing the beginning, and, without having had time to
swallow a plate of soup, they presented themselves at the doors of the
theatre, which were still closed.
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Let's Analyse the Pattern
When overwhelmed by problems, people flee into elaborate fantasies or distractions rather than taking small, practical steps toward solutions.
Why This Matters
Connect literature to life
This chapter teaches how to distinguish between genuine problem-solving and elaborate avoidance disguised as action.
Practice This Today
This week, notice when you feel the urge to make a dramatic change—ask yourself: 'What small, boring step am I avoiding?'
Now let's explore the literary elements.
Key Quotes & Analysis
"Bills rained in upon the house; the tradesmen grumbled; Monsieur Lheureux especially harassed him."
Context: Describing Charles's financial crisis after Emma's illness
The metaphor of bills 'raining' shows how overwhelming and relentless debt can feel. Lheureux isn't just collecting payment - he's actively harassing a vulnerable man, showing how predatory lenders operate.
In Today's Words:
The bills kept piling up and everyone wanted their money, especially that loan shark who wouldn't leave him alone.
"It was very well for Charles to say he did not want them. The tradesman answered arrogantly that these articles had been ordered."
Context: Lheureux forcing Charles to pay for items delivered during Emma's illness
This shows classic predatory lending tactics - delivering unwanted goods to vulnerable people, then claiming they're legally obligated to pay. Lheureux's arrogance reveals his power over desperate customers.
In Today's Words:
Charles said he didn't want the stuff, but the salesman basically said 'too bad, you're paying for it anyway.'
"But hardly had he signed this bill than a bold idea occurred to him: it was to borrow a thousand francs from Lheureux."
Context: Charles deciding to borrow more money from the same predatory lender
The irony is devastating - Charles thinks borrowing from his exploiter is a 'bold idea' when it's actually the worst possible decision. This shows how debt traps work psychologically.
In Today's Words:
Right after he signed the loan papers, he thought he was being smart by borrowing even more money from the same guy who was ripping him off.
Thematic Threads
Denial
In This Chapter
Both Charles and Emma refuse to acknowledge their dire financial situation, choosing fantasy solutions over reality
Development
Escalated from Emma's romantic delusions to shared financial and spiritual denial
In Your Life:
You might catch yourself shopping when stressed instead of checking your bank balance
Class Performance
In This Chapter
Despite being broke, Charles decides to take Emma to see an expensive opera performance
Development
Continued from earlier chapters showing how maintaining appearances trumps financial sense
In Your Life:
You might feel pressure to keep up social activities you can't afford rather than admit money troubles
Spiritual Manipulation
In This Chapter
Emma uses religious devotion as another form of romantic escapism, not genuine spiritual growth
Development
New manifestation of Emma's pattern of intense but shallow commitments
In Your Life:
You might throw yourself into wellness trends or self-help movements when avoiding real problems
Predatory Systems
In This Chapter
Lheureux deliberately traps Charles in escalating debt cycles, profiting from desperation
Development
Intensified from earlier subtle manipulation to overt financial predation
In Your Life:
You might encounter payday lenders, MLM recruiters, or other systems designed to exploit financial stress
Community Judgment
In This Chapter
The town watches the Bovarys' decline with mixture of concern and gossip
Development
Continued pattern of social surveillance and moral commentary from earlier chapters
In Your Life:
You might feel the weight of neighbors or coworkers watching your struggles and forming opinions
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
How do both Charles and Emma respond to their mounting problems, and what does each person's solution reveal about their character?
analysis • surface - 2
Why does Emma throw herself into extreme religious devotion after her illness, and how is this similar to her previous obsessions?
analysis • medium - 3
Where do you see people today using 'crisis escapism'—throwing themselves into new obsessions when life gets overwhelming instead of addressing core problems?
application • medium - 4
When you're facing a problem that feels too big to handle, what's your go-to avoidance strategy, and how could you catch yourself doing it?
application • deep - 5
What does this chapter reveal about the difference between taking action and taking effective action when under pressure?
reflection • deep
Critical Thinking Exercise
Map Your Crisis Escape Routes
Think about the last time you felt overwhelmed by a problem. Write down what the actual issue was, then list three things you did instead of addressing it directly. For each avoidance behavior, identify what it gave you emotionally (distraction, control, excitement) and what it cost you practically.
Consider:
- •Notice patterns in how you avoid—do you get busy, start new projects, or retreat into fantasy?
- •Consider whether your escape routes feel productive in the moment but actually make problems worse
- •Think about what small, boring step you could have taken toward the real issue instead
Journaling Prompt
Write about a time when you successfully faced a difficult problem head-on instead of escaping into distraction. What made the difference in your approach that time?
Coming Up Next...
Chapter 24: The Opera's Dangerous Spell
Emma and Charles venture to Rouen for an evening at the theater, where the performance of the celebrated tenor Lagardy will awaken dangerous new desires and set the stage for Emma's final, most destructive romantic entanglement.




