An excerpt from the original text.(complete · 3094 words)
SCENE ON THE VERGE OF THE HAY-MEAD
“Ah, Miss Everdene!” said the sergeant, touching his diminutive cap.
“Little did I think it was you I was speaking to the other night. And
yet, if I had reflected, the ‘Queen of the Corn-market’ (truth is truth
at any hour of the day or night, and I heard you so named in
Casterbridge yesterday), the ‘Queen of the Corn-market.’ I say, could
be no other woman. I step across now to beg your forgiveness a thousand
times for having been led by my feelings to express myself too strongly
for a stranger. To be sure I am no stranger to the place—I am Sergeant
Troy, as I told you, and I have assisted your uncle in these fields no
end of times when I was a lad. I have been doing the same for you
to-day.”
“I suppose I must thank you for that, Sergeant Troy,” said the Queen of
the Corn-market, in an indifferently grateful tone.
The sergeant looked hurt and sad. “Indeed you must not, Miss Everdene,”
he said. “Why could you think such a thing necessary?”
“I am glad it is not.”
“Why? if I may ask without offence.”
“Because I don’t much want to thank you for anything.”
“I am afraid I have made a hole with my tongue that my heart will never
mend. O these intolerable times: that ill-luck should follow a man for
honestly telling a woman she is beautiful! ’Twas the most I said—you
must own that; and the least I could say—that I own myself.”
“There is some talk I could do without more easily than money.”
“Indeed. That remark is a sort of digression.”
“No. It means that I would rather have your room than your company.”
“And I would rather have curses from you than kisses from any other
woman; so I’ll stay here.”
Bathsheba was absolutely speechless. And yet she could not help feeling
that the assistance he was rendering forbade a harsh repulse.
“Well,” continued Troy, “I suppose there is a praise which is rudeness,
and that may be mine. At the same time there is a treatment which is
injustice, and that may be yours. Because a plain blunt man, who has
never been taught concealment, speaks out his mind without exactly
intending it, he’s to be snapped off like the son of a sinner.”
“Indeed there’s no such case between us,” she said, turning away. “I
don’t allow strangers to be bold and impudent—even in praise of me.”
“Ah—it is not the fact but the method which offends you,” he said,
carelessly. “But I have the sad satisfaction of knowing that my words,
whether pleasing or offensive, are unmistakably true. Would you have
had me look at you, and tell my acquaintance that you are quite a
common-place woman, to save you the embarrassment of being stared at if
they come near you? Not I. I couldn’t tell any such ridiculous lie
about a beauty to encourage a single woman in England in too excessive
a modesty.”
“It is all pretence—what you are saying!” exclaimed Bathsheba, laughing
in spite of herself at the sly method. “You have a rare invention,
Sergeant Troy. Why couldn’t you have passed by me that night, and said
nothing?—that was all I meant to reproach you for.”
“Because I wasn’t going to. Half the pleasure of a feeling lies in
being able to express it on the spur of the moment, and I let out mine.
It would have been just the same if you had been the reverse
person—ugly and old—I should have exclaimed about it in the same way.”
“How long is it since you have been so afflicted with strong feeling,
then?”
“Oh, ever since I was big enough to know loveliness from deformity.”
“’Tis to be hoped your sense of the difference you speak of doesn’t
stop at faces, but extends to morals as well.”
“I won’t speak of morals or religion—my own or anybody else’s. Though
perhaps I should have been a very good Christian if you pretty women
hadn’t made me an idolater.”
Bathsheba moved on to hide the irrepressible dimplings of merriment.
Troy followed, whirling his crop.
“But—Miss Everdene—you do forgive me?”
“Hardly.”
“Why?”
“You say such things.”
“I said you were beautiful, and I’ll say so still; for, by G—— so you
are! The most beautiful ever I saw, or may I fall dead this instant!
Why, upon my ——”
“Don’t—don’t! I won’t listen to you—you are so profane!” she said, in a
restless state between distress at hearing him and a penchant to hear
more.
