Summary
Sergeant Troy encounters Bathsheba in the hayfield and launches into a masterclass of seductive conversation. He apologizes for his boldness the night before, then doubles down with even bolder compliments, calling her the 'Queen of the Corn-market.' When Bathsheba tries to dismiss him, Troy refuses to leave, claiming he'd rather have her curses than kisses from other women. He delivers a philosophical speech about how beautiful women like her cause suffering to dozens of men who fall hopelessly in love but can never have her. Throughout their verbal sparring, Troy skillfully mixes genuine admiration with calculated charm. The conversation reaches its climax when Troy impulsively gives Bathsheba his gold pocket watch—a family heirloom with a noble crest. Despite her protests, he insists she keep it, claiming he loves her more than his dead father. Bathsheba is overwhelmed by the gesture and his apparent sincerity, torn between suspicion and attraction. She finally returns the watch but agrees to let him work in her fields and speak to her during his remaining month in the area. As Troy returns to the haymakers, Bathsheba retreats home in emotional turmoil, wondering how much of his performance was real. This scene marks a turning point where Troy's practiced seduction begins to affect even himself.
Coming Up in Chapter 27
The drama shifts from romantic tension to rural crisis as Bathsheba faces a swarm of bees threatening her farm. Will this emergency reveal new sides of the characters we've met, or bring unexpected help from surprising quarters?
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An excerpt from the original text.(~500 words)
SCENE ON THE VERGE OF THE HAY-MEAD “Ah, Miss Everdene!” said the sergeant, touching his diminutive cap. “Little did I think it was you I was speaking to the other night. And yet, if I had reflected, the ‘Queen of the Corn-market’ (truth is truth at any hour of the day or night, and I heard you so named in Casterbridge yesterday), the ‘Queen of the Corn-market.’ I say, could be no other woman. I step across now to beg your forgiveness a thousand times for having been led by my feelings to express myself too strongly for a stranger. To be sure I am no stranger to the place—I am Sergeant Troy, as I told you, and I have assisted your uncle in these fields no end of times when I was a lad. I have been doing the same for you to-day.” “I suppose I must thank you for that, Sergeant Troy,” said the Queen of the Corn-market, in an indifferently grateful tone. The sergeant looked hurt and sad. “Indeed you must not, Miss Everdene,” he said. “Why could you think such a thing necessary?” “I am glad it is not.” “Why? if I may ask without offence.” “Because I don’t much want to thank you for anything.” “I am afraid I have made a hole with my tongue that my heart will never mend. O these intolerable times: that ill-luck should follow a man for honestly telling a woman she is beautiful! ’Twas the most I said—you must own that; and the least I could say—that I own myself.” “There is some talk I could do without more easily than money.” “Indeed. That remark is a sort of digression.” “No. It means that I would rather have your room than your company.” “And I would rather have curses from you than kisses from any other woman; so I’ll stay here.” Bathsheba was absolutely speechless. And yet she could not help feeling that the assistance he was rendering forbade a harsh repulse. “Well,” continued Troy, “I suppose there is a praise which is rudeness, and that may be mine. At the same time there is a treatment which is injustice, and that may be yours. Because a plain blunt man, who has never been taught concealment, speaks out his mind without exactly intending it, he’s to be snapped off like the son of a sinner.” “Indeed there’s no such case between us,” she said, turning away. “I don’t allow strangers to be bold and impudent—even in praise of me.” “Ah—it is not the fact but the method which offends you,” he said, carelessly. “But I have the sad satisfaction of knowing that my words, whether pleasing or offensive, are unmistakably true. Would you have had me look at you, and tell my acquaintance that you are quite a common-place woman, to save you the embarrassment of being stared at if they come near you? Not I. I couldn’t tell any such ridiculous lie about a beauty to encourage...
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Intelligence Amplifier™ Analysis
The Road of Escalating Investment
When someone refuses to accept rejection and instead increases their emotional or material investment to create artificial obligation and override boundaries.
Why This Matters
Connect literature to life
This chapter teaches how to recognize when someone uses increasingly dramatic gestures to override your boundaries and create artificial obligation.
Practice This Today
This week, notice when someone responds to your 'no' by offering more—more time, more gifts, more personal information—and ask yourself if they're respecting your decision or trying to change it through escalation.
Now let's explore the literary elements.
Terms to Know
Sergeant
A military rank above private but below officer, typically someone with field experience and authority over enlisted men. In Victorian times, soldiers like Troy often worked civilian jobs between military assignments.
Modern Usage:
We still use this rank in military and police forces - it's the experienced person who trains new recruits and handles day-to-day operations.
Queen of the Corn-market
Troy's flattering nickname for Bathsheba, referring to her status as a successful grain dealer. In rural Victorian England, being known in the market meant you had real business power.
Modern Usage:
Like calling someone 'the boss lady' or 'the one who runs things' - it's both a compliment and acknowledgment of someone's influence.
Casterbridge
The local market town where people go to buy, sell, and gossip. Hardy based it on Dorchester, where news and reputations spread quickly among the farming community.
Modern Usage:
Every small town has its equivalent - the main street, the Walmart, wherever everyone eventually runs into each other and talks.
Hayfield/hay-mead
A field where grass is cut and dried to make hay for feeding livestock through winter. This was backbreaking seasonal work that required many hands working together.
Modern Usage:
Any workplace where people do physical labor together - construction sites, warehouses, kitchens - places where you really get to know people.
