An excerpt from the original text.(complete · 2519 words)
he place was the door of Jude’s lodging in the out-skirts of
Christminster—far from the precincts of St. Silas’ where he had
formerly lived, which saddened him to sickness. The rain was coming
down. A woman in shabby black stood on the doorstep talking to Jude,
who held the door in his hand.
“I am lonely, destitute, and houseless—that’s what I am! Father has
turned me out of doors after borrowing every penny I’d got, to put it
into his business, and then accusing me of laziness when I was only
waiting for a situation. I am at the mercy of the world! If you can’t
take me and help me, Jude, I must go to the workhouse, or to something
worse. Only just now two undergraduates winked at me as I came along.
’Tis hard for a woman to keep virtuous where there’s so many young
men!”
The woman in the rain who spoke thus was Arabella, the evening being
that of the day after Sue’s remarriage with Phillotson.
“I am sorry for you, but I am only in lodgings,” said Jude coldly.
“Then you turn me away?”
“I’ll give you enough to get food and lodging for a few days.”
“Oh, but can’t you have the kindness to take me in? I cannot endure
going to a public house to lodge; and I am so lonely. Please, Jude, for
old times’ sake!”
“No, no,” said Jude hastily. “I don’t want to be reminded of those
things; and if you talk about them I shall not help you.”
“Then I suppose I must go!” said Arabella. She bent her head against
the doorpost and began sobbing.
“The house is full,” said Jude. “And I have only a little extra room to
my own—not much more than a closet—where I keep my tools, and
templates, and the few books I have left!”
“That would be a palace for me!”
“There is no bedstead in it.”
“A bit of a bed could be made on the floor. It would be good enough for
me.”
Unable to be harsh with her, and not knowing what to do, Jude called
the man who let the lodgings, and said this was an acquaintance of his
in great distress for want of temporary shelter.
“You may remember me as barmaid at the Lamb and Flag formerly?” spoke
up Arabella. “My father has insulted me this afternoon, and I’ve left
him, though without a penny!”
The householder said he could not recall her features. “But still, if
you are a friend of Mr. Fawley’s we’ll do what we can for a day or
two—if he’ll make himself answerable?”
“Yes, yes,” said Jude. “She has really taken me quite unawares; but I
should wish to help her out of her difficulty.” And an arrangement was
ultimately come to under which a bed was to be thrown down in Jude’s
lumber-room, to make it comfortable for Arabella till she could get out
of the strait she was in—not by her own fault, as she declared—and
return to her father’s again.
While they were waiting for this to be done Arabella said: “You know
the news, I suppose?”
“I guess what you mean; but I know nothing.”
“I had a letter from Anny at Alfredston to-day. She had just heard that
the wedding was to be yesterday: but she didn’t know if it had come
off.”
“I don’t wish to talk of it.”
“No, no: of course you don’t. Only it shows what kind of woman—”
“Don’t speak of her I say! She’s a fool! And she’s an angel, too, poor
dear!”
“If it’s done, he’ll have a chance of getting back to his old position,
by everybody’s account, so Anny says. All his well-wishers will be
pleased, including the bishop himself.”
“Do spare me, Arabella.”
Arabella was duly installed in the little attic, and at first she did
not come near Jude at all. She went to and fro about her own business,
which, when they met for a moment on the stairs or in the passage, she
informed him was that of obtaining another place in the occupation she
understood best. When Jude suggested London as affording the most
likely opening in the liquor trade, she shook her head. “No—the
temptations are too many,” she said. “Any humble tavern in the country
before that for me.”
On the Sunday morning following, when he breakfasted later than on
other days, she meekly asked him if she might come in to breakfast with
him, as she had broken her teapot, and could not replace it
immediately, the shops being shut.
“Yes, if you like,” he said indifferently.
While they sat without speaking she suddenly observed: “You seem all in
a brood, old man. I’m sorry for you.”
“I am all in a brood.”
“It is about her, I know. It’s no business of mine, but I could find
out all about the wedding—if it really did take place—if you wanted to
know.”
“How could you?”
“I wanted to go to Alfredston to get a few things I left there. And I
could see Anny, who’ll be sure to have heard all about it, as she has
friends at Marygreen.”