“I again say you are a most fascinating woman. There’s nothing
remarkable in my saying so, is there? I’m sure the fact is evident
enough. Miss Everdene, my opinion may be too forcibly let out to please
you, and, for the matter of that, too insignificant to convince you,
but surely it is honest, and why can’t it be excused?”
“Because it—it isn’t a correct one,” she femininely murmured.
“Oh, fie—fie! Am I any worse for breaking the third of that Terrible
Ten than you for breaking the ninth?”
“Well, it doesn’t seem quite true to me that I am fascinating,” she
replied evasively.
“Not so to you: then I say with all respect that, if so, it is owing to
your modesty, Miss Everdene. But surely you must have been told by
everybody of what everybody notices? And you should take their words
for it.”
“They don’t say so exactly.”
“Oh yes, they must!”
“Well, I mean to my face, as you do,” she went on, allowing herself to
be further lured into a conversation that intention had rigorously
forbidden.
“But you know they think so?”
“No—that is—I certainly have heard Liddy say they do, but—” She paused.
Capitulation—that was the purport of the simple reply, guarded as it
was—capitulation, unknown to herself. Never did a fragile tailless
sentence convey a more perfect meaning. The careless sergeant smiled
within himself, and probably too the devil smiled from a loop-hole in
Tophet, for the moment was the turning-point of a career. Her tone and
mien signified beyond mistake that the seed which was to lift the
foundation had taken root in the chink: the remainder was a mere
question of time and natural changes.
“There the truth comes out!” said the soldier, in reply. “Never tell me
that a young lady can live in a buzz of admiration without knowing
something about it. Ah, well, Miss Everdene, you are—pardon my blunt
way—you are rather an injury to our race than otherwise.”
“How—indeed?” she said, opening her eyes.
“Oh, it is true enough. I may as well be hung for a sheep as a lamb (an
old country saying, not of much account, but it will do for a rough
soldier), and so I will speak my mind, regardless of your pleasure, and
without hoping or intending to get your pardon. Why, Miss Everdene, it
is in this manner that your good looks may do more harm than good in
the world.” The sergeant looked down the mead in critical abstraction.
“Probably some one man on an average falls in love with each ordinary
woman. She can marry him: he is content, and leads a useful life. Such
women as you a hundred men always covet—your eyes will bewitch scores
on scores into an unavailing fancy for you—you can only marry one of
that many. Out of these say twenty will endeavour to drown the
bitterness of despised love in drink; twenty more will mope away their
lives without a wish or attempt to make a mark in the world, because
they have no ambition apart from their attachment to you; twenty
more—the susceptible person myself possibly among them—will be always
draggling after you, getting where they may just see you, doing
desperate things. Men are such constant fools! The rest may try to get
over their passion with more or less success. But all these men will be
saddened. And not only those ninety-nine men, but the ninety-nine women
they might have married are saddened with them. There’s my tale. That’s
why I say that a woman so charming as yourself, Miss Everdene, is
hardly a blessing to her race.”
The handsome sergeant’s features were during this speech as rigid and
stern as John Knox’s in addressing his gay young queen.
Seeing she made no reply, he said, “Do you read French?”
“No; I began, but when I got to the verbs, father died,” she said
simply.
“I do—when I have an opportunity, which latterly has not been often (my
mother was a Parisienne)—and there’s a proverb they have, Qui aime
bien, châtie bien—‘He chastens who loves well.’ Do you understand me?”
“Ah!” she replied, and there was even a little tremulousness in the
usually cool girl’s voice; “if you can only fight half as winningly as
you can talk, you are able to make a pleasure of a bayonet wound!” And
then poor Bathsheba instantly perceived her slip in making this
admission: in hastily trying to retrieve it, she went from bad to
worse. “Don’t, however, suppose that I derive any pleasure from what
you tell me.”
“I know you do not—I know it perfectly,” said Troy, with much hearty
conviction on the exterior of his face: and altering the expression to
moodiness; “when a dozen men are ready to speak tenderly to you, and
give the admiration you deserve without adding the warning you need, it
stands to reason that my poor rough-and-ready mixture of praise and
blame cannot convey much pleasure. Fool as I may be, I am not so
conceited as to suppose that!”