Gold pocket watch
An expensive timepiece carried in a vest pocket, often passed down through families. Having one with a noble crest meant your family had status and history.
Modern Usage:
Like giving someone your grandmother's ring or your father's class ring - it's about sharing something that represents your family legacy.
Family crest
A symbolic design that represented a family's noble heritage and social status. Having one meant your ancestors had achieved recognition from the monarchy or aristocracy.
Modern Usage:
Similar to family traditions, heirloom jewelry, or even tattoos that represent where you come from and what your family values.
Characters in This Chapter
Sergeant Troy
Seductive antagonist
Troy uses masterful charm and manipulation to win over Bathsheba, mixing genuine compliments with calculated moves. He gives her his family's gold watch to prove his sincerity, showing he's willing to sacrifice meaningful possessions for her attention.
Modern Equivalent:
The smooth-talking guy who knows exactly what to say to make you feel special
Bathsheba Everdene
Conflicted protagonist
Bathsheba struggles between her practical instincts and her attraction to Troy's charm. She's suspicious of his motives but moved by his apparent sacrifice of the family watch, showing her internal battle between wisdom and desire.
Modern Equivalent:
The successful woman who knows better but finds herself drawn to the charming bad boy anyway
Key Quotes & Analysis
"I heard you so named in Casterbridge yesterday, the 'Queen of the Corn-market'"
Context: Troy flatters Bathsheba by repeating what others supposedly said about her business success
This shows Troy's tactical approach to seduction - he makes her feel important and desired while claiming he's just repeating what everyone else thinks. It's both a compliment and social proof.
In Today's Words:
Everyone in town is talking about how successful and impressive you are
"I don't much want to thank you for anything"
Context: Bathsheba tries to maintain distance when Troy expects gratitude for his help
Bathsheba attempts to establish boundaries and show she won't be easily won over. Her bluntness reveals both her independence and her discomfort with Troy's presumptions.
In Today's Words:
I didn't ask for your help and I don't owe you anything for it
"I love my father; but I love you more than I love my dead father"
Context: Troy explains why he's giving Bathsheba his father's gold watch
This is Troy's master stroke - claiming to love her more than his dead father makes the gesture seem incredibly meaningful and romantic, even though they barely know each other.
In Today's Words:
You mean more to me than my own family - here's something precious to prove it
Thematic Threads
Manipulation
In This Chapter
Troy uses calculated charm, philosophical speeches, and grand gestures to overwhelm Bathsheba's judgment and create artificial intimacy
Development
Evolved from earlier subtle manipulation to overt emotional manipulation with manufactured crisis
In Your Life:
You might recognize this when someone uses increasingly dramatic gestures to make you feel guilty for maintaining boundaries
Class
In This Chapter
Troy's family heirloom with noble crest represents his higher social status, which he weaponizes as both gift and proof of his worthiness
Development
Continues the theme of class differences affecting romantic relationships and power dynamics
In Your Life:
You might see this when someone uses their status, education, or possessions to make you feel you should be grateful for their attention
Performance
In This Chapter
Troy's seduction is described as skilled performance, mixing genuine and calculated elements until even he's affected by his own act
Development
Builds on earlier themes of social performance, now showing how performers can become trapped by their own roles
In Your Life:
You might experience this when someone's charm feels rehearsed, or when you catch yourself performing a version of yourself to please others
Emotional Debt
In This Chapter
The pocket watch creates artificial obligation—Bathsheba now owes Troy emotional consideration because he gave her something valuable
Development
Introduced here as a new manipulation tactic building on earlier power dynamics
In Your Life:
You might feel this when someone's gifts or favors come with unspoken expectations that make you uncomfortable saying no
Identity
In This Chapter
Bathsheba struggles between her practical judgment and her attraction, torn between who she thinks she should be and what she feels
Development
Continues her ongoing struggle to maintain independence while navigating romantic attraction
In Your Life:
You might recognize this internal conflict when your gut instincts clash with what others expect from you or what seems socially acceptable
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What specific tactics does Troy use when Bathsheba tries to dismiss him, and how does his approach change throughout their conversation?
analysis • surface - 2
Why does Troy give Bathsheba his father's watch, and how does this gift change the power dynamic between them?
analysis • medium - 3
Where do you see this pattern of escalating investment to overcome rejection in modern relationships, workplace situations, or sales interactions?
application • medium - 4
How would you respond if someone refused to accept your 'no' and instead escalated with bigger gestures or more personal confessions?
application • deep - 5
What does Troy's behavior reveal about the difference between genuine respect and manipulative persistence?
reflection • deep
Critical Thinking Exercise
Map the Escalation Pattern
Think of a situation where someone wouldn't accept your 'no' and kept pushing harder. Map out their escalation tactics: What did they do first? How did they increase pressure? What bigger gestures or investments did they make? Now identify the moment when you started feeling obligated rather than flattered.
Consider:
- •Notice how your feelings shifted from clear boundaries to guilt or confusion
- •Identify which of their tactics made you feel most obligated to respond
- •Consider how the situation might have been different if they had accepted your first 'no'
Journaling Prompt
Write about a time when someone's persistent attention made you feel guilty for having boundaries. What would you say to your past self about recognizing the difference between romantic persistence and manipulative pressure?
Coming Up Next...
Chapter 27: When Boundaries Start to Blur
The coming pages reveal shared tasks can break down emotional barriers, and teach us saying 'no' gets harder when someone makes you laugh. These discoveries help us navigate similar situations in our own lives.