Jude could not bear to acquiesce in this proposal; but his suspense
pitted itself against his discretion, and won in the struggle. “You can
ask about it if you like,” he said. “I’ve not heard a sound from there.
It must have been very private, if—they have married.”
“I am afraid I haven’t enough cash to take me there and back, or I
should have gone before. I must wait till I have earned some.”
“Oh—I can pay the journey for you,” he said impatiently. And thus his
suspense as to Sue’s welfare, and the possible marriage, moved him to
dispatch for intelligence the last emissary he would have thought of
choosing deliberately.
Arabella went, Jude requesting her to be home not later than by the
seven o’clock train. When she had gone he said: “Why should I have
charged her to be back by a particular time! She’s nothing to me—nor
the other neither!”
But having finished work he could not help going to the station to meet
Arabella, dragged thither by feverish haste to get the news she might
bring, and know the worst. Arabella had made dimples most successfully
all the way home, and when she stepped out of the railway carriage she
smiled. He merely said “Well?” with the very reverse of a smile.
“They are married.”
“Yes—of course they are!” he returned. She observed, however, the hard
strain upon his lip as he spoke.
“Anny says she has heard from Belinda, her relation out at Marygreen,
that it was very sad, and curious!”
“How do you mean sad? She wanted to marry him again, didn’t she? And he
her!”
“Yes—that was it. She wanted to in one sense, but not in the other.
Mrs. Edlin was much upset by it all, and spoke out her mind at
Phillotson. But Sue was that excited about it that she burnt her best
embroidery that she’d worn with you, to blot you out entirely. Well—if
a woman feels like it, she ought to do it. I commend her for it, though
others don’t.” Arabella sighed. “She felt he was her only husband, and
that she belonged to nobody else in the sight of God A’mighty while he
lived. Perhaps another woman feels the same about herself, too!”
Arabella sighed again.
“I don’t want any cant!” exclaimed Jude.
“It isn’t cant,” said Arabella. “I feel exactly the same as she!”
He closed that issue by remarking abruptly: “Well—now I know all I
wanted to know. Many thanks for your information. I am not going back
to my lodgings just yet.” And he left her straightway.
In his misery and depression Jude walked to well-nigh every spot in the
city that he had visited with Sue; thence he did not know whither, and
then thought of going home to his usual evening meal. But having all
the vices of his virtues, and some to spare, he turned into a public
house, for the first time during many months. Among the possible
consequences of her marriage Sue had not dwelt on this.
Arabella, meanwhile, had gone back. The evening passed, and Jude did
not return. At half-past nine Arabella herself went out, first
proceeding to an outlying district near the river where her father
lived, and had opened a small and precarious pork-shop lately.
“Well,” she said to him, “for all your rowing me that night, I’ve
called in, for I have something to tell you. I think I shall get
married and settled again. Only you must help me: and you can do no
less, after what I’ve stood ’ee.”
“I’ll do anything to get thee off my hands!”
“Very well. I am now going to look for my young man. He’s on the loose
I’m afraid, and I must get him home. All I want you to do to-night is
not to fasten the door, in case I should want to sleep here, and should
be late.”
“I thought you’d soon get tired of giving yourself airs and keeping
away!”
“Well—don’t do the door. That’s all I say.”
She then sallied out again, and first hastening back to Jude’s to make
sure that he had not returned, began her search for him. A shrewd guess
as to his probable course took her straight to the tavern which Jude
had formerly frequented, and where she had been barmaid for a brief
term. She had no sooner opened the door of the “Private Bar” than her
eyes fell upon him—sitting in the shade at the back of the compartment,
with his eyes fixed on the floor in a blank stare. He was drinking
nothing stronger than ale just then. He did not observe her, and she
entered and sat beside him.
Jude looked up, and said without surprise: “You’ve come to have
something, Arabella? … I’m trying to forget her: that’s all! But I
can’t; and I am going home.” She saw that he was a little way on in
liquor, but only a little as yet.
“I’ve come entirely to look for you, dear boy. You are not well. Now
you must have something better than that.” Arabella held up her finger
to the barmaid. “You shall have a liqueur—that’s better fit for a man
of education than beer. You shall have maraschino, or curaçao dry or
sweet, or cherry brandy. I’ll treat you, poor chap!”