“I think you—are conceited, nevertheless,” said Bathsheba, looking
askance at a reed she was fitfully pulling with one hand, having lately
grown feverish under the soldier’s system of procedure—not because the
nature of his cajolery was entirely unperceived, but because its vigour
was overwhelming.
“I would not own it to anybody else—nor do I exactly to you. Still,
there might have been some self-conceit in my foolish supposition the
other night. I knew that what I said in admiration might be an opinion
too often forced upon you to give any pleasure, but I certainly did
think that the kindness of your nature might prevent you judging an
uncontrolled tongue harshly—which you have done—and thinking badly of
me and wounding me this morning, when I am working hard to save your
hay.”
“Well, you need not think more of that: perhaps you did not mean to be
rude to me by speaking out your mind: indeed, I believe you did not,”
said the shrewd woman, in painfully innocent earnest. “And I thank you
for giving help here. But—but mind you don’t speak to me again in that
way, or in any other, unless I speak to you.”
“Oh, Miss Bathsheba! That is too hard!”
“No, it isn’t. Why is it?”
“You will never speak to me; for I shall not be here long. I am soon
going back again to the miserable monotony of drill—and perhaps our
regiment will be ordered out soon. And yet you take away the one little
ewe-lamb of pleasure that I have in this dull life of mine. Well,
perhaps generosity is not a woman’s most marked characteristic.”
“When are you going from here?” she asked, with some interest.
“In a month.”
“But how can it give you pleasure to speak to me?”
“Can you ask Miss Everdene—knowing as you do—what my offence is based
on?”
“If you do care so much for a silly trifle of that kind, then, I don’t
mind doing it,” she uncertainly and doubtingly answered. “But you can’t
really care for a word from me? you only say so—I think you only say
so.”
“That’s unjust—but I won’t repeat the remark. I am too gratified to get
such a mark of your friendship at any price to cavil at the tone. I
do, Miss Everdene, care for it. You may think a man foolish to want a
mere word—just a good morning. Perhaps he is—I don’t know. But you have
never been a man looking upon a woman, and that woman yourself.”
“Well.”
“Then you know nothing of what such an experience is like—and Heaven
forbid that you ever should!”
“Nonsense, flatterer! What is it like? I am interested in knowing.”
“Put shortly, it is not being able to think, hear, or look in any
direction except one without wretchedness, nor there without torture.”
“Ah, sergeant, it won’t do—you are pretending!” she said, shaking her
head. “Your words are too dashing to be true.”
“I am not, upon the honour of a soldier.”
“But why is it so?—Of course I ask for mere pastime.”
“Because you are so distracting—and I am so distracted.”
“You look like it.”
“I am indeed.”
“Why, you only saw me the other night!”
“That makes no difference. The lightning works instantaneously. I loved
you then, at once—as I do now.”
Bathsheba surveyed him curiously, from the feet upward, as high as she
liked to venture her glance, which was not quite so high as his eyes.
“You cannot and you don’t,” she said demurely. “There is no such sudden
feeling in people. I won’t listen to you any longer. Hear me, I wish I
knew what o’clock it is—I am going—I have wasted too much time here
already!”
The sergeant looked at his watch and told her. “What, haven’t you a
watch, miss?” he inquired.
“I have not just at present—I am about to get a new one.”
“No. You shall be given one. Yes—you shall. A gift, Miss Everdene—a
gift.”
And before she knew what the young man was intending, a heavy gold
watch was in her hand.
“It is an unusually good one for a man like me to possess,” he quietly
said. “That watch has a history. Press the spring and open the back.”
She did so.
“What do you see?”
“A crest and a motto.”
“A coronet with five points, and beneath, Cedit amor rebus—‘Love
yields to circumstance.’ It’s the motto of the Earls of Severn. That
watch belonged to the last lord, and was given to my mother’s husband,
a medical man, for his use till I came of age, when it was to be given
to me. It was all the fortune that ever I inherited. That watch has
regulated imperial interests in its time—the stately ceremonial, the
courtly assignation, pompous travels, and lordly sleeps. Now it is
yours.”