“I don’t care which! Say cherry brandy… Sue has served me badly, very
badly. I didn’t expect it of Sue! I stuck to her, and she ought to have
stuck to me. I’d have sold my soul for her sake, but she wouldn’t risk
hers a jot for me. To save her own soul she lets mine go damn! … But it
isn’t her fault, poor little girl—I am sure it isn’t!”
How Arabella had obtained money did not appear, but she ordered a
liqueur each, and paid for them. When they had drunk these Arabella
suggested another; and Jude had the pleasure of being, as it were,
personally conducted through the varieties of spirituous delectation by
one who knew the landmarks well. Arabella kept very considerably in the
rear of Jude; but though she only sipped where he drank, she took as
much as she could safely take without losing her head—which was not a
little, as the crimson upon her countenance showed.
Her tone towards him to-night was uniformly soothing and cajoling; and
whenever he said “I don’t care what happens to me,” a thing he did
continually, she replied, “But I do very much!” The closing hour came,
and they were compelled to turn out; whereupon Arabella put her arm
round his waist, and guided his unsteady footsteps.
When they were in the streets she said: “I don’t know what our landlord
will say to my bringing you home in this state. I expect we are
fastened out, so that he’ll have to come down and let us in.”
“I don’t know—I don’t know.”
“That’s the worst of not having a home of your own. I tell you, Jude,
what we had best do. Come round to my father’s—I made it up with him a
bit to-day. I can let you in, and nobody will see you at all; and by
to-morrow morning you’ll be all right.”
“Anything—anywhere,” replied Jude. “What the devil does it matter to
me?”
They went along together, like any other fuddling couple, her arm still
round his waist, and his, at last, round hers; though with no amatory
intent; but merely because he was weary, unstable, and in need of
support.
“This—is th’ Martyrs’—burning-place,” he stammered as they dragged
across a broad street. “I remember—in old Fuller’s Holy State—and I
am reminded of it—by our passing by here—old Fuller in his Holy State
says, that at the burning of Ridley, Doctor Smith—preached sermon, and
took as his text ‘Though I give my body to be burned, and have not
charity, it profiteth me nothing.’—Often think of it as I pass here.
Ridley was a—”
“Yes. Exactly. Very thoughtful of you, deary, even though it hasn’t
much to do with our present business.”
“Why, yes it has! I’m giving my body to be burned! But—ah you don’t
understand!—it wants Sue to understand such things! And I was her
seducer—poor little girl! And she’s gone—and I don’t care about myself!
Do what you like with me! … And yet she did it for conscience’ sake,
poor little Sue!”
“Hang her!—I mean, I think she was right,” hiccuped Arabella. “I’ve my
feelings too, like her; and I feel I belong to you in Heaven’s eye, and
to nobody else, till death us do part! It is—hic—never too late—hic to
mend!”
They had reached her father’s house, and she softly unfastened the
door, groping about for a light within.
The circumstances were not altogether unlike those of their entry into
the cottage at Cresscombe, such a long time before. Nor were perhaps
Arabella’s motives. But Jude did not think of that, though she did.
“I can’t find the matches, dear,” she said when she had fastened up the
door. “But never mind—this way. As quiet as you can, please.”
“It is as dark as pitch,” said Jude.
“Give me your hand, and I’ll lead you. That’s it. Just sit down here,
and I’ll pull off your boots. I don’t want to wake him.”
“Who?”
“Father. He’d make a row, perhaps.”
She pulled off his boots. “Now,” she whispered, “take hold of me—never
mind your weight. Now—first stair, second stair—”
“But—are we out in our old house by Marygreen?” asked the stupefied
Jude. “I haven’t been inside it for years till now! Hey? And where are
my books? That’s what I want to know?”
“We are at my house, dear, where there’s nobody to spy out how ill you
are. Now—third stair, fourth stair—that’s it. Now we shall get on.”
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Let's Analyse the Pattern
The Predator's Perfect Storm
Manipulative people systematically target moments of maximum emotional vulnerability to exploit weakened defenses.