“But, Sergeant Troy, I cannot take this—I cannot!” she exclaimed, with
round-eyed wonder. “A gold watch! What are you doing? Don’t be such a
dissembler!”
The sergeant retreated to avoid receiving back his gift, which she held
out persistently towards him. Bathsheba followed as he retired.
“Keep it—do, Miss Everdene—keep it!” said the erratic child of impulse.
“The fact of your possessing it makes it worth ten times as much to me.
A more plebeian one will answer my purpose just as well, and the
pleasure of knowing whose heart my old one beats against—well, I won’t
speak of that. It is in far worthier hands than ever it has been in
before.”
“But indeed I can’t have it!” she said, in a perfect simmer of
distress. “Oh, how can you do such a thing; that is if you really mean
it! Give me your dead father’s watch, and such a valuable one! You
should not be so reckless, indeed, Sergeant Troy!”
“I loved my father: good; but better, I love you more. That’s how I can
do it,” said the sergeant, with an intonation of such exquisite
fidelity to nature that it was evidently not all acted now. Her beauty,
which, whilst it had been quiescent, he had praised in jest, had in its
animated phases moved him to earnest; and though his seriousness was
less than she imagined, it was probably more than he imagined himself.
Bathsheba was brimming with agitated bewilderment, and she said, in
half-suspicious accents of feeling, “Can it be! Oh, how can it be, that
you care for me, and so suddenly! You have seen so little of me: I may
not be really so—so nice-looking as I seem to you. Please, do take it;
Oh, do! I cannot and will not have it. Believe me, your generosity is
too great. I have never done you a single kindness, and why should you
be so kind to me?”
A factitious reply had been again upon his lips, but it was again
suspended, and he looked at her with an arrested eye. The truth was,
that as she now stood—excited, wild, and honest as the day—her alluring
beauty bore out so fully the epithets he had bestowed upon it that he
was quite startled at his temerity in advancing them as false. He said
mechanically, “Ah, why?” and continued to look at her.
“And my workfolk see me following you about the field, and are
wondering. Oh, this is dreadful!” she went on, unconscious of the
transmutation she was effecting.
“I did not quite mean you to accept it at first, for it was my one poor
patent of nobility,” he broke out, bluntly; “but, upon my soul, I wish
you would now. Without any shamming, come! Don’t deny me the happiness
of wearing it for my sake? But you are too lovely even to care to be
kind as others are.”
“No, no; don’t say so! I have reasons for reserve which I cannot
explain.”
“Let it be, then, let it be,” he said, receiving back the watch at
last; “I must be leaving you now. And will you speak to me for these
few weeks of my stay?”
“Indeed I will. Yet, I don’t know if I will! Oh, why did you come and
disturb me so!”
“Perhaps in setting a gin, I have caught myself. Such things have
happened. Well, will you let me work in your fields?” he coaxed.
“Yes, I suppose so; if it is any pleasure to you.”
“Miss Everdene, I thank you.”
“No, no.”
“Good-bye!”
The sergeant brought his hand to the cap on the slope of his head,
saluted, and returned to the distant group of haymakers.
Bathsheba could not face the haymakers now. Her heart erratically
flitting hither and thither from perplexed excitement, hot, and almost
tearful, she retreated homeward, murmuring, “Oh, what have I done! What
does it mean! I wish I knew how much of it was true!”
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Let's Analyse the Pattern
When someone refuses to accept rejection and instead increases their emotional or material investment to create artificial obligation and override boundaries.
Why This Matters
Connect literature to life
This chapter teaches how to recognize when someone uses increasingly dramatic gestures to override your boundaries and create artificial obligation.
Practice This Today
This week, notice when someone responds to your 'no' by offering more—more time, more gifts, more personal information—and ask yourself if they're respecting your decision or trying to change it through escalation.
Now let's explore the literary elements.
Key Quotes & Analysis
"I heard you so named in Casterbridge yesterday, the 'Queen of the Corn-market'"
Context: Troy flatters Bathsheba by repeating what others supposedly said about her business success
This shows Troy's tactical approach to seduction - he makes her feel important and desired while claiming he's just repeating what everyone else thinks. It's both a compliment and social proof.