Why This Matters
Connect literature to life
This chapter teaches how to recognize people who specifically target moments of maximum emotional weakness with offers of help that serve their agenda.
Practice This Today
This week, notice when someone new shows up offering assistance right after you've shared bad news, and ask yourself what they might gain from your current vulnerability.
Now let's explore the literary elements.
Key Quotes & Analysis
"I am lonely, destitute, and houseless—that's what I am!"
Context: Her opening appeal to Jude at his door in the rain
This perfectly crafted plea hits all the emotional buttons - loneliness, poverty, and homelessness. She presents herself as completely helpless while hiding her true agenda to manipulate Jude back into her life.
In Today's Words:
I have nothing and nowhere to go - you're my only hope!
"Please, Jude, for old times' sake!"
Context: When Jude initially refuses to let her stay with him
She weaponizes nostalgia and their shared history to break down his resistance. This classic manipulation tactic makes him feel guilty for protecting his own boundaries.
In Today's Words:
Come on, after everything we meant to each other, you owe me this much.
"I don't want to be reminded of those things"
Context: His attempt to resist Arabella's emotional manipulation
Jude recognizes the danger of reopening old wounds, but his protest reveals he's already weakening. His pain makes him vulnerable to anyone offering connection, even destructive connection.
In Today's Words:
I can't deal with thinking about our past right now.
Thematic Threads
Manipulation
In This Chapter
Arabella orchestrates each step—appearing helpless, offering help, providing alcohol, guiding Jude's intoxicated state
Development
Evolved from earlier crude attempts to sophisticated psychological warfare
In Your Life:
You might see this when someone who hurt you before suddenly appears during your crisis offering help.
Vulnerability
In This Chapter
Jude's grief over Sue's remarriage strips away his ability to recognize Arabella's predatory behavior
Development
Jude's vulnerability has deepened from social rejection to personal devastation
In Your Life:
You might experience this after job loss, breakup, or family crisis when your judgment feels clouded.
Self-Destruction
In This Chapter
Jude returns to alcohol and allows himself to be led into Arabella's trap despite knowing better
Development
His self-destructive impulses have intensified as his dreams collapse
In Your Life:
You might see this when you make choices you know are harmful because the pain feels unbearable.
Timing
In This Chapter
Arabella appears exactly when Jude learns of Sue's remarriage, exploiting perfect timing for maximum impact
Development
Introduced here as calculated strategic element
In Your Life:
You might notice this when toxic people resurface precisely during your worst moments.
Isolation
In This Chapter
Jude has no support system to protect him from Arabella's manipulation in his moment of crisis
Development
His isolation has become complete as he's lost both Sue and his social connections
In Your Life:
You might experience this when you realize you have no one to call when you're being pressured into bad decisions.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What specific tactics does Arabella use to get back into Jude's life, and why does her timing matter?
analysis • surface - 2
Why does Jude agree to let Arabella gather news about Sue's wedding, even though he knows it will hurt him?
analysis • medium - 3
Where do you see people today taking advantage of others during vulnerable moments - breakups, job loss, illness, or family crisis?
application • medium - 4
What warning signs should Jude have recognized, and what protective strategies could he have used when grief made him vulnerable?
application • deep - 5
What does this chapter reveal about how emotional pain can make us unable to protect ourselves from people who mean us harm?
reflection • deep
Critical Thinking Exercise
Create Your Vulnerability Protocol
Think about a time when you were going through something difficult - illness, breakup, job loss, family crisis. Map out who showed up during that time and what they wanted from you. Then design a personal protocol for protecting yourself during future vulnerable periods.
Consider:
- •Notice the difference between people who help without asking for anything versus those who help with strings attached
- •Consider how grief, stress, or crisis affects your ability to make good decisions
- •Think about trusted friends who could help screen decisions when you're not thinking clearly
Journaling Prompt
Write about a time when someone took advantage of you during a difficult period. What red flags did you miss because you were hurting? How would you handle that situation differently now?
Coming Up Next...
Chapter 49: The Trap Springs Shut
Morning brings harsh reality as Arabella prepares breakfast and her father emerges from his new pork shop. The consequences of the previous night's decisions are about to become clear, and Jude will face the full scope of how thoroughly he's been maneuvered.