In Today's Words:
Everyone in town is talking about how successful and impressive you are
"I don't much want to thank you for anything"
Context: Bathsheba tries to maintain distance when Troy expects gratitude for his help
Bathsheba attempts to establish boundaries and show she won't be easily won over. Her bluntness reveals both her independence and her discomfort with Troy's presumptions.
In Today's Words:
I didn't ask for your help and I don't owe you anything for it
"I love my father; but I love you more than I love my dead father"
Context: Troy explains why he's giving Bathsheba his father's gold watch
This is Troy's master stroke - claiming to love her more than his dead father makes the gesture seem incredibly meaningful and romantic, even though they barely know each other.
In Today's Words:
You mean more to me than my own family - here's something precious to prove it
Thematic Threads
Manipulation
In This Chapter
Troy uses calculated charm, philosophical speeches, and grand gestures to overwhelm Bathsheba's judgment and create artificial intimacy
Development
Evolved from earlier subtle manipulation to overt emotional manipulation with manufactured crisis
In Your Life:
You might recognize this when someone uses increasingly dramatic gestures to make you feel guilty for maintaining boundaries
Class
In This Chapter
Troy's family heirloom with noble crest represents his higher social status, which he weaponizes as both gift and proof of his worthiness
Development
Continues the theme of class differences affecting romantic relationships and power dynamics
In Your Life:
You might see this when someone uses their status, education, or possessions to make you feel you should be grateful for their attention
Performance
In This Chapter
Troy's seduction is described as skilled performance, mixing genuine and calculated elements until even he's affected by his own act
Development
Builds on earlier themes of social performance, now showing how performers can become trapped by their own roles
In Your Life:
You might experience this when someone's charm feels rehearsed, or when you catch yourself performing a version of yourself to please others
Emotional Debt
In This Chapter
The pocket watch creates artificial obligation—Bathsheba now owes Troy emotional consideration because he gave her something valuable
Development
Introduced here as a new manipulation tactic building on earlier power dynamics
In Your Life:
You might feel this when someone's gifts or favors come with unspoken expectations that make you uncomfortable saying no
Identity
In This Chapter
Bathsheba struggles between her practical judgment and her attraction, torn between who she thinks she should be and what she feels
Development
Continues her ongoing struggle to maintain independence while navigating romantic attraction
In Your Life:
You might recognize this internal conflict when your gut instincts clash with what others expect from you or what seems socially acceptable
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What specific tactics does Troy use when Bathsheba tries to dismiss him, and how does his approach change throughout their conversation?
analysis • surface - 2
Why does Troy give Bathsheba his father's watch, and how does this gift change the power dynamic between them?
analysis • medium - 3
Where do you see this pattern of escalating investment to overcome rejection in modern relationships, workplace situations, or sales interactions?
application • medium - 4
How would you respond if someone refused to accept your 'no' and instead escalated with bigger gestures or more personal confessions?
application • deep - 5
What does Troy's behavior reveal about the difference between genuine respect and manipulative persistence?
reflection • deep
Critical Thinking Exercise
Map the Escalation Pattern
Think of a situation where someone wouldn't accept your 'no' and kept pushing harder. Map out their escalation tactics: What did they do first? How did they increase pressure? What bigger gestures or investments did they make? Now identify the moment when you started feeling obligated rather than flattered.
Consider:
- •Notice how your feelings shifted from clear boundaries to guilt or confusion
- •Identify which of their tactics made you feel most obligated to respond
- •Consider how the situation might have been different if they had accepted your first 'no'
Journaling Prompt
Write about a time when someone's persistent attention made you feel guilty for having boundaries. What would you say to your past self about recognizing the difference between romantic persistence and manipulative pressure?
Coming Up Next...
Chapter 27: When Boundaries Start to Blur
The drama shifts from romantic tension to rural crisis as Bathsheba faces a swarm of bees threatening her farm. Will this emergency reveal new sides of the characters we've met, or bring unexpected help from surprising quarters?